April, 2011

The April Reader

Table of Contents:
Fiction Blue .............................................................................. 3 Poetry Back When we Won Both the Battle and the War A Femini t !oem "un#erin# $%enin# '( )o(a#e *o tal#ia +inecdoche ................ 8

Credits & Information Preface:

.......................................... 13

The April Reader i a monthl( pu,lication o- poetr(, pro e, and mi cellaneou u er. u,mitted content. /nitiall( concei%ed a a ucce or pu,lication to the now.de-unct 0ine Writer 1uild, The April Reader aim to ,ecome a hu, o- online writin# and content. 2peratin# under the ,elie- that the ri e o- the internet ha allowed the written word to re#ain parit( with ma .media and tele%i ion, The April Reader hope to er%e a a launchin# point -or the -uture writer o- thi #eneration.

................................................................ 8 ................................................................ & ....................................................................... & ..................................................................... 1& ..................................................................... 10 Essays

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'( War on +ound ..................................................................... 11

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Blue
/n the mornin# two men came to %i it me. Wearin# #re( tie and un#la e , the( tuck me a eriou and pro-e ional men. The( were the t(pe o- men that alwa( tra%eled a a pair, the t(pe that re-erred to each other a 8m( a ociate9. 2nl( one o- them introduced him el-. "e aid hi name wa 'r +later. / didn9t in:uire into hi -ir t name.

F/3T/2*

'r +later wa a tall man. "i #re( uit -it him ti#htl(, accentuatin# hi lon# tor o and thin wai t. "e eemed to like point( attire, like he wa makin# a t(le out o- it. The houlder o- hi uit ;utted out prominentl(, and hi hoe had uch a point to them it wa hard to ee where hi -oot -it into them. $%en hi %oice wa harp. *ot har h, ,ut %er( well pronounced and a clear a the re-lection on hi un#la e . Wearin# the e<act ame out-it, hi a ociate looked a i- he were a li#htl( maller clone o- the man tandin# ne<t to him. 'r +later aid the( had a propo ition -or me, kippin# an( detailed introduction or plea antrie . "e de. cri,ed how the( had elected me -or an important e<periment. / wa one o- tho e trick(.to.-ind people that had clo e to no connection to relati%e or pou e. who wa till in ome wa( within the ,ound o- ociet(9 %i i,le pectrum. 'eanin# / wa makin# u e o- a #o%ernment er%ice in tead o- e capin# to unci%ili=ed pocket o- the world -or the m( -inal da( o- li-e. +later aid m( participation in their o--er would perhap one da( make me -amou , on a imilar le%el to the -ir t man on the moon. >et the( conceded that / wouldn9t ,e around to ee it, and al o due to the ame un-ortunate e%entualit( / would not re%i%e compen ation in an( -orm. thou#h the( would donate a u, tantial amount o- mone( to a charit( o- m( choo in#.

637

/n m( da( here / thou#ht / would ,e a,le to reali=e omethin# meanin#-ul to do with the remainder o- m( time? ome #reat cau e or ma terpiece that would prout. But nothin# came, and / had ,ecome marred in the monoton( o- m( ,ed and m( room and thi ,uildin#. / wa more intere ted in the chance to lea%e thi place than an( promi e o- po thumou -ame or charita,le donation. A-ter the( le-t / mulled o%er what / had ,een told. /t wa all a ,it -ar.-etched, ,ut +later poke a,out it with deadl( eriou ne . 2ne thin# he aid tuck in m( mind -or da( . @We don9t know what will happen -or ure, ,ut chance are (ou won9t come out o- it ali%e. All we can #uarantee i that (ou won9t -eel an( pain.A B A car wa arran#ed -or m( tran port when the time -inall( came. A-ter +later9 initial %i it he ad%i ed that / would ,e called upon in a week. / hadn9t communicated with him ince then. The car the( upplied looked ,rand new and e<pen i%e, ,ut it wa an unmarked and almo t completel( ordinar( il%er +edan. A chau--eur had e%en ,een hired to tran port me. /t wa pro,a,l( -or the ,e t, / hadn9t dro%e in (ear . / wondered i- m( licen e wa e%en till %alid. / wa ne%er directl( told the le%el o- ecrec( under which thi e<periment wa takin# place, ,ut in-ormation wa not #i%en out loo el(. / wa onl( told what wa nece ar( -or m( participation. The( didn9t tell me the location / wa headin# to wa ecret? ,ut the

