Professional Documents
Culture Documents
N o . 5. Horus, the Vernal Sun, seated on the lotus, type of the world,
and reviewing the adoration of the Baboon, attribute of the moon. Jasper.
^JNew York.) P. l o o .
-No. 6. I n e b u n m his car, in his hand the orb; he is saluted m the
legend as ' Thou art our Father! " and the word in the exergue Trallianus
tells us is one of his titles, and enters into a spell against gout. T h e
reverse exhibits Luna guiding her milk-white heifer, the Grecian substitute
anteloj:.of the Hindoo Chandra H a e m a t i t e . ( N e w York.)
for the silver antelope
x, 1ot.
N o . 7. Isis, one lotus on her brow, holding a sceptre. Sardonyx.
J
( v •*•• *• * *
xso. 10. The Abraxas god, with the title " loa, Son of the Universe! "
inis is a truer version of the Hebrew than the Eternal S o n , pproposedPUbcU
by Matter. Haematite. ( N e w York.) P. 244.
N o . 11. Talisman against the Evil Eye. T h e much-dreaded organ is
shown encompassed by the symbols of the deities presiding over the days
of the week, as the Lion, for the Sun, the Stag for the Moon, the Wolf for
iviars, t e c , all combining to bame the force of the stroke. This attribution
of days came from the Chaldean astrologers : it is represented in a painting
at xierculaneum, but the earnest use of it to mark a date is found in JJio
Cassius, w h o observes that Jerusalem was taken " on Saturn's D a y . "
Sard. ( N e w York.) P. 256.
N o . 12. Drawing rudely scratched on the plaster of the wall of a guard-
room, or the Palatme, representing a m a n of the lower class touncatus
popeuus, or a slave, making a gesture of adoration to a biforru diety
elevated upon steps,, with the explanatory inscription "Alexamenos,
w o hips \P* i worshipping) u-oci. It is disputed whether this be a bona
fide adoration of the jackal-headed Anubis; or the caricature by some
heathen scoffer of the convert, Alexamenos aod his newly-found god,
depicted here m the shape described by Tertulhan. tSee remarks at
page —oiJ. P. _ i 9.
2 F
434 IN
No. 13. Bust of Apollo, in the Greek style, interpolated by a later hand
with a tahsmanic legend, that would have defied all interpretation but for
the existence of another of the same nature, yet rather more explicit.
This is a portrait^ Pescennius Niger (Paris), inscribed with an invocation
Holy iving, ii.pono, to preserve the health of that Emperor,
p e trie present one, chieny by trie initial letters. Ouri, there-
fore, must be read BaatXevs ATTOWGIV lepo? Seov(noov*) [{T{OCF~\ and, in
the same way, calls upon the God of Health to show this favour to
Pescennius rival, Severus. Sard. ( N e w York.) P. 302.
No. 14. Tahsmamc Ring of Bishop Seffrid, found in his tomb; now
preserved in the Cathedral Library, Chichester. P. 328.
• o. . lie Agathoitomon, declaring by the legend " I a m C b n u m i s ,
Sun of the Universe, (00. The Greek numeral must be the Number of a
JName, just as BOO is that of Jesus, but what that name was, I leave to
deeper X a b b a l i s t s than myself to discover. Calcedony. (British Museum.)
J.. 340.
JNo. l b . Serapis and Agathodremon combined in one body; enthroned
and holding the Orb, as being Lord of the Universe. H e receives the
adoration of the Cynocephalus, attribute of the m o o n ; whence, perhaps, it
m a y be inferred that Serapis is to be understood now in the more restricted
seuse of the Solar Power. Green jasper. ( N e w York.) P. 358.
No. 17. S P H I N X , emblem of mystery, sporting with a narthex, the wand
carried by the candidates for initiation into the Dionysia. Campanian
sty ic, engraved upon the base of a Sard. oC;irabeus. (New York.) P. 372.
JNO. 18. The golden Delphic E, surmounted by a fillet of roses. For
^he explanation of tiie symbol, see p. 297. Cameo iu a^ate-onyx. ( N e w
York.) P. 431.
No. 19. Vase, the lower part modelled as a triple face of the boy Atys;
at the base lie the pastoral staff -
start and pipes. Atys, in the Phrygian
m y s t e r i e s , is invoked as the (Shepherd of the white stars, and guiding
them by the sound of his piping, which Tatian ( H y m n to the Mother of
ic (jods^) explains by identifying h m i with the power that governs the
motions of the heavens, Ped jasper. (New York.) P. 466.
