Hailstock 2 Lam the youngest of my four siblings, and most say “Oh! You're the babyy” afterwards. Thave heard this all of my life and I feel some type of way about it because I've never really felt like the baby. “Rather than depict individual development, a number of fairy tales demonstrate familial progression as one character improves upon the actions of his or her siblings” ¢Pailiie — 4 Dewan} The brief sentiment found on page twenty-nine of Perennially Popular presented so much clarity for my childhood and a way that I was raised. Growing up as the youngest child was not always fun, if anything I felt hounded after at times because I was the youngest around most times. “In “The Golden Goose,” the eldest son enters the forest to cut wood. When he meets a little old man, he refuses to share his food with him. The middle son repeats the actions of his brother. But when the youngest son enters the woods, he shares his food willingly with the old man” (Paudlak wanted to tell me what to do. As a result, [ learned to listen more than I spoke and I talked, only ewan). I remember no one use to listen to me, but everyone would hear me when I knew for sure what | was talking about. The sentiments work in light of oa another wt) the taneetu® |rrtevarce of thus because I can vouch to say they are real and true, |») Nat [ew ate vucte aud ne Ap the (etd @f Pune ysth Ue gucte ae ‘ a t fidase Gay . wv Tagree with Jack Zipes statement “there is also an adage that says you can never retum home,” because itis partly true but not literally the truth. I believe he means that the wandering protagonist always leaves home to conquer what triggered them to wander off. But after the challenge is fulfilled that protagonist “can never return home” because they have grown from the Lictieduce yw protagonists’ quest and home will no longer bey the home they've once always known, “Because a forest is an unknown and unfamiliar place, it is often the site of el awk fey ind [ agree that the forest similar to life's fears, isa place of initiation, as Naney Canepa stated “the site of trials and tasks the successful completion of which effect a radical change in iry-tale challenges and tes the protagonist’s life”. To follow in agreement, Maria Nikolajeva says the purpose of entering a