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Walden Two: Why It Is (Not) Dystopia
Walden Two: Why It Is (Not) Dystopia
Walden Two: Why It Is (Not) Dystopia
2 (Fall)
The term utopia was coined by Sir often considered them otherwise (Ku-
Thomas More in 1516 from the Greek mar, 1991). The fact that Walden Two
words for "no" and "place." Since that was regarded as a utopia by its author but
time, the term has served as the name as a dystopia by critics (e.g., Krutch, 1954;
for a genre of fiction that describes so- Matson, 1976; Stevick, 1968; Walsh,
cieties deemed to be either nearly perfect 1962) does not make Skinner's work
or nearly perfectly horrible. The terms unique. Nonetheless, Walden Two seems
dystopia or antiutopia have sometimes to have inspired fiercer objections than
been used to characterize the latter (e.g., any other modem utopian novel. For ex-
Kateb, 1963). ample, in his description of Walden Two,
Walden Two is interesting from a lit- Frye (1965) stated that "its Philistine
erary standpoint in that many non-be- vulgarity makes it a caricature ofthe ped-
havior analysts did not believe Skinner antry of social science" (p. 32).
was being serious when he wrote his nov- Critics of utopian and dystopian lit-
el; they believed that he was in fact being erature (e.g., Davis, 1981; Kateb, 1963;
satirical and presenting a dystopia. Neg- Kumar, 1987; Walsh, 1962) have iden-
ley and Patrick (1952) originally thought tified several elements that lead to the
as much. When they realized Skinner's classification of a given work as dysto-
true intent, they denied the work entry pian. These elements include (a) suspi-
into their summary of utopias. They also cion of scientific social planning, (b) the
referred to the children of Walden Two unhappiness of the characters portrayed,
as "little guinea pigs" and spoke of the (c) suspicion of sources of control of be-
novel's "nauseating conclusion" (p. 590). havior outside the individual, (d) viola-
Of course, many authors intended their tion of a presumed inherent need to
novels to be either utopias or dystopias struggle, and (e) suspicion of behavioral
but have been faced with critics who have methods of governance. This paper ar-
gues that these elements do not provide
I would like to thank Dawn M. Buffington, Don- an adequate basis for classifying dysto-
ald A. Cook, John W. Eshleman, Claire L. Poulson, pias in general, and for classifying Wald-
Richard F. Rakos, and Deborah Shanley for con- en Two as a dystopia in particular. The
siderable conceptual and editorial assistance.
Correspondence concerning this article should be negative reaction to Walden Two seems
addressed to Bobby Newman, Psychology Depart- instead to be due to Skinner's literary de-
ment, Queens College CUNY, Flushing, NY 11367. vices and to general negative reactions to
167
168 BOBBY NEWMAN
Moon), in a distant land (e.g., Bacon's the original 20th century champion of
New Atlantis, More's Utopia, Huxley's behaviorism (Watson, 1924/1970) was
Island), in another dimension (e.g., quite frank in stating his belief that ap-
Wells's Men Like Gods), or at some fu- plied behaviorism could lead to a utopia:
ture time (e.g., Bellamy's Looking Back- I am trying to dangle a stimulus in front of you, a
ward; Bradbury's Fahrenheit 451; Bur- verbal stimulus which, ifacted upon, will gradually
gess'sA Clockwork Orange; Forster's The change this universe. For this universe will change
Machine Stops; Huxley's Brave New if you bring up your children, not in the freedom
World; Orwell's Nineteen Eighty-Four; of the libertine, but in behavioristic freedom....
Will not these children, in turn, with their better
Rand's Anthem; Wells's The Time Ma- ways of living and thinking, replace us as society
chine, The World Set Free, and The and in turn bring up their children in a still more
Dream; Zamiatin's We). Walden Two, scientific way, until the world finally becomes a
however, could be enacted here and now, place fit for human habitation? (pp. 303-304)
and numerous experiments have already The ideas of Watson and Skinner pre-
shown the power ofthe behavior-analytic sented in a nonfictional format inspired
system upon which Skinner's utopia is hostility and misunderstanding. The por-
based. The existence of communities in- trayal of scientific planning of society in
spired by Skinner's vision (e.g., Com- a fictional format should be expected to
munidad Los Horcones, 1989) helps to do no less.
make the "fears" very real. Proximity and
possibility may not be enough to explain
the reaction to Walden Two, however. UNHAPPINESS OF THE
Communal arrangements based upon CHARACTER PORTRAYED
Looking Backward, for example, have Trepidation regarding the scientific
also been attempted (Richter, 1971), planning of society aside, to regard Wal-
largely without hostility from critics. den Two as a dystopia seems strange. In
Although other utopian visions have Walden Two, "people are truly happy,
spawned real communal experiments, secure, productive, creative, and for-
none have had as their basis the "dehu- ward-looking" (Skinner, 1986, p. 364).
