GENERAL INDEX

continuationcadential, 92, 1089, 132,

173, 180, 248, 299, 530, 553 (see also
expanded cadential progression)
in sentence, 6063, 106
continuation (function), 3536, 4748, 61,
73, 100, 168, 179, 212, 246, 32728,
631, 653 (see also compound basic
idea + continuation)
beginning with, 291, 293, 39091, 618
compressed, 18082, 311, 324, 379
vs. consequent, 11314, 219
in core, 430
embracing two phrases, 363
as entire second part, small binary,
240, 252
extended, 12526, 131, 138, 173, 354,
356, 36364, 681, 688
after internal half cadence, 354, 377,
404, 522
in model of core, 274
at start of coda, 520, 529
continuation phrase, 3436, 115, 17980,
212, 294, 363
as B section, 197, 201, 211, 217
in compound sentence, 168
follows basic idea, 154, 219, 226
continuous exposition, 310
contrasting idea, 74, 7778, 628
continuational characteristics in, 74, 79,
8889, 107
supported by cadential progression, 74,
79, 85
contrasting middle, minuet. See B section,
minuet
contrasting middle, small ternary. See B
section, small ternary
contrasting period, 76, 100
conventional form (organization), 205,
263, 28687, 552, 613, 643, 650, 681
conventional material, 3839, 56
core, 27374, 315, 422, 426, 429, 459, 521,
576, 582, 62123, 65758, 660 (see
also pseudo-core; core substitute)
emotional quality of, 273, 422, 440, 451
as large-scale continuation, 274, 429,
446
multiple, 42223, 426, 433, 446
preceded by presentation, 429, 446

resembles transition, 429, 431, 441

core substitute, 451, 657, 660
couplet, 64246, 651, 653, 657, 661 (see
also double-region couplet)
da capo, 608, 627, 629, 631
Darcy, Warren. See Hepokoski, James, and
Warren Darcy
deceptive cadence, 12931, 14143, 151,
180, 221, 299, 364, 375, 421, 457, 503,
539, 578, 595, 621, 629
aesthetic effect of, 374
in A section, minuet, 610, 625, 626
vs. evaded cadence, 14142
deceptive cadential progression, 5, 15, 18,
130, 151
deceptive resolution, 9, 21, 82, 131, 240,
25152, 393, 433, 437, 459, 499, 616, 625
deformation, 124
deletion of thematic restatements in
recapitulation, 47880, 485, 487, 489,
492, 494, 49798, 502
development, melodic-motivic, 198,
21921, 226, 269, 42829, 479, 541,
585, 610, 684
development key, 263, 27374, 275, 421,
423, 426, 431, 593, 621, 625, 656, 660
development-like organization, 609
development section, 262, 272, 420, 532,
57172, 576, 590, 64445, 673
influence on recapitulation, 476, 487,
489, 499500
models organization of exposition, 458
reduced, in slow-movement sonata,
59394
referenced, in coda, 521, 54041
unusual endings, 460
without core, 426, 450, 487
deviations, 59, 124
of cadences, 125, 129, 138, 141, 166, 224,
364, 421
of phrases, 123, 137, 166, 28788, 324
direct modulation, 615, 651
dominant, 308 (see also penultimate
dominant; ultimate dominant)
beginning pre-core, 45960
emphasized, in B section, 19697, 210,
22123, 227, 252, 341, 575

725