THE GENIUS

OF

BOOK 4

DUKE ELLINGTON

THOMAS "FATS" WALLER

8
COOTIE
INAMELLOWTONE....
.....12
KO-KO
.....20
MORNINC CLORY
,,,..14
A PORTRAIT OF BERT WILLIAMS
.... 16
SERENADETO SWEDEN....
........18

AUNT HACAR'S BLUES.

I'M NOBODY'S BABY
I'M SITTINC ON TOP THE WORLD

THEJTTTERBUCWALTZ.... ...40
.......44
ONCE rN A WHILE.....
...,...46
SWINCIN' DOWN THE IANE

GEORGE SHEARING

MARY LOU WILLIAMS

CONCERTO FOR

I GOT IT BAD AN D THAT AIN'T

tNVrTATtON....
IAURA.
OVER THE RAINBOW.

COOD

.,

.26

........23
.....28

TAKINC A CHANCE ON LOVE

....

........30
,.......32

lEss srAcY

DON'TBIAMEME..
HOWAM rTO KNOW?
lN A M|ST
SLEEPYTIMECAL.

..,....34
...36

.......

38

....48

.......s0
........52
......54

BOB ZURKE

DON'T BE THAT WAY .

t'M coMtNC VtRCtNtA.
SINC, SINC (Wittr A Swing)
",.SINC,
SWINCTIME IN THE ROCKIES....
TWO O',CLOCKJUMP.

........

68

......73
...90

........78
........84

AT SUNDOWN

cHrNA BOY .
oNE O',CLOCK

JUMP.
SUNDAY.

O 1986 Columbia Pictures Publications,

15800 N.W' 48th Avenue, Miami, Florida 33014
Editor: David C. Olsen

Production: FrankJ. Hackinson

Printer: Central Litho (Miami)

WARN INC: Any duplication, adaptation or arrangement of the compositions contained in

this collection, without the written consent of the owner, is an infringement of U.S.
copyright law and subject to the penalties and liabilities provided therein.

........56
..... s8
........ 60
,,,66

r
I

DUKE ELLINGTON
Duke Ellington came from a prosperous Washington, D.C. family. He first
played piano in public while a high school student. After graduation he performed
locally, and formed his own Duke's Serenaders. Ellington moved to New York
and, in 1924 took over the reins of the Washingtonians group, touring and playing
residencies (including a long stay at the Kentucky Club), before beginning his significant position at the Cotton Club in Harlem. He remained there Aom t927 until
1931, except for national tours and recording sessions.'It was during this period
that Ellington recorded such important songs as Eost St Louis Toodle-oo (his first
theme), Black Beauty, Birmingham Breakdown, The Mooche, Md lndigo,
Rockin' In Rhythm, and Creole Rhapsody.
The Duke Ellington Band appeared in the movie Check andDouble Checkin
1930, and made its first trip abroad - to London and Paris - in 1939. The first of
his famous Carnegie Hall conceits was held in 1943, featuring the premier of
Black, Brown and Beige. This extended piece was the first in a string of longer
works which have become an integralpart of jazz 6qrnposing history, notably Such
Sweet Thunder, Liberian Suite/A Tone Parallel To Harlem: The Harlem Suite, A
Drum Is A Woman, The Far East Suite, The Latin-Amencan Suite, New World
A0oming: Harlem: The Golden Brwm and The Green Apple, Suite Thursday,
and Deep Soufh Suite. The Carnegie Hall concerts were annual events through
1950.
His shorter songs, however, are the ones best remembered. His lyric-writing
collaborators included John La Touche, Johnny Mercer, Ted Koehler, Don
George, Peggy Lee, Johnny Burke, and Mitchell Parish. Among Ellington's most
famous song compositions are Sophishcated Lady, Do Nothing Titl You Hear
Frcm Me, Solitude, Satin Doll, Mood Indigo, ln A Sentimental Mood, Drop Me
Off At Harlem, Ko-Ko, Don't Get Around Much Anymore, and with Billy Strayhom, Take The 'A' Train. During the 1960's Ellington and his band visited India,
the Middle and Far East, and Australia. Constant touring - at home and overseas became the band's customary practice until Duke Ellington's death in May, 1974.
His son Mercer continues to lead the band.
Duke Ellington recorded with many of the most famous vocalists of a
half-century. Mahalia Jackson, Ella Fitzgerald, Billie Holiday, Kay Davis, and
Adelaide Hall all were featured with Ellington or his band. Many instrumentalists
were also fortunate to record with Ellington, including Max Roach, Charlie Mingus,
Johnny Hodges, John Coltrane, and Coleman Hawkins, all of whom shared topbilling with Ellington.
CONCERTO FOR COOTIE 8
IN A MELLOW TONE 12
KO-KO 20
MORNING GLORY 14
A PORTRAIT OF BERT WILLI,AMS 16
SERENADE TO SWEDEN 18

