E Em7 A7 DM7 Dm7 GT CM7 abrrtz

n'l'-z
-/.... fLz
/. rLuz aL-z nlz ebnz B7 EM7

Ta 4l
I h$ Lt
l^ 5-l

Ebmz Abz obnz nll = r*r

vflm/ -\L= E' IVI
'
Bm7 ET E AE-
AIYI I

) 7o ,r,fld
i' i.f tt-.t grl^-
'fl, {} fie "G-'
-^
iin*-
fid

Gm7 C7 FM7

*
 HEE ffi
DF#\1lJ l\Iow Ilav DbF Gb Bb
C#F#GB Step Down CF GbBb
C#EF#A iC Eb F Ab
CEFA
BEFA
IIm9 V13 IM9 i trmg BD#EG#
A#D# E G#
:B D E G i:i:A# C# D# F#

BbDEbG iAC#DF#
A D EbG G#C#D F#
i e D F ciiiG# B c#
li:!:i
E

AbCDbF *i:i:iic B C E
G C DbF F#B C E
G Bb CEb F#A B D

PhRtrh F A BbD
F Bb BEb E A BbD
F Ab BbDb EUAU

E G# AC# ir,iigo
:D G
G Ab c
D#G# AC# AbC
D#F# G#B D F GBb

LH FINGER MOVEMENT: Same as in Ex. 2-1A. See p. 33.

RII FINGER MOVEMENT: Use thumb, 2nd, 3rd, and 5th fingers throughout.
II chord is built on seventh of the chord.
II to 'y': The bottom voice ops a half step; the other voices stay constant
V to I: The top (5ttr frnger) drops a whole step, the next (3rd finger) drops a half step, the next (2nd finger) drops
a whole step, and tlre bottcm (thunb) stays constat.
! i_
T +ar TT. rrl +^.^
u. ''I-L^ luP /{rh {i^-\ ^^+^t fhaiji nayt
iiL l?rl fioar\ rlnnc d
c tralf
iidr cfen LliU Avf
iLij, fLr IiLl,1 l?nrl finoer\ rrsjqwcr
\ ji\j iiiiBcil
!u Ew cf
\JU uttri j Liiy5
^+^r,^ UUi;>dil, Ulrj \Jru !rLr/
constant, and rc bottom (thumb) drops a half step.
TO PLAY UPPER VOICES WITH LEf : Use 5-3-2-1LH fingering tiuoughout.

f-4--
t5 r
Ems
(f
A, 3) DMg Ems Az \s / oE Ems Az
(h3i Drn Do
Bm7 E7 AM7 Am7 DT GM7 Gm7 C7 FM7

EbMT ebmT Abz DbMT c{m7 Fflz

pl-t
rJVtt clt
EVI Lr.-
r-l/!Y!,
A
ltr
L*'t
attallt nLt
attrt t\Lar=
itlrfvt, F1tm,
^ l

Em? A7 l-/.jf|.!
A-Arft
!lm/ 111 l-lvl/ t^-m, ts r abdz

135
 Frg e,r
ET.E

nD+ T\k E AI- ra

v Ir
DF# G# C#
hvf
New Key DbF GC
C#E G#B Step Doru C Eb GB
CE GB BD#F#
CE
BD
F#B
F#A
IIm9 V13 IM9 I IIm9 B D# FA
i:A# C# F
BbD FA
BbD EA
9- 13M, >9 _i- 9 AC# E
ii A C# D# G
AC EG t\r 3 7q>7 riC+ B D# F
:G B D
AbC EbG
AbC DG 5_r-r5Ts
F nM- E | tr
GBC#
GBb DF
GbBb DbF
?
3 _ 7\>
7!z rar,
q&L_ ?
,iiF# A C# E
ACE
ABE
GbBbCF \J It t)
FAbCEb
EG#BD# Eb G BbD
E G# A#D# EbG AD
D# F# A# C# DFAC

LII FINGER MOVEMENT: Same as in Ex.2-18. See p' 36.

Ir.H FINGER MOVEMENT: Use thumb, Znd, 3td, and 5th f,ngers throughout.
Ii chord forms a major 7'r choid structuie, built on the third of the minor chord.
II to V: The second voice from the top (3rd finger) drops a hatf step; the other voices stay c0nstant.
V to I: : The top (5th finger) drops a whole step, the next (3rd finger) stays constant , the next (2nd finger)
drops a whole step, and the bottom (thumb) drops a haif step'
I io new II: The top (5th fi.nger) stays constant, the nexi (3rd finger) drops a half step, the next (2nd finger)
stays constant, and the bottom (ihumb) drops a half step.
TO PLAY UPPER.VOICES WITH LII: Use 5-3-2-1LH fingering throughoui.

(fl;) -_(g) Ft--^

E,
(h3) A r^ A
Bmg E, AM9 Bmg I rv
. t ^.'-0
Alvl ,I Dmv A lvl9 ,{o^