Professional Documents
Culture Documents
The Man in The Iron Mask - Study Guide PDF
The Man in The Iron Mask - Study Guide PDF
SADDLEBACK
STUDY GUIDE
FOR
THE MAN
IN THE IRON
MASK
Saddleback E-Book
STUDY GUIDE
MANTHE
IN THE
IRON MASK
ALEXANDRE DUMAS
ManIronMaskSG 09/19/06 3:01 PM Page 2
Three Watson
Irvine, CA 92618-2767
E-Mail: info@sdlback.com
Website: www.sdlback.com
Pages labeled with the statement Saddleback Educational Publishing © 2003 are
intended for reproduction. Saddleback Educational Publishing grants to individual
purchasers of this book the right to make sufficient copies of reproducible pages for use by
all students of a single teacher. This permission is limited to a single teacher, and does not
apply to entire schools or school systems.
ISBN 1-56254-528-0
CONTENTS
SADDLEBACK CLASSICS
NOTES TO THE TEACHER
THE NOVELS
Saddleback Classics were expressly all reproducible, are designed to be
designed to help students with limited used chapter-by-chapter as the student’s
reading ability gain access to some of reading of the novel proceeds. At least
the world’s greatest literature. While two exercises are provided for each
retaining the essence and stylistic “flavor” book chapter. One of the two always
of the original, each Saddleback Classic focuses on key vocabulary. The other
has been expertly adapted to a reading may be a simple comprehension check
level that never exceeds grade 4.0. or present an important literary concept
such as character analysis, point of view,
A perfect introduction to later, more
inference, or figurative language. A
in-depth investigations of the original
two-page final exam is also included in
works, Saddleback Classics utilize a
every Saddleback Classics Study Guide.
number of strategies to ensure the
involvement of reluctant readers: airy, USING THE STUDY GUIDES
uncomplicated page design, shortened
Before assigning any of the reproducible
sentences, easy-reading type style,
exercises, be sure your students each
elimination of archaic words and
have a personal copy of the Glossary
spellings, shortened total book length,
and the Facts About the Author and
and handsome illustrations.
About the Times. Students will need to
THE STUDY GUIDES be familiar with many of the literary
terms in order to complete the
The Saddleback Classics Study
worksheets. The Facts About the Author
Guides provide a wealth of reproducible
and About the Times lend themselves to
support materials to help students extend
any number of writing, art, or research
the learning experience. Features
projects you may wish to assign.
include critical background notes on
both the author and the times, character The title-specific exercises may be used
descriptions, chapter summaries, and as a springboard for class discussions or
eight “universal” exercises—focusing role-playing. Alternatively, you may wish
on plot, theme, character, vocabulary, to assign some exercises as homework
important literary terms, and book report and others as seatwork during the
structure. All may be used to follow up the closing minutes of a class period.
reading of any Saddleback Classic novel.
All exercises in this Guide are designed
In addition to the universal exercises, to accommodate independent study as
26 title-specific exercises are included well as group work. The occasional
to review, test, or enrich the student’s assignment of study partners or
grasp of important vocabulary and competitive teams often enhances
concepts. These enjoyable worksheets, interest and promotes creativity.
4
ManIronMaskSG 09/19/06 3:01 PM Page 5
ALEXANDRE DUMAS
(1802–1870)
The French novelist and dramatist Alexandre Dumas was born in 1802, the son of
a general in Napoleon Bonaparte’s army. Although the plots of his novels have been
criticized as melodramatic and his writing style as careless, readers still enjoy the
colorful characters and exciting action in his stories.
Because of his tremendous literary output—nearly 300 volumes—Dumas became
somewhat of a legend in his own time. How was he able to produce so many more
books than other writers? He hired several collaborators to search through the
memoirs of earlier writers for exciting plots. Dumas cheerfully called these writing
assistants his “factory” and paid no attention at all to those who criticized him for
pilfering the work of others.
Today, Alexandre Dumas’ best-known works are his historical romances: The
Count of Monte Cristo, The Three Musketeers, and The Black Tulip. In France,
Dumas is still noted for his plays: Henri III et sa cour and Napoleon Bonaparte.
