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Ta Kivtpa Tov KaAATEXVOV HraV TIoIKtNa: KOVTG OTO NaBOg Yia NerTroLEpr an‘oTU- TWON Twy KATAAGINWY THg APXaIGTTAG Kat TH GUVALGENHaTIKr TACTIC TOU KAAAL TEXT] HE TOV LOTOPIKG XWpO, 8a MIpETtet va POOBEGOULE Kal THY Ep\EPyEla TOU e- peuvnth TaELtdTy, KAP KaL THY entBuUCa TOU apyrTéKTova va opaLiaTIOTet — ue Evav EESaviKEUéVvO TPdIO— THY aNokaTaoTHpEVN ElK6va TOU IoTOPIKU TonioU ‘TNg NdAng Kara Ty apxaisTrra. H mapouciaon Kal epyinveia Tou anpavriKoU Ge GyKo OXETIKOU EIKOVoypagIKOU U- AuKoU BefoKovtat omy apxt} tous, Thy TedeuTaia deKaetia exSd@nKav onHavriKés Hovoypagies Via opIgHEVOUG KaAArexves Kal Eyive [ita TIpdTy NpoondBeIa va na pouaidatet Guvontixd To Béjia*. 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Modés exdves —crue exeives pe ™ xapa- Kmnpiotikh axpifeia tev Haller von Hallerstein at Christian Hansen— pag Sivouv riokvmia ‘croxeia yia Thy kaTdotaan amy oTola BoioKov- Tay OMMvTKG vneia TS NANG Tow KaL LET ‘Tov ATIEREUBEUTIKS ayuiva. Map6Ao nou TPS: kertat yia éyxowHa MpoorTKd oyéBia Tuv KM pla, n] aKpiBeid Tous eivat térola Wore va nV ‘néyouv Kal TOG and apyrTeKTOViKG OxEBia a- otimwang. Euxvé nepiéxouv onyavrKés rIpé- Bere MAjpopopies, drug ya NapdBerypa o Zwyparpixdg nivaxag rou EpexBeiou an tov C. Hansen, otov onojo &taxpivavrat ta BiaoKopr- uéva iéhn Taw KopudriBwv omy aKpipi TOUS 8¢0n, 2. Tennég dyeig and xaipia onpieia opdoewe, kupiing Me Akpsnohng, GAG eniong TOU Heaiotefou kat tg nepioxtig toy Oruumeiou, Bivouv pia ‘Ea mE opyaunrig axEON aveyeda Ta ivneLaKa ouvOKG Kat TO SiapKiG HETAA agadievo Tonio Tg auyxpoMNE NANG, Mia et- APKAVONOIIA & TEXNED. 55Bix} KaTHYop(a Tay eiKéveov aUTAV elvat O1 a vopanikés andyeig, 01 onoieg o& ja oEIpa an} nivOREG Le EupUyioNG NpoOTTTKr) aTeMKoViZoUV ‘An THY TEOAN Th AKON Kat GAO TO AeKavoredio ‘ng Artec (360 o\pe9), 3. Opiouéva épya — ong 01 vBaToypagies tay Ludwig Lange xat Martinus Rorbye— anosiSouv He rok YAaQUPS TpéTO oTIYHIGTUTIA and Tm Gv} Tg mOANG, Ta orfola oxeriCovrat pe THY ap XTEKTOUKE] KATPOVOLIG. AaiKés yloptes Kat Ma ‘Ynyopia tedowvtat Binka oe pnpia, ev GAG Astroupyouy «g avtooxédia rpwtdhera pousela. # adn Béxovrai Tig MpUTEG avaoTMAUTIKES op yaotes. 4, Erd épya tov EAAFVeW Kupiing KaAATEXVEOV Tou 2000 ausva umoypaypiZerai to CULBOAKS rvuya (uuB0RoyIKd, totopIK6, eBMIK6) To On! Gnonvéet x8e 1oropiKég TEMG. Be ia encoxh Grou n QuauKt undoTacn Tg Apxaiag KANPO- vopidg anoduvaysvera KGrw até Ta MEoTiKG usyé8N Ts GUYXPOMNE TIEANG, OL KAAATEXVEG poonagouy va Trapoustacowv TV ROAMIOHLKR, TG NeyTousia pe GuuTUKyauEva eMOvOYpAL: ata aupBodintig agjag, To aroTéAEgia eivat n hein mapaSootdKwiv BKOVIKKV OULBOAWV, O: Tug n Xa, 7 MpOTOUT THg ABNvaC Kat N NOdO0- Un Tou NapBeviiva, o¢ wa UMOBARTHH OUVEE: on, 5, Ot ef\aviKeUéves anoKaraordceig Tg Et kévag THE NOANg Kat MME AKPoTIoANG Kara Th pxaidTyTa. pooBiBou pla aKoun BiGotaoN ‘omy Mpoonaseia ontuxrig e€orKeiwong Ue TV Ghvaikr} KAnpovoutd. Or avanapactagEig au- ‘6g KUpalvovTal ané Tig NoWiyieg aNdneIpes &- AsUBEENS epunvelag Tu toTopIKKY Mya, De- Brotexuina Zoypagiueves aAAa ehGx.ora xor Giues ané dpyaioAoyiKh drown (Sec, yta nape Bera, tv «Anon Tg ABrvac) Kata TV Apyauotrtan, tou C.R. Cockerell), wg nig ano- neipeg anddoang Tou apxaiou aouKod Toniou ue Kade Buvam} aKpiBeia (dnwc, Yia Napdde Ya, To TavopapIKO Mpoorttixe OXE5I Tou M Koppé, 1972). Ac e€€TG00ULE, wg TlapdBeryyia lag TéTOIaG U- TiOBeTIKAg arloKataatagn¢ Tou apXaiou Tontou ‘TE NOANG, hia TEDKgNUN eAatoypagia ToL 190U audva. |ANAAYEH KAI KPITIKOE 2XONIAEMOE TOY EPTOY TOY LEO VON KLENZE H AGHNA KATA THN APXAIOTHTA. HH AGHNA THN ENOXH TOY AAPIANOY: Wogsctat ex dt 67itoo yeh ros Luk. eon rivers A ard my opgaomran Edaioypaia ce KaUiRG: 105,5x131.5 ex, Emy xérw ape oTepr yaa pepe. ty uroypa- Fy «LV. Klenze 62> (1862), Ararehei rocmoia me Opo- cmovBiaxti¢ Anyioxpatiag ™mE Tepuaviag kar SGvet0 ripog T, Bavapiy Aloiknon tav Koam- Kav Avaxtépay, Krav. 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Tov apYGIKGV Kibuav Tou evowuarwOnKav orov Bé- EO aVAAMWATKS TOIXo, TO pox Sev éxet KOLO oxé- om ie Tov npayyaniKé apxato- oyixd xtp0, 0 onolog Bev eixe ‘Kon anoKaAugset. Auto To Kev6 yviong To OUL- Tanpdvet 0 Klenze sKaXhre- XvIKF} aBelar: To pdvo Mpayya- Tus oTOKE!O TE TUTIKTIG ap~ xaiag Ayopac nou Stampel et Vat 0 onpavexdc unav®pI0g xtip0g —ywpi¢ eniotpwon— O70 KEvipo THC eKOvaG. 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Kar ong 300 nepr- TTaEIG, 0 «MOUpIOTHG> eld: jw nept THY KRaeUKT [OAT emitpértet Tov eauré TOU Hic exAeKTK, Rapextpont, B10¢- ‘youtag oF. pcr eAANMIKY clive on To axyuriantig KaTOYOYTG 8éya Tov Nudava. AKOUN| THO eKTANKTIKO eival TO Beiitepo Krfiplo 0& HOOgH nUp~ ‘you oto paeog Te AvOpAC: To mepigpyo audkyaya evdg GUL RUBYOU «ig BOOTS Kat Eee Fkpou eplowAOU vaoU tag enioreyg onotede! yuo Ka apd oxnvoypagurt oakhngn, ywnig Kayla Tpayyornérra. To gavtaotKs aur6 opyme- touKS TEpIBOAOV He THY &- 8epn ané3oon, Tay pop- ‘puov RetTOUpYEL we UNOBaspO evég €& (cou noBerKod i0To- ptkot eneiooBlou: 1 oxnvr oto Apo erinebo arabe, cru, word nopampet 0 Florian Hufnagl, ty unoni@éyem eni- ‘oxeun |, Tou autoKpdropa ABpiavot oro ywWO0 MG aVE- Was TMG _ Spraying, rou kiomre Tipo Te ah eu Ano cupmepaivera ‘yt NOVO aN Ta avaywupows opymextonnd yin Trig Und neraoneury apiBag, aARA nae TO Tig HOpwpES TOU aUTOKPA- Tops Kal TOU MPOSTETELOIE vou Tou Avrivoou, rou var ywuwpiCovral ue eurokia Té600 ‘TOY nivaka 600 Kat Oto TIpo- axe wont o Kaze rail 9 tig otov euepyém