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    383 views24 pages

    ΦΕΚ ΩΔΕΙΩΝ

    Uploaded by

    Stamatiou George

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
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    1785 EOHMEPIT THY KYBEPNHIEQS TOY BAZIAEIOY THI EAAAAOZ "Ev "AGhvats +H 11 NoeuBpiou LOM7 AIATATMATA Tlept wpdeeue 205 dowrep ries ranquod @eaasdavbens. NAYAOE BAZIAEYE TON EAAHNON xrdéets 205 Hep0u A, rap. 5 tpyavdceos xxi devrougrias “Byovees Gx’ Byes td 03 NA. 1445)1942. ere 05’ Qielou @ecaahovizen uaiz ob Hpbpon 26 nap. 2, 705 N. A, 2010)1942 unegt iSpiscus seyardacac zat detrovpyiac tie Eoppovecie "Opyharpas "MOqvov %. phtineay by lait dia vig Om dpi’. 209)194 = STrovpywen5 Lows yy br? dg. 10)22.8.57 Lovedpliny cob Baas aio nal ‘hy Sw’ dp 530)1957 yvouny 795 Sonpovdioy se "Ex- wparelac, spordas r00 Huerepou Erk rie "Ellis Madeixe nah voy Opqanevuicor ‘Trovpyob, déxepuaioayey ok Bia decoys *Aplipoy usvov Kupospey, cov tnd 205 3.0.0. navonoydy 205 “O8ein. Ocaasihovt by Bohxoven trek (287) poane pomersuevey xaxore eo Ele bv abriv éxi vie "EOvuxig MoaScinc xat Opmoxevude pray eartbeves crip Byuoatevary vai wea Oévea tour: ens & GpApey urxocoy “Br ef B. "Eidnwih Tocabeie Balms th 11 ‘Onsuolon 1957 MAYAOE B. © emi THE EON, MAIBEIAT & OPHEKITAN Ynoverox A. TEPOKAZTONOYAOE KE@AAAION TIPOTON ZXOAAT KAL TMHMATA TMHMA A’ Syodad wal Thera *Aptipov 1 Rig Byohdc nak Techs a) Dycniy Bonbgeos, ub vk tuyace : Mopgahoyiae Niodysedie, ‘Avetartisus, duyjc, Bvbéctos 8) Byokiy cogrsuxar wal Toropinty wnidor, wb 7a Tuhwara ! 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Blanchet : Technique moderne du piano, Czerny: L” Beole du Virtuoso. Tausig : Taghi- schenstudien. Brahms: 54 exereices, Philipp: Exer- 1744 ices des tenes, exereices de virtnosité, cipes rationnels de la technique pianistique Reole de la technique (Th. Kaufmann : chniques). 2. Ynodxt Clementi-Tansig: Gradus. Gzerny : 1 art de délier tes doigts, Ecole de la main gauche, Kessler: op. 20, 100, Chopin-Liszt: Ftudes de eoncert, Paganini : études transcendantes, Schumann : Etudes ‘aprés. Paganini, Rubinstein, Saint-Saens, U. TT (6 tudes pour 1a main gauche) Philipp : Nouveau Gradus 5-19, Seriabin, Rachmaninow, Debussy winsky, 3. Bach xat npdacaol : Le davecin bien tempers 1, I, Partitas, Toccatas, Kovatzra, Caprice, Fantaisie Chromatique et Fugue, Concerto Italien, Bach-Busoni Choral-Vorspicle Chaconne, Bach-List. Bach-D Albert : 6 préludes et fugues, Dom. Scarlatti: Sonates, Soler Sonates, Galoppi: Sonates. Godcwsky : Renaissance 1, 1, Madan! Sdionare. . Lovazes : Mozart (ot Variations), Beethoven (et Variations), Weber, Schubert, Mendelssohn : Vari tions sérienses, Schumann, Chopin (ct Variations), Brahms, Ravel Sonatina, Reger : Variations, Scriabin, Prokofieff, P. Dukas. 5. Kovotera: Bach, Mozart, Beethoven, Hummel, Weber. (mi 52. xt Konzerstiick), Schumann, Mendcls- soln, Chopin, Liszt, Brahms, Saint Sacns, Grieg, Tschai- kowsky, Rachamaninoff, Prokofieff, x. %. Liszt : Qby- ‘youd; Wayraatx, César Franck : Variations Symphoni- ques, Les Eolides, les Djinns, Favré Ballade, Saint- Saens: Rapsodie d’ Auvergne, Debussy : Fantaisie, Strauss : Burlosque, 2% 6. Tewkya: Mozart: Fantaisics, Rondos, ete. Beethoven: Andante fabori, Rordo, Schubert” Kin- derscenen, Schumann : Carnaval, Krei'letiana, Novelet- tes ete. ‘Chopin: Préludes, Impromptus, Ballades, Nocturnes, Scherzi ete. Lisat': Rapsodics ete. Brahms ? Intermezzi, Ballades, Rapsodies ctc. Grieg, Seint- Saéis, Reser, César Franck, Rachmaninoff, Balakirww, D? Indy, Paul Dukas, Debussy, Ravel, Satic, Fauré, Alboniz,’ Granados, De Falla, Cesella, Rospighi, Schon” borg, Seriabin, Stymanowsky, Prokofieff, Strawin- sky. “1. "Seyx "EDivey overs Kadounign : Kovstoro &; “Eomye, Pagodin, Aaunciés, Bxdeton x, % Mrteemethon : Kubygrte.t yogeh Magyapizy + KapvaBins Eoy. 4 pid, 4, Seizor dud ‘mide Ey. 10 (B00. LO Bopyie> wadum.), “Eodaqvink Sonoded fay. 18 Bus Bio mda. Hapodaaryes ab Endyotxh Ody, Maxe- Bovenad zoel, Teroldy, evggidn : 2 Meeacibia. ».rom. Ala. P.Jdy : BEnvet poral, Maxedesude oxte, 28 8 0 jacyagion : Peaceuk ut avarbes val jer owberiy, *Azlipov 90. Cortet :Prin- EB, Bosquet: Exercices te- “0 ware Bivaras v8 Smif coy ualinrnzd ate mpoxpryaioniy bub vy de oro npurdcet tol obxet- Bo uaaiay vad tig tmqoia therdaets vob absed Erove (inért dnxladoaeras His nponyouueyns Boxsuaalac) % t08 Emopdver im wb Ris neoyedouares 1. Srovbst: ula Gradus, ule Mochellos 1 2 Bach : "Izanus Kovatozos 3. "EmgeBiqudver Epyov s cowdca. Maes tBew. 4. Abo Tepsiy:a vy 2h By bx xv Buszchurdpon vig dye *Apdeow OL. Tevink pobiuata. Ta'yadhuare, ele 78g rderg vv Snolaw agethouer vi foci wes th Sidgreiay van onosb6y voc patrol 1s mubvan, elvan! EOHMEPIS THE KYBEPNHEEOS (TEYXOE MPOTON) * Msn dancetee olenas toes dterke). 4, “lovopia 7s wovavxiic (golzyae XepaBla (galore fierha). 6. Benedere Eeos dokpng (xb 08 Bevrégen Ereug sie duunéeas Byori) 7. Moggakoyia: (goizrare ivie Ereu2). "Tinie bgebsonet vt Budden dich, 108 Be aourrtpne Sadie trl io opsnird toy b9 2% mparren Bocnansle co abi erdtts, ApOpov 92, Meéygauna Isvysaniv *EEerdoroy 1. TeetoS8iov xat odyxa zo Bach (Clavecin bien tempéré} 4 "Ieotsxiy Kovakpro size Exegov Epyo rob Mec, Tig Ding sg dvartpas. 