GEORGE SHEARING
Blind since birth, George Shearing's handicap has never interfered with his brilliant piano playing or his imaginative composing and arranging. After playing in a
L7-piece blind band led by Claude Bampton, Shearing commenced a solo piano
c:lreen Winner of the Meldy Molcer poll for seven years as top Brifish pianisl
Shearing moved to the United States where his first big hit was Septemfur ln The
Roin, performed by his quintet Shearing is best known intemationally as the
composer of Lullaby Of Bidland. Wtitten in 1952 as the theme for the famous
night spot, it became the most popular jazz standard of the postwar years. Today,
after two White House performances and an honorary doctorate, Shearing's
career continues to flourish, with engagemenb as a soloist with the major American symphony orchestas, in educational institutions, and in nightclubs, hotels and
jazz festivals both here and abroad.

I GOT IT BAD AND THAT AIN'T

INVITATION 23

GOOD

TAURA 28
OVER THE RAINBOW 30
TAKING A CHANCE ON LOVE 32

26

THOMAS "FATS'' WALLER

I

Thomas "Fats" Waller, bom in New York City in 1904 was one oI Jaz's
most colorful individuals. fu a pianisf organist and songwriter of great ability, and
a singer of average talent, he was one of the most popular and irrepressible
performers in America. As a songwriter, his tunes have been well-established in
the pop repertory; among his best-known being Honeysuckle Ro*, Ain't
Misbehauin', Black And Blue, Keepin' Out Of Mischiet' Nour, BIue Tuming Gtay
Ouer You, and The Jitterbug Walb.
Waller's father was a church minister. His mother was proficient at boththe
piano and organ, which perhaps explains his preference for the latter instument in
his early recordings. He began piano study at age six, when he received lessons
from James P. Johnson, King of the Stide Piano. He also studied with Cal Bohm
and Leopold Godowsky. His style had already been developed when he
commenced recording in 1922. The early Mrscle Shool Blues and Birmingham
Blues both demonstate the flexible stide version that became Waller's tademark.
Waller's early work was predominantly as a soloist, but later he worked in
several bands, including those of Jack Teagarden, Ted Lewis, Bud Freeman, and
Louis Armstong. Waller's real claim to commercial success and fame came in
L934, with the first of the Fats Waller & His Rhythm bands, which provided a
perlect setting for his infectious singing style. Later attempts at leading his own big
band proved unsuccessful.
Fats Waller appeared in Hollywood movies such as Siormy Weather and
Hooray For Loue, as well as many ftlm shorts. In 1978, Ain't Misbehauin', a
Broadway musical featuring his.music, opened to critical acclaim, and revived
interest in his career.