window were tinted on the in ide, and ,oth the window and door were locked. The ordeal made me u piciou , ,ut at thi point in m( li-e / had no rea on to worr( a,out m( a-et(. / wa happ( to ha%e the wind lead me. We dro%e -or at lea t a -ew hour , the dri%er keepin# hi ilence. / lept throu#h the re t. The ,uildin# we arri%ed at wa n9t what / wa e<pectin#. /t looked ,eaten ,( time . an old ,rick tructure, three torie hi#h that looked read( to ,e demoli hed durin# the ne<t tron# ,ree=e. +ome o- the plain #la window were intact, ,ut man( were a, ent, lea%in# onl( their -rame . There were no remnant o- ,roken #la on the #round howe%er, the( were ;u t empt(. $ither omeone took the trou,le to tid( the place up, or there wa no #la to ,e#in with. The ,uildin# tood alone on a plain ,arel( u tainin# ome poradic wild #ra . There wa onl( one road plittin# the middle o- the land cape, and it di appeared out o- %iew without a twi t or a turn. *othin# el e ,ut the cracked concrete car park ad;oined the road. /n the di tance were ,lue tained mountain . 'r +later #reeted me a / approached the entrance. "e eemed to ha%e ,een waitin# -or me. "i a ociate wa not pre ent. @/ hope (ou9ll accept m( apolo#( -or the lon# ;ourne(. /t wa di--icult to -ind a uita,le location -or our purpo e .A We entered the ,uildin# throu#h -lim ( wooden door
6C7

and to m( urpri e it eemed onl( a -aDade remained -rom the ori#inal tructure. The room in ide had ,een completel( re%amped. The( had ,een re.pla tered, and the mell o- paint till hun# around. The( were completel( empt( ,ei#e colored room , e<cept -or one with a ta,le and ome chair . We continued to the end o- the corridor until we -aced a door made out o- teel and thick #la that didn9t -it the dEcor at all. We entered throu#h it to a mall room that eemed to ,e an intermediar( ,etween the re#ular ,uildin# and omethin# more purpo e-ul. The ound o- omethin# like a hea%in# air conditioner tarted, m( companion didn9t -eel it nece ar( to e<plain the phenomenon a we waited in the mall room. A-ter a,out a minute there wa a click and the ound topped. Thi wa o,%iou l( the cue to proceed throu#h the door on the other ide. We came into a room wholl( di--erent to the other . The wall eemed to ,e made o- ome kind o- metal. "ar h li#ht came -rom lar#e -i<ture in the ceilin#, re-lectin# o-- the wall and makin# the room a luminou a it could ,e. There were computer et up in a ,ank whirrin# awa( doin# omethin#. 'ore men were there to #reet u , thou#h the( didn9t wear #re( tie and uit . The( looked more like (our t(pical la, uit , onl( the( were #re(. The( all wore un#la e , and -or once / knew wh(. @The e are ome o- m( a ociate , here to o%er ee the proceedin# ,A +later aid to me upon eein# con-u ion on m( -ace. / wa #i%en ome ,rie- nod to acknowled#e m( pre ence. The room wa plit in two ,( a thick pane o- #la , apt -or %iewin# and protection. /n the room wa a man in a white protecti%e

uit and omethin# mall and ,lue on a ta,le. /t eemed like that wa the -ocu o- all thi . @Be-ore we proceed, /9ll ha%e to a k (ou to i#n ome thin# . We9ll al o ,rie- (ou on what we know. /t houldn9t take lon#,A +later aid, maintainin# hi calm and preci e manner opeech. "e took me to a room connected to the one we were in and reiterated mo t o- what he had told me on our -ir t meetin#. / wa then handed le#al document to i#n. / tru ted +later9 a--irmation that the( contained nothin# / hould ,e wear( oand onl( kimmed them ,e-ore i#nin#. / wa #uided ,ack into the main room and then throu#h the #la di%ide. @/t hould ,e a :uick proce . >ou9ll -eel ome en ation a it enter , ,ut nothin# that could ,e de cri,ed a di com-ort or pain.A The handler told me. "i %oice wa di torted -rom ,ehind hi -ace ma k. >ou could hear hi ,reath pa throu#h it like he wa wearin# a cu,a uit. "e aid to approach it. /t wa n9t a##re i%e. At -ir t it wa a ,all? a mall phere o- murk( ,lue l(in# in ide a ,eaker in the center o- the ta,le. /t looked like putt(, or an under i=ed kick ,all. /t at inanimate a / approached. The handler told me to pick it up. @/t9 oka(, there9 no harm,A he pau ed to ,reathe. @1o ahead and pick it up.A / did a in tructed and tipped in onto m( palm. At -ir t
6F7