2. Mix axov8i Moscheles I xoi ula Kessler ste yi &% adr» vai le Chopin. 3. Mex oovisa =u Beethoven, "Riv drBeBiaquévon Epyav beRipevoy voSidiozev tea xpos ere hutoac ned cov Berdozwy. 5. "By xovatpro nal 850 repdya H & udpoe xovatpron val pla reusizea, bv Wasa, E9 pousvsudi ua By avy ypbvy brah. *Aplpor 93. Totyeayua Autoyarixiy "Bieriazoy. ibe Sm wriune xpoyeduuaros Biaguelne cond prey wiie vai Furaclas Spas, mEphouds vavreg Be ie Bach Sie mptholdia uel guiyves & vod Claverin bien tempéré. Tov Bedtion. Neb Biers Basauv, Ml Spear Eraacav, 3 fhacaoy. A Basaov, Si opens acsey vat Si Dauner. Ues Beaniey. Te Seat: Ehacoov, Mi usi%ov. 3 Bicore usitor,’ Ak bp ysiton, LA Bleate Nason, Ei fgeoz Bacay, St usvtor. Sif May + Nowpe th @ayraai 4, Tountva % Caprice ale ot fy. » Exyou rob ahzub ino Liszt, Busoni, eroutabegrac. 2. "Ey Epvoy Mozart % )s 2. Miay sovdsay 05 Beothoven #. xv op. 5: 81, 101, 109, 110 wet tL, 4. "By 4 re woyBov Feyov : Schubert, Liszt, Brahms. “Taahas Kovatero, i ulay Bisoveuly Ibert xan, toys 1 tiv WaGeamarisy (mpomge Chopin, Schumann, 5. "Ey xovadero Svarépas Bvarchins, indy 6 udvoy avon, toégievoy Bio wives sep0y, otyyzpoioy 7) "Exarvurdy. TMHMA 4’, Lyon Oprdv OPPANON (EKKAESIAZTIKON) *Aeliooy 94. Auk vd lin Boxee uatinris ele chy vil tach v8 Bn meearibaet ch uahuara tg Bewpias al vi En dp vig maven, Karortpn olmgors diavic h spree. “Apbpor 95. WT. Best : tov uégoe 745 L’ Art de Jouer de Porgue. Rinck ; 90 moreestx Doigiés par Lux. E. Gigou 4199 piéces bréves dans la tonalité du plaint cheat, J. 8. Bach : Chorales annotés par Charles Gounod. EOHMEPIZ THE KYBEPNHEEOS (TEYXOE NPOTON) *Apfeuy 86. Tietyeauna mpoxrorsxin Berdacov, Abo rpla Oeyaca Ext dy By Mad. Mény @olmars Berke % rpterhe, “Appor 97, WT. Bost : 2ov yidgoe 200 L! Ant de Jouer de orgue, Rinek: 24 prétuites dans tous les tons. J.8. Bach 20 fugues du clavecin bien tempéré, dowgtées par Zaha, analysées_par Jadassohn. Freswobaldi : Oeuvres pour orgue, publiges par Stabert. Chorals, eantiques, prau ues, uoéls, chansons harnonisées A 4 vor par PA, Gevaert. ig dona Oey *Aetpov 98, Mphyexuyx mpoayayinéy | Berdocoy, *Brebaoic wis 4 Bio one Bau, wie guinpune, tube ve arden "Avenépa Ocleyaie perks # rerpaec Aptipoy 18, 48. Bach: L’ art de Ja fugue (Ed. Thomas). 4.8. Bach: oeuvres pour orgue, publiées par Ernst Noumonn, Haendel : xovetera, Mendelssohn : nzekoi- Bia al qciyzec, oovirec, Schumann : 5 fugies sur le nom de ‘Bach, Ritter: L’ Histowe de lorgue du XIVe av XVIlfe sifcle, r-eeuillies de compositions de Gabri- oli, Palesrtina, Merulo, Guan, Frescoheldi, Fasolo, ‘Van den Gheyn, D'Anglehert, G. Muffat, D. Bustehude ete, xxi «8 onauBaubcega bx chev mabasiy ual, view Eran 32 Bpyavoy Archonis airosyedxoynd Ant BcBoutvon Ouxcos 4 wh, “Ag9p0v 109, Tenn) ‘yothhaara, Te wabhuara, ele tac Hiss xv dxclaw epeinouat vi porrfower ard chy Bidpueiny ta onan Tov ob ae Osean bpyavad, etvene a A 2 4% (puteyms tube Ereve)- 5. Nopodla (ooterons rer) 6. "Ex redans Bleue dyspeuoug (deb wo Beurépon ung ‘cig dvorigns ‘O0nig). "Enians bgetnove ve. BBs was dnd s0h Bevrégn» Brn3e ‘Fis dverépag trl Blo azohind Eq ele te meaxruddy BBx- oxadzion 705 "Reto * Anonovipios Eker *AeOa0v 101. Avk wi ylyy Searte atin che ee joy Bechiasay, Sbov v9 Ey ovine ys roy Balduiy 2o%nd: "Appoy 102. Tpéypxupa Truysaxiiy BE 1. "By npedoitioy wd qerpex x03 Spyoy Marty, His tye cis Avertoas. 2. Mix “onoo¥s, oh Mie oovdza. A. “By BriB.) yutvon Epyo, dip temevey cole prroy reo supioxorra mvs futons 700 doy Fess 5. Mio % sala seudyrn dx <5 Sys *Apbpor 103 Tiptyexaux Authopatondy "Bkerdoeuy, “Exrfhame mpoypduuaces Bixpuela: ¥ pag mepthauidvorrec : 1 1 Abo npeholiin xal patiynes else conmedres cise Exton Eeya My, fons anovdaubzyz05. 1745 2. Minv sordeny ii shiv oncoBauecteor qe A%5 APMONION “ApOpav 10%. Al ifete, xb nabysauua inhoms siege, 2b mpbyeou xis Beevhosa, 2h yond woh Savy, 665 747040 ‘TMHMA yon) “Apnas, APIA Tpoxarapnen obenarg bvdg trove. *ApDeov 105. yes MéGodos Zamara, Enovdal Bochsa: 20 Kos études It. “Apbpoy 108. Tieéyeauux reoeyayadiv erdocoy. Kitwaxes. Mia % Bia onoudal. *AgQpov 107. 1. Kaluaxec vai arpiges 2, *Aaxhaetg wat onouBal: thurg : 12 exerciees op. 322 Zamara : 1, U1, TU, Ober- Bochsa : 20 études No 4, Payr: Technische Studien’ I, Schwerker : études et mélodies. : 2. Yovdses : Nadermanu op. 92, Hoy uspos. 4, Teudyx: Zamara : Reveries, Nadermann : 24 préludes, Bensées mélodiques Hastelmanns : Peuilles @Automne, Bereeuse, Confidence, Feuillets @Album, Oherthir: Air Russe, Labarre : Beatrice di Tenda, Has- selmans : Aubade ax. “ApOgoy 108. Tebyeanya npomrerxiiy Mix } 840 onovBat, & copiziov. Mey. @okrqars Biers. *Apfpoy 109. 4. Touvdoyara : Payr : Techniche Studien II ot 111, 2. EnouBal. : Bochsa: 25 études V, Schwecker, Nadermann, S. Heller : 6 études arr. par. Hasselmanns, Godetroid: 20 études, Schwecker: Etudes et mélodies Ui, II], Labarve : Grande étude de 8 caprices arr. par Hasselmanns. 3, Zavdeos : Nadermann : 7 sonates prosressives. 