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Part I Sonata XIII was composed by Austrian composer Wolfgang Amadeus Mozart,
widely recognized as one of the greatest composers in the history of Western music.
Invention 14 in B-Flat Major : Johann Sebastian Bach Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a
prolific and influential composer of the Classical era. Mozart showed prodigious
Sonata XIII : Wolfgang Amadeus Mozart ability from his earliest childhood being competent on keyboard and violin. He
composed from the age of five and performed before European royalty. He had
composed over 600 works.
Part II Lieder Ohne Worte: Opus 53, No. 4 was composed by Romantic composer Felix
Mendelssohn (1809-1847). Lieder Ohne Worte or Song Without Words, seems to
Lieder Ohne Worte Opus 53, No. 4 : Felix Mendelssohn have been Felix Mendelssohn's own invention, is a series of short
lyrical piano pieces written between 1829 and 1845. Opus 53, No. 4 is in G minor
Reverie : Claude Debussy and was set to a presto agigato tempo which means very fast and agitated.
Mendelssohn was Jakob Ludwig Felix Mendelssohn Bartholdy who was known as
Clair De Lune : Claude Debussy pianist, organist and conductor of the early Romantic period.
Salamisim : Lucio D. San Pedro Sonata XIII, Wolfgang Amadeus Mozart ___________________________
Reverie was composed in the year 1890 by French composer Claude Debussy or
Acknowlegments Achille-Claude Debussy (1862-1918), 20th-century composer and one of the most
prominent and influential figures working within the field of impressionist music.
Closing Prayer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jove Evranson Jimenez He was regarded as the master of creating dream-like atmospheres in his piano
music. The term reverie may refer to a daydream or a dreamy state.
Clair De Lune or called Moonlight was the third piece from Suite Bergamasque
composed Claude Debussy. The D flat major of Clair De Lune is perfectly chosen,
the gleaming melody in parallel thirds expertly balanced by the beautifully dissonant
tempo rubato that follows it. Little wisps of these arpeggios find their way over into
the reprise of the opening music, and the rolling tones of the middle section are given
a few measures to plead their case once more before the final chromatic cadence, a
moment of absolute tranquility, is made. It is now regarded as one of the composer's
best-known pieces.