nothin# happened. The ,all ;u t at com-orta,l( in the cup o- m( hand. /t -elt like ru,,er. @+ta( calm, (ou won9t -eel an( pain,A "e tre ed. The ,all lowl( turned to li:uid that trickled down around m( hand . /t clun# to m( kin, like a pider to a wall. /t wa n9t plea ant ha%in# an animate lime crawlin# around m( hand, ,ut / didn9t -eel alarmed. /t ur-ace -elt... natural. Gike the te<ture o- a plant lea-, onl( le olid, and warm. /t ,e#an to e<plore all the wa( up to m( hirt lee%e. A it nuck -urther alon#, mall ;olt like tatic electricit( truck alon# m( arm. /t almo t -elt like it wa compellin# m( mu cle to mo%e, ,ut it could ha%e ,een m( ima#ination. /t ,e#an to -eel like it had du# it el- in throu#h tin( puncture in m( kin, omehow makin# hard needle -rom it o-t li:uid. /t wa in;ectin# it el- in to me, drainin# it el- throu#h it needle ,eneath m( kin. The needle didn9t hurt thou#h, the( were like mall (rin#e . / could -eel the -orei#n li:uid mi<in# with m( ,lood. /t tra%eled toward m( ,rain with increa in# peed. / ,e#an to -eel the li:uid ha%in# an e--ect on me. / uddenl( -elt calmer A -eelin# o- lo t re pon i,ilit(, relea in# all m( concern to the u, tance. / -elt it ,e#in to enter m( head, the li:uid -elt like it wa ,u,,lin# a it #ained pace within me, m( %ein :uirmin#. 'ore o- it wa enterin# me, ,ut ,( now / couldn9t top it i- / wanted to. / wa per-ectl( content to let it do a it plea ed. / could rela< all m( mu cle and relin:ui h control. /t -elt like / wa -ree.-allin# ,ack. ward , ,ut / wa n9t a-raid o- the colli ion with the #round. / knew omeone wa there to catch me. Then / wa -loatin# in the air. All -eelin# o- wei#ht le-t me. The concept o- #ra%it( wa #one.

/ could till ee. The kin on m( arm wa co%ered in a thin ,lue -ilm, pul atin# a it ucked more o- it el- into me. /t wa mo%in# m( hand , -eelin# the power, -eelin# the te<ture and the tin#lin# o- it new ac:ui ition . / watched with a mile on m( -ace? thou#h that wa pro,a,l( ;u t m( ima#ination. / had alread( ,e#un to lo e the -eelin# in m( -ace. The la t thin# / heard wa a door clo in# ,ehind me, and then / lo t m( ear too. / noticed it e--ect on m( mind immediatel(. /t wa a harp en ation. Gike a lot o- -ocu ed pre ure ,orderin# on pain pre in# on m( kull. But it wa o :uickl( #one / ,arel( had time to -eel it. /mmediatel( / lo t control o%er the direction o- m( own thou#ht . /t pre ence now -elt co (, like a hole had ,een du# out -rom m( #re( matter and promptl( -illed. The -ir t thin# it took wa m( en e o- el-, lowl( remo%in# the ,arrier ,etween u . That wa oka(, we didn9t need it an(more. / could -eel it ma a#in# m( neuron and m( (nap e , redirectin# pathwa( and remouldin# idea to uit hi t(le. We were no lon#er eparate entitie . "e wa a part o- me, thou#h omehow he kept me locked out o- hi thou#ht . /t wa a redecoration, completel( under tanda,le -or an( new home owner. / lowl( lo t m( en e o- a di%ide, ,etween it ide othe ,rain and mine. / wa ,e#innin# to come around to hi wa( o- thinkin#. A more ection ,lacked out, and mo%ed to hi control, the( -elt more and more like mine a#ain, onl( di--erent. / didn9t control them an(more, ;u t o, er%ed. / wa the addition, the mutation. / wa the little %oice in hi head. But he ne%er took awa( -rom me hi i#ht. / could alwa( ee, ;u t no lon#er -eel,
6H7

