GENERAL INDEX

734

simple theme, 34, 73, 89, 92, 99, 113, 116,

123, 13132, 135, 137, 147, 166, 173,
177, 18586, 575
simplicity, formal, 565, 569
Sisman, Elaine, 569
slow introduction, 134, 262, 294, 301, 519,
551, 556, 595
slow movement, 570, 642, 644, 652, 656,
664, 672
slow variation, 570
small binary, 238, 286, 505, 558, 631, 654
vs. compound period, 246, 253
contrasting middle, absence of, 240, 252
first part (part 1), 23839, 243, 578
as interior theme, 566, 57677
as main theme, large ternary, 566, 575,
595
and minuet, 609, 633
motivic correspondences, 239
as refrain, five-part rondo, 239
vs. rounded binary, 238, 240, 242
second part (part 2), 23840
vs. small ternary, 240
in theme for variations, 56970
small ternary, 195, 286, 323, 337, 339,
353, 505, 615, 654 (see also rounded
binary; truncated small ternary)
basic functions of, 195
as entire slow movement, 574
incomplete, 567, 576, 578, 646, 654
as interior theme, 566, 576
vs. large ternary, 574
as main theme, large ternary, 566, 575,
595
and minuet, 609, 624, 633
as refrain, five-part rondo, 643
vs. small binary, 23840, 242
vs. sonata form, 195, 575
in theme for variations, 239, 569, 570
solo development, 673, 691
solo exposition, 502, 673, 67677, 68384,
692
solo main theme, 684
solo recapitulation, 673, 682, 692
solo subordinate theme, 686
solo transition, 686
sonata form, 195, 26163, 539, 56566,
57172, 57576, 590, 607, 625,
64445, 650, 67273, 682

sonata principle, 479, 494, 499, 505

sonata-rondo, 539, 566, 642, 644, 65051,
653, 657, 66061, 664, 672 (see also
nine-part sonata-rondo)
sonata without development, 56566, 571,
592, 595, 656, 664, 672
sonatina form, 571
stability. See tight-knit organization
standing on the dominant, 221, 270, 273,
286, 328, 332, 33435, 37677, 381,
447, 530, 53233, 556, 592, 647
as B section, minuet, 621, 631
as B section, small ternary, 197, 199,
210, 214, 224, 250, 554
beginning with, 390, 393, 395
in core, 273, 422, 426, 429, 431, 582
vs. dominant prolongation, 214
as half-cadential idea, 267, 291, 331
labeling units of, 329
multiple phrases (parts) in, 274,
277, 431
as postcadential, 133, 135, 145, 182, 213,
267, 310, 329
rare after antecedent, 135
vs. retransition, 44748
vs. tonic prolongation, 395
statement, 37, 4243, 179, 252 (see also
tonic version)
statement-response restatement
(repetition, return), 36, 4145, 82,
169, 179, 430
stop, 88, 210, 301, 310, 500, 684
structural changes, 198, 215, 279, 47678
in recapitulation main theme, 279,
478, 484
in recapitulation subordinate theme,
281, 47879, 494
in recapitulation transition, 279,
478, 488
Stufentheorie (theory of steps), 2
Sturm und Drang, 300, 422, 425, 440, 451,
576
subdominant, 3, 215, 457, 499, 565,
608, 661
emphasized, in codetta, 14849,
15152, 294
for interior theme, rondo, 653, 664
in recapitulation, 279, 281, 478, 48788
in response, 42, 44