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Rhythm Rattel
Rhythm Rattel
In some ways, rhythmic regularity was probably the thing most taken for granted by
listeners before this century. Our ears have become used to hear in patterns
repeated over and over again providing the underpinning for all the melodies and
harmonies of music we know well. Its a little like the metal framework of a large
building. Once the plaster and painter on, we forget its there at all, but take that
framework away, the whole building falls down.
Now what Stravinsky did in the Rite of Spring was not to take away the underpinning,
but to remove any sense of predictable repetition.
For the audience of the premiere, it must have felt like the building was indeed falling
down.
Rhtyhm in western music before this century was usually written in either tuple or
triple meter. That is based on groups of two my own composition or in groups of
three. The repeated groups of two or three kept music ticking along. But one thing
the Rite of Spring never does, is tick along. It jumps, it leaps it hiccups and it stamps.
The twos and threes had thrown together without pattern, without balance and