AUNT HAGAR'S BLUES

I'M NOBODY'S BABY %
rM SITTING ON TOP OF THE WORLD 38
THE JITTERBUG WALTZ M
ONCE IN A WHILE M
SWINGIN' DOWN THE IANE 46

MARY LOU WILI,AMS

Mary Lou Williams was bom in Pittsburgh in 1910. Her first position in a band
was as a member of the group led by alto sax player and future husband, John
Williams. She is well known for her lengthy association with Andy Kirk's orchesta
as arranger and as pianist from 1931 - L942. She also arranged for Benny
Goodman, Duke Ellington, Louis Armstong, Tommy Dorsey, Earl Hines, and
others. As a pianist she ranks with the very best; Williams is noted for her
rhythmical, two-fisted style at the keyboard. Mary Lou Williams is also a
multi-faceted composer, contibuting to the Ellington and Goodman repertoires, as
well as writing two beautiful Masses. For the past two years she has served on the
faculty of Duke University.
DON'T BI.AME ME
HOW AM I TO KNOW
IN A MIST 52
SLEEPY TIME GAL

50

BOB ZURKE
Bob Zurke rose to prominerrce as a pianist when he replaced Joe Sullivan with the
Bob Crosby band in late 1936. Considered one of the prernier boogie-woogie
performers of his day, he achleved great populadty. After leaving Crosby in 1939,
he led his own band but reallzed no commercial succes. His last years were spent
as a soloist in Los Angeles.

AT STINDOWN 56
CHINA BOY 58
ONE O'CLOCK JI.JMP 60

SUNDAY

:
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JESS STACY

One of the glirrg era's top pianists, Jess Stacy performed with some of the best of
the Big Bands, Cttfufly selGtarght, and with a background of riverboat performing,
Stacy rose to fame foi fffu ErTry G -oodman band. In addifion to srrral sfids *rith
Goodman, Stacy performed r+i$r tre ban& of F{orace Heidt; Tommy Dorsey, and
Jack Teagarden, as well as fcming hb o*rn goup. He has recorded with Gne
Krupa, Lionel Hampton, t{arry Jarires, and Eddie Condon.

--FCffiT- clE E+l,er i[rAY 68

I'M COMII\G VIRGINIA 74
$lFlG, SEYC. SING (Wtrh A Scflrs)
90
SWIIIGTIME IN THE ROCKIES
78
TWO O'CLOCK JUMP U

CONCERTO FOR COOTIE

Moderately

Copyright O 1940, 1943 (Renewed 1968, 1971) ROBBINS MUSIC CORPORATION

All Rights of ROBBINS MUSIC CORPORATION Assigned to CBS CATALOGUE PARTNERSHIP

All Rights Controlled and Administered by CBS ROBBINS CATALOG INC.

International Copyright Secured
Made In U.S.A.
All Rights Reserved

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DI.JKE ELLINGTON

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Assigned to CBS CATALOGUE PARTNERSHIP
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13

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74

MORNING GLORY
By

DUKE ELLINGTON

Moderately (not fast)

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All Rights of ROBBINS MUSIC CORPORATION Assigned to CBS CATALOGUE PARTNERSHIP

All Rights Controlled and Administered by CBS ROBBINS CATALOG INC.

International Copyright Secured
Made In U.S.A.
All Rights Reserved

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A PORTRAIT OF BERT WILLIAMS

By

DUKE ELLINGTON

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All Rights of ROBBINS MUSIC CORPORATION Assigned to CBS CATALOGUE PARTNERSHIP

All Rights Controlled and Administered by CBS ROBBINS CATALOG INC.

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SERENANE TO SWEDEN
By

DUKE ELLINGTON

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International Copyright Secured
Made In U.S.A.
All Rights Reserved

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19

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KO-KO
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"II'|TATION"

INVITATION
Ananged by
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PAUL FRANCIS WEBSTER

BRONISLAU KAPER

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All Rights of ROBBINS MUsIc coRPoRATIoN Assigned to cBS cATALocUE PARTNERSHIP
All Rights Controlled by CBS ROBBINS CATALOG INC.
lnternetionel Copyright Secured
Made In U.S.A.
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24

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26

I GOT IT BAD AND THAT AIN'T

Ananged by

GOOD
PAUL WEBSTER
DUKE ELLINGTON

GEORGE SHEARING

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28
From the 20th Cenury-Fox Motion picture ,,LAURA"

LAURA
Arranged by
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JOHNNY MERCER

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29

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30
From the M-G-M Picture "THE WITARD OF OZ"

OVER THE RAINBOW

Ananged by
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E.Y. HARBURG
HAROLD ARLEN