4. Kowsépra : Bochsa Tov xzi Tov. 5, Teudyix : Godetroid : La mélancolie, Ie Réve, les Adioux, Parish Alvars: Beatrice di Tenda, Souvenir de Pischeck, Sonnambula. Pierné : Impomptu-caprice Lefebvre-: Homaner sans parole, Zabel: Légende, Mar- cucrite dontoureuse au rouet. Am Springhrunnen, Saint- Sains : Fantaisie, Hasselmanns. Chaconne de Durand, Mazurka, Petite Valse, la Sone, Etude, Gitana, On entale, Aus. Dupont :| Ballade op. 60, Alfred Kostner: 4 Anventions a 2v sie (JS. Bach) 27.2 “Aplipor 110, Mpéypauyx Rpoxyeyoediv Tupviouare : Avo onaval Mniy. “Ey % Bio tepskyn by sav dvartea. __ 1746 *Avartpa. otsqare tprerhs. “Apfipov 114. 4, Pouvéauaca Payt : “Ona th 2, Sovdres : Tod Clementi zat 105 Spohr, Schwecker: Etudes et mélodies IIT et TV, Bochsa : 25’ Etudes Gov: ap, Lai 25 Etudes Tov ap. 2, Duazi : 48 grandes Etudes Posse : 8 UnovBal, Schwocker: EnevBul 8 dpyhorpav, 1, 25 onovdal 5 sein. 3. Koyagava : Parish Alvars : Kovaépro yi Sgea., Kov- axpriv, Kovatero adh. &., Zabel Kovatgro vz) &, Rei- necke, Wilm : Konzersttick, Gabr, Pierné : Konzeristiick, Mozart : Kavafpro 8tz @7dovzo, "Apraw wx 'Opy: 4. Teudyix: Charles Widor : Choral et Variations Ravel: Introduction et Allegro, Gabriel Fauré: m= promptu, Une Chatelaine on sa tour, Parish Alvars: La Norma, Zabel : Fantaisie sur Faust, Tournier : F erie, (Prélude et danse), Trois images (In vat 2x Suite), Godefroid : Marche Triomphale duRoi David, La danse des Sylphes, Tznecek, Schubert : Fantaisie, Parish Alvars: Réveries. E. Mugeojaiby.: Abe Mpedabvex Sovdew : Debussy. Auk Burk vat "Apnav: Saint Saéns: Fantaisie. Aud Bio “Agnes : Haendel Tofo val xovaerés Ries, Etrrovop : Ravel H Biarowdh nah yeouatnh dena dnd dnddens dePororoyeniis, peiptowod ah zehorus ele Th vedbrepx avu qovixk % wausinodpayarock Epya. “ApOpav 112. Tevet wadjuare. "De roi midvon, Bt Kovaépra, Chapuis (2 “Aenav) : Haydn, Pratlé, : fv Bpyhozpa xa midva ueyee the * Anonuthe: “ApDpor 113. Nebypayya nruyaniy Herdoeoy, Erovdad : Ado be so Mp Mix covire % pdeos ay “By Kovaégro % uépos abe | Tendyia: & sanaoud, £9 pauaveenic, By ouyzptven “AeOpov 114. Tieéyoxuya Simdopatady erdccov. Exovdai: Ada “Ev Kovatpro. tooups reudziay waco, pwpartixig xii ovyyps- vor Enoyiig, dv & TolMdytoroy psyadns teyie Bvononlag, TMHMA ZT", Exon "Byyépdav ‘Opydvor. BIOAT Tipoxerapin Wolrgens Biers “ApBpoy 115. 4, MéSoBot: Joachim, Alard, Crickboom, B, Kue= chler, Laoureux, Xepag, Meda xx. 2. Srovdat: Sitt, David, Seybold, Laourens : 39 Bludes, Dancla : L? éeole du meécanisme, Holla~ onder 1, Kayser I B.Teytyag: Kovogees :Seitz L Th Hubo Nancia: Petite sole de ja mélodie, T, Hy AaBEs74 1 HI, Soybold : Zuaer4, I, Mh, Seybold | Love i div Buoxohorépaw Tig Averépnc. “Apllpoy 116 prying Eerdocioy Upéy2auyr xpow be sb dourrdpe. EQHMEPIE THE KYBEPNHEEQE (TEYXOS MPOTON) Kr vortea, oteqats rales *Agbeov 11 Suvtysoig vs Ons aie mpoxacoprcods. A. Kilwanec nat arpéges: Grickhoom La technique du violon, 1, I. ov Bat: Seybold: Vy er 1, Maras T, Dont : ontzer, Fiorillo. Kovaoz2: Huber If, Seitz 4, 5, Jansa, Dan- ‘oncertstiicke, Rode, 6, 8, Viotti 2%, 29, 17. ways: Beriot : lo Air varié, Mélodies Danela : 3 moreeaur da salon,” Klassisehe Marie, Godard, Renard, ‘Simonetti, Neruda x27. vow Eowlerdiv, Eaoyty), $m Zovae- Hollaender HI, Sitt, 24 études préparaloires, Halicnnes, Stiteke, cuir tai Pierné, Gabriel Thome, Danclé, vat dvorn 5. Novae ‘iva Schubert. “Apfipoy 118. Upbypauyx mporyayndy Berdoses 1, Knhusncas xa, arpiges ele 3 dyBbas 2 Avo études Mazes, Kreutzer % Fiorillo, 3. Ta lov esos évdg Kovoépzou +05 Rode % 105 Violti “EniGepryudvov seudyoy Bdlysvoy roiddyiory ba zat huss wave mpd rev Eersozov. “Aphipey 119, “Ones ot eivaces van 2h domicyore els <9 Bloes nak BaOuiatooe wana xes als CySdac, spleas, veh AL Katey TC Vegun 2S eovdats Manual, Campagnoll, Kreutzer, Fiorillo, Rode. pee 3. Kovagera: Rode No 7, Nandini ul &29- oor, Vivaldi 12 Fraaooy, Bériot 1, 6, 7, %, Kreutzer 13, 49, David 2 facaw, Bach 23 thaaoom, Mozart, Spohr Sov, Viotti 22 x, ‘Vitali: 4. Tepayea Chaconne, Bach: Aria Maffat + Les Vieux Mal’res, Wieniawski : Mazurkas, Légende, Ries: dnd xe 350 Suites, Perpetuum mobile, xien. Svendsen : Romance, Beriot : Seine de Ballet, Vieuxtemps: Réverie. Fantaisie appassionata, Paganini Moto perpetue, Raff : Cavatine, seu x6 Drila, D' Ambrosio, Sarasate, Kreisler t& ehzoheiveax xa, 39d nova, Koya “Eadvow SunGexéy 5. Sovdt2: Corelli, Haendel, David : Hochs- chule, Tai IT zav baoviy. Leclair (édition Alaré), Tartini ota Bacaoy x2.m. : “ApOaov 120. Tetypaupa npoxyoyixiy Merkotay. Brlarues nari 79 Avo onavBid Be x dyottpe. 4 five ine wtigacon Hp) ody Ee *Avortoa Deimparg Teche % eTeaeT “Agpov 121. 4, ZnoBal: Kreutzer, “Fiorillo, Rode, Locatelli, Dont, Gaviniés, Rovelli, 'Vieuxtemps : 36 Etudes, 6 études de concert, Wieniawski : moderne, Ernst, "Sauret, Paganini. Toawdauace reywuniis A. Aoivy, A. Kataveti @'H Tey- vei, 105 Biskiobe. "2. Kovatpra : "Ona «2 vdaanxk vat vedrrepa xovatera Tartini, Bach, Mozort, Beothoven, Mendelssohn, Brz hms, Ernst, Paganini, Spohr, Joachim, Vieuxtemps, Wi- eniawski, Saint-Saéns, Lalo, Max Bruch, Goldmerk, ‘Tschaikowshi, Dvorak, Strauss, Reger, Sinding, Etudes LIL x2 L'école Ondricek, White Caprices E@HMEPIZ THE KYBEPNHEEQE (TEYXOE MPOTON) 1747 D’ Ambrosio, Elgar, Becker, Th.Dubois, Damrosch, Glazounow, Prokofielf, Walton, Bartok, Bliss x2. Acé Bio Bronué : J.'S. Bach. ‘cd spla Guonvd : Vivaldi. ‘Av. thoaaga Biohd : Maurer. Kovatoro uh ond xa Guoncvaddno: op.102 J, Brahms. 