Professional Documents
Culture Documents
Harbor
SOLD On of a kind
22x22 framed. Waxed iPhone image transfers on waxed hardboard.
Jim Abbott
Shaman
SOLD One of a kind
9.25x9.25 wood, wax and found objects.
Charles Townsend Adams
Northern Lights
SOLD Edition of 25
12x12 framed, archival pigment print
Richard Blanco + Lawrence A. Green
One Today
SOLD Edition of 100
ARTIST STATEMENT: The first time I met Richard Blanco, our conversation wandered into
a landscape familiar to us both: the volcanoes of Guatemala. I sent him a photograph I
had made of one of the sleeping volcanoes that encircle Lake Atitlan, and he responded
with this poem that so eloquently describes the living, volcanic presence that pervades
the Guatemalan terrain. Linnea Brotz and Emma Swartz designed and set the type in
the MMW+C Book Arts studio, and combined the poem and photograph for this unique
offering.
Susan Burnstine
Absence of Being
SOLD Open edition
ARTIST BIO: Susan Burnstine is an award-winning professional fine art and commercial
photographer who builds homemade cameras and lenses using plastic, vintage camera
parts, and random household objects. Susan is represented in galleries across the globe
and widely published throughout the world. She frequently curates and serves on juries
for exhibitions and has written for several photography magazines, including a monthly
column for Black & White Photography (UK). Susans first monograph, Within Shadows,
earned the Gold Award for PX3 Prix De La Photographie, Paris (Px3) in the Professional
Fine Art Books category. She was also selected for Photo-Eyes 2011 booklist. Her second
monograph, Absence of Being, was published by Damiani Editore in Fall 2016 and has
earned much critical praise.
Arduina Caponigro + J.P. Caponigro
We combine maps, stars and images from our travels together. The process is as enjoyable
as the finished piece -- the journey being the destination.
Paul Caponigro
Owl in Flight
$1,400 Edition of 25
16x20 pigment print photograph (on 17x22 paper)
ARTIST STATEMENT: Keith Carters haunting, enigmatic photographs have been shown in
over one hundred solo exhibitions in thirteen countries. His work is included in numerous
private and public collections including the Art Institute of Chicago, The National Portrait
Gallery, The Smithsonian American Art Museum, The San Francisco Museum of Modern
Art, The J. Paul Getty Museum, The Museum of Fine Arts, Houston, and the Wittliff
Collections at Texas State University. A gifted and insightful teacher, he holds the Endowed
Walles Chair of Art at Lamar University in Texas where he was awarded the Universitys
highest teaching honors; the Regents Professor Award & Distinguished Faculty Lecturer
Prize.
Ashley Elizabeth Craig
ARTIST STATEMENT: Growing up in the south creates a different type of woman. We are
taught to be gentile ladies, the backbone of our families, strong and independent woman,
and teachers as well as students of life. We take the time to sit on the porch, play on
swings, and embrace our inner child, and that no matter what youre never too old for a
haircut from mom. And most important when life gives you lemons, add some sugar and a
little bit of daddys shine and white knuckle it.
Lisas hands
SOLD Open edition
10x12 matted to 16x20, platinum palladium print on vellum
ARTIST STATEMENT: This is an image from a series of photographs made at Maine Media
Workshops + College during the summer of 2016. The print was made in the Maine Media
historic process lab in January 2017. This series of photographs is currently being bound
into an edition of 20 handmade books with letterpress poetry by Belfast-based poet,
Arielle Greenberg.
Carol Fonde + Andrea Mabee
ARTIST STATEMENT: I first met Andrea Mabee about a year ago through a student of mine
who graduated from Parsons several years ago and is now living in New Mexico. He sent me
payment for a camera lens that Andrea had listed on Craigs list in Portland and asked if I
could meet with her in person, take a look at the lens and take charge of sending it to him.
After meeting in my studio she asked if I would give her private lessons in Photoshop. I was
immediately impressed with her photography, especially with her work portraiting a flock of
geese she had followed, photographed, and visually bonded with for several years. I found her
work to be obsessive, relentless and a heartfelt tribute to these birds. I share Andreas passion
for birds, who have long been a focus of my own work. I spent my childhood in the company
of many & various, species of birds. My father was a wildlife conservationist and thought
nothing of letting wild turkeys walk freely through the formal dining room that was always off
limits to us children. A peregrine falcon, Miss Jangles, was forever perched on an Easter basket
on top of the refrigerator in our kitchen. Because next-door neighbors were scarce I felt
somewhat isolated as a child and often dreamt of taking flight from what my brother called
the castle, and some called the bird house.
Elizabeth Greenberg
ARTIST STATEMENT: I am drawn to places where the appearance of the land in the
present, holds the potential to reference imagined histories that evoke mythological
narratives. I look for evidence of the secrets that only the land knows, to tell stories of
magic, seduction, XX and what is sacred.
