The Story of an Hour by Kate Chopin represents a negative view of marriage by presenting the reader with a woman who

is clearly overjoyed that her husband has died. This is expressed through the language in The Story of an Hour (click for full plot summary) by Kate Chopin used to describe Louises emotions as she oscillates between numbness and extreme joy at her newfound freedom. The narrator of The Story of an Hour by Kate Chopin relates what she observes in simple prose, but when her emotions are described, the words are vibrant and powerful. This suggests that Louis has a deep inner-life that is not connected to the outside world of her husband or friends and the fact that she cloisters herself in her room to discover her feelings is important. The world outside of her own bedroom is only minimally described, but the world inside of her mind is lively and well described by the narrator. The window outside of her room is alive and vibrant like her mind, while everything about her physically is cloistered. While the mere use of certain words is indicative of this inner-world of detail and life, there are also several instances of ironic or playful uses of certain phrases or images to convey Louises happiness in The Story of an Hour and the ultimate message that marriage is constraining. In many ways, the fact that she dies at the end of simple heart disease (which the doctors think cam about as a result of her joy of seeing her husband) is symbolic of the disease of marriage. Much like an affliction, she cannot feel free unless the agent, her husband, is no longer present. The fact that it affects her heart as opposed to any other portion of her body shows that her misery from this symbolic disease stems from something inside of her, not anything external. For instance, in one of the important quotes from The Story of an Hour by Kate Chopin, it is clear that her husband loved her when his face is described as the face that had never looked save with love upon her. Her own feelings of love in return are also minimally described and it is clear that she does not share his sentiments. The narrator relates in one of the quotes from Story of an Hour by Kate Chopin, And yet she loved him sometimes. Often she did not. This kind if simple and direct language is used only to describe the things Louise is not emotional about, thus the bare language would indicatejust as much as the actual words themselves dothat she did not have any strong feelings for her husband. As the thesis statement for this essay on The Story of an Hour by Kate Chopin makes clear, the language constructs the readers understanding of her character. When Louises emotions are described regarding something she is thrilled about, the language becomes lively and rich with color and vibrant images. This stands in sharp contrast to the sections in which she seems indifferent or emotionally unattached. For instance, in the above citation which begins with the very simple statement in one of the quotes from Story of an Hour, And yet she loved himsometimes. Often she did not which demonstrates emotional passivity, but as the short paragraph continues and her true emotions come to the forefront, the language comes alive along with her character. The clipped line above is followed by, What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! It is important to notice not only the language comes to life with the use of words like mystery, possession, and impulse but the very phrasing changing. The initial emotions portrayed in these quotes from The Story of an Hour (click for full plot summary) by Kate Chopin in which she was passive about are short tidy sentences, but as soon as she begins to feel an emotion, the sentences expand and the whole of one massive thought about her being becomes one very long sentence to stand in contrast to the previous one. This happens again a few paragraphs before this instance when she is speaking in one of the quotes about the strain and crippling disease of marriage. When her emotions become overwhelming, so do the sentences and language. There would be no one to live for in those coming years; she would live for herself begins the paragraph. There are no lively words, just a matter of fact, unemotional statement without the slightest hint of sadness. In fact, almost as though she suddenly realizes again that she doesnt need to be sadthat marriage is an unhappy institution for her, she comes to life again through language and sentence structure as seen in a meaningful passage from Story of an Hour such as, There will be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature. Phrases such as powerful will and blind persistence are much more descriptive and full of energy than any she uses to describe the fact that she had no one to live for. Also, this seems to escape in one breath, as one long rant, only to lead back into the clipped sentence of And yet she loved himsometimes which makes the reader keenly aware of the contrasts in numbness and almost manic emotion. In terms of language and her emotions, it is interesting that Louises feelings are described as a monstrous joy since this matches her feelings and well-described strong emotions. There go from calm and passive to wild and uninhibited and the only way the reader can discern what means the most to her is by these passages describing this joy that is monstrous not only because it overwhelms her, but because she knows that she shouldnt feel the way she does about her husbands deaththat the world of the dull reality would consider her reaction monstrous in itself. Again, there is a disconnect between the outer world and her introverted self. While her emotions are described as monstrous, she is described from the outside quite differently since she is young with a fair, calm face and has two white slender hands. Both of these cues would lead the reader to believe that she is a perfect gentlewoman, composed and serene, while inside her thoughts move with sudden, wild abandonment. Through contrasting language and sentence structures to reveal the emotions of Louise, the reader is able to enter her wild mind just as easily if her every thought was described in an itemized list. The reader is forced to ignore the outside world, mostly because its description offers nothing remarkable, and focus on her inner-life, which depicts a sad portrait of marriage, indeed.

