- Auguste Perret's idea was to create a building that concern
about structure and traditional building expression. - He used concrete as a tectonic architecture material and he did many experiments for reinforced concrete such as using aggregates of varying size and color. - His works have been influenced by Greco-Gothic style and Violet-leduct Theatre de IExposition des Arts Decoratifs (1924) - Columns was over used on the interior and exterior in order to show value-engineering and its ornament aesthetic , not necessary on both sides to transfer its load - Auguste Perret's idea shown two exterior columns on the seldom-seen back of the building in order to shows value-engineering and its ornament aesthetic
Theatre de IExposition des Arts Decoratifs
Contribution une thorie :He who hides any part of the
framework not only deprives architecture of its sole legitimacy but also strips from it its most beautiful ornament. He who hides a column makes a blunder, but he who makes a false column commits a crime. quoted from Perret - Applied French classical rational order such as fluting at column, louver ventilation as frieze. - Greco-Gothic style + French order 51 rue Raynouard,(1932) - The reinforce concrete apartment building was construct after Rue frankin (1902) - Considered combining in Situ and Precast Concrete systematically in the same design -Tailor made
51 rue Raynouard,
The general principle of this system, once stated, seems so
self-evident that its ingenuity may not be apparent, but it is important to appreciate that until this date, it is doubtful if any architect had seriously considered combining in situ and pre-cast concrete systematically in the same design, except to make the latter constitute permanent form-work for the former. By suggesting that the structural members should be cast In situ as a monolithic frame, and that all nonloadbearing elements should be pre-cast to specific designs on the site itself, rather than in a factory, Perret completely revolutionized one aspect of reinforced concrete building technique at a time when pre-casting was usually thought of as essentially a means of commercial mass-production, and justifiable if carried out by an independent firm which