DESCRIPTION OF THE PLATES.
T I I F , drawings were, for the most part, made from gems in the Praun
Cabinet, n o w transferred to the iintish M u s e u m , some few from m y o w n
collection, n o w in the M u s e u m of Art, iscw York. The materials are
either dark green and yellow jaspers, or calcedomes varying in colour from
olive green to light yellow. All designs are drawn to double the actual
PLATE A.
P L A T E B.
PLATE C.
also
DESCRIPTION OF THE PLATES. <lo /
PLATE D.
2i, The Serpent elevated above the thymele, Bacchic altar—a combination
betraying the influence of the Dionysiac Mysteries. H e declares in
phonetic Hebrew, " I, I a m the Good Spirit.y T h e reverse of this g e m
had been covered with a long invocation m minute characters; n o w almost
entirely lost by the fracture 01 the material in the fire to which it had
accompanied its owner. ^JNew York.)
3. This Chnuphis, of exceptionallyfinework and yetfinermaterial, has
each of the seven rays of the crown tipped by one of the seven vowels
that m a k e up the Ineffable N a m e . u.he reverse exhibits the serpent-
entwined wand, (badge of the Egyptian priesthood) which generally goes
with this sigu, and doubtless added to its power. JMoses s rod and
Aesculapius's club hence took their origin.
4. Another Chnuphis, in the ordinary style. It is noticeable h o w the
gem-cutter has endeavoured to give variety to the endless repetition of the
same sign, by altering the arrangement of the serpentine folds.
PLATE E.
PLATE F.
PLATE G.
EGYPTIAN TYPES (continued).
i. In tins composition an element from a little-used, source is introduced.
I n e Uiecian Apollo, distinguished by his proper attribute, the bay-branch,
is seen caressing the Ibis, sacred to Thoth, scribe of the gods. The latter
UUILJ b e m 0 Kientiueci with xiermes, his birtt carries the ciiduceus ; it also
bears upon its head the corn-measure, typical of abundance.
2. The Ass-headed Typhon, or the Principle of Evil, with quadruple
DESCRIPTION OF THE PLATES. 441
wings and one foot hoofed, carries by the tail two monstrous scorpions:
over his head a scarabams tiying. U t no esoteric meaning, out smiply an
amulet against the bite of the reptile, made after the rule in such cases
prescribed. The most convincing proof of the practice is the early Greek
gem published by Gen. Cesnola ( Cyprus. pi. xl. (), representing two
asps, with the explanation E X K ; and to this day the Arabs always draw
upon their amulets the figure of the thing against which it ought to guard
the wearer.
3. A Dual Power, who combines the jackal's head of Anubis with the
ass's head of Typhon, whence one of his feet is hoofed, brandishes in his
four hands swords and torches, wherewith to scare away the evil spirits.
The legend on the reverse, I H E P A A M B A V B A K A K Z I K A, has not been
read, but contains the Coptic name of Anubis.
4. The Sun-god, Phre, with radiated head, adoring the seated Thoth,
ibis-headed, and using the invocation (cut on the reverse) thou art
our Father ! Inasmuch as the .Neo-Platonists made -tiermes to be the
Power that regulates the motion of the heavens (for which reason Julian
addressed his morning prayer to him), there is evident reason w h y the
god of Day should thus do domage to Thoth as his superior and director.
5. A very popular Oryllus, its components being the emblems of the
elements—the Bird standing for air; the Lion for Fire ; the Ram s head
for Earth, and the Bacchic mark for water. This Pagan talisman has
been Gnosticised by Thoth's ibis, with the Holy Barnes, " Abraxas and
" lao;" but the work on both sides is evidently from the same hand, and
in the style of the fourth century. 'Ihe material is a rarely-used stone
obsidiaft*
PLATE H.
i.e. the JNaine of Four -Letters, viz. Jod, He, Van, He. For the Narnes of
God, according to the Kabbah, are made u p respectively, of Four, Forty-
two, and Seventy-four letters. The second explains the motive for the
number of sacrifices offered up by Balaam in his fruitless attempt to
propitiate the God of the Hebrews; and perhaps m a y have induced the
composers of the Lrenealogy of Jesus (though working independentlv of
each other) to bring out the same mystic number by curtailing the second
series of tliree of its kings.
y-w & e d and douoiy-armed .rower, holding four .Egyptian
sceptres, and standing on a coiled serpent, enclosing a Holy N a m e . T h e
legend is a transliteration of the Hebrew for .Light of L i g h t s . Another
form of such transliteration is given by Caylus ( ' ltecueil d'Antiquites,' vi.
