EXHIBIT , 24

MIMICKING THE MASTERS: REPRODUCING A B~ROQUE SPIRAL COLUMN

POLLY ~LLEN, UNIVERSITY OF TEXAS ~T ~USTIN

PROBLEM:
For a recent production of Measure for Measure, we chose the
Baroque period for our time frame. The set called for 2 large spiral
columns as part of the scenery (see figure 1). The challenge was in
rediscovering the method for developing spiral columns similar to the
ones seen in Baroque palaces and monasteries.

SPECIFICATIONS:
The column we constructed was 8' tall, with an additional 3' for
the base and 2' for the capital. The column spirals within an outside
dimension of 12".
PROCESS:
1. To build the column, begin with an 8' x 1'x l' shaft of bead
foam, or a similar soft material for carving.
2. In order to accommodate the circular shape of the spiral, cut
the corner edges of the square shaft to make a symmetrical octagon,
still maintaining the 12" diameter. We found that making these cuts
on a table saw was a quick and easy way to go.
3. Once the octagon shaft is created, one can begin marking the
increments for the spiral. Divide the shaft into 3 11 sections, marking
all 8 sides of the octagon. To help achieve the precision needed in
carving, it is recommended that you mark 1" segments along each edge
of the length of the shaft (see figure 2). In order to achieve a
more drawn out spiral, increase the length of each section to more
than 3". For a more condensed spiral, shorten each increment.
4. Begin marking out the spiral by connecting the lower left
corner of one segment to the upper right corner of the same, which
will be the lower left corner of the next segment above. Continue
connecting the segments in this way, along the entire length of the
column. If you wish one of your columns to spiral in the opposite
direction, mark the column accordingly, travelling from the lower
right corner to the upper left corner. At this point there should be
a single line spiralling around the column at a l' interval (see
figure 3). Mark a second spiralling line, so that there is a
spiralling line every 6".
5. Using a keyhole saw or electric carving knife, begin to rough
out the spiral by cutting towards one of the lines at an angle. Using
the previously marked 1" increments as a guide, begin to cut 2" to
either side of the spiralling line, keeping the cut parallel to the
line. Cut into the foam at a 45 angle. Repeat the cut on the
opposite side of the line, creating a wedge that can be removed.
Continue cutting away wedges along the entire length of the column
(see figure 4). Once this process is complete, further rough out the
spiral shape with the saw.

I
 6. Now the column is ready for final shaping. Use a rasp to
develop the rounded shape of the column. Moving diagonally across the
direction of the spiral seems to work best (see figure 5). This part
of the process requires patience. Special care is required to keep
from carving away too much of the column, and keep the curve uniform.
In the final product the roundness of the concave curve should match
that of the convex curve.
7. In order to strengthen the column and keep the styrofoam from
puncturing, double coat the piece with a 2:1 mixture of white glue
and dry cement, or a similar choice of ingredients. The consistency
should feel similar to fresh joint compound. If the coating creates
a grain when applied, smooth over the area with a brush and water once
the coating has begun to set up. Not only will this coating
strengthen the column, it will provide a good surface for painting.
FINAL DETAILS
We built the bases for the columns in our shop without
difficulty. The Corinthian capitals were purchased from a
manufacturer specializing in architectural details. The entire time
required to construct one column was 10 hours, not including the base.

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