Brenton Hamilton + Celeste Pelletier
ARTIST STATEMENT: The collaborative piece between Brenton Hamilton and I was really
inspired by Brentons work. Especially the poster of the feminine figure, heart, and stars.
Taking these different key aspects, I wanted to keep the takeaways, fun and elegant, to
match the feel of the evening. -- Celeste Pelletier
Cig Harvey
ARTIST BIO: Cig Harvey is a member of the core faculty of the MFA degree program at
Maine Media College. Cigs photographs and artists books have been exhibited widely and
are in the permanent collections of major museums and collections, including the Museum
of Fine Arts, Houston, The Farnsworth Museum, Rockland, and the International Museum of
Photography, George Eastman House, Rochester. She was a recently nominated for the 2013
John Gutmann Award and was a finalist at Prix Virginia, an international photography prize
for women. Cig had her first solo museum show at The Stenersen Museum, Oslo, Norway, in
the spring of 2012 in conjunction with the release of her monograph You Look At Me Like An
Emergency, Schilt Publishing, 2012. Cigs devotion to visual storytelling has lead to innovative
international campaigns and features with, New York Magazine, Harpers Bazaar, Kate Spade,
and Bloomingdales. Cig teaches workshops and regularly speaks on her work and process at
institutions around the world. Her second monograph, Gardening At Night, will be released in
the spring 2015.
Jacob Hessler
Liquid Center
$4,500 Edition of 7
40x60 photograph on aluminum
Often those considered well-traveled have explored very little of their own country. A bounty
of cultural landscapes await, when tracing the highways and byways.
With the liberty of time, my adventurous spirit has transported me to placed many choose
to bypass. Stumbling on vantages unexplored, this work beckoned, pulling the car to a stop,
capturing the moment that might have been lost.
Jeannie Hutchins
Incognita #4B
$490 Edition 2 of 2
Silk & digital print installation
ARTIST STATEMENT: I am interested in making photographs that question not only visual
reality but existential reality as well. The photographic process is what allows me to
explore space, time, mortality, and immortality without being constrained by my cultures
expectations.. I use the camera to try to find answers to Lifes Unanswerable Questions.
ARTIST STATEMENT: My fine art photographs of vegetables, flowers and edible plants are
a natural progression after working as an editorial garden and food photographer for 30
years. They are about the obvious but often overlook the magic and beauty of the harvest.
This body of work called The Tray Series challenges me to create within a confined
space, looking down at arrangements in a tray. Inspiration comes from private gardens,
restaurants and local farmers markets.
Alec Kaus
Eye
$150 Edition 2 of 10
8.5x11 pigment print, unmatted
ARTIST STATEMENT: Home is a relative term. Home is the elusive destination that calls me to
continue searching. Home is the underlying insecurity that drives me to create photographs.
Home is the common thread that stitches together what once felt like disparate fragments of
film frames into a larger, circular narrative with no definitive beginning, and no real end.
Lost in Translation is a constant, never-ending search for answers just out of reach. Its about
transience; being trapped in liminal space with no sense of direction, no sense of self, and no
sense of home. Creating these images became my way of escaping reality, and later crafting
my own reality - a dark, rich utopia of my own design - to call home.
Jack Kennedy
Acadian Harbor
SOLD One of a Kind
12x15 framed collage; glass negatives, film, metal, paper, wood
ARTIST STATEMENT: Jacks Boxes are translations of my poetry into objects. Although
called boxes, they can be frames, bottles and trays as well. I have been a poet for 52 years
and have made these boxes for 16. The boxes are found art; they are made from things
from flea markets
Skip Klein
ARTIST STATEMENT: Having a camera in my hand is a great excuse to meet people and
enter their lives, if only briefly. Making an image permits me to remember what has been,
and fantasize just a bit about what might be. Photography has saved my life and I hope it
will permit me to live fully for the next 32 years.
Skip Klein
Dreams
$300 Open edition
16x20 pigment print photograph
ARTIST STATEMENT: Having a camera in my hand is a great excuse to meet people and
enter their lives, if only briefly. Making an image permits me to remember what has been,
and fantasize just a bit about what might be. Photography has saved my life and I hope it
will permit me to live fully for the next 32 years.
Amy Lowry + Nina Poole
Echoes 1
$550 One of a Kind
Handmade book - photographs paired with ink drawings 4.5x7
ARTIST STATEMENT: At 24, mt daughter Nina has reached a place with her photographs
that Ive been trying to get to all my life. Her black and white distillations of nature capture
the essence of the Maine landscape, and have inspired me to think/create outside of my
box. The drawings begin on large blocks of paper - marks placed at random - notes played
in answer to her work. I crop them as my eye directs and pair them with her images. They
become echoes - delicately suspended in windows of a story.