PI. II), crpaopwvo-; reading from the end backwards; cut for reverse to a
coiled serpent enclosing various sigla.
4. Thoth s balloon, bearing on his head the Solar disk, m the attitude of
adoration. i n e reverse bears H N A - M E P C j u , sometimes written M A P O O -
H N 1 , "Enlighten m y eyes!' whence we m a y suspect this very c o m m o n
type to be no more than an amulet against ophthalmia.
5. Inis g e m is given here as a good specimen of a type of which great
numbers are to be met with, although its whole conception, and the vague
symbols in the field—the Solomon's Seal, celestial globe, etc., entirely out
of the antique taste, refer its creation to the fancy of mediaeval quacks and
astrologers. \\ as the hgure suggested by the idol in the shape of an
Old Man,"^ with whose worship the Templars were so persistently
charged? ihe present example, belonging as it does to the original
Praun Cabinet, must have been executed before the beginning of the
seventeenth century.
6. '1 he outline of the h u m a n figurefilledu p with " Holy N a m e s , " and
thereby representmg Adam Jxudmon, the P nmitive M a n of the
Ivabala. The finest example of this curious design, and in which the
letters are the most clearly defined, is the one Caylus gives (I.e. pi. 2 2 \
which has been cut by a later hand on the reverse of a Lion passant, in
the Persian style.
7. The 15aboon adoring a Trian'jle, Egyptian symbol of the M o o n ,
elevated upon a column bearing an inscription. The fact that the
_tythagoreans (^who avowedly got then whole system from Egypt)
symbolised Athene 03 the triangle, lends srengt-h to the idea that the
Attic goddess was in her origin merely the expression of the Lunar
Power.
PLATE J.
feabaoth, Abraxas ; He, i.e. the living God, protect Aparaslath''% the bearer
of tins talisman. Similar formulas, always attached to women s names,
very frequeuny occur.
2. The Zoroastnan Dog, of w h o m and whose olhce so m u c h has been
said in tlie text. J. no ill-cut IJITU IS intended for tiie Haven, the usual
iVlithraic attribute.
3. The Lion of Baal, the Syrian Sun-god; below, the Scarabasus
^P^fy^o e Creative Power. l n c Phoenician inscription Osan el, God
gives s t r e n g t h , " is the name of the owner of the signet. Levy quotes an
agate scaraba3US at the isritish JHuseum exactly similar to tins gem (a nne
sard), a proof of the popularity of both type and name.
^ 4. A unique talismauic device, converting a male Sphinx into a novel
bird, by the addition of the legs of a crane and the tail of a scorpion. It
is engraved m the Persian style: m y motive for admitting it into the
present class.
5. i ne ZiOuiacal l^ion, guided by its astral G e m u s in its course through
the seven planets.
6. The Sun-god, with radiated head, mounted upon a camel, typifying
the Ejast. I>elovv is set the fire-altar of Jjiithraic worship. t i e is followed
by Chanticleer, attribute of the god of Day, preceded by the Horse—his
peculiar sacrifice, as Ovid tells us :
Plncat equo Persis rauns Hypenona cmctum,
JNe detur Celen victima tarda deo. (Fasti. I. ouo—ob.)
P L A T E IV.
M I T H R A I C (continued).
1. Circular copper plate, of the same size as the drawing, bearing the
name of jiurelius r urelius, the person for whose benefit the talisman was
devised. It represents a female figure, standing in the attitude of
adoration; legend, The jjirth of S a l v a t i o n . O n the reverse is seen
the Solar Lion bestriding a corpse, a type so frequent in this class that
it m a y reasonably be referred to the entrance-rite of initiation, the
simulation of death alluded to by fopartianus.
2. The most elegant of these mystic designs that has ever come to m y
knowledge. Two Cranes, one with the head of a l i a m , the other of a
L u l l , stand guardians over the Mithraic sacramental table, under which
lies crouched the Solar Ijion, the House of the S u n . ' Upon the table
are set the sacred vessels; above it is the Delphic E , badge of Apollo,
between two Palmyrene (?) letters, and over all the Seven Planets,
engraved with an accuracy worthy of its elegance in a veryfinesard.
3. A talisman of uncommon potency, to judge from the profusion
of symbolism with which its two faces are overloaded. A four-winged,
four-armed Power, standing like the Babylonian Belus m the air, is involved
with a multiplicity of legends, amongst which the usual formulas " Thou
art our I< ather, Sun of the Universe, " Michael, " Adonai," can clearly
444 DESCRIPTION
M I T I I R A I C (continued).