manizing" behavior-analytic base of Nonetheless, critics (e.g., Negley & Pat-
Walden Two. As Skinner predicted in the rick, 1952) of Walden Two have sug-
pages of Walden Two itself, this experi- gested that no sane individual could pos-
mental basis upsets the critic (as can be sibly be happy living in Frazier's
seen in the dialogue given to Castle in community. Kateb (1963) expands the
Walden Two). The ends of the Walden point to all utopias by quoting Alexander
Two social experiments certainly do not Gray: "No Utopia has ever been de-
cause anxiety in the critic. Walden Two scribed in which any sane man would on
is a utopia of means, with the ends being any conditions consent to live, ifhe could
somewhat standard, occasionally even possibly escape" (p. 1 5). Skinner ( 197 1)
cliche, in the genre of utopian literature responded to such objections as follows:
(Kumar, 1987). The hostility to Walden The problem is to design a world which will be
Two therefore seems to be a reaction to liked not by people as they now are but by those
its means, and can be interpreted as an who live in it. "I wouldn't like it" is the complaint
example of a more general reaction to of the individualist who puts forth his own suscep-
Skinner and the experimental analysis of tibilities to reinforcement as established values. A
behavior. world that would be liked by contemporary people
would perpetuate the status quo. (p. 164)
On the whole, these reactions have been
less than positive. This fact can be clearly This issue of the happiness of citizens
seen in utopian novels (Newman, 1991), can, perhaps, be avoided entirely. Hap-
some of which specifically warn against piness seems not to be a criterion in the
state control by behavioral technology designation of novels as utopian or dys-
(e.g., Brave New World and A Clockwork topian. The residents of the acknowl-
Orange). That these reactions appear in edged dystopia Brave New World are al-
this form is not unexpected, given that most exclusively happy. The same could
170 BOBBY NEWMAN
be said of the residents of other dystopian and Utopia are all excellent examples of
novels such as The Machine Stops, Fahr- such arrangements, and are descriptions
enheit 451, and We. As expressed by the of how environments shape the behavior
Savage in Brave New World, the key point of individuals. Island was Huxley's final
of many dystopian novels is the inalien- acceptance of, and eloquent praise for,
able "right to be unhappy." this basic behavioral idea. If planners or
managers set society into motion, it is
SUSPICION OF SOURCES OF the everyday positive interactions and not
BEHAVIORAL CONTROL the actions of some outside agency that
OUTSIDE THE INDIVIDUAL keep it going. The fact that there is a
Several popular dystopias have had planner, or that the sources of control of
dictatorships as their basis of govern- behavior are assumed to be within the
ment. Orwell's Nineteen Eighty-Four is individual's interactions with the envi-
perhaps the finest and most chilling ex- ronment, does not automatically qualify
ample of a dictatorial government. The a work as dystopian.
societies of We, Brave New World, An- VIOLATION OF HUMANITY'S
them, and others also leave decision PRESUMED NEED TO
making in the hands of an elite minority. STRUGGLE
A Clockwork Orange warns us that when
we allow behavior to be controlled by an Taking their lead from Plato's Repub-
elite minority, humanity has ceased to lic, many utopian and dystopian novels
be. Davis (1981) agrees, and follows up have used a dialogue as the primary
by noting that "man as a moral agent" means of presenting ideas. Seemingly in-
(p. 387) may be destroyed under such evitably, a verbal clash between a pro-
systems. The society of Walden Two is ponent of the social order and a dissident
mistakenly considered to be a dictator- comes to the front. These discussions of-
ship by critics (e.g., Krutch, 1954; Mat- ten center around the idea of the inherent
son, 1976), largely because the determin- need of humanity to struggle, to rise up
istic basis of its system emphasizes to a challenge, and to face adversity.
sources of control of behavior that are Without such challenges to conquer, life
outside the individual. becomes hollow and meaningless (Kateb,
Walden Two does have planners and 1963). In Brave New World, the discuss-
managers who structure the environment ants are the Savage and Mustapha Mond.
in order to shape behavior. Yet, this ar- In The Machine Stops, the clash is be-
rangement is not unknown in utopian tween son and mother. In Walden Two,
works. Plato's Republic had its guardian it is between Castle and Frazier. In Men
class. A Modern Utopia (Wells, 1905/ Like Gods, it is between Catskill and
1967) had its semimonastic samurai class, Urthred the Utopian. In Nineteen Eighty-
which was later seen to have dissolved Four, the debate is between Winston and
by the time of Men Like Gods, so that O'Brien. In The Wanting Seed, the dis-
nearly all people became part of the sam- cussion is between Tristam and Major
urai class. Edward Bellamy's Looking Berkely.