In 1802, when Alexandre Dumas was for manufacturing carpets was invented
born . . . . . . Edgar Allen Poe published “The
Thomas Jefferson was the president Raven” . . . the U.S. Naval Academy
of the United States . . . the population was opened at Annapolis, Maryland.
of New York topped 60,000 for the first In 1870, when Alexandre Dumas
time . . . Napoleon Bonaparte became died . . .
president of the Italian Republic.
John D. Rockefeller founded the
In 1845, when The Man in the Iron Standard Oil Company . . . Confederate
Mask was published . . . General Robert E. Lee and English
Former U.S. President Andrew novelist Charles Dickens died . . . Jules
Jackson died . . . Texas and Florida Verne’s Twenty Thousand Leagues
became states . . . the first power loom Under the Sea was published.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 5
ManIronMaskSG 09/19/06 3:01 PM Page 6
PHILIPPE BAISEMEAUX
Twin brother of King Louis the A jailer at the Bastille, he is tricked
Fourteenth, he’s been imprisoned for several times as Aramis proceeds to
years in the Bastille under the name of carry out his plot.
Marchiali. Until he was 23, he had no
idea who he really was. ATHOS
A former musketeer, he now lives
quietly with his son, RAOUL.
6 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:01 PM Page 7
7
ManIronMaskSG 09/19/06 3:01 PM Page 8
SADDLEBACK C
CHAPTER 7 LASSICS them. In the battle, the roof of the
Aramis and Porthos are hours ahead cavern collapses, and Porthos is killed
of the king’s men, who are trying to by falling rocks. Aramis escapes in a
capture them. Meanwhile, a former canoe.
musketeer, Athos, and his son, Raoul,
hear a strange tale. The story is about a CHAPTER 9
gentleman taking a man in a “black Aramis’ canoe is quickly overtaken
helmet” to the island of St. Marguerite. by the king’s men. But the men are so in
Athos is certain that gentleman is awe of Aramis that they do not take him
D’Artagnan. He and Raoul immediately prisoner. Instead, they take him to
travel to St. Marguerite, where they safety in Bayonne. For D’Artagnan’s
meet D’Artagnan and see Philippe, now sake, King Louis allows Aramis to
a prisoner wearing an iron mask. remain free.
Meanwhile, Athos learns that Raoul
CHAPTER 8
has been killed in battle. He is so
Aramis and Porthos hide from the brokenhearted, he dies an hour later.
king’s men on an island called Belle-
Isle. King Louis orders D’Artagnan to Four years later, D’Artagnan leads an
capture them. D’Artagnan wants to let army in France’s war against Holland.
his friends escape, but the king spoils Just as victory is declared, D’Artagnan
his plans by giving secret orders. is killed by the last shot fired by the
Aramis and Porthos hide in a great enemy. Aramis is the only musketeer
cavern, but the king’s men discover left alive.
8
ManIronMaskSG 09/19/06 3:01 PM Page 9
9
ManIronMaskSG 09/19/06 3:01 PM Page 10
SADDLEBACK CLASSICS
B. 1. deceive 2. thunder 3. sneer 17 COMPREHENSION CHECK: CHAPTER 7
4. gasp 5. plead 6. humble 1. uninhabited/accursed
7. committed 8. confident 2. ruin/accompany
9. dismiss 10. insist 11. impostor 3. reached/circled
12. establish 4. accompany/ruin
13 DESCRIPTIVE WORDS: CHAPTER 5 5. governor/phantom
1. new 2. two 3. twin 6. picked up/recognized
4. terrible 5. whole 6. outrageous 7. 7. phantom/governor
true, loyal 8. great 9. good 8. recognized/picked up
10. big front 11. rightful 9. accursed/uninhabited
10. circled/reached
14 WORDS AND MEANINGS: CHAPTER 6
A. 1. misfortunes 2. cast 18 SEQUENCE OF EVENTS: CHAPTER 7
3. rays, glory 1. 7/fort 2. 10/prisoner
3. 1/Orleans 4. 2/Duke of Beaufort 5.