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32
From the Broadway Musicat prodrction ,,A CABIN IN THE SKy,,

TAKING A CHANCE ON LOVE

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GEORGE SHEARING

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AUNT HAGAR'S BLUES

Ananged by
THOMAS "FATS'' WALLER

J. TIM BRYMN

W.C. HANDY

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35

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36

I'M NOBODY'S BABY

Arranged by

BENNY DAVIS
MILTON AGER
LESTER SANTLY

THOMAS "FATS'' WALLER

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37

38

Arranged by

I'M SITTING ON TOP OF THE WORLD

LEWIS and YOUNG
RAY HENDERSON

THOMAS "FATS'' WALLER

Medrum tempo

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39

THE JITTERBUG WALTZ

By

TI{OMAS "FATS'' WALLER

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THOMAS "FATS'' WALLER

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45

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SWINGIN'DOWN THE LANE

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GUS KATIN

TI{OMAS "FATS'' WALLER

ISHAM JONES

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47

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48

DON'T BLAME ME
Ananged by
MARY LOU WILLIAMS

DOROTHY FIELDS

JIMMY McHUGH

Slow tempo

33s

Copyright @ 1932 (Renewed 1960) ROBBINS MUSIC CORPORATION

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All Rights Reserved

49

50

HOW AM I TO KNOW?
DOROTHY PARKER

Ananged by
MARY LOU WLLIAMS

JACK KING

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nin1t"ofiibiistr{-s Mustc coRPoRATIoN Assigned to CBS CATALOGUE PARTNERSHIP
All Rishts Administered bv CBS ROBBINS CATALOG INC'

51

,4i3b'"

52

Ananged by
MARY LOU WLLIAMS

IN A MIST
BD( BEIDERBECKE

Moderately

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Copyright @ 1927,1928 (Renewed 1955, 1956) ROBBINS MUSIC CORPORATION

nishti'or'RoB-BINS MUSIC CORPORATION Assigned to cBS cATALOGUE PARTNERSHIP
All Rights Controlled and Administered by CBS ROBBINS CATALOG INC.

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53

i .1,--r i--;, -- -9--)e

b

br

SLEEPY TIME GAL

JOS. R. ALDEN
RAYMOND B. EGAN
ANGE LORENZO
RICHARD A. WHITING

Ananged by
MARY LOU WILLIAMS
F:r-st temo
tempo

...

Qopyright

9_ry2!

t925 (Renewed 1952, l953) LEO FEIST, INC.

-.
All Rights
of LEO FEIST, INC. Assigned to

CBS CATALOGUE PARTNERSHIP

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_
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55

7-.--

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fi

AT SUNDOWN
Ananged by
BOB ZI.JRKE

WALTER DONALDSON

Moderato

Copyright @1927 (Renewed 1955) LEO FEIST, INC.

CBS CATALOGUE PARTNERSHIP
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International Copyright Secured

All Rights of LEO FEIST, INC. Assigned to

57

1r

58

CHINA BOY
Arranged by
BOB ZURKE

DICK WINFREE
PHIL BOUTELIE

Allegro moderato
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ou***,.,?'r'd'A'J,'3,liii$:,Uui.'e'"?.'i8^11iHJ;Tt*r*r*rn,,
An Rishts controred and Admiiistered
------"-ili;;-"ii
uv-css Fersr-c-arAi'oei"Nd^

Inrernarionat

cipyright secured

il"^s.ri.

-'

"^'^ititdi',:Reserved

\i

59

--p

12124

ONE O'CLOCK JUMP

COUNT BASIE

Modorate BounceTbmPo

*f

f f

?:*1iF=

Copyright@ 1938 (Renewed 1966) LEO FEIST, INC.

CBS CATALOGUE PARTNERSHIP
All Rights Controlled and Administered by CBS FEIST CATALOG INC.
All Rights Reserved
Made In U.S.A.
International Copyright Secured

All Rights of LEO FEIST, INC. Assigned to

67

5E
22

\-cn'T

&

65

SUNDAY

NED MILLER
CHESTER COHN
JULES STEIN
BENNIE KRUEGER

Ananged by
BOB ZURKE

2 13 t

Copyright O 1925 (Renewed t9-54) LEO

All Riehts or Lii'd rirsi,lfuc.