The omniscient narrator of Story of an Hour by Kate Chopin immediately informs the reader that the main character, Mrs. Mallard suffers from heart trouble, thus revealing to her that her husband died will have to be done with great care. Her sister, Josephine is the one selected for the task as her husbands friend, Richards stands by as he was the one who double-checked and made certain that Mr. Mallards name, Brently, was on the list of those killed in the railroad accident. Interestingly, the main character, Mrs. Mallard does not, as the narrator says in one of the important quotes from Story of an Hour by Kate Chopin, hear the story as many women have heard the same, with a paralyzed inability to accept its significance but instead she wails with wild abandonment and steals away to be alone in her room, shunning her sister and slumping into one of her armchairs in a state of shock. At this point one would expect her to be hysterical, but instead, she sits facing the open window and for a moment just feels hollow before suddenly noticing the world outside. It is spring and the world outside of her window is buzzing and alive. She notices that the trees were all aquiver with the new spring life and this marks a turning point in Story of an Hour by Kate Chopin as the main character looks outward and begins to realize something important about her life. The new day outside has completely absorbed the attention of Mrs. Mallard and while she still sobs occasionally, as a child who has cried itself to sleep [and] continues to sob in its dreams she is nonetheless completely taken with the outside world. She is finally described by the narrator of Story of an Hour by Kate Chopin as being young, with a fair, calm face and the reader imagines her sitting. The plot of Story of an Hour by Kate Chopin is clearly shifting as Mrs. Mallard suddenly realizes what is troubling and begins to whisper the words, free, free, free as she sees that her life can be her

own now. In one of the most important quotes from Story of an Hour by Kate Chopin, the narrator says that at this moment, she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome as it becomes clear that her husband, who she only loved sometimes is gone and her life is hers, season after season. Another important passage to this effect reads that, at this new point, there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature. For those interested, this moment in Story of an Hour is almost exactly a parallel with the moment Edna in another short story by Kate Chopin, The Awakeningleaves her husband and realizes with sudden and intense clarity that her life is her own and calls into question gender issues of the Victorian era and how they are repressive to women. This thoughtful section of the plot of Story of an Hour by Kate Chopin gives way to her sister, Josephine, knocking on her door, breaking her train of thought. She is worried about her health and urges her to come downstairs. She does so and suddenly, her husband walks in the doorhe knew nothing of the railroad disaster. The main character dies at the conclusion of Story of an Hour by Kate Chopin, of, as the narrator says, a joy that kills which is not to be taken literally, but instead means that his oppressive weight is back. She has seen the light and the shock of going back to that old life is too much. Although some could probably argue for a more literal interpretation of the ending of Story of an Hour by Kate Chopin, it seems clear, given the overall meaning and themes in Story of an Hour that she did not die of happiness.

