ee-scor Transcendent Exercises for Preparing the Fingers for the Virtuoso Exercises. Observe, that the work done by the 34, 4th and 5th fingers of the left hand in the first beat of each meas- ure (A) is repeated inversely by the same fingers of the right hand in the third beat of the same measure (8). (MM. d = 60 to 108), Practise the exercises in Part Il, like those in Part I, with the metronome at 60; similarly practise all the follow- ing exercises where the tempo is not indicated, and gradually increase the speed to 108. Wherever a different tempo SereteeeeereneRee a veseeane a tees eae cateeccecaaenasee-scor Having fly mas- tered this exercise, goon to the next trthout stoping on this note. aee-scor Same object as N° 21. (3-4-8) ? Spare are | 8 PHT eae Se sa ee Practise the exercises of this Second Part as we directed for Part I (top of p.4); thus, in playing through the ‘exercises, stop only on the last notes on pp. 24, 29, 33, 87, 41, 44, 46, and 49.ee-scoree-scor eee as ao as stas ears 5 5 5ee-scoree-scoree-scoree-scor -2-8-4-5) case &ee-scoree-scor (1-2-8-4-8) 26. earree seenee-scoree-scor 5): Prepares the 4th and 5th fingers for the trill given further on. 27 were! ahr 1 2a oeee-scoree-scor ae ee ee 1eassarsee-scoree-scor (4-2-8-4-5) Preparation for the Trill, for all five fingers. 29. pa sea aa 2 ®ee-scoree-scor ‘Trill alternating between 1-2 and 4-5.ee-scoree-scor (1-2-8-4-5, and extensions) ae!ee-scor f eed Turning the thumb under. Turning the thumb under the 2"4 finger. teagan ot wad - aotere Repeat thi measure 4 times. 32 PeYerevereres 7 Lasgegeziene le, 1 fee fExESETESESES = Freier tt ft) fF f par etet? Pree sesre, SRerreretir: +7"ee-scor Turning the thumb under the 3% finger. MM. d= a01072 Repeat this meastire 4 times. 7492) i939) 33. tzpiseteaiae P tareeszeis? 3 arte Taet Ggereaiae ras paeressaeras CFT oe 43 4g 1 8% 2 13 413 a3 S¢ecaette t toa) eesee-scor Turning the thomb under the At! finger. 6010108. Repeat this measure {0 times. teeas ane | 23a ae zea aneee-scor Turning the thumb under the 5th finger. This exercise is of the highest importance. MLM. d 40 to 72, 35. Repeat this measure tings | 2 gi sagz perpaser Fprveseraias rorsacer 6 forsaser GS Cprpaeet 6 Cetsabet ietee S Ofotoe 15154 B45 tsisaser 5 tsisaser tgagaaesee-scor Another example of turning the thumb under. eee ss oe Mpea teas of *sataga t ra Special exercise for turning the thumb under. Play thig whole exercise with the two thumbs only. eee! ie Cees == fe 37. ee 4s 2 4 4 to (i esate Geese ass cn cat nace eunos Grikies thee’ chu isecesting Uiseclve ecectee-scor Preparatory exercise for the study of scales. sae a 38. ' SA | 12ee-scoree-scor The 12 Major Scales, and the 12 Minor Scales. Each major scale is followed hy its relative minor There are two ways of playing the minor scale; we thought it best to give them here after each major scale, leaving it to the instructor to teach them as he sees fit, We mark by a figure 1 the first (modern minor seale, also termed the “harmonic minor scale,” and by a figure 2 the second (ancient) minor seale, also termed the “melodic minor scale.” We know, that the modern or harmonic minor scale has a minor sixth and the leading- note both a- scending and descending; whereas the ancient or melodic minor seale has a major sixth and the leading note is ascending, and a minor seventh and minor sixth in descending. MM. J = 60 to 120. cr C major.ee-scor 2.D minor.ee-scor Bb major. ated 1. G minor. 2.G minor.ee-scor Eb major.ee-scor Ab major. 1. F minor. 2. Fminor.ee-scor 1 1s 5 iva Dp major. 2. Bb minor.ee-scor Gb major.ee-scor 1. Gt minor. 2. G#minor.ee-scor 1. C# minor. ae att 2. CH minor.ee-scor 1. Féminor,ee-scor 2. B minor, oe1. E minor. 2.8 minor. ee-scoree-scor Chromatic Scales. MLM. 60 to t20. At an octave. 1 atee-scor At a major sixth,ee-scor In contrary motion, beginning on the octave 5 apa a a : bi Beperses 1 Beh Bi2 ta 1a 3 ae Tie THE Shs sts In contrary motion, beginning on the minor third. pers) eSU8 ta 2913 1 343 be 2 abo 2s 18 ag 2 teat Ta eae g aig vigg ite In contrary motion, beginning on the major third. app aya 3 Abb 43 sya 3 a4 : a1 3a 2 aaas 1th Another fingering, which we particu- as 4! larly recommend for legato passages. 23 tala seater 123 sae ah tay a24 4342 3432ee-scor Arpeggios on the Triads, in the 24 Keys. C major. MAM d= 60 to 108. A minor, relative to Cmajor. Fmajor, 1 D minor.ee-scor Eb major. Abmajor.ee-scoree-scoree-scor Extension (tretching) of the fingers in chords of the diminished seventh, in arpeggios. 1 5 Maat. d- 60 to 120, 5s measure 4 timesee-scor mat, 42.0 tor20, Repeat this measure 4 times.ee-scor se End of Part It. Parts 1 and Il of this work being the key to the difficulties in Part III, it is evidently very important that they should be thoroughly mastered before commencing the virtuoso studies contained in Part TIT.