3. Londres: Auk Goi usvou x05 Bach, col) Max Re- ger, x05 Ysaye. ‘Auk God} wai mdvo Haendel, Corelli, Tartini, 2m. ig dpyaing "Texrinine aypnie xa Bixoxeved Leonard, ‘Thomson, Burmester, Kreisler, x.2.x. 4. Tepdyx: At Romances 75 Beethoven, #da tx eign vig orig 705 Giokiod xv Viewxtemps, Wieni awski, Paganini, Ernst, Bazzini, Sarasate, Joachim, feuded, Thomson, Yadye, Saurety Wilhelny, Aver, ‘otto, Ant. Schubert, Zarzycki, zal voy Brahms, St. Saéns, Lalo, Sinding, Gol dmark, Raff, Moszkowski, Chausson, Debussy, Ravel, Rimsky-Korsakoff, Szyma- nowski, npwrésuna xh Siaaneval Kreisler ha.) dod- nova Eye "Enkivay Zuvberiy. “ApDeov 122 Tevek waSiuare 1. Oewpts, raters spste- Bongl, sAerc spats 2 *Apuovie, ikerg spets — Eongel, wakes Bio. 3. Movouel, Swuarton (polmmare sptesic). 4. TToropla: vg wovowrie (gokemas Buer%s). Tivo (ubypr ste ween 6. dime Beas dveyvonts (dnd x05 2ov Erovs ig "Avortpas Dychie) 7. "Opyherpa. 8. Moppanovia: (got: ). 8, *Extore dnd. 205 Bevrtoo» Exoug. sig *Avotteag x) Mpa jy BBaoxadeioy tod axons Ext Bia *Obeion. >Anoduvhpion evdoris *ApOpov 128 Tipéypauua Ihrupandy *BEerdocov 1, Mix #850 onovbal wat’ bvawyiy ig "Emtrpori ue ‘185 8 rponapamevaaptvey Towra bx Tv 705 mpoyed pares is "Avasépas, 2. Mix oovdra. 3. Ta mpdrav ulpos tbs 2aexesi xovateroy. 4. Mépos xovatpron &x 76 beitoudvow pay. 5. "By Bio Exepa Epya bx tod meoyeiuansys si » "Ave eA vorkpas, H dnd uvhuns éxsBheats Sty clvar Omozpecot “ApD por 124. Tebyeanx erkore. “Bucbiears Smoypeomtuiic 4nd uvhune mpovedunaros Baie robhdyocoy uli wal Autaelag Sexe, meetay- 1. Kat bdorhy cot xatbiyentod «) lev covdrer 4 8) by wrasamby xovatpro, elze 7b mpdirov pépog advo, 2. "Ey ta tepvnie Suoxbhay kovaepraw &x tiv dva- gepquevar ele shy Bhyy tie "Avoree 3. May aovdeay dnbanaoyx pis aovdras a; soi Mrdy 5: Prodi. adho, 4.°By 9, Bio # mhelove dyn we Bang tie "Avertons, Gy coihdyaroy tb Ey weyddne TezveKiig Suonshian. BIOAA Mocxaraprerich @oirgars bievhs “ApDpoy 125, 4, Mé0o80e: Ricordi, Roger, Firket. 2, Tupwiouara: Leonard, Dancla : Travail des gammes, Cavalli Guido per lo studio dea viola. "Appa 125, Kiluaxes, & % 330 yuuviouars. Kurorépx Boizqars Berke “ApBeov 127. Topvdausra wat onovBat Bruni uf0oBoc, af 25 études, Herman op.22, Kreutzer zal Fiorillo (&y werx90p%) xa Boorhy, Krews : xaluaces, 60 études, “ApDpov 128, Tpéyoauua npoxywymiiy Heriscon, | doandyene ub ae Berdoete 705 “Appa 130. vdat: Hoffmeisters, ZexchoiOqas Brun Fiorillo vel Kroutzer, Hugo von Steiner, Campaguoli, Kovaép ra: David : Concertino ele aod, Sitt, Rode zai Viotti (2 ueragopH), Kudelsky, Taglichs” beck, Garcin. Teudyea: Schubert : Ballade, Viouxtemps : Elégie, seydy-x Gv Walner, Tibbe, H. Sitt, Rubinstein val doinaya Beye "Exktyay Soverév, “ApQpoy 131, Tebypaun npoayoysniy erécear Bios: =s Sve ing wal dvanbyuns ub vic Revd Brorion, *Avoréon Polrgaiz spterhe cerpaerhc. *AeDoov 132. 1, Srovdab: Eeauroityne Rode, P. Hermann op. 18, Goerinek Gaviniés et Kow Campagnoli, Enovbal dprghoroxc, x: Jeno Hubiy, H. Sitt, Kreuz, Mozart, et 3, Zowdres : Bach 3:8 Gs6hav pbvyy (dy werapogl), Ax riosti, Marcelo, Locatelli, Tartini, Vitali, Haendel (2v tzageed), Rubinstein, Vieuxtemps, Scharwenka. 4. Tewéyia : Bruch, Windsperger, Wallner : Fantai- Italie (2eztarex ub B:bkx aio). sies, Berlioz : Harold ustagosl, daudnaye Beye “Exahveay ysterauo8 rA¢_ Viole d’amour sead xa xb Suvari usrkey Eoyow 3:3 3b Beyavev otro, Van Wal felghem : Romances, Ney : Romanesques % 47. “Aplpov 133. Toned palpate. 8 Bioriov. *Anohovipion Berar. "Apbpow 134, oxisy wah Birhopariniy Beréceon. “Alipay 13 MéGoBor : Massan : Cours préparatoire de Violon- lle, Werner : op. 12, 1, Cornelis, Liégeois : Le premior pas du Violoncelliste, Dotzauer- Loch : Etudes faciles I, Schrider : Die Ersten Ubungen, 1748 "Aplooy 136. Todyoauyx nponyoynniy Herdocov. Kriuaxes, 8 ouvacus nal ula ucrodia.dx toy dvartee. Karworepa Wotrgors ders. *Aglpoy 137. Medéry 35y Oéceav srt toy Biayhpow waudnor (C. Schrider).. 1. Pouviouase : Dotzauer : 100 Etudes pourle pouee, J. Werner op. 12, 11, TH. 2. ExonBat : "Dotrauer - Loch If, Battanchon op. 4, I, Kiimmer op. 37, Potjaner (Loch) 1,11, Baudiot-Sehrd- der: 23 Studien L~ 3. Nevdzes : Romberg : 3 Scbrider : 3 Sonaten, Brev ten ftir 2 Celli. ‘onaten op. 43, Dotzauer— 26 Sonaten, Mozart : Sona~ "Aptipoy 198, Tpbypaunx neoayoyniy Berhosey. | Kaiyanes, Bio anovdai, ula oovara. etre Blo aden ari. Mion otrgars spi87 "ApOpov 139. 1, Dugydéouar aid. WererlV, Eaxnoinas tov wiepdvo Schroder. 2.Znovdak Dotzaucr Loch II, Battanchon I, Cratamacher 1, Schrader: " Tonlersierstudich TI, Franchomme: op. 36, 1, I, Popper:op.76, Ne2 Etudes, Rabaud: 12 Etudes. 3. Kovaégza: Romberg: Concertinos, 2 Concer- to, Goltermana : Concerto op. 65, Klengel | Concerto, op. 7 xat 10, Davidoil, Sehrddler, Heberlein 4, Sovarec: Vivaldi, Locateli, Boceherini, Mar- cello (imi minenr) 3. 