or proce the %i ual in-ormation in to meanin#-ul picture . The thin# / aw repre ented nothin#. There wa no lon#er a re-erence to reco#ni=e an(thin# ,(. / aw, ,ut it wa onl( on the ur-ace. The ima#e rolled pa t me like a roll o- -ilm. /n one e(e and out the other. And then he miled, and he let me -eel it. "e #a%e me the -eelin# o- happine , the nice ,ur t o- electricit( that tra%eled alon# the %ine o- hi mind. All the po iti%e emotion were wellin# up at once. / wa one with hi -eelin#. /t wa warm and com-ortin#. "e wa certain, and he wa content. "e had the moti%ation. "e had the direction. "e had all the in-ormation he would e%er need. And he let me ,e a pa en#er to it all. / wa allowed to ee all he would accompli h. "i ,ene%olence wa omethin# / -ound hard to comprehend, ,ut the ,eaut( o- it wa / didn9t ha%e to. "e had e%er(thin# worked out. BBB

!2$TR>

6I7

Back When we Won Both the Battle and the War

Four (ear a#o "arold hipped o--or #lor( on the crui e hip 'e<ico. "e returned on the ame %e el. A it docked, he could ee the ea o- cheerin# women and children ;u<tapo ed on the ea -rom a da( #one ,(. +u=(. +he cheered ;u t -or him then. +he threw her traw hat. /t wa doomed to ink ,ut a one.in.a.million ,ree=e li-ted it to a-et( "arold ru,,ed the hat9 -ra(ed rim. +he ma( ,e out there now he thou#ht, But i- he i , it9 not -or (ou. The ea eemed adder,

"e hoped it wa ;u t him. @"ow could we ha%e knownJA +ecretl( he wi hed it wa n9t ;u t him. "e (elled @3heer upKA And threw the hat to the crowd. it ank into the ea And he knew that it didn9t mean hit

Feminist Poem
)a#ina are Gike ,uddin# ,lo om ? The(9re mell( And attract in ect

687

!ungering E"ening
!eople mull a,out in the parkin# lot o- tore that ell ,oth knowled#e and -urniture, ,a kin# in neon #low o- 2)$* BAL$M +NB+ "eadli#ht , -loodli#ht , and 3hapter ,ound hip ter wa h out e%er( inch o- pa%e mentOo%en,aked u, P ,lindin# ,oth the e(e and the mind. A,o%e, the na%( -a,ric o- the ni#ht i a#low o- en chantin#l( #ar #antuan -ull ,aked moon, ,ein# awed at ,( the crowd ou, ,ur,ia.

#y $oyage
The cra h o- the wa%e The roar o- the wind The -eel o- the pra( '( de ire to win Full ail nowK Rudder ri#htK *ot a-raid, no -ear, nor -ri#ht 3ome on m9Bo(K We9ll catch them (etK "urr( tie that lineK Rudder Ge-tK 3annon -ired BoomK and 3rackK +plinter in the air The mell o- ulphur and iron -ill m( no e Blood and cream pierce the moke that cloud m( e(e The ,oat rock in re pon e +uddenl( / look a,out / earch and earch / hout @3aptainKA @Where...A The cannon roar once more @Where i m( 3aptainJA
6&7

'( e(e the( ,urn '( ear the( rin# '( mind i hattered '( lim, num, / la( down acro that deck +ome ailor / am '( oul ha ,een coured / know now that / Am a coward

&inecdoche
Gackin# all en i,ilit( no a,ilit( to make en e and thorou#hl( non. en ical ,ut oh o en iti%e when (ou conte t that the earth ma( ,e round (ou #et a repl( like @that9 ,la phem(K o-- with hi headK thi ,la phemou ,a tard denie hi one true -ather who art up in hea%en and hi oh hol( ,rother who o died -or hi in / don9t think (ou know what (ou are up a#ain tA ,ut i a k ;u t one :ue tion i- he hall -or#i%e me -or all o- m( in doe that not then #i%e me permi ion to in a#ainJ

%ostalgia
/n the pa t thin# were. The( dreamt o- ,ein# u , in our -l(in# car a we leapt o%er hori=on and e<plored deep pace. /n the pre ent thin# are. / dream o- the pa t when men were men and thi wa not a po t on Face,ook.

