Professional Documents
Culture Documents
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SCHOOL OF ARTS AND SCIENCES, SUNY CORTLAND
will help one another process and envision dynamic, adolescent-centered instructional
designs.
Course Goals:
In this course, we will
1. Conceptualize digital literacies, informational literacies, visual (design-based)
literacies, and media literacies and the relationships among texts and cultural
contexts.
2. Research the range of educational professional blogs and networks available to
teachers.
3. Research educational organizations and inquiry communities available to
teachers.
4. Develop an on-line professional network and presence through social media tools,
including Facebook, LinkedIn, Twitter, a blog, and Aggregate RSS Feeds
Feedbly and Hootsuite.
5. Create a personal and professional website documenting who you are as a teacher:
your SUNY Cortland coursework, your theories of practice, your instructional
designs in each course, videos of your teaching, your professional networks, a
link to your blog and social media sites, and your personal goals.
6. Conceptualize and learn some of the digital literacies that correspond with
different technologies, such as website design, blog design, iMovie, Podcasts,
Prezis, and Powerpoints.
7. Research the range of instructional designs teachers are employing to engage
adolescents in dynamic, multitextual, multimodal, visually literate, and authentic
reading and writing.
8. Research the range of practices teachers are employing to help adolescents
effectively and authentically assess their print based and multimodally produced
texts.
9. Design pedagogical goals and curricula for one unit plan that positions
adolescents as critical and visual readers of digital technologies and of media.
10. Teach us and video record one or more lesson plans from your unit plan.
Course Standards:
2.5: Make meaningful and creative connections between the ELA curriculum and
developments in culture, society, and education;
3.2.1 Create opportunities and develop strategies that permit students to demonstrate,
through their own work, the influence of language and visual images on thinking and
composing.
3.2.2 Create opportunities and develop strategies for enabling students to demonstrate
how they integrate writing, speaking, and observing in their own learning processes
3.2.3: Demonstrate a variety of ways to teach students composing processes that result in
their creating various forms of oral, visual, and written literacy;
3.2.4 Engage students in activities that provide opportunities for demonstrating their
skills in writing, speaking, and creating visual images for a variety of audiences and
purposes;
3.2.5: Use a variety of ways to assist students in creating and critiquing a wide range of
print and nonprint texts for multiple purposes and help students understand the
relationship between symbols and meaning
3.6.1: Understand medias influence on culture and peoples actions and communication,
reflecting that knowledge not only in their own work but also in their teaching;
3.6.2: Use a variety of approaches for teaching students how to construct meaning from
media and nonprint texts and integrate learning opportunities into classroom experiences
that promote composing and responding to such texts;
3.6.3: Help students compose and respond to film, video, graphic, photographic, audio,
and multimedia texts and use current technology to enhance their own learning and
reflection on their learning.
4.6: Engage students in critical analysis of different media and communications
technologies and their effect on students learning;
4.9 Demonstrate how reading comprehension strategies are flexible for making and
monitoring meaning in both print and nonprint texts and teach a wide variety of such
strategies to all students.
Course Texts:
Dede, C. & Richards, J. (Eds.). (2012). Digital teaching platforms: Customizing
classroom learning for each student. New York: Teachers College Press.
Hicks, T. (2013). Crafting digital writing: Composing texts across media and genres.
Portsmouth, NH: Heinemann.
Warschauer, M. (2012). Learning in the cloud: How (and Why) to transform schools
with digital media. New York: Teachers College Press.
*Lankshear, C. & Knobel, M. (2008). Digital Literacies: Concepts, Policies and
Practices. New York: Peter Lang International Academic Publishers.* (provided
digitally)
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will also reflect on the design of your blog, the design-based principles you have
applied, and how its interface is intended to increase targeted followers. (25%)
Your Website Portfolio: You will apply your design-based understandings of
visual texts to your design of your own personal website. With this website, you
will market yourself, your thinking, and your work to educational colleagues and
future employers. You will be assessed on your ability to effectively position
your design such that it is symmetrical, thematically orchestrated, accessible,
dynamic, artistic, and rhetorically aligned with educators. (10%)
Class Wiki: We will collaboratively design a wiki for our class. Each week, I
will ask you to post your latest blog to the wiki and to engage in respectful
discussion with your classmates responding, raising questions, and interrogating
one anothers assumptions and thinking regarding the focus questions and their
instructional designs. These discussions will help you further develop your
thinking and revise your blog posts and your website portfolio accordingly.
(10%)
Social Networking Sites: As you join social networking sites, you will be
assessed on your ability to use these sites to join important educational inquiries
and conversations, to attract followers, to network with followers, and to use these
conversations to advance your research into theories of practice and instructional
designs and assessments. (5%)
Digital Literacies: You will have the opportunity to design and partake in
English assignments that feature iMovie, Prezis, PowerPoints, and Podcasts.
You will be assessed on your ability to design this instruction around English
instruction that positions adolescents as critical visual interpreters of the design of
texts, the validity of producers textual designs and arguments, and as critical
producers of their own texts and intentions. (20%)
Unit Plan: You will design a unit plan that incorporates Wikis and/or class
blogs, that positions adolescents as critical readers/consumers and producers, and
that engages students in reflecting on the cultural implications of their
interpretational and representational processes. (25%)
Because everything is carefully scaffolded so that you turn in parts of an assignment over
time and/or you have opportunities to revise, late work is not acceptable. If at any time,
you are struggling to keep up with the work, please talk to me individually or as a class
immediately, and we will work out a plan. Otherwise, for every day that an assignment
(all assignmentsdrafts and final drafts) is late, you will lose a quarter of a letter grade.
assignment and most likely for the course. Students should consult the College Handbook
(see Chapter 340 beginning on page 50) for full details of SUNY Cortlands policy on
academic dishonesty.
English Department Adolescence English Education Programs
Professional Dispositions Policy
(1) Students in the AEN program will be introduced to and held accountable for the
Dispositions in all courses with an AED prefix.
(2) Syllabi for AED courses should have a dispositions statement which exists as a
contract for that class. Statement to follow the Academic Integrity statement:
Professional Dispositions Statement
One goal of this course is to provide opportunities for continuous positive
growth toward strong teaching skills and dispositions as reflected in the
Assessment of Candidates Professional Dispositions. Positive teaching
dispositions are a basic requirement for all successful completion of the AEN
program. In the event of problematic demonstration of teaching disposition,
incidents will be documented and the departmental and Teacher Education
Council Fair Practice Policy and Procedures for action will be followed.
(3) Concerned faculty member(s) must meet with student, record the first annotation
on Candidate Consultation Report form and gain signature during the meeting. In the
event that a student refuses to sign the form, faculty should note that fact on the form
before the form is forwarded to the Program Coordinator.
(4) The Program Coordinator will periodically review students files to note multiple
cases reported for one student and/or non-resolution of requested correction. Near the
end of the semester, the faculty member(s) should provide a second annotation on the
Candidate Consultation Report indicating whether the problem has been resolved or
whether there has been failure to resolve the problem.
(5) Three weeks before the end of the semester, the AEN faculty will review the
status of all students with actions. As indicated, the committee will determine whether
to advance the student (with a contract) or to follow procedure for dismissal from the
program.
(6) Egregious breach of deportment/dispositions may result in dismissal from the
program at any time, as determined by AEN faculty and/or Program Coordinator.
(8) Student teacher supervisors will be notified of contracts concerning students
placed for student teaching in order to address and support dispositional aspects of
professional performance. When necessary, supervisors will be asked to participate in
final review of particular students.
Rating
Date
Faculty
Initial