Professional Documents
Culture Documents
Joan E. Bertin
Executive Director
NCAC PARTICIPATING
ORGANIZATIONS
Actors Equity Association
American Association of
School Administrators
American Association of
University Professors
American Association of
University Women
American Booksellers
Association
American Orthopsychiatric Association
American Society of Journalists
& Authors
Americans United for Separation of
Church & State
Association of American Publishers
Authors Guild
Catholics for Choice
Childrens Literature Association
It is our understanding that the call to remove the paintingswhich have clear
historical and educational valuecame from individual students as well as from
the universitys Diversity Leadership Team (DLT). It is also our understanding
that the DLT has claimed that the depictions of First Nations peoples in the works
reinforce racial stereotypes and promote acts of domination and oppression.
unpredictable ways. Any effect speech may have upon its audience is necessarily contingent
upon an observers individual experiences and beliefs. Beauty, and all else, is always in the eye
of the beholder. The U.S. Court of Appeals for the Seventh Circuit has identified this subjective
process as mental intermediation, noting that almost all cultural stimuli provoke unconscious
responses. American Booksellers Assoc. v. Hudnut, 771 F.2d 323, 329, 330 (7th Cir. 1985),
affd, 475 U.S. 1001 (1986). In Hudnut, the Seventh Circuitthe jurisdiction of which includes
Wisconsinanswered arguments in support of a statutory prohibition on pornography that
mirror those advanced by DLT here. In upholding First Amendment protection for
pornographic images said to demean women, the court observed:
Racial bigotry, anti-Semitism, violence on television, reporters biases these
and many more influence the culture and shape our socialization. Yet all is
protected as speech, however insidious. Any other answer leaves the government
in control of all of the institutions of culture, the great censor and director of
which thoughts are good for us.
Id. at 330. Hudnut and other cases establish that state officials, including employees of state
universities, may not constitutionally suppress expression solely because it is subjectively
harmful or offensive. See, e.g., Snyder v. Phelps, 131 S. Ct. 1207, 1220 (2011) (As a Nation we
have chosen ... to protect even hurtful speech on public issues to ensure that we do not stifle
public debate.); UWM Post, Inc. v. Bd. of Regents of Univ. of Wis. Sys., 774 F. Supp. 1163 (E.D.
Wis. 1991) (ruling that policy prohibiting discriminatory epithets was overbroad and vague).
The few studies the DLT has offered in support of its claim that Native Americans who witness
stereotypical media depictions of other Native Americans suffer adverse psychological
consequences, such as decreased self-esteem, are limited in scope and focus on mascots and
mass media representations rather than historical paintings. The findings are neither definitive
nor applicable to the artwork in question.
Of course, speech does have effects. Expression may cause offense and pain, or reinforce or
undermine values and beliefs. But First Amendment protections are needed precisely for this
reason. If all speech some found uncomfortable or disturbing were to be suppressed, public
discussion and debate would be radically impoverished and open conversation about beliefs and
values would be imperiled.
Such dialogue is especially important at a university, the quintessential marketplace of ideas.
A public university fails its educational mission when it eliminates material because some
members of its community consider it offensive or objectionable. Such a paternalistic response
from the university impinges on the academic freedom of the faculty and denies students
important learning opportunities.
Popular attitudes held by Americans in the 1930s differ from contemporary viewsand,
accordingly, are of historical significance. Conversations about history are not just conversations
about what happened; they are also conversations about how we talk about what happened. Cal
Peters work invites reflection on the politics of historical memory and presents a valuable
educational opportunity. Substantive dialogue across the divides of racial misapprehension,
anxiety, and pain will demand courage, imagination, dedication and perseverance. Putting Cal
Peters 1930s paintings in a closet ends the conversation prematurely and to the detriment of
current and future students and faculty.
We support the DLTs proposal to convene a symposium or working group to discuss the issue
of how to handle objections to historical murals and paintings. Such a conversation could have
national significance, as many public officials and universities are currently grappling with
similar questions. The university could take a leadership role by helping to develop best practices
and procedures that acknowledge the legitimate concerns of groups who feel marginalized by
historical representations while preserving their availability for future study, discussion, critique,
and debate. We would be happy to assist in facilitating such a conversation.
We strongly urge the University of Wisconsin-Stouta public institution bound by the First
Amendmentto keep the Cal Peters paintings on display as both historically important artifacts
and teaching tools. To facilitate an open discussion about these works, we recommend that you
provide an opportunity for observers to describe their reactions in writingperhaps in a nearby
notebookand that you consider sponsoring workshops and the display of other work that
provides different perspectives.
Removing representations of historically oppressed groups from view will not change the facts
of history. Instead, more representations, more voices, and more conversations are needed. We
ask that you trust your faculty and students to answer that challenge.
We look forward to your response.