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Nicrebw sm To HaptIpS tou dey unripée warmed: ot anoKonég nou ugictatat yivo- wrat jev ue To oTIaGi GAAS nd vrug. dev eivar Bavampepes, ATIOTEAOU [épog evds, TUTIKOU Tou diégepe an’ UTS ue TO onoio tov bavétwoav. Ag ont o8ei Gm. 01 artoxortég Sev era- Aovrat névw oto Gaia TOU yor PoBOOKON aNAA Taw OTO MLA Tou. MéSave je oKAnpd Baoav- ottipia, Beyévos Ue oKOWvi, MOU xt TUXaIa_ xapakmpizera._wg spond» (OdU0. x, 200). ERAN” ou, ta érm avagépovran apKera. ouxva om ouvfbela va axpurtn- piaCovrat ta Tedjera. Os anoKo- nég'nou Yivovrat oto oudjia TOU MehévOiou eivar noAd Aeroue- pag Kat diagépouy and Tig ano- Konég nou emBéMovrar ota rdpara twv npdu, nou, we ent To melorov, amg anoKegaN- Zovrat. AvriGeva, oto MeAdvOt0 KoBovrat yim, agnd, nddia, yev- mma épyava Kara éva TUMKS nou Gupte Tov HaoXAALoLS, Ya Tov ono!o KavOUV Ady TpAyIKO! Kat AeEKOYPAGOL. O [aOXGA ous; anoreXodoe cujPeia Tov BoAGPSvIWv, Ot oNOIo1, a—pOU aKS- Twvav To Bijia Tous, TOU éxoBay XEp1a, NOBIa, aT Kat yevnTIKG, Spyava. Napa Tig StamioroUpe- veg avanoyiec, ot anoKonés omg onofeg unéBahav To rmsya TOU Mexdv8tou Bev anoteAodoay Wa gyadious. ‘Onoiog poéBawe ae paoxadt- O16, aipOU KOBE N6d1G, ¥EPIA, aiSoia Kat apmd, éBeve ta Ko} hamaoyéva péhn pe oxowi TOU TepvOUGE migw, KaTw ANG Tig Wa- ‘oxGAes Tou MraLaTo¢, Ta KOLLE- Va uéAn énegray érat niow an to Rais Tou aKoTmEVOU, NOU, Grae vouitav, Bev Ba unopodoe Tua va ta xprjowionoiticet ya va exSuenBe( 10 Bdvard Tou, ATé mv dhn Badwagia ms anoKontig wv HERBY TOU MEAGVBIOU EE Gye” Tai Sui Ka8_ GAO Tapa yia La OXaNoNS enpdxerTo. EEGAAOU, 8a nooodérape, ot oLnpIKO' ripw- 8g Dev oBoUvTaV TOUS veKpOuG, av Kat ayarodcay nepicaétepo ‘an6 kG8e Mo To ug tou FAIOU. Ot axpwrnpiacyoi nou TOU em- BaNAgvTat anoTeAOUV éva Bio OuLTApwHETNAG Kar Tye rig rtowtg, nou anéBAene oro va karaoryoel oK6ya aTyuriKGTE~ 0 éva Bavaro, atepnjiévoy état KU OXAWig aNd KABe Euyevég oro xe. © Menavatog apyonesaiver ory: hévog ané 16 «Bavarepd oxoWv> MeBaiver ye to Bavaro mou ent adagoav Thy nEpiodo me N6- Ang otoug eyKAnpiarieg NOU xa- paxmpiovrav eidixétepa wg KO- Koupyot. ‘Hoav 5 auto! or rio E01 epIppovFewG peTAEY Tw Kaxonowv. 