1. The JYlitliraic Lion, moving through the stars of heaven. T h e
reverse exhibits a complete assemblage of the Sigla; that are found,
dispersed, upon so m a n y talismans. That they stand for the names of
deities and astral Powers m a y be guessed from the fact that M o h a m -
medans still express Jxlluh by a circle filled u p with diagonal lines.
2. Lion-headed M a n , doubtless a Leonticus (one of the grades in the
Mithraic Mysteries), uttering, with uplifted hand, the inexplicable adjura-
tion, " 0, Centaur of God, Thou match for a hundred [demons] ! " Here
Uarovrofiaxos is formed after the analogy of ^ovo/idxos, " a match for o n e . "
3. A Mobed (Zioroastrian priest or Magus) performmg his nocturnal
devotions before an altar, on which are set up various sacra, amongst
which m a y be recognised the regular insignia of his profession, the Sword
and the Divimng-rods. iLngraved upon the base of a calcedony cone, an
early form of the sknet in Assyria.
4. Horns, the Vernal Sun-god, making the gesture of adoration, his
whip resting upon his left arm. H e is seated upon the seed-vessel of the
lotus, that aptest sympoi of the universe, m virtue of its innumerable
contents. In the long, clearly-cut legend that fills the exergue, no
hitherto-explained formula? are to be recognised.
PLATE M.
G-ENERAL TALISMANS.
1. Zodiacal Monster, compounded of Scorpio and Capricornus, carrying a
legionary standard. Bearing in mind that the former Sign is under the
patronage of Mars, according to Manilius—" Pngnax Mavorti Scorpius
haeret"—and the latter a badge of the second Augustan Legion, w e m a y
DESCRIPTION OF T H E PLATES. 445
reasonably suppose this gem to have been engraved for the benefit of
some member of that corps. Sard. (New York Museum.)
2. Three lines of the usual Gnostic siglaPj in a cartouche formed by a
coiled serpent, precisely in the same w a y that the Brahmins still write
the Great N a m e A U M — a sure evidence of the meaning of these
mystic characters. Sard., set in an iron ring, of which only fragments
remain.
3. Fortuna, with rudder and horn of plenty, standing. T h e word
Ifeliciter, m scattered letters, the usual acclamation of the crowd, and the
palm-branch prove this gem a present to some favourite aitriga. Its
purport is the same as that of the monogram so often found enclosed m
the held of the Antomate medal, also accompanied, with a palm, which
has at last been m a d e out to contain the elements 01 Pali/ia l^cticiter!
4. Masks of Silenus and of .Bacchus, combined into the outline of an
elephant's head, bearing a caduceus in his trunk. The typical beast of
India is an allusion to the Indian origin of the god; and the conceit was a
favourite with the Komans, to judge from the number of such compositions
that they have bequeathed us. Bed jasper. (rsew York.)
5. iistrological j.Tine, or n^rure produceu. by o.iviam 0 m e circle of the
Zodiac into equilateral triangles. Here, Virgo (Astraja) at the apex of a
triangle, is borne up by Taurus and Capricorn. This was the horoscope of
Pescennius .Niger, w h o placed it on the reverse of a coin, on account of its
appropriateness to his surname of Justus, of which virtue Astraa was the
emblem.
6. The Gorgons H e a d : the type explains itself by the legend, " I
protect Jihoro m a n dares some Greco-Persian, to judge from his Oriental
name. T h e younger Lucian tells us in his ' Philopatrios' that the Gorgon
was placed upon the shields of the Heroes as being " a thing that wards off
all d a n g e r s . Red jasper. QlNew York.)
7. Mars, grounding arms, m the costume of a soldier of the times of
Constantine. The legend declares the virtue of the sigil: 'Mars hath
cut on the disease of the liver. i5ut a most interesting point m the
amulet has been discovered by Prof. Stephens, viz., that the four characters
behind the head of Mars are the Runes for A B L E , Help. Under
Constantine and his sons, the Franks (as Arnmian observes) were para-
mount in the army. It is easy to conceive h o w some orhcer of that nation
has thought to augment the great virtue of this important talisman by the
addition of one of his national spells. Engraved in a slight manner, upon
nasmatite.
8. Jxakea. w a r n o i j upon a. prancing, steed, branG-isiiin^, a 7?iwce, that
specially Oriental weapon; legend, The Seal of G o d . " Curious for the
material—a turquoise ; to the present day the Persians firmly believe in
the protective virtue of this gem, to which they give the name of Phiruz—
J. 1 1 " V \\i LU1.
446 DESCRIPTION OF THE PLATES.
PLATE N.
GENERAL T A L I S M A N S (continued}.
1. Universal Nature, symbolised in a highly poetic manner, combining
all her forces for the protection of the bearer. T h e Eagle of Jupiter
(Air^); u i o uoipfiins of iNeptune (Water); trie h%on of Sol (Fire), are
moulded into the mask of Pan, whose semi-bestial nature is of the Earth,
Nos. 3 and G are very frequent forms, made up entirely of siglae and
Numrrals ; on which latter subject more shall be said further on.
4. This spell, "Great is the Name of the One G o d , " is the Jewish
defiance to its rival, " Great is the Name of Serapis,"—of which Caylus
p ^ shes a beautiful example, in relief, of antique paste—a material that
indicates a large manufacture of the same article to meet a constant
demand.
5. Certain astral Powers, represented by their then well-known symbols,
are enlisted, by this engraving, m the service of a lady, Sabinia Quinta.
A popular kind of talisman this; another very similar is known to m e ,
made for the benefit of one V xetorina.
P y u i a o 0 i a s is perpetually relcrred to by -Hippolytus as the real master
of the Gnostics in the application of Numerals to the expression of things
divine. H e is known to have learned his system in Egypt; and neces-
sarily brought away with him the cyphers which he found employed for
the same purpose amongst his teachers. The primitive Egyptian numerals
were of the simplest nature, but their abbreviations ultimately became
distinct symbolical cyphers for the several days of the months; and out
of these cyphers the Arabs composed their own system of notation. Hence
it follows that m a n y of the Gnostic siglm m a y be no more than numerals
connected with the astrological use of the charm on which they occur. In
fact, Porphyry says of Pythagoras (in his Late ) that his famous
Numbers were merely hieroglyphs, whereby he expressed ideas con-
nected with his o w n philosophy. The so-called " Pythagorean N u m e -
DESCRIPTION OF THE PLATES. 447
rals are shown in the M S S . of Boethius's Geometry, composed in the
sixth century. A n d that the A u m b e r s of Pythagoras were Ten.
appears from the remark of Aristotle (Met. vn. 8) " that some philo-
sophers maintained that ideas and numbers were of the same LUIIU.1L,
nature, and
amount to Ten in all
That the INumrrals asas written
written down
down by the K o m a n s
the last of the
by the
were Egyptian demotic characters in their origin is a very probable '
conjecture ; but it is a curious fact, and remarkably confirms what lias
been said above, that several of them when viewed upside down assume
the exact form of our present Arabic cyphers.
PLATE 0.
2G
450 BIBLIOGRAPHICAL APPENDIX.
ljarva, i o i
Isiac Procession, 111 , ghost, 181
o j m u o i s , to. Lat, the Ilindoo, 298
Isis, symbol held by, 301 j - j a n ICL, Temple of, 422
Jasper, virtue of, 219, 222 ijotters, composing a female form, Zoo
Jerome, on jjasi.iiu.es, _ O J Life, possible duration of, 221
, on Spamsh Gnosticism, O d J -Light, l^mpire of, 8
• lAJ
to Lrt, 126
J_Jc^L(\
1-iiXj * of lights, 293
Jersey, Gallic coins of, 429 ——, T h e Divine, 81
Jerusalem, visitcu o j Scymicus, i i ' , Place Oi, 350
U UlV OLilLlOLl *Jo5
LSUS, 11 lo iiivocation,
J CSUS,
Lines and dots on gems, 305
-, meltable origin of, z o o ijion, typical, J U J
462 INDEX.
FIG. U.
'igi
F IP 2
0
3
6
ABPACA3
AZ
Aj^r^,
Fip 5
>e-
I AIOT
H £LoI
\
W
! r\ A- ;
&
>-n~*17 v I
Kt # Vc
A
s^^ r
'
l
™* : • 3'. • . • - ' " ' '.
P /VFE t1
MI x'A H
>"4 ^ S. ^
U.J*!
iy ^ ^\
< < < \
<: < 2 J
a- UJ >
<f
< iU '-,
< fiC/
tii xy
^4\
I A P "B /\ # A
T P A M N H (p
] BAWXIM
HMEKI
(ONOAAT 1
0EO'
4.