GENERAL INDEX

730

melodic-motivic material, 183, 197, 214,

263, 27071, 286, 355, 395, 431, 476,
483, 509, 574, 608, 64344, 676
articulating subordinate theme, 353, 358
of B section, 197, 210
of basic idea, 3839
of cadential idea, 56, 117
of closing section, 388, 537
of coda, 526
of codetta, 13435
of compound basic idea, 107
of continuation, compound period, 173
of contrasting idea, 75, 7778, 84
of core, 422
of development section, 272, 428
diversity of, 353
and fragmentation, 51
vs. formal function, 509, 683
of lead-in, 86
of main theme, 29899, 30910, 340
of model, in core, 430
of opening ritornello, 680, 683,
of pre-core, 422, 425
of retransition, 390
of slow introduction, 552, 556
of small binary, 239, 246
of solo subordinate-theme group, 686
of solo transition, 686
of subordinate-key ritornello, 690
of thematic introduction, 13334, 145
of transition, 314, 31718
and transition/subordinate-theme
boundary, 393, 395
melodic overlap, 156, 168
metrical position (placement), 3940, 80,
139, 222, 280, 294, 362, 442, 530
mini-sentence, 8889, 107
minor modality, 263, 273, 275, 283, 300,
317, 367, 386, 397, 421, 457, 543, 556,
566, 576
minore, 569, 576, 58283, 642
interior theme, large ternary, 566,
576, 653
interior theme, rondo, 655, 664
theme and variations, 56970, 586
minuet, 570, 6078, 631, 633
minuet form, 539, 591, 6089, 613, 631
(see also binary minuet form)

minuet proper, 608, 614, 62829

minuet/trio form, 6089, 629, 633
modal borrowing (mixture), 10, 269,
354, 458
modal shift, 309, 451, 530, 558, 566, 569,
570, 576, 586, 625, 629, 693
absence of, 397
in main theme, 397, 543
signaling rondo couplet, 657
in subordinate theme, 391, 39698
model, 44
of core, 27374, 422, 42526, 430,
451, 622
model-sequence technique, 36, 44, 54, 211,
216, 223, 247, 252, 273, 327, 340, 354,
356, 363, 394, 398, 406, 445, 589, 681
(see also sequential restatement)
absent, in development, 500
added in recapitulation, 47879, 485,
48991, 500, 502
beginning theme, 391, 530
early in coda, 527, 529, 540
in core, 422, 425, 582, 621, 623
in retransition, 423, 655
vs. sequential progression, 55
in solo exposition, 684
modulating sentence, 66
modulating subordinate theme, 338,
39899, 498
monothematic exposition, 353, 479,
49495, 505, 592
Morgan, Robert P., 538
motives, 36, 3839, 310, 442, 459 (see also
melodic-motivic material)
anticipated, 213, 277, 431, 559, 629, 653
developed, in A section, 219, 221,
226, 610
and tight-knit/loose continuum, 205
Mozart, Wolfgang Amadeus, 281, 383, 398,
400, 421, 451, 47779, 494, 527, 556,
566, 595, 644, 682, 685, 695,
double-region couplet, 661, 664
new material, 428, 443, 458
pre-core, tight-knit, 444, 458
refrain, eliminated, 661, 664
sonata without development, 571, 664
subordinate-theme complex, 651, 664
murky bass, 315, 422