2’ autoug toug Te- Reutaiouc, onewréov, npiétor KaTatéaoovray 01 xhéptes, Sr Untipe kat 0 Meddviog “ian An” ‘CHOVOUHE THY KAOT Tw SMA ‘ané Ty anoBiixn tou OBvocéa ia xGpn Twv umoTiipwv’. ©86- gaye Aomév cto onueio énou ‘onoSeixvuerat n avtiotoryia Trou untipxe HeTaEN tev opnpiniiv 6a- VaTIKGY ExTEASCEWY Kat Tov extedéoeww Kard TH Sidpxeiams Garg Me noAEw,Ot ABnvaiot eyxAnucrieg (f TOUAEXICTOV opiopEvor” arte aurodc) Savarwivovtav Kard tp6- TO apspo10 We exeivov Tou Me- AévOou. AxpiBg Orwg o ant- arog yidoBOoK6s, 01 KakoUpyOL Bévovtay a~IXTG 0! Evav T4GGO- Ao, nou Ty erroxt ms MdAng Toy exapaktipiav w¢ TUuMavo, e& U kato xapaKmpioHdg TOU Hap" “upiou wg anotupnancuds, To én or napanéve Baoavoyoi, nov ot ABnvaior empédagway oTOUS KaKOUp- ‘yous, fay avéhoyou tunou rp9K TOUR, reprypapdyevoug omy OBJoora Bev RpoKUMTe: [dvo and TE pADLOVES nds ald nau and éva iBartépag ev. ‘Biapépov apxaiorovixd edna. Mera: Eb Tuy ery 1911 Kai 1915, Kava 1G avaoxapég evée vexporageiou avayo- hiévou emmy Tipw and tov Zékwva ne- piod0 (ory nepioy| TOU onyEpWOS Nadaiod @adjpou), Fpé®nKay Ta oors kGouoy exteAcouevew nou etyav prxtel 1 Kows 740. Ero aud Tuy oKeheTION ffrav coquéve aepéno orepén, oro £4 uepos Tou onoioU Floay TonoBern- névot yavigot nou Fogy axSa KoRAN évor néva oe xopuGmia EvAoU. 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Mo vet gav' éva ei60g mio enekep- yaouévo, av dev Gé\ouKe” vo TOULE Mo TeAEIOMOINHEVO, TOU apxikod tpénou BavaTiioEwG TOU KaTASIKOU Mavio OTOY NGC cabo. © tpénog exrehécewe mou ert: BadAérav, cbpgva pet An- on me Fidkng, via Ty Tyiwpia eyKAnudtov Katé autig Tg {iag, aKohovsodce To TunKd nou elye Siqnoppwbel evtec Ta oixcoy Katd Thy Mow and Thy Md- An nepiod0, 0 OBuooéag —Kat ToUto eivat éva oMe!o TOU MpE- ret va ripooexGel iSiaitepa— Sev mpwpel (ure nig Boudec ole toy Mehav8to) wg Baownids TE IBGKng. Aev Typed oto dvouG mg eupuTepng Kowwviag Kat npOg TO cULGEpoV Tg, AeV To éxave, oGte o” auniy Thy repl Mtwon oute oF GMes napsuoIES nepirtéoeic, eneidt} trav Ba- g1h|eUG. Og Baownids Sev of TEtO1O Sikaiwia, drag’ dev eiKe to avnoyo Sikaiwya Kavévag Baowidg Tou Kaipou Tou, Katd TV OLMpIKT TEpIOBO Ka E1DIKG- ‘epa omry leary. Ot Squdares eEovsties Kat 0: Bn- Udcot Beopoi xapaxmpifovray ‘akon ané a oxETIKr} pevoTS- “Tra. O1 Baovelg Bev etyay aKd- im xaragtel npéawma SikatoUye- va va anovéuouy SxKaioouvn, Mipdowna nou va éxouv téro1o efSoug efougies anavriouvrav vo "oe juxpSrepeg oUdBES, ‘nw thoav ot oiKo1, rou n opya- yaar} Toug Hrav Tuo oTaBEpF] Kat Tuo auompa, anodutapyiKa 50- unuévn ar 6.0. ot eEouaies tou Gpxovta ong Tote Yewvitieves rrohmmKég Kowerrtes, H TION, AonGy, “anoBéxenKe, Toug oikiaKoug Tpéroug “THU plac Twv eyKAnyaTisy Kat HeTé- EpE TOUS TpSTIOUS aUTOUS aNd Toug olkoug aT SriSces Mha- teieg, AAAG Gxt dhous: "u6vo autatg nou npoopigovtay ya oug dvrpe«, Mari, vid Tig yuvat keg, n MOAN Bev Euowace va evB1a- épetai oure drav entpdxetto va “Ug Twpriget! Tia TOAAOUG aKO- bin auveg n