Amy Lowry + Nina Poole
Echoes 2
SOLD One of a Kind
Handmade book - photographs paired with ink drawings 4.5x7
ARTIST STATEMENT: At 24, mt daughter Nina has reached a place with her photographs
that Ive been trying to get to all my life. Her black and white distillations of nature capture
the essense of the Maine landscape, and have inspired me to think/create outside of my
box. The drawings begin on large blocks of paper - marks placed at random - notes played
in answer to her work. I crop them as my eye directs and pair them with her images. They
become echoes - delicately suspended in windows of a story.
Gayle Mandle + David Jeffrey
If I Were You
$750 One of a kind
12x24 photo, acrylic paint on stretched canvas
ARTIST STATEMENT: Maybe it was the 15,000 altitude. Maybe it was the enigmatic land of
Tibet. But for two people who had only just met we couldnt stop talking. Ideas for photo
projects were ricocheting off the windows as we bumped along the road over the Khampa
La pass taking the first steps on our journey of collaboration. This project involved double
exposures on 35mm film based around Fire, one of the five Tibetan elements. The process was
simple enough. Eileen shot a roll of film, rewound it back into the canister and posted it to Olaf
for a second set of exposures. We were refreshingly free from rules. We could shoot anything
related to Fire, using any lens, any subject matter. The second set of exposures never matches
the first set of frame lines so we expected interesting outcomes as elements in the images
blur and merge and as the borders became part of the artwork. What we didnt foresee was
the appearance of an Accidental Monk. On the left hand side of the image there is the blurred
outline of a monk, head bowed, tending a candle and making his devotions. In reality this
monk doesnt exist. It was the result of our collaborative process. Pure serendipity.
Arthur Meyerson
Wave
SOLD Edition of 10
12x18 archival inkjet print, 20x24 matted and framed
Pyrotechnic #113
$650 Edition of 10
16x16 archival pigment print, framed
Belties, Rockport,Maine
$1,200 Edition of 50
11x33 archival pigment print, matted 20x40
ARTIST STATEMENT: William Henry Fox Talbot, one of the inventors of the medium of
photography, called the process a little bit of magic realized! Inundated by the digital
onslaught of imagery we are faced with on a daily basis it is easy to lose sight of that
magic. An expressive print is evidence that magic happened and when found by its
audience it gifts that magic to the viewer and becomes theirs.
Craig Stevens
ARTIST STATEMENT: William Henry Fox Talbot, one of the inventors of the medium of
photography, called the process a little bit of magic realized! Inundated by the digital
onslaught of imagery we are faced with on a daily basis it is easy to lose sight of that
magic. An expressive print is evidence that magic happened and when found by its
audience it gifts that magic to the viewer and becomes theirs.
Peter Ralston
River of Heaven
$550 Open Edition
17x20 archival inkjet print, matted
ARTIST STATEMENT: Cruising around making images on Raven with a friend, we learned
that all of the schooners in the Maine Windjammer fleet would be gathering that evening
off the Wooden Boat School over in Naskeag Harbor, at the eastern end of Eggemoggin
Reach.
We photographed them as they all sailed and paraded around that end of the Reach, and
then as they drew close to a close, they all dropped anchor off the school wharf. When
it was clear that a few of them would have their sails up all night, I had the first gleam of
the possibility of this photograph. In my minds eye I pre-visualized what - just possibly - it
might all look like.
Ni Rong
ARTIST BIO: Ni Rong is a photographer who lives and works in Rockport Maine. She is
inspired by the land and the water in Maine, and most importantly, by the people who
gives soul to this place we call home.
Jan Rosenbaum
ARTIST STATEMENT: This is number 125 of 209 exposures made at the Berlin Hauptbahnhof -
the new main train station - in 2012. I shot over the course of a few mornings and afternoons,
during non-rush hour periods. Seventeen photographs made the final edit. Each of the
pictures just jumped into my camera; three was nothing I could do about it. It was the most in-
the-moment shooting experience I have ever had.
Cow of Stars
SOLD One of a kind
4.5 x 6 Platinum-palladium print matted
Untitled
$450 Open edition
12x8 archival inkjet print, matted 20x16
In her 1893 book, To Know the Wild Flowers, Mrs. William Starr Dana refers to the many
benefits of being on a bowing acquaintance with flowers. I love that phrase and know
just what she means, only I like all parts of a plantflowering or not, and in every season.
Plants have personality. And just as with people, if you take a bit of time to get to
know them, you may be both surprised and delighted by what you discover. A Bowing
Acquaintance with Plants is a series of black-and-white portraits in which I introduce
plants that are sometimes familiar, sometimes nothoping others might see the unique
characteristics and gestures that give them personality.
Michael Zide
Morning Mist
$395 Open Edition
Archival pigment ink unmatted print
ARTIST BIO: Over the past 30 years, he has created a body of work that has been featured
both internationally and in galleries from New York City to Los Angeles. Portfolios of his
landscape photography have appeared in magazines such as Silvershotz, Black and White,
Todays Photographer, Fotomagazin and Photo/Design, while manufacturers of the finest
digital coffee table books such as Graphistudios continue to use collections of his work to
show off the lush tones of their printing process.