6107

#y War on &ound
3urrentl(, / am li tenin# to "ea%en Np "ere ,( $cho and The Bunn(men. A / li ten, / e<perience an inner mind ,attle with a -orce that ha hit on and ,een -eedin# o-- mu ic, mo%ie , and an( ort o- indu tr( (ou can think o-- ince tho e indu trie e<i ted. /9m talkin# a,out m( current enem(, the critic . /9m al o cr(in#, ,ecau e /9m li tenin# to omethin# o u,par a $cho and the Bunn(men.

$++A>+

/ ,elie%e Mr. Mre told it ,e t ,ack in 1&&I, when ,o( could ,e ,o( and mu ic apparentl( ,e#an to di%e ,om,. While #i%in# an inter%iew -or a documentar( called @Rh(thm and Rh(meA. "e aid, @All the critic need to hut the -uck up until the( do or tr( to do the hit the( are critici=in#A Well aid, -uck the police2h wait, wron# meetin#. The e<i tence o- critic i pro,a,l( ome ort o:uantum ph( ic pol(math e:uation with propertie that ,ind to the uni%er al a hole. The e ,reathin# h(pocritical eni#ma it at their computer and li ten to mu ic all da(. The( then proceed to write a,out thi mu ic ,ecau e the( know e%er(thin# a,out it. +uddenl(, mu ic and ound i #rada,le. Take a mall -raction out o- (our mundane monke( e<i tence and think a,out thi .

6117

+ound i #rada,le. /- (ou did not hear me, (ou #ot an AQ, cau e / didn9t a( an(thin#. /t made me wonder i- ca%emen e%aluated ound the ame wa(. 3a%eman /%an wa ,an#in# on the rock with uch -ine e that other ca%eman decided it wa an e<pre ion o- matter inkin# into a ine capa,le %orte< o- tree emen. 3a%eman Brilliant ,an# rock li#htl( di--erentl(, with a ,it le -ine e and a ,it more oulJ We killed that ca%eman, and pro,a,l( ha(ed with hi #irl mate. *otice how thi e a( i -ormatted. /9m writin# hort, di--icult to read, hard to under tand para#raph that cop( the t(le u ed ,( Ro,ert 3hri t#au, the appropriatel( named @Mean o- American 3ritic A, which / u pect he #a%e him el-. /- all o- the a,o%e made en e, then (ou are pro,a,l( a critic. /t9 oka( thou#h, ,ecau e we all are. Wh( then do we ha%e critic J $%er(one can criti:ue a mu ic, or a poem, or an automo,ile. /9m criti:uin# the critic in thi article. Wh( do we tru t the e people with ta teJ /- an arti t make an al,um a critic completel( di mi e . / that a mark o- an arti t with no ta teJ *o it i n9t. Ta te i onl( an ae thetic when related to an( ort o- art -orm. /t9 a mark o- -ooli hne on our part -or li tenin# to the e critic in the -ir t place. 1ettin# ,ack to m( mind ,attle. / -ound that / reall( didn9t en;o( "ea%en Np "ere. /t8 an al,um (ou ha%e to li ten to -or a while, and then turn it o--. !erhap it i tunele dri%el, and that9 what / want ri#ht now. The mi take / made

