The background color is blue, denoting peace and calmness which subverts thriller film conventions of being dark and mysterious. The planes flying away on screen are white, denoting purity leaving behind the man in a black suit, denoting he is evil and alone as darkness and evil remain. This suggests the man is the antagonist from which goodness is departing.
The mise-en-scene contrasts high and low key lighting, denoting a change from goodness to evil. It shows a man in a suit dragged down by a giant hand from the light to darkness, connoting an attempt to change him and make him evil. The serif title credits connote the film targets a male audience.
The background color is blue, denoting peace and calmness which subverts thriller film conventions of being dark and mysterious. The planes flying away on screen are white, denoting purity leaving behind the man in a black suit, denoting he is evil and alone as darkness and evil remain. This suggests the man is the antagonist from which goodness is departing.
The mise-en-scene contrasts high and low key lighting, denoting a change from goodness to evil. It shows a man in a suit dragged down by a giant hand from the light to darkness, connoting an attempt to change him and make him evil. The serif title credits connote the film targets a male audience.
The background color is blue, denoting peace and calmness which subverts thriller film conventions of being dark and mysterious. The planes flying away on screen are white, denoting purity leaving behind the man in a black suit, denoting he is evil and alone as darkness and evil remain. This suggests the man is the antagonist from which goodness is departing.
The mise-en-scene contrasts high and low key lighting, denoting a change from goodness to evil. It shows a man in a suit dragged down by a giant hand from the light to darkness, connoting an attempt to change him and make him evil. The serif title credits connote the film targets a male audience.
background colour is blue, and this connotes, peace and calmness. This subverts to the codes and conventions of thriller films, as thrillers are stereotypically seen as dark, and eary and they have lots of mystery to them. The bottom of the screen is black which signifies that the mystery and horror will soon unfold. The aeroplanes on the screen are white, and this particular color connotes purity- the fact that these are flying away connotes that the goodness is disappearing suggesting that darkness and evil is left behind. The person standing in the frame is wearing a black suit, which signifies that he is evil, and a very dark character, maybe even the antagonist in this film and it is denoted that he is alone and the planes are flying away from him, which could also suggest that he is evil, because as said before, the purity is leaving evil behind. James Bond: Skyfall The mise-enscene in this frame is denoted to be contrasting from high key lighting to low key lighting signifying that there is a change from goodness to evilness. It is also denoted that there
is a man in a suit being dragged down by a giant
hand from the high key light to the low key light which connotes that someone is trying to change him and get him to the dark side and become quite evil. The title credit in this frame is serif connoting that this film is aimed at a male audience.