---

FEISTTII\C'--------

{ssigled to CBS^CATALOGUE PARTNERSHIP

bv CBS FEIST CATALOG INC'
lii ni"rrts ControtGA'and- Admifiistered
All Rights Reserved
Msde 6 u.s.A.
rnternatiffil'c3'p;r[h; sil;d

(hc i

68

DON'T BE THAT WAY

Ananged by
JESS STACY

BENNY GOODMAN
EDGAR SAMPSON
MITCHELL PARISH

Moderato
2

tzB\

* All small notes are to be played 21t.

copyright @1935, 1938 (Renerved 1963,1966) ROBBINS MUSIC CORPORATION
Arr nishiJi,I-RoB-BINs MUsIc boRPoRATIoN Assigned to CBS CATALocUE PARTNERSHIP
,q,ll Rightt Controlled and Administergd IV-CBS ROBBINS CATALOG INC'
All Rights Reserved
Made In
ttrt"tnaiionaitopyright

Secured

U.S.l,.

69

#r)

vi

qd

I ftt

-.8- tT- --;\

ltl

70

,+

\1

v'l

77

72

73

I'M COMING VIRGINIA

WILL MARION COOK
DCNALD I{EYWOOD

Arranged by
JESS STACY

a-l)
=

t\

G-

44'

-.?-..

'T-

dhn.

Copyright @1927 (Renewed 1955) ROBBINS MUSIC CORPoRATION

All Rights of ROI'BII.{S MUSIC CORPORATION Assigned to CBS CATALOGUE PARTNERSHIP

All Rights Controlled and Administered by-CBS ROBBINS CATALOG INC.

All Rights Reserved
Made In U.S.A.
International-Copydght Secured

74

Chorus

il ) bj'l

* lll smal! notes are lo be glayed

Pp

75

bJ )b)

=\

rF\

76

^r b) ) bJ

77

t bJ ) i)
ste$g..1

78

SWINGTIME IN THE ROCKIES

Ananged by
JESS STACY

BENNY GOODMAN
JAMES MUNDY

Moderately Fast Swing tempo

Copyright@ 1936 (Renewed 1964) ROBBINS MUSIC CORPORATION

Assigned to CBS cATALocuE PARTNERSHIP
All Rights Controlled and Administered by-CBS ROBBINS CATALOG INC.
International Copyright Secured
Made In U.S,A.
All Rights Reseryed

All Rights of ROBBINS MUsIc coRPoRATIoN

79

t
d}

AA>

80

61

82

83

\>

TWO O'CLOCK JUMP

Ananged by
JESS STACY

Medium tempo

Copyright @ 1942,1944 (Renewed 1970, 1972) ROBBINS MUSIC CORPORATION

All Rights of ROBBINS MUSIC CORPORATION Assigned to CBS CATALOGUE PARTNERSHIP

All Rights Controlled and Administered by CBS ROBBINS CATALOG INC.

International Copyright Secured
Made In U.S.A.
All Rights Reserved

HARRY JAMES
COUNT BASIE
BENNY GOODMAN

85

=F

v=

88

89

#JJe qtrr\7'-*

90

SING, SING, SING

(With A Swing)
Ananged by

LOUN PRIMA

JESS STACY

Tempo

Nfoderate

t---/

{>

----#--

* All snall

notes are to

le PlaYsd

PP

Copyright @1936 (Renewed 1964) ROBBINS MUSIC COR-PORtr'IION

All Rights of RoBBINS MUSIC CORPORATION A,ssigned to cBS CATALOGUE PARTNERSHIP

All Rights Controlled and Administered by CBS ROBBINS CATALOG INC.
All Rights Reserved
Made In U.S.A.
Internationaltopyright Secured

91

AAA

>
I

d.im.

93

f>

>

gt

95

^.?\

96

3684