Observation Sheet Questioning Secondary. Topic Andy Goldsworthy Sculptures
Graduate Standards - AITSL Professional Knowledge: 1. Know students and how they learn Professional Practice: 2. Plan and implement effective teaching and learning
Question Type
Do you feel your questions were clearly structured and readily understood by the students?
During my lesson planning stage I look at the Visual Arts Framework Analysis Structure. Objective to question students around following frameworks: Structural framework identify and discuss techniques. Subjective framework Give personal interpretation of work Cultural framework interpret meaning behind work.
The questions had to relate back to the principles of sculpture and to encourage students to use correct language such as form, shape, space, texture and scale. I had to give a brief introduction to these terms so that the students could relate the terms to the questions.
Did you use a variety of question types?
I used a variety of diverse questions but mainly a combination of recall, comprehension, application and analysis question types. I started with recall questions such as What materials have been used?. I then moved onto question involving comprehension such as How do these images make you feel? The students found this quite difficult to summarise his work and to interpret their feelings of it.
What balances was there between the various questions types?
I had to go back to using a combination of recall and comprehension questions as the students did not quite grasp the principles of sculpture. On reflection I should have simplified it further and revised these principles and asked the students to point out which element matched each image.
Consider both why and when you made use of the different question types?
If the students had not grasped the basic elements I could not move to other types of questioning to analyse and synthesis the sculptors work and ideas in relation to other artists or other environments. I had to use recall and comprehension questioning to revise and understand initial concepts. The students could apply this knowledge when responding to questions involving application and analysis. I used various types of questions to cater for the diverse ability needs. 2 Murdoch University Distributing and Directing Questions
Did you recognise any pattern in the distribution of your questions amongst the students? Consider reasons for this pattern?
I had initially been allocated four mainstream students in the class but on the day of the activity two students were absent. This made the activity more difficult as it was less of a discussion. There was a pattern in that I used recall and comprehension questions, tried to develop to application and analytical types but had to revert back to recall. This was perhaps my fault as I should have made sure the students understood the basic principles.
How have you directed questions to the group?
I asked questions and directed them to both students but in an informal not confrontational way. I would rephrase the question if the students did not understand and use the images as a learning tool to help spark ideas.
Have you used wait time?
I used pause after each question to allow the information to process and for the students to consider the response. I would also ask if the students understood the question and give clues where possible.
Did you make eye contact with the group as you directed your questions?
Eye contact is very important during any type of questioning as I can evaluate the students responses and understanding of the subject. If you engage with the student using eye contact they are more likely to feel as though their opinion is valued.
Reactions to Students Responses
How do you deal with correct responses? Do you qualify any praise given?
In this case I gave praise and acknowledged the students response relating it back to the image. In this way I was able to assess their understanding of the concept. I also encouraged them to share ideas and answer some questions together. It was such a small group I did not want them to feel intimidated but to contribute valued ideas as part of a discussion. I feel giving praise develops confidence in participating.
How do you deal with incorrect responses? How do you deal with students who stumble and grope for an answer?
I made sure that I acknowledged the response and responded in such a way to encourage the student to think of another answer. I used phrases such as Good try, you are on the right lines. I would give little clues and refer back to the images. On reflection I noticed that on several occasions I found that I would give the students the answers to the questions instead of simplifying the question and going back to the basic principles. This resulted in disengagement.
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Do you keep eye contact with the students until they have completed an answer? Do you cut students off and go onto the next point before they have finished responding?
I did keep eye contact with the students to show interest in their response and engagement. It is important that I model the correct listening skills. I made sure that I did not talk over students, valued their contributions and listened to their responses. If I did not listen intently then how can I respond accordingly?
What use do you make of the students responses to develop the teaching point? Have you redirected any questions in order to add to an initial response?
The students responses allowed me to reinforce the basic principles of sculpture which encouraged the students to use the correct terminology. When the students answered with correct responses I could apply the answer to all the visual images and ask the student to point out that element in other examples. My aim was to use the initial structural framework and base my questioning technique around that. To encourage: Personal responses Interpret meaning behind work Identify and discuss techniques
During the first half of the lesson I had to redirect several questions in order to assess basic understanding of sculptural principles. In the second half of the session the students were able to use their understanding and apply this knowledge to analyse and evaluate. I asked questions such as, Do you consider Andy Goldsworthys work of value in todays society?
Are you the only evaluator of the students answers?
In this instance my mentor was sitting at the table evaluating my performance and listening to the students responses. However each student evaluates other students responses to the questions as all contributions are valued during a discussion.