MINIMAL ELEMENTAL MUSICALITY

Across the world there exist diversely profound musical structures. Numerous music traditions have contributed in organization, emergence and
sustenance of the Schools, which provide musical knowledge repertoire to many performing musicians, who are consciously or passively attached to
these great doctrines. 

Through the ages, numerous institutions have established which have nurtured human musical progress on the earth. The original thrust for the
emergence and establishment of these institutions is realized by synthesis of several social, religious, political and philosophical functionalities. Till
today, we observe and experience many customs, rituals and occasions imparting historical musical lineage to the new generations of musicians.

Musical cultural synthesis: Trans-tranquil emotional intelligence.

The political world has been always re-shaped and the music and art traditions have evolved more styles in performances. The new-age technological
advancements have produced novel musical movements, and have phenomenal functionality.

The contemporary new media and applied arts fields have significantly administered and addressed the human expression potentials as collective
expression. The synthesis is evident and the impact is dynamically disseminated by phenomenal intensity across the universe.

The new age moods and attitudes have blended liberal and classical arts in both front and back stages alike. Euphoric multi linearity and complex
matrix of intense participation has reached a high decibel Trans-tranquility.

Robust survival of Minimal Elemental Musicality:

The creativity is now an Industry by itself. The fit to survive musicality is looked upon by many a stake holder having numerous minimalistic thrusts on
sound and motion of music. The temporal musical aspects have gained significance.

The oratorio of the trajectory called music is looping around the times old and new;  and notates / records digitally the self, the alternating rhythm for
dithering ears and burns melodies in trans-intonation for the enculturation of the self and the rest of the fragments of musical memory.

The cognitive self is indulged in organized moral argument called the Minimal music.

Amit Bhavsar.

SHASHTHAKspace
12/08/2010.