The Story of an Hour by Kate Chopin represents a negative view of marriage by presenting the reader with a woman who is clearly overjoyed that her husband has died. This is expressed through the language in The Story of an Hour (click for full plot summary) by Kate Chopin used to describe Louises emotions as she oscillates between numbness and extreme joy at her newfound freedom. The narrator of The Story of an Hour by Kate Chopin relates what she observes in simple prose, but when her emotions are described, the words are vibrant and powerful. This suggests that Louis has a deep inner-life that is not connected to the outside world of her husband or friends and the fact that she cloisters herself in her room to discover her feelings is important. The world outside of her own bedroom is only minimally described, but the world inside of her mind is lively and well described by the narrator. The window outside of her room is alive and vibrant like her mind, while everything about her physically is cloistered. While the mere use of certain words is indicative of this inner-world of detail and life, there are also several instances of ironic or playful uses of certain phrases or images to convey Louises happiness in The Story of an Hour and the ultimate message that marriage is constraining. In many ways, the fact that she dies at the end of simple heart disease (which the doctors think cam about as a result of her joy of seeing her husband) is symbolic of the disease of marriage. Much like an affliction, she cannot feel free unless the agent, her husband, is no longer present. The fact that it affects her heart as opposed to any other portion of her body shows that her misery from this symbolic disease stems from something inside of her, not anything external. For instance, in one of the important quotes from The Story of an Hour by Kate Chopin, it is clear that her husband loved her when his face is described as the face that had never looked save with love upon her. Her own feelings of love in return are also minimally described and it is clear that she does not share his sentiments. The narrator relates in one of the quotes from Story of an Hour by Kate Chopin, And yet she loved him sometimes. Often she did not. This kind if simple and direct language is used only to describe the things Louise is not emotional about, thus the bare language would indicatejust as much as the actual words themselves dothat she did not have any strong feelings for her husband. As the thesis statement for this essay on The Story of an Hour by Kate Chopin makes clear, the language constructs the readers understanding of her character. When Louises emotions are described regarding something she is thrilled about, the language becomes lively and rich with color and vibrant images. This stands in sharp contrast to the sections in which she seems indifferent or emotionally unattached. For instance, in the above citation which begins with the very simple statement in one of the quotes from Story of an Hour, And yet she loved himsometimes. Often she did not which demonstrates emotional passivity, but as the short paragraph continues and her true emotions come to the forefront, the language comes alive along with her character. The clipped line above is followed by, What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! It is important to notice not only the language comes to life with the use of words like mystery, possession, and impulse but the very phrasing changing. The initial emotions portrayed in these quotes from The Story of an Hour (click for full plot summary) by Kate Chopin in which she was passive about are short tidy sentences, but as soon as she begins to feel an emotion, the sentences expand and the whole of one massive thought about her being becomes one very long sentence to stand in contrast to the previous one. This happens again a few paragraphs before this instance when she is speaking in one of the quotes about the strain and crippling disease of marriage. When her emotions become overwhelming, so do the sentences and language. There would be no one to live for in those coming years; she would live for herself begins the paragraph. There are no lively words, just a matter of fact, unemotional statement without the slightest hint of sadness. In fact, almost as though she suddenly realizes again that she doesnt need to be sadthat marriage is an unhappy institution for her, she comes to life again through language and sentence structure as seen in a meaningful passage from Story of an Hour such as, There will be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature. Phrases such as powerful will and blind persistence are much more descriptive and full of energy than any she uses to describe the fact that she had no one to live for. Also, this seems to escape in one breath, as one long rant, only to lead back into the clipped sentence of And yet she loved himsometimes which makes the reader keenly aware of the contrasts in numbness and almost manic emotion. In terms of language and her emotions, it is interesting that Louises feelings are described as a monstrous joy since this matches her feelings and well-described strong emotions. There go from calm and passive to wild and uninhibited and the only way the reader can discern what means the most to her is by these passages describing this joy that is monstrous not only because it overwhelms her, but because she knows that she shouldnt feel the way she does about her husbands deaththat the world of the dull reality would consider her reaction monstrous in itself. Again, there is a disconnect between the outer world and her introverted self. While her emotions are described as monstrous, she is described from the outside quite differently since she is young with a fair, calm face and has two white slender hands. Both of these cues would lead the reader to believe that she is a perfect gentlewoman, composed and serene, while inside her thoughts move with sudden, wild abandonment. Through contrasting language and sentence structures to reveal the emotions of Louise, the reader is able to enter her wild mind just as easily if her every thought was described in an itemized list. The reader is forced to ignore the outside world, mostly because its description offers nothing remarkable, and focus on her inner-life, which depicts a sad portrait of marriage, indeed.