ms. ea eben TavTéxpova unawioneral Sia ssperus vey Tih pO Tov OGyXpoVO IRENA KaL KPIS ToL, Baris AoUBOBiKo A’ TG Bavapiag, Tia Gon tou iotoptKou Kat ho- ‘yorexnko auTod urawwypou, @ Klenze eneyBaiver xa nd {70 XwpIKE OKNVIKO: 1) AYO tou Adpiavol) uetagpéperat a- nd Uh rleptoxty tou Odup- nigiou omy Ayopd, evi) TO Xopnywe Mumusio oto 5ek6 Epos TG eikOvag éel ETO urenret ond thy BG Thiné- Bwv Oto avartonKs Tprua TE néANg, oto Hédov Tou Snuda- ou Kevrp0U TH, 01 nivaxeg 100 eiSoug auto, Tapéko nou anodidouv ye E- Eowgenikd cheiBepo tpdr0 To pxalo até tone, éBegav 0 Nptiro onépua via Thy EEO xeiwem TOU KOWOG ie ta UnO- Berie «apyala nocypamKsm “tom eer Tov 190 a, H uno. ‘Tur Tous Bévapn éyKertal KU: pig omy ier gavracia Tow ane alae ka) om ouvo.8nctisf) TOUS TaUTIAN ue To aviKeijevo, to onoio mpoonaBody va anodwoouv Le tpéno Cuvravd au ovdn- To. (Merégqpacm: KAcion NokuB0d) * Modawaree Sruocteseete civar: Leo Von Kienze, Gemaide und Zoichnungon, tay Norbert Liab wear” Flonon” Hufoagl,, Callwoy, Mévaxo 1979, rat Cart Halfer von Hallersein in Griochentand 1810- 1817, Ke exoom) Tov Hansgecrg Bankel, Reimer, Bepovivo 1986. To éwoveyedens — Aetxwus Absiva’ 1850-7870, 10 onoie CEE Swoe, 1 Théneta Nisteog omy ‘dive ro 1979, siya xe odiro Epyo nou agiepoverat siBKé ‘omy seqmpigan Tow onsyewy “tng TaN tng ABsvaG, GARG bu oTUKoR Exel OpKETEG cAAEi¥ENs fag Mode TOY XaoGKTHPIOHS nok: Rav ewcavre Landscape of Athens, with Particular Emphasis on its Conjectural Representations in Antiquity ‘A PanageorglouVenetas Besides te writen sources which describe ara comment on th fate of the architectural hetiage and histor size of Aone, tho orginal ilutrative works also supply important irformation. These llustaions were made many ‘by fregr pales, designers and architects who visted the tun intha {8h cartury —a band fsa ‘alowed in the 20th century by ute many Greek arists. Tho Dresertation and interpretation of te ‘olumingus relevant lustalve matetal brave ust commenced, During the fast decade. signficant monogragins on coral artists have been publshed and. ict attempt to procont the eubject concisaly has been made. & common characteristic of these works is their descrolive epproac’, they “Umipn ‘formation on the arists's Wes, ips and the oroumstancse under Yin they have visted Aone and also comment on eit sentimental. and ‘centage approaen one subjact ey have represented. Furthermore, they analy om the at tstoria's point of vy, tM@ qually ofthe Musttaton, the technique and style of the ator. However, tough these matlers are imoorant for the evaluation of the arte mes ofthe Mutations, rot exhaust the subject, because ‘aly touch cocastonaly tho woath of pragatie nlormalion included. iy ese Werks, APXAIONOITA & TENNER 55