Tuy6v exrédeon Ta Yuvauxisy anoreAouoe 8é ya ow TEPKO TwY OIKw THE OIKOYEVEL- ag. O anayxoviouss EaKoAOU- @noe va anoteAe( tpdro Bavaris- ews Tw yuvaxtdy, Bev KaTaTG- xOnKe, Guu MOTE oTOUG TPETIOUG exteécewd Twv avEpav Tv Kar adiKaZonsvov ané Ty MEAN oe e6varo, AvriBera, ot oKKtaKol Tpénot Ba- varioews, ot npoopZouevot yia Toug dvtpes, auvto}a ByrKaV ‘and tov TIepIBORO Twv ofkwy Kat anoté\ecav Kat yia Thy MAN ponoug extehécewg TwW KaTAdI- KaCouévny oe Bavaro. ‘Orbavarixés extensoeig mg ABT vag BubiZouv Tis pitec ' ToUG ‘oTOUg TpdTOUG extehsceing NOU eQAPLSIENKAY GTOV oiKO’ TOU ‘OduasEa. Tou Bikaiou OSvavEa, ‘Tou ata8_pou, Tou EvBOEOU, TOU TORUHFXAVOU, TOU TIMIOU, GARG. kat Tou OduouEa tou anodiso- vra Bixatoouvn. Mepranrrih aréd00n; Flav. Andres Znuexdoeg 4. Thy Bema mE SKaioowns nov aparmpie: to Ala my mpodBake o oye Jones, 2. Tia tov Oduooéa, BA. eniong Horkhelmet - Adorno, La dialtica dell Iluminismo, Torino 1986, 00: 53 en. Tia ‘TV exKéva Tou OBudd¢a jié00 otOUG ‘auines BA. WB. Stanford, The Uysses Thome. A study In the adaptability of @ tradltional Hero, Oxford 1954, 1963 2n, exb00n, 3. BA, to épyo m¢ Eva Cantarola, | suppliei captali in Grecia © a Roma, Milano 1991, 4, Aptaroréhoug, ABn. Mokteia 52, 1 Eniong Avipaivea 5, 9 er, KaBKiG Kat ‘Anju008éun 36, 47. 5, Ta tov arorusnanoye BA. oxen p80 mG F. BEAGGapEMOUAOU GTO euxog 11 tng Aoxaioroyiag, OFA. 42. 6.0 M, Finley anésege Sn n I6den, morehodoe rani} eX Kowa you 9ou att) The Punishing Odysseus: The Origin of the Death Penalty in Greece E. Cantarolia This ie a résumé of a lecture given by the author inthe Center forthe Study of Ancient Greek and Hellenistic Law of the Panteion University in Athens. The death penalty in the Homeric epos represents the origins ofthe Law which governs simiar penalties later, during the political phase of polis tthe city state), Thus, the deatn panaltes in ‘Athens are directly related with the ways, ‘of execution applied in the House of Ocysseus, The city-state accopted the domestic ways of punishing the criminals and transferred them trom the privacy of houses to the publicity of squaros. Not all of them, however, but only those ‘destined for men since the stato did not seem fo be interested in women even ‘when they were to be punished. Hunging continued to be a way of ‘executing women, although it was ever included in the ways of executing the men who were sentenced to death by the city-state. On the contrary, the domestic ways of executing men soon left the house grounds and were fully adopted by the city-state in the cases of death penaties,