Backward features (equally paid) hier- As much as anything else, these dis-
archical ranks within an "industrial cussions allow us to see whether a novel
army." The societies described in these was intended to be utopian or dystopian.
novels seem to function rather well, and Who wins these debates sets up the novel
quite apart from any contact with, or fear as utopian or dystopian. Unfortunately
of, this "guardian dictatorship." The so- for the sake of classification, the author's
cieties are structured such that interac- choice and the reader's choice as to who
tions lead to mutual positive reinforce- wins the argument may be entirely dif-
ment, and the need for other sources of ferent. The reasoning and history that led
governance or laws is minimal. Men Like an author to his or her utopian or dys-
Gods, Looking Backward, The Dream, topian vision may be totally lost on oth-
WALDEN TWO 171
ers. Twin Oaks cofounder Kathleen Kin- would create a society in which positive
kade (1973) provides an example: "We reinforcement would be available for
had read Brave New World and Nineteen constructive behavior. Sir Thomas More,
Eighty-Four and were not impressed. The in Utopia, suggested the same thing. It is
writing is great, the logic downright silly" interesting to note that few critics have
(p. 148). described how More wanted to limit free-
Similarly, claiming that Skinner's sys- dom.
tem would eliminate the need for hu- Aldous Huxley provides an interesting
manity to struggle (as suggested by Bur- twist on the issue of whether behavioral
gess, 1973) might be considered methods of governance are inherently
"downright silly." A society based upon dystopian. Brave New World portrayed
experimentation holds as a basic prin- behavioral interventions in their poorest
ciple that not all ideas will lead to their light, whereas Brave New World Revisited
desired ends. If every idea was successful, mentioned Walden Two as a possible so-
there would be no need for experimen- lution to problems pushing society to-
tation. For better or worse, frustation and wards Huxley's feared dystopia. Finally,
struggle would not be eliminated from in his last novel, Island, Huxley por-
Walden Two; thus, the need of humanity trayed a society that used the same sci-
to struggle would remain intact. ences as his behavioral dystopia, but for
entirely humanistic ends (Baker, 1990;
SUSPICION OF BEHAVIORAL Newman, 1992; Watt, 1974). Kumar
METHODS OF GOVERNANCE (1991) summed up the historical pro-
One of the main arguments of antiuto- gression:
pians is that utopias are not desirable be- In 1948 B. F. Skinner gleefully turned the tables on
cause there is no way to attain or main- Huxley by employing many of the devices of Brave
New World in his utopia of behavioral engineering,
tain a utopia without sacrificing the Walden Two. The example must have been infec-
principles behind the utopian vision (Ka- tious, for Huxley also later reversed himself. In his
teb, 1963). As mentioned above, regard- utopia, Island (1962/1989), he attempted to dispel
less of Skinner's intentions, Walden Two some of the gloom he had created by showing how
is feared partially because of a belief that Brave New World practices could be deployed in a
positive way. (p. 47)
the Skinnerian system would inevitably
lead to a dictatorship. This fear can be We thus come to a crucial point. Wal-
traced, in no small part, to misunder- den Two provoked far fiercer reactions
standings regarding Skinner's use of the than did Island, which is generally con-
term "freedom." Matson (1976), for ex- sidered utopian. Yet, both societies used
ample, has said that Skinner's political the same sciences, relying on the same
system would be oppressive: "there is no behavioral interventions that many fear.
place for the idea of freedom ... within As mentioned above, the use of behav-
the system of scientific behaviorism" (p. ioral methods of governance per se does
121). Sir Karl Popper made his objec- not automatically classify a work as a
tions concrete. He refused to sign The dystopia.
Humanist Manifesto Two because Skin-
ner, "an enemy of freedom and de- WHY IS WALDEN TWO STILL
mocracy," had already signed (see Free CONSIDERED A DYSTOPIA?
Inquiry, 1(2), pp. 3-4 for Popper's sen-
timents and Skinner's reply, and Free In- Although all of the traditional sugges-
quiry, 1 (3), pp. 3-4 for Anthony Flew's tions as to why a novel might be consid-
and Sidney Hook's additional objections ered dystopian have been applied to
to Skinner's involvement in the human- Walden Two by its critics, none of these
ist movement). Skinner's view of free- reasons is sufficient. The reactions to
dom, as well as his emphasis on positive Walden Two instead seem to have arisen
reinforcement in lieu of coercion, is well from the absence of traditional literary
known to behavior analysts. Skinner devices and, more important, a general
172 BOBBY NEWMAN
in the utopian novels themselves (e.g., be. Given the history of utopian litera-
Equality 7-2521, protagonist of Anthem, ture, however, effecting such a change in
when he tried to reintroduce the electric perspective may not be an easy task. It
light into a candle-using society). Walden is more likely that scientific utopians will
Two can be read as a suggestion to use learn that one cannot please everyone,
the science of behavior analysis to solve that some insist on the right to be un-
some of society's most pressing prob- happy, and, most important, that chal-
lems. Before the suggestion is heeded, lenging cherished ideas often leads to re-
however, the philosophical objections to sistance.
the behavioral system must first be dis-
pelled. REFERENCES
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WALDEN TWO 175