i that / read ome re%iew a-ter / heard o- the al,um, and then li tened. The ,attle didn9t commence at once. /t took a ,it otime. / tarted dou,tin# m( el-. 'a(,e /9m wron#J 'a(,e thi mu ic i n9t up to par and i a 3 like Ro,ert -rom the )illa#e aidJ !erhap it9 a MQJ What i that mellJ $%entuall( / could ;u t li ten to the on# and not ,e ,othered ,( what / read earlier. / don9t hate Ro,ert -rom the )illa#e, / ;u t di like what he doe , and there i a di--erence. / ne%er know what the hell he i on a,out until / ee the #rade, ,ut ma(,e that i the i#n o- m( unenli#htened el-. /- (ou are a ,and, or a on# writer, or the police. Mon9t worr( a,out critic . *ot e%er(one will like (our mu ic. 3hance are ma(,e no one will. "ow man( people ,ou#ht )an 1o#h9 paintin# when he wa aroundJ Al o important to note that tho e dud rated al,um u uall( end up on top F00 li t -or a corporate rock ma#a=ine, and the ,u ine i alwa( ri#ht. What am / talkin# a,outJ >our mu ic i terri,le, and -uck the police.

BBB

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fterword
Well, that a,out wrap up our -ir t i ue. From the tart thi i ue wa meant to ,e a proo- o- concept more than an(thin# el e. A te t to #au#e i- we could do thi a well a ee what kind o- reaction we #et. Becau e o- the hort time.-rame ,etween our editor #ettin# to#ether and thi relea e, we weren9t a,le to #enerate that man( u,mi ion and there-ore couldn9t prune the content down a much a we would ha%e liked. And a a likel( re ult the :ualit( o- the content hown ha not reached it -ull potential. We hope to impro%e thi a we #ain reputation and e<perience. Ba icall( thou#h the ucce o- the =ine depend on the :ualit( and :uantit( o- work (ou u,mit. The wa( we handle the con truction o- that material into a cohe i%e readin# e<perience i pro,a,l( o- le i#ni-icance -or the time ,ein# while we #et our -ootin#. +o ,a icall( the ,e t thin# (ou can do i write the ,e t thin# (ou9%e e%er written and then rewrite a couple hundred time o (ou don9t em,arra (our el- and then end it in to u . /- (ou9re not a writer . or ;u t ha%e cripplin# dou,t a,out the :ualit( o- what (ou produce that inhi,it (ou -rom u,mittin# . (ou can till help the =ine pro per. /9m #oin# to u##e t that i- (ou9%e mana#ed to #et throu#h at lea t one i- not more o- the piece in thi =ine (ou9re #oin# to ha%e an opinion a,out it that i uni:ue and worth harin#. The truth ma( ,e that it i actuall( a dime a don and the world would ,e -ine without it, ,ut that doe n9t mean (ou houldn9t %oice it an(wa(K The more di cu ion re%ol%e around the content the more ,ene-icial it will ,e to u,mit work to the =ine thu #i%in# u more content to work with. Thi i %ital, o we ur#e (ou to tart a thread a,out it, or -ind one that ma( ,e alread( there. /t

houldn9t ,e hard con iderin# the peed o- RlitR. What you should send to ' () S3reati%e Writin#R!oetr( S3ritical e a(.work and anal( i S3op(ri#ht.-ree or 3op(ri#ht.e<pired !icture and e a( to ,e -eatured SWe, link to cool internet -reeware, we, ite , or on#oin# e%ent S2--er to run new TAR ection and ,e in%ol%ed with the =ine What you should not send to ' () SMilapidated opinion piece o corro i%e that it melt our ke(,oard S!oorl( written material (ou ha%en9t e%en ,othered to pell. check O!R$++ FIP S*++, new ima#e and e a( clearl( windled -rom ome poor neti=en without permi ion SGon#, whin( rant o unima#inati%e our monitor will ha%e -i t hole OAlmo tP $%er(thin# el e #oe .TAR +ta--

6137

Credits & Information

+u,mit (our writin#, comment , and whate%er el e to4 theaprilreaderT#mail.com We-site) http4RRtheaprilreader.or# I(C) 5TAR on irc.-reenode.net ... Editors) !role KUM$RMUNp:V Wildwea al KF%Tu.n1ohA Guco KR.t)p=*&V# BBB Thank (ou to tho e who u,mitted (our work, e peciall( tho e who #raciou l( accepted to ,ecome anon(mou in the pirit o- Cchan and thi =ine. BBB

nd now for an informati"e word from Wildweasal on copyright) Copyright law in the United States states that when you write
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+ee (ou ne<t i ue, .TAR editor

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