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Cinematography Included
e btitl u ter s s it Ma to ed Click style

What We Said Well Include

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Close-Up Extreme-Close-Up Medium Shot Long Shot Over-the-Shoulder Shot Insert Shot Point-of-View Shot Cut-Away Eye level Pan Tilt Zoom

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12

Cinematography That Wasnt Planned 13 Very Long Shot Page

Mid-Close Shot Reverse Over-TheShoulder Shot 2 Shot Page 14 Page 15 Page 16

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The camera shots shown on these slides werent originally planned but felt appropriate to shoot on the day due to the inspiration and creativity we felt during this process.

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Clos e

- Up Shot

Here is a close-up shot of Blayne smoking. This draws focus to the cigarette which is used to reflect character as the teenager stereotype.

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Extr e me Clos e - Up

This extreme-close-up shot of our antagonist is used to reveal small details of her character. Here she is seen to be frantically watching the youths, (as seen by the eye-line match).

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Med iu m Shot

This medium shot is framed to convey Victor as being vulnerable as he is alone and being tormented in the large forest, becoming the victim.

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Long Shot

A long shot is used to here to show the distance between the antagonist and the victim, as she advances on him.

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Ove r-the Shou ld er

This shot is used to establish the connection between characters and portray their communication.

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In s e rt Shot

This shot is demonstrated to provide more information to the audience. It mirrors the story and portrays the connection between the girl in Blaynes story, and the antagonist.

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P.O.V . shot

This Point-of-View shot is used to show the audience what Victor is seeing, henceforth revealing the disappearance of the antagonist, as he starts to become alarmed.

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CutAwa y

The shot below is an example of a Cut-Away as the footage switches between Blayne telling the story and Victor being stalked, increasing the pace and tension of our piece.

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Eye lev e l s h ot

The shot below is at eye level with the audience to strengthen the audience-actor relationship, which aids in the audience responding and relating empathically to the story that Blayne tells..

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Pan Shot

The c dem lip belo w o n st a pa rate s the n ca mer mo v use a eme of to cl nt. T early his i runn show s use ing b Victo d in a r grea ack into t pa nic. camp

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Tilt Shot

This clip inve b stiga elow as th tes t the e camer he tilt sh b od y a mo ot anta ves goni of the up reve s aling t, slowly char acte elemen ts to he r r bu face t stil l kee her a my ping s ter y.

(Reconst ructed w ithout tit les)

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Zoom

The zoom belo w is shot di spla used final reve to de yed anta l goni ation of ploy the st: th used the zoom to cause e face. T h fores s into da fear and is is h that adow d rkness t ll ta o ke p ark even plot. lace t later s in th e

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Very Long Shot

This example of a very long shot is used to create tension as the antagonist appears behind Victor, building suspense as she watches on in the distance.

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MidClos e Shot

This mid-long shot is used to enable the antagonist to be hidden behind Victor and later revealed, as well as having Victor close enough for this character to portray their facial expressions effectively.

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Reve rse Ove r-the Shou lder

This reverse over-theshoulder shot is used in order for the antagonist to appear behind Victor and frames these two characters, showing their contrasting differences.

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2 Sh ot

This 2 shot is utilised to show character interaction as Jade and Katie exchange worried expressions when being told Blaynes scary story.

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e btitl u ter s s it Ma to ed Click style

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