5. Tewdz ta: Ad Bio futovatine 20d Romberg Wax, ah dvinoya Foye “Kiaivey Soler. *Aglpor 140, Teéyzauux npoxyoyindy Herdoeon. cele oh Basal, ax hg ave deikoytone Sigg dudechy *Avoxtea otryag epreThs. *Aclpov ad. 1 Popdouara: Kolwance, xark spltac, Exene xd 4y8bas (Loeb), P. Bazolaire: Gammes et arpiges.- 2. xoubad: Dotzaner-Loch TV, Dupert : 21 Etu- des, Battanchon IH, IV, Schroder III, Franchomme op..7, Kummer op. 44, ‘Popper op. 78,73, Dotzaner op.t85, Grutemacher op. 28,If; Romberg op. 33, Loe op. 405, Merk op. II, Swert op. 7.- 'a. Kovaéera? Somberg. Davidoff,Klongel, Popper, Servais, Piatti, Saint-Saens, Schumann, ' Molique, Haydn, Dvorak, Lalo, Goltermann, Dictrich Grivzma? cher, Fitzenhagen, Hoffmann, Sitt, Lindner, Glughardt, Raff, De Swert, Volkmann. Auk 30 Biodovcadina, Kevotere Moor. Aik Prod xa) Gioncveadiae op. 102,4.Brakms. 4, Zovasee : Bach,Bocherini Sammartini,Beothoven op. 5 No Ll, ete. wkyia : Servais : (@ eaprices, Werner :12 caprices, Grutzmacher op. 38, Franchemme op. 7, Piatti op. 23 Bach: Sniten fir Getlo allein, Sukgogx <6» Dopper, Servais Klengel, Romberg, Dayidolf, Goldermann, Yat tev St. Saens, Bruch, Bargiel, Cui, Hoffmann, Ritzenhagen, Gratemacher, Rheinberger, Zenger. AG Ted vai Sicnovso8ida Chopin : Polonaise. Auk tplx Buohoveakion al rive % textoroay «Pop- per : Requiem, xxl dvdaoya Epyn‘Exhivow Sowerby. E@HMEPIZ THE KYBEPNHEEQS (TEYXOE MPATON) *Aplipov 142, Pevock yahuata. "Qe by oH oyphh, 208 Puorlov, "Anohutipun Hexdors *Apbpoy 143. Tpoypayya mrupaxiiv yal Binhoparixiy Rerdotov. Base the de avo Spboudone Buk thy "Avortpay Che pays Toy mTupanbY val Sindayarndy Herdocuy toi Buonion, BA@YXOPAON (Kovepaundooo) Mpoxarapesuch, elenans bide. rox. *Aeipoy 144. Mébodze Simandl I. *Aplooy 145. _ Metypauua npoxyeyiniy Herdocoy * Bxstheote Blo owmoudror & tie BBa(etons Sys. Kasarépa. oizqarg tvig Erous. “Aefpoy 146. 4, MéGo80¢ : Simandl Toy edz05. 2. Mpzxevat dexter: : Hause-Bernier. 3, BrovBal : Simandl 30 onovdal, Hrabé-Simand 86 arovsai, Bottesini, Hause, Bernier, Montanari, xa? baci. “Agony 147. Hpbypaua neoxyayiniy eriosor Mix dovenats x22 Bio onoudat bx ty dvurttpe. Méon Potenars Berks. “Aptipoy 148. 1, "BEanodoiBigars tepaxiv dorhasor, Kniwanes. 2 Ymadal: Simandl, Hrabé, Bottesini, Montanari, Hause, Negré, Labro: Grandes Etudes, Hrabé-Simandi 86,11 Dauthage, 20 MedoBixai dorchoets, Dauthage Kn- waxec val avyyapdiat, Unov8a spyrtazpas, Muller: Ri jertoire (symphonies, ouvertures), 2a. Simandl-Li- Pon 12 omssBal werapeae i 3. Mevaued seudzix Wanatndy xh veuripuy ovvberiy *Aplpoy 149, Tieéypauna mesayoryoniy Herdoeor, Kruse, pla onovdh, xat & tendyioy. * Avertépa @otenare tpterhe. "ApQpov 150. 4. Mé60801 : Simand! IMI seiyos Hochschule, Vande- theyden : éxercices pratiques. 2. Srodal: Bottesini, Gregora-Simandl 1,111 Hrebé: 28 doxhoes uerugenis, Kreutzer-Simandl 18 ‘onovBai, Dauthage : 12 Technische Mbumgen wat 24 ‘orovBal ele thas ris vMuavac, Negré: 24 grovbat, Simandl Gradus Parnassum T,11, Montanari x2i Hrabé:’ Concert# etuden. 3, Kovatpra vat reusyia : sav Bottesini, Dauthage, Goufite, Laska, Misek Storek, Legner, Geissel, Stein, Simanutl, Piretto, Loska, Liovski, Vermst, Abert, Seon- trini, Mozart : Aria, Sebwahe : Cavatine, Maresch Polonaise, Bruno Keil: Solo mit Variationen, Dautha- go, Sinfonietta 3: GaOSzopBov xa Gsorlov. 4. Kal! digs typ Bidpreims tov onowBen,Wdoxtaers artes, yeraporis : 5. Droval els BadlyopBov uk névse yopBig (Dau- hage), ds Enlaxe susBuat dorhaets ele 840 9 neptoabrepa BadiyopBa, EOHMEPIS THE KYBEPNHSEOS (TEYXOS NPOTON) 4749 “Apfipay 151 Tevek uxBiuaers Ta atk dos BA xo Buon. “A 1 eevkons, ‘NeOpoy 152. Upbypayun arvyundy val Bimroyarndy Uerkoeon. ast sic Oe dive Spouse Buk Thy dvartoav Bins xa) doudbyos mpd vo mpbyeayua civ mIvpaniy xxl Benbow ruisy Herisewy 105 Buohiov. TMHMA P’, Lyonh, Bailey Mvevarey Opyivoy. SIAATTAYAOS, (@r4ovr0) Tpoxaragnttich @oirgars Evds Erous. *ApOpov 153. 41. Me0e80¢: Bohm, Dorus, Altes. 2 *Aaxiaere: Kohler op. 33, Terschak op. 131b, *Berbiguier : wAluaees, 3. Tewdyia: EB. Krouke, r, *ApOpo 154. Tigéyeapua npowyarrxiiy eerdosoy. Kiluaores, wbx onovds, Ey urxpby tepdz201. Kurorton. @okrgans diez *ApBpov 155, 1. Kaluaorac: Mefoves ot Eddoooves vat arpeges plow. 2. Enovdat : Popp (op. 288), Tillmetz op. 52, Andersen op. 33, Drouet [, Kahler : op. 66 vrouérr, Kohler op. 55, Buchner op. 42. 3. Tepdyix: Doppler, Andersen ax. *Aelipor 156. Teéyeauus npowyer'xiiy eviorwr, Kxiyxrec, 850 onovbal, & Blo reudyta. Meo olrnars Brevis *Apbpoy 157. A. "BewedoiOnars uydoxov (Dorns, Briccialdi) yal anpéges. seredpea. 2, Douvdouara : Drouet, 3. Urovisi: Andersen op. 30 , Sousmann, 1, Hahocker op. 7, Popp zapaxrnstesixa onov8al op. 380, Bohm, Hermann, Forstenau 1, Reichert op. 5. 4, Zovdrec: Haendel, Haydn, Marcello, 5. Teudysn: Andersen, Doopler, Hahocker, Kohler, Ary van Leeuwen, Lothar, Kempter. ‘Auk 800 ghdoure: Mozart, Robrich, op. 38. Au B50 gadoure: Tulou, Kuhlau, Kummer, sat avdoya Eye 'EXiyoy Lovberév. *Aetipoy 158. Tiphygeuya npoxyorudy Berkacav. Kluane 20. youvdeuare. Mix 4 Bio oxovBal. "Ey 4 Bio Tewdpen, else ule covira wal Ev remieyson. * Avortpx Wolryors teeth “Aplpav 159. 4. Kxuaxee vat arpiges : uel 2285unc. Dovdpione ay Reichert. movBal : Furstenan op.15, Anderson op. 15, Sousmiann op.105, Andersen op.60, Schindler. Exov- Bal Mrdy, 3, Sovdves: J. S, Bach, Haendel, Em, ‘Bach, Jarnach. 4, Royatesa: Mozart, Ph. Em. Bach, Spohr, Lan- ger, Andersen, Furstenau, Biichner, Verhey, Wander- lich, Chaminade: Koyaeacivo sd. 5. Teusyx: | Mozart, Schubert, Widor, Godard, Jadassolin, Doppler, Andersen, Bohin, Van’ Leeuwen, Terschak, ‘Hoffmann, Briceialdi. Avediae: F. Doppler, GC. Doppler, Tplo : André, Walkiens, x. Kouzgrésra : Walkers, Kuhlau, ». 3. | Aaahests beyhareas : Prill x. &. “Ouolos eri Bia hear Eero usvinuy ovyyginay ober Aczhasic weeagnetis yeopua cise by Bude. "Asxigee tml usxgad raaeyix’non (Piecolo) zat dod doya toy Bvishvov Sonderiv. "Apdo 160. Tov abu: Brust, sAéaic spsie. Dongil, elfere reels. Bonglh, wikes She, Hummel, Ph. "Bx 2! Beas aviywons Mesuopt. ‘Oysdexal donfeers mevariv. “Opriate2. Anchuvhptot Berkazg “Asoo 161. Téyeauus nevpumdiv wat Barhouxzudy erdazov. 1 Tie Eve dgitoudns 8k chy ’Aveorépay Shyy val diva Dryas mpde Th npoyeduuaea sav noun val BPawart- xiv Eeticewy 10 Bioniov. OEYAYAOY— APPAIKON KEPAS, (‘Oynoe— Cor Anglais) Meoxaragrseeh @oteqars évig Exoug “ApDpov 162. 1. *Aochoats Ent ctv weudnwr sd. 2, Mifodo: : Garnier, Seliner, Brod I. *Apfipoy 163. _ Tletypxuya npoayoryxiy Rectory : ula Boreyois Semone sore Kacosép2 Golgqaie bbe Ecos ‘Aghaoy 164, ucttoves xa) doaoves MéQoBse Garnier : 1-65 TrovBal : Blatt 30 (var? daerhy) Neoésra : 2x zs e680 Garnier, Braun. Teudyen: Diethe (uxt Bxxoyhy) *Aplooy 165. Tpéyeayyun neoayoyiniy Heriacav: Kiwanes, ya onouby, ux ucdodiz, Koluares : Méoy @oirgars Sierhs “Appa 166. Kilwaxes vat revved onde, MéioBoc: Garmier, Sellner, Brod TI. Vitzthum., Blatt op.30 (aézerx) wai op. 42, yer ovndeing Undooe 203 Diethe. 5. Zovizes: Devienne. 6. Kovséeza: Dietho, Hindel, 7. Tewizpa: Reissiger (car Edoyiy), uehoBias Sthunaan wa. 1550 EOHMEPIZ THE KYBEPNHSEOS (TEYXOE MPATON) “ApQpov 167. Mena rescore vB, Ev novadero H spo otenars “Acdeny 168, 4, Méodos : Sellner II & JIT. 2 Snovdai: Ferling op 31. Schiemonn, Schmidt, Ruchier, Hugot: Grandes Etudes. |. Kovetpex. Haydn, Mozart, Diethe, woda, Reissig 4. Teudyia: 80 GEbauhov x *Aowheats bx nedrns Bosws xa petbpoeic 6 *Aspaexod: Kégaro 7. "Nawheers dpxhozpus Ext Epyov vhasatnGy xa ye0~ Rietz, Kalli- “Apbeay 169. Pevuxé wabiiuar "Qe ele by Tazryiavnov. *Arohuvipict — Herdane "Apdpov 170. Tpéypauua nrpaxiy val Berhouarundy ericson. Me ele wiv Mraylaonov. EYOYATAOS (Kaagivo) Teoxaraparech Golzarg bbe Foxe *Aalaoy 471. Diyanes 2x, petévre, Beer, Lange. "NpDpoy 172. Heéypauua neoxyoyixiy tsrdoeov Knluases. Mix oxou8i 1 *Aaxt 2 MéBodo: : Kacoriea Wolrgate B “Nebigov 173. 1m Kusxes xe. denraeis 2— Mélosax: Parés, Lefévre : HT & IV, Klosé, Barmann. ‘3. EnovBal : Blath op. 21, Miller I & I, Cambaro Coprices, Cavallini : 30 eaprices. 4.— *Aowtoatg : Stark 1, Il, TM. Six Bixoha tepdyin, ¢' nal xacd Buxsneviy. F “Aplpoy 174. ebreaupa npoxyayrxéy eerdacor Mix owes. Bio oreubat, Mix pened Mean oleae Betis *Aallgoy 175 1 Ted val pehwdink youvdouars Cambara, Cavallini, Stark 2. Puvéoua: sants. 3 + arpéges, Barmann : Exercices amu: ovdut : Cavallini I, II, Kroepsch + 40 onouBal. Bat ele dpyalae wtluanxe. Wiedemann, Sxizax 10 fat HL. 4.— Konzortstiieke + Wiedemann. '. Kovatpra x2i Oxveasia:: Weber (Kovaeptive), Mo- zart op. 107, Rummel, Gurlit, 2 6. "Aowhoers ustagonag dnd 705 Kraplvon ot uneubh els Kaaplvo ved vai Ma xal cavdmaon Reissiger, Sobeck, Lindpaint- ner, “Agfpay $7 Tebypauna npomyeryeniiy Herdceuy. "Ey rezveniy yuo onouBh. Mépos xovatprou Ay tepdyov vas’ Boeri. * Avortga Gokenars “ApDe0v 1 . Acwhacts (xalnusoival) Bender xa Barman ~ Lambelé. Peveat dexjaess eke dhag whe xMluaxas Kroep- sch. '2, UovBal : Bender I, I, Tezvoxat yereoSias 0% Bar- mann, 24 yeydaa onovdal ele Aeyalac wiusoxs Stark, tuolos 24 Beétoreyviag els dpyaiag xAluaxae Stark, Ca™ vallini, Blancou, Blatt. 3, Yowdrec : Mendelssohn, Brahms, Draesecke, Re- ger, Stark ‘Yovéra 8.i 850 shaplva. 1. Kovségra : Weber, Mozart, Schumann, Spohr, Barmann, Kallivoda, Richter, Hansseis, Reissiger, Lindpaininer, Snel, Vogt, Bar, ete. 5. Fantasiestticke : Schumann, 6 Grand duo concertant : Weber yah dora toy 7. "Aonkeete fri apivoy ul umeydr (Kovagsivo) xt tt Koaplvoy undoao, 8B. Aaxfoctc int Sazagiven, Sonpdvo, xavxpsaro, te- vépav xh Gapurévon. 9, *Aaxdaeis &x a. Gheag dvaywérseus xxl weragopiis. *ApQpov 178, Pewed uaDiyasa : (Qe tig iy maryindov. *Amohuripiot *ApOpov 179. Tloéypanya "Og ele tiv waylawrov. BAPYAYAOE. (®ayx5r0) Tipoxacapxevch @oteyerg évde Erovs, “Apleov 180. 4, MéoBor : Weissenborn, Willent, Bordogni. 2. Smovdad : Doteauer : 25 exovBad, Weissenborn I *Aplpov 181, Hpéygauua mpoayorrxay ericean. Mla doxyorg val ula onov8h Kaswrtex otenars bys Exons, “ApSpov 182. A. Knunxee vn. doxtoess. 2. Srovdat': Weissenborn TI, kirebner : 99 oxoodal. + 8, Texdyix : Weissenborn xxt Roscher 3 ze5yp, “Aplipov 182, Tgéyoauna npomyeytxiy eerdacay. Kisses, ula Bio oxovdal vad &y censor, Blatt, Jacobi~ Neun- Mion. @olepars Bieri. *ApBpav 184, A. Sovéying wepeacay sth 207 xiv derehoceoy. 2. Snovdal + Blatt, Kopprasch : 60 axavBal, Jacobi- Neunkirchner : auvéyetn ri0v 99 oxouBav, 3. Zovdea + Mozart. . Teydyia : Romberg : Variations, Jacobi : Polo- naise, Weissenborn : TMapahtecyai xv Netnkirchner xa) Facobi ote. “AeOpov 185, Teéypauua xpoxywyndy erdaceoy, *Aaxhacis, Bo axoubal xal by Teydyiov » EOHMEPIE THE KYBEPNHEEQE (TEYXO MPQTON) *Avortpx @otegare corer. “Ap0po 186. 1. Eoveyinig Wiydioy val ceyyeniiv doxhoro. Poy ydouxce val amvu8ot : Hamelin : Gammos ot exercices, Neunkire'mer, x: Srowal : Kreuzer,” \monrader, Gambaro, Lee : Br2byn, Jancourt, Starns’-y, Perier : 22 Etudes moder- ‘nes, P, Joanjean ? F tudes progressives et mélodiquos I, If], Maller, Milote, Milde, Sel.teck, : Mozart, Weber, Beethoven, F. Jancourt, Kromer, Hilde, Wichtl, Klein, 5, Tewdysa ¢ Mczart, Facchi,’ Doppler, David, Fer- ling, Liadpaintner, Ganz, Blett, Nazzareno Aud A guepsbera: Stobl. hal dvdnoyx Er David, Enxhvoy 5. Amchaste Aaxtaete be naden: Ukews wal ueragonas. 8. ’Aoxheee Serhorpas : Gumbert. “Apipov 187. Pend uahyers "5 ele ‘shv Inara *Anchuniiot Heck “Aelgov 188, Mpbroauye mevjzaniiy woh Birteouas “1g Sle ov may lavdov. EAZOOOQNA. *Ap"eov 189 "Brpimvaats tel Eakopdiven xovspiice, aomphve, wopon val Bapuzéven. TMHMA HY. york Xadudvov Ivevardv Opyévav. KEPAS, (Kép.0). Meoxarapvtech, @otraaic évde Exov5. “ApDaov 190. 4, MéBodog ¢ Stiegler. 2. Touwiopara Eni 105 guaueod xbpvou : Franz, Du- vernoy, Kling. 3. Kaluauss at Bzothyara : Stieglor zat Schantl. 4, Tuprdoyata : Savart-Wottawa, Sander, Meifred. “ApOpov 191, Tipéypauya npoayoyinéy eerdazuv. Ao daxhoeis & rig dvorépa Sigs. Karortpa olzqars dierhe “ApGpov 192. A. Dovépions tov uwdnov 22h Beorqudeov. 2. MiSobos : Stiegler xai Schantl, Duvernoy. 3. Kaluanes nal Bizothuara Eni rod Képvon uo xreiBid av Gallay, Kling. 4, Tuuydouara xai axovdai : Kopprasch, Ose, Franz, Stiegler, Klotz, Gugnot, Rossari, Artot. 5. Tuuvésuare cuvodelg mévov: Duvernoy, Man- dyczewski, Schneider. *Aplpoy 193. Tipéypaysn mpoaywyexdy decdocwy. Kiluaxes, pla dogans xa) ula onov8) 4 pedodla, Méon oleyars diese. *AcQpoy 194. 1, Suvdyung ready donhoeoy. 2. "Aawhoets ueragopie : Kopprasch, Franz, Jaquin, Gallay. axl ‘Yr Bapvadno (Kovepagayxsst0). i754 rovdul: Belke, F Kling, Rossari, ~.3. 5. ZnovBal owvodela muvoo 6. Zavdzee : Duvernoy, Spindler, Strauss, Maller I, Paudert, Muller, Merck. ichborn, Blane. 7. Kovatera : Mozart, Gabler, Maty 8. "Aaxjans ele thy be mpdryg Bhews dod yvacw nat peragopiy. : *Apfpoy 195. Tpsypaux mpoayorin6y Eevisceov Teprixai dexhacte, 840 anovBal, npGrey uksos wis ao “Astor 196 1. UrovBai : Merck, 24 Bludes, 20 Etudes recréatives, Franz, Fr. Strauss, Kiing, Gallay, Gugel, Artét, Maller Al, Rossari, Bellini, Bergonzi, Sauveur. 2. ErouBsi Buk Kevodeea : J. Haydn, Reissigor, Bis~ ner, Schumann, R. Strauss, '3, Eovdzec : Beethoven, Ries, Leidesdorff, Rheinbor- gor, Camillo, Horn, Zager x. &. Haydn, Mozart, Beethoven, Weber, Dukas, R.’ Strauss, Sinigaglia, 4. Kevaépra Schumann, St. Saéns, Matys, Kiel, Grube, x3. 5. 'Nawhoets ele why x a. Sijews dvdeyvoat xxl wera pop. an 6, EnovBal & Epyuv dexhotpas xai uovawce Souarlov, 7. Enovbal uk KRépvo ele ot geo veal 28 220. 6. "Aoxhoers Ext Homntuba. Kai avinoya Epya "EXkhe vor ovberiv. AgQpov 197. Tevink waOquara + Og ele civ Tracytandor, "Anohonigtor Herdanis. “Apbpov 198, Mpévesuua arvzumdiv xat Bindwyarwndy eeriocov. “Gig alg sv Tiherylaudov. SAAMITE (eoynt ssa) Tponasaperuch Boinnene tvde Eros “ApDeoy 199. Blaha I, Hofmann, Wurn. Mondini, *AeBeov 200, Tipbypauun npoxyerwntiv Berdaewy Miz dovnate val pix oxovt 4. Mefodar : 2. ErovBal : Woizqars bvdg Exove. “ApOgov 201. 1. Kayanes : dik chy Léamyya ub dodetduc ele gh Blancher. 2. Touvdouxra: Johanson: 50 youvécuara, Mar- chesi : 24 vocalises (uxt wexxypapiy), Fuchs, Gar- 3. MéQo3a.: Arban, Dauverne, Pitsch, Hohne (1). "Ap020v 202, Tebyeauun xpoayoyuti eeriscey. Katuanes ty yiyvaoua at woes weradia, Méon. Golmqare dieric. “Apfgov 203, 1. MéQo80: Arban, Koslek II, Danverné, Pitsch, Hobne I. 2. EnovBat: Duuhem, Demerssemann, R. Hofmann (28), Gallay. 3. Teyvuad doxheers : Forling, Kopprasch, Fuchs. 4, Dupvdouare 8h uscagoeéy: Mondini, Dau verné, Marohesi: 24 vocalises (cic weragopdy). Guilbaut: 30° petits ‘préludes, Nrovérsa. rola 4152 5. "Nowchasss ele thy x a” BY peragapéy eg dviyroow yak thy “Apfaov 204. Uphypauua npoxyorindy eerdacan. Mix dovyme, 80 onovdal, yin uchadla ix is vo Bays. 4. Boyde me, Tiubig, dangers : Bidaoxania dirhoydortouot. Touviouara Kislek, Soloman. 3. Srovdal : Arban, Hofmann, Rohm op. 20, Kop- prasch op. 5 If, Gallay, Bonnisseaux, Kling, Clodo- ini 4, SrovBal werapopiie : Mondini xa Sachse, 5. DrovBat! Duhem, “Demerssemann (cis pe gopiy) . Franz ~ Blaha, 8:3 thy Déameyyx ele of Se 6. Kovefpr: Haydn, J. W. Hertel oan. J. S. Bach oy xovaépro BpavdeBobpyou ut Eérmeyya ele ge 7. Teudya: J. 8. Bach : 20 protits préludes et 20 inverntions & 2 Voix pour clavecin (transcrits par Sauveur) Gombert, Pitsch: dxoondauara Epywv ranatiy val euro wal dvdors toa Enkiver oweray. 