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Makli Necropolis
Makli Necropolis
Contents [hide]
1 Location
2 Etymology
3 History
4 Layout
5 Architectural evolution
6 Royal mausolea
6.1 Samma cluster
6.2 Arghun, Trakhan, and Mughal cluster
7 Conservation
8 Gallery
9 See also
10 References
11 External links
Location[edit]
Etymology[edit]
The site, and nearby hills, are said to derive their name from a legend in which a
Hajj pilgrim stopped at the site and erupted into spiritual ecstasy, declaring the
site to be Makkah for him. The Sufi saint Sheikh Hamad Jamali is then said to have
named the site Makli, or Little Makkah, after hearing the story of the pilgrim.[5]
History[edit]
The Sufi saint, poet and scholar Shaikh Jamali established a khanqah, or Sufi
gathering site, at Makli and was eventually buried there.[5] The 14th century
Trakhan ruler, Jam Tamachi, venerated the saint and wished to be interred near the
saint, beginning the tradition of using Makli as a funerary site.
The site rose to prominence as a major funerary site during under the rule of the
Samma dynasty, who had made their capital near Thatta.[5]
The most architecturally significant tombs at the site date from around the time of
the Mughal era, between 1570 and 1640 CE.[4]
Layout[edit]
Makli Necropolis occupies 10 square kilometres, housing at least 500,000 tombs.[2]
It stretches from Pir Patho at the southern end of the Makli Hills, northward in a
roughly diamond shape.[6] Its eastern edge is formed by the Makli Hills ridge. The
largest monuments are generally found at the southern edge of the site, though the
Samma tombs are found in the north.
Architectural evolution[edit]
The earliest tombs displayed three to six slabs of stone stacked on top of one
another into the shape of a small pyramid.[7] Evolving funerary architecture then
incorporated small plinths.[7]
Several of the larger tombs feature carvings of animals, warriors, and weaponry - a
practice uncommon to Muslim funerary monuments.[7] Later tombs at the site are
sometimes made entirely of brick, with only a sandstone slab.[1]
The largest structures in the most archaetypal Chaukhandi style feature domed
yellow sandstone canopies that were plastered white with wooden doorways,[7] in a
style that reflects Central Asian and Persian influences.[7] The size of the dome
denoted the prominence of the buried individual,[7] with undersides embellished
with carved floral patterns.[7] The underside of some canopies feature lotus
flowers, a symbol commonly associated with Hinduism.[5]
Some tombs came to feature extensive blue tile-work typical of Sindh.[7] The use of
funerary pavilions eventually expanded beyond lower Sindh, and influenced funerary
architecture in neighbouring Gujarat.[8]
Royal mausolea[edit]