B. 1. d 2. c 3. a 4. b
9/governor 6. 5/St. Honorat
C. ACROSS: 2. glide 5. misfortune
7. 8/D’Artagnan 8. 6/St. Marguerite
7. ray 8. cast 9. meek
9. 4/Athos, Toulon 10. 3/Raoul
DOWN: 1. depart 3. hesitate
4. uneasy 6. firm 19 WORDS AND MEANINGS: CHAPTER 8
A. ACROSS: 3. fragment 7. occupy
15 RECALLING DETAILS: CHAPTER 6
9. slip
Answers will vary, but should approximate:
DOWN: 1. gain 2. collapse
1. He was afraid something had gone
4. refuge 5. glance 6. egotist
wrong with the plan.
8. post
2. He showed everyone how pale Philippe
B. 1. occupy 2. egotist 3. slip
was—proof that he’d been in prison for
4. refuge 5. posts 6. collapsed
eight years.
7. gain 8. fragments 9. glanced
3. She was surprised and confused.
4. He was angry. 20 CAUSE AND EFFECT: CHAPTER 8
5. He was the younger royal twin. A. 1. c 2. d 3. e 4. a 5. b
6. He did not want anyone else to know he B. 1. T 2. T 3. F 4. F 5. T 6. F
had a twin brother. 7. T
7. Aramis was trying to escape the king’s
men. 21 RECALLING DETAILS: CHAPTER 8
1. Fouquet 2. king’s 3. Aramis
16 WORDS AND MEANINGS: CHAPTER 7 4. Aramis 5. English 6. ship
A. R E F R E S H M E N
S T 7. friends 8. D’Artagnan
D E T I B A H N
N I U
9. surrender 10. canoe 11. Porthos
N O I T I D E P
E X
N M O T N A H
S P D 12. Aramis
I D D U E
U E O S 22 WORDS AND MEANINGS: CHAPTER 9
R R E I R O T N E M N G I S S A
D R U L C U
A.
V E C A M P A I G N A B
I A S G A C E Z U N K N O W N C S
B S N P C R I W O L F Y R E
P R E P A R A T I O N S A T L N N E R I N
A O O L O F C
B. 1. phantom 2. spacious K B T I T I E
3. bid 4. uninhabited E M A X S C C
5. preparations 6. refreshments Y B E I I E
S V
7. angle 8. ruin 9. barred
10. expedition
10
ManIronMaskSG 09/19/06 3:01 PM Page 11
SADDLEBACK CLASSICS
B. 1. exile, assignment 2. absence FINAL EXAM: Part 2
3. vision 4. sacrifice 5. overtake Answers will vary, but should approximate:
6. campaign 7. baton 8. victory 1. He forgave Aramis and pressed his hand
warmly.
23 RECALLING DETAILS: CHAPTER 9
2. Fouquet refused to go along with the
1. b 2. a 3. b 4. a 5. b 6. a
plot and told King Louis.
7. b 8. a 9. b 10. a
3. They were so in awe of Aramis that they
24 INFERENCE: CHAPTER 9 let him go.
1. b 2. c 3. b 4. a 5. a 4. Philippe studied notes Aramis gave him.
He also watched, through a peephole, the
25 BOOK SEQUENCE
king interact with others.
1. 7/meet 2. 3/kidnapped 3. 2/throne
5. He offered Philippe a peaceful life on
4. 12/canoe 5. 9/island 6. 1/twin
Belle-Isle.
7. 11/killed 8. 8/wear 9. 5/escape
6. As a musketeer, he was completely loyal
10. 4/outraged 11. 13/death
to Aramis. (“All for one and one for all.”)
12. 6/frees 13. 14/enemy’s
7. He persuaded Philippe that he would be
14. 10/capture
a better ruler than his brother.
26 FINAL EXAM: Part 1 27–33 Answers will vary.
1. b 2. a 3. d 4. b 5. a 6. b
11
ManIronMaskSG 09/19/06 3:01 PM Page 12
SADDLEBACK CLASSICS
LITERARY GLOSSARY
12 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:01 PM Page 13
SADDLEBACK CLASSICS
novel a long form of fictional literature setting where and when a story
with a complex plot happens; the location and time
The Adventures of Huckleberry Finn is The setting of A Christmas Carol is
one of the greatest American novels. