Shot Number

Shot Type

Reasoning

Close-up/Medium close-up

Point-of-view/Close-up

Extreme close-up

Blank/N/A

Having close-ups at the

start of the scene that are
not of the character hides
their identity and creates
tension and questioning
amongst the audience. The
close-up of the match and
board used allows the
audience to see it in detail
and have hints and
foreshadowing as to the
narrative.
The close-up of the match
and board used allows the
audience to see it in detail
and have hints and
foreshadowing as to the
narrative. Also, it being
from their point-of-view as
to the realism and makes it
feel as if the audience are
in their shoes.
Having the extreme closeup of part of their face still
conceals the identity of the
character but also suggest
that they may be the one
in power due to the fact
they finish the scene/blow
out the candle. This leaves
the audience with enigmas
and wonder.
We have left this shot
blank/black to add tension
and mystery straight from
the start of the opening
sequence. We felt this
leaves the audience
question what is going to
happen further.

Long shot

Over-the-shoulder

Long shot

Long shot

Tracking shot

10

Extreme close-up/close-up

The long shot allows the

audience to see the
surroundings and establish
what the setting is. In
addition, this also allows
them to view the other
character fully, without
showing the face.
The over-the-shoulder adds
realism, the feeling of
being watched and as if
they are the antagonist at
that moment in time.
The long shot allows the
audience to see the
surroundings and establish
what the setting is. They
can also see what the girl
is doing and her actions
clearly and fully.
The long shot allows the
audience to see the
surroundings and establish
what the setting is.They
can also see what the girl
is doing and her actions
clearly and fully.
The tracking shot shows
the pace and connotes the
panic/rush. It also creates
realism and
tension/suspense.

The use of extreme closeups/close-ups shows the

key object in detail and
creates questions about it
and what may be
happening.

11

12

Extreme close-up/close-up

Extreme close-up/close-up

The use of extreme closeups/close-ups shows the

key object in detail and
creates questions about it
and what may be
happening.
The use of extreme closeups/close-ups shows the
key object in detail and
creates questions about it
and what may be
happening.

13

Point-of-view/Over-the-shoulder

Again, the point-of-view/OT-S adds to the realism and

allows you to see things
from the girls view and the
choice she has to make.

14

Tracking shot

The tracking marks the

pursuit and creates tension
as to whether she will
escape.

15

Close-up

The close-up of the shoes

show that the antagonist is
near and that she is in
danger and creates a buildup.

16

Medium shot/Long shot

This shows the antagonists

views and allows you to
see the subjects, the
environment and how they
interact within it.

17

Long shot

The long shot shows the

girl running and see her
whole movement and
actions. This also allows
the ribbon to be followed.

18

Tracking shot

This allows you to see the

antagonist is not visible,
creating the idea she must
be safe.

19

Point-of-view/Cantered angled

The angle connotes the

chaos and disorientation of
what is happening and for
the character. It also shows
their point-of-view.

20

Mid shot/Close-up

21

Tracking shot/Long shot

This shows the protagonist

fully and in detail. It allows
you to see her struggle and
question is this holds her
back.

22

Mid shot

This allows the audience to

see the protagonist fully
and clearly and watch how
she reacts and acts.

This connotes the eerie

and odd character
personality. It also shows
clearly what is being
picked up.

23

Over-the-shoulder

This makes it seem as if

the audience are from the
antagonists view and could
cause a jump scare by the
sudden appearance of the
antagonist.

24

Close-up

The close-up shows the

girls emotions and
expression as she is caught
and shows it in detail.

25

Blank/N/A

We have left this shot

blank/black to add tension
and mystery. We felt this
leaves the audience
questioning what is going
to happen further.

26

Mid-shot

The mid shot shows the

character and the poster
and gives a clue as to who
this current character is.

27

Close-up

This close-up allows the

audience to read the
poster and see it in more
detail.

28

Close-up

This movement builds

tension and ideas about
what could happen further.
It also shows the action
carried out by the
character and emphasises
the key object being
discarded.

29

Close-up/At slight angle

This will allow the

movement of the camera
to be swift and help with
the next transition.

30

Close-up/Arc shot

Again, this allows the

audience to see in more
detail the object and will
allow with the transition to
the next frame to be
smooth.

31

Title

This will be a shot of the

title. It will transition in
from the last shot to keep
continuity and act as a
slight graphic match from
the poster title to our film
title.