8. Sroviai &x pings Sew xed werapopac Buk chy beh 9. "Exsthente émt sic Kopvérrac dc nal 105 Prindpvon. 10, Maxp. Toounérra els pb 885 41. MéGodoc: Fantini (1638). 12. Kovatpra: J. W. Hertel, Mozart. 13, Bib dxoondouaca and teva J Haendel, Jos. Haydn, Leop. Bach wai “ApBpov 206. Tevink nab paerlav how, "Me ale iv : "Arohuchpiot Becket *ApOgov 207. Nobrexiun revptanioy nat Birhyarariy Herkoron 1g tle wy Mayladow. OAKQTH ZAATITE (Teopnévt) Hpoxaragrrich, @oleqare tbe Erove *Apfigov 208. 1, MéOodor: Droyer, Kastner, Clodomir. 2) Powwicuare: Hause, Wirth, Slema. 3, Teudyx: Curschmann, Popp, Spindler. *ApQpov 209. Téyeeupe rpowyoyoniy ee Kituavee, € yriwacua, wie weredian Karwrtpa. @oleqaig Erde Erove "Appa 210. 4, MéBoBoe : Carnaud. 2, *Aewshoas : ‘Dreyer (aluxec), Haussmann (legato), Cornetti, Belke, Hofmann xai Dreyer ¢ vig Fuchs, Blume 36 1), : Vobaron, Kummer (60). 4, Tewhyx: Paudert : “Apt. Hoblfeld ’ wiv, Stark Mraindvea, Riblmann : @avraoia, "Ent “éy Ebner, Hamm, Spielter, % a Neostera Baprax dbest vee *Aptpov QL, Teéypauua poayoyiniy terdocwy. EOHMEPIE THE KYBEPNHSEQS (TEYXOE MPQTON) A. Kaleneg: Mette wal idaaoneg (Dreyer) Slama. 2. Mécdo. : Cornetti, F. Beer, Dieppo, Voba- ron, (méthode complete 3. Avaoxahin dimdoyhornawe, 4. Zmov8al : Dieppo: Etudes progressives, Gallay, Seidel 24, Blume 36 (11), Hofmann, Volbaron : Gran des étudus, Belke, Franz 100 Guat! bdorhy). 5, MehaBoxal dewhoeis xark Concone eg voy yvduova, ‘evipan ox’ Dreyer. 6. Kovafpra: aches, Beer, Rex. xd. 7. Tendyix cay Grittamacher, Orlamtinder, Kihn, wd “Apoov 213. Tpbyeaupa npoxyoryiniy Bectozuy : pctesnac val yotvdopace, la Be ome “AgOpov 244 Lovepians vhuydov Dreyer xat arpeges ele hac 285 waluae 1, Enovdat: Comette, Slama, Blume 36 (III), Kopprasch (60), Belke, Grube, “Dreyer, Dotzawr Grube. Opuscule rudimentaire et classique @Z Eeyox ueydoy ddaoxdrev), P. Delisse. 1, 12 Sovdzes Beethoven, Haydn, Mozart, ark yearty P. Delisse. "Aawhaere ele tiv yripove rhe xavephhso, “Exudinare oyrortoy Bre. "Aoxfctc (4oy cantabile). |. Aowhone 3, 6 iu 8 . Popvdouaca épyhorpuc 05 Dreyer. Kevatgtz : Pariow, Mahlfeld, David, Belke, Maser, Grate, Sabathil,Kubne, 9. Konzertstitcke: Fleischmann, Pandert, Stolz, Nowakowsky, 2-7. 10. Teudijux: AveoStat, gavtaatat, mapadaayal 2, év Parlow, Schrein2r, Demerssemann, Klos5, Gallay, David, Miler, Mayer, Potier, Gatter mann, Singolée, 45 Chorals 705 Gevaert, (uerayeapi Paque).. Telo. Koviveéera x05 Fotis. Doinynee 84 tpl val 4 Tyountnn xark J.S. Bach xd Dreyer val dvddoya Eeyx ‘Exxfyay Eovberay I. Maré dix avupavock Eoya wal ysroSphuara Wagner wal verépav yey uovaovpy. *ApOpov 215, Tevet * yathuare Txyiaroy. Anouzipin Hertong “ApBeoy 316, Hobypauun mrvywcady val Simhouarniy eerdecov "Qe ig av There BAOEIA AAMIPS, (Mriza0) *Aplipoy 218, Tipo ‘moony 5 erosen, Kuso oleae byds Erove, “AgOeoy 219, uae, Baorhuars, E@HMEPIZ THE KYBEPNHZEQE (TEYXOZ MPQTON) *ApDeoy 220. Tpbypauyx npoxyoyxsy Herdoewv. Elyaoces val Bho yyprdouasa Ent vig Biba Beloye Uys. ‘Mee _ Méon @oteqens Biers *Acfpoy 224. 4, MeoBoc : Touchert. IT 2. *Aoxhoets Eri. Contrabass-Tuba 3. "Ex mpdeys Beas dveyvoas “AgOgov 222. Tpbypauun rporryeyeuiy eerkoewy = Hluanec v2 Blo yunidauara dvenbya Bvexonlas *Avorten. Doleyers spievhs *ApDpov 223. 1, *Aoxhocis xal onov8at dorharpxs 84 Tuba voi ‘Teuchert 2. DnovBal : povaoveyi 3. Meraoad. 4. Eoveyisis ushéegs Contrabass-Tuba xh elBaxidc ale toy Bagrep. 5. "Exudfinats civ uepéiv Tyoursviov foye Bpep val vewstpuy povasneyiy. 6. "Ebdnenaic ext axrryeviv bpvaivow, ds 2 Bombar- don, ‘Helekon, xx. “Aelipay 224. Tevosk waBurca by Tazyiavdov. *Anchuriipto: desde *Aplpoy 225. Tebyeaupx mruyiandy vat Sinkomeroiy Eerdocay : "Qs ele cov Tverlasnoy. TMHMA 6’ Zyorh Koovarsv *Opydver. 8 toyay Bayes vat veurtpay weyddov "Mc ate TYMIANA OPXHETPAE-KAZYA - IIATINIA TAMITOYPO yok Sada obyyzave Bontyeext. @olegars Rech *ApBpcv 226. bv peipioyby bxdozov xpova%! 41. "Beybuvaoss deydvon, 2. Aberonor pufaizat dence: 3. Medien Buoxiiov doaraqudzay avagowndy H wsheBoauarextsy Eee *Aelpov 22: Devxd paibhuoa 2 4. Oeepiz 2. "Be pers 3. ‘OpaBinal dorchoeis yer Berry. 4. 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Gantrrcmcv yoayyan, rept Toon nat taoxperisv. Meet varapmonot bomevasrni) wovoweioy opt 2. Mowery uspoe Ta «Hq Barres, xbhouoe? “Iecedifov Mpwrobdarov. 'T& dpyd «Kipte 4 by rokaats duapsinzy Térpo AauraBanion vat @ Avaardastos ye “Teousfov Hpwrabdncen. Ta dgyaioy tnos «Tov Asorérn va’ Apyispia tyutown, es zo Rapin. Ta «Aveatey 03 Teo- Fiza» “lasvioy Kowyouttxous els Fzoy Booby, T2 by , 2) % Karopovexsy Blpucréyeo. ‘Torus “Aptipoy 263. Aaduawadla yeh asus sob sm sig vari. Kupucery "AxohouDlas. Gaby hadpes "Ancrovbiae, Trot doxohouthiin xack che anorinte ral Ocounropuids toric, dc xai nack vag tupric wav ‘Aylov. Upmervel agaguoyah ext whore Tonos Buardeo Loropin. Hi “Brodnowaris Moven *Aetipoy 264 “H Eadapach wouae) &y 7f Spyeyive ypronva, wayaiqa Unjyat Bid chy wovavcy tovopiey coy mpdizey 791- ovtavixiy aldvey. “H unvavch &y +4 butknotg dim’ ve A moorohuxig toxic. -Waiem xat looxpdras by vf doze bodiielg. 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