Classical guitar technique A chain is as strong as the weakest link

Linear - The fingers of the left hand are trained to relax into a linear position
over a single string. This simple line is the basis of left hand technique. It
establishes a home base from which the fingers can judge distances and
relationships. Scales, especially chromatic scales, up and down the fretboard are
good linear exercises.
Nonlinear - Here the fingers of the left hand are trained to develop the ability to
judge nonlinear distances and relationships to each other and the strings.
Chromatic octaves played in the first position are excellent for this. Each finger
plays in the corresponding fret number i.e. 1st finger in first fret, 2nd finger in
second fret etc.
Legatos (slurs) - Practice the down motion and the pull off motion separately
because they are two different techniques. Then practice the down and off motion
together.
Bars - Full bars and partial bars can easily be incorporated into other technique
areas. For example, you can practice arpeggios for the right hand while playing
bar chords with the left.
Stretches - The ability to separate the fingers of the left hand. You don't have to
have large hands to play classical guitar. You need to develop flexability and
independence to separate the fingers. Make up a set of simple stretching
exercises. For example put the 2nd finger on the tenth fret of the 4th string and
play the twelfth fret 4th string with the 3rd finger. Move down the neck repeating
the process. 9 -11, 8 -10, 7-9 etc. Make up other stretches for all fingers and play
them slowly. The benefit of a stretch comes from holding it but don't strain your
fingers.
Shifting - Position shifts with the left hand can be incorporated into other
exercises. Scales and legatos utilizing position shifts are a good way to develop
this technique.
Arpeggios (including tremolo) for the right hand
Simultaneous notes - This classical guitar right hand technique is extremely
important and it is usually one of the most neglected areas of classical guitar
instruction. Classical guitar music is loaded with simultaneous notes using two,
three and four fingers to pluck at the same time. A player needs to be able to
bring any note out louder than the others. The inner voices are often lost if not
played well. When four notes are plucked simultaneously they need to sound as
four independent notes played at the same time.

Thumb - The right hand thumb can be incorporated into various exercises such
as scales and arpeggios but it is also good to do some thumb exercises. One that
I use is played, (without looking), free stroke on the following open stings:
1-2, 1-3, 1-4, 1-5, 1-6, 1-5, 1-4, 1-3, 1-2
then from the 6th string:
6-5, 6-4, 6-3, 6-2, 6-1, 6-2, 6-3, 6-4, 6-5
To play classical guitar well skills such as glissandos, harmonics, rasqueados,
tambura, pizzicato, golpes and other effects are needed. These skills don't form
the foundation of classical guitar technique and don't need to be practiced on a
daily basis. Excellent development of these skills is important and can usually be
achieved within the context of the pieces you work on under the guidance of a
good classical guitar teacher.
I cannot stress enough the importance of studying with a qualified teacher. A
beginner wanting to learn classical guitar needs the best classical guitar
instruction available. Accomplished classical guitarists don't need the best
teachers. They already play well. It's the beginning and intermediate players that
have the most to gain from the guidance of good classical guitar instruction.
Now that the primary areas of classical guitar technique have been
covered here's a simple routine of classical guitar exercises designed to develop a
balanced technique.
This practice routine will definitely help you become a better classical guitar
player and it can be used in conjunction with any classic guitar lessons you might
be taking.
Lets assume you're fortunate enough to have an hour a day.
Linear ............................ 10 min.
Nonlinear ....................... 10 min.
Slurs (legatos) ..................5 min.
Arpeggios.........................15 min.
Stretches ......................... 5 min.
Simultaneous notes ..........10 min.

Thumb.............................. 5 min.
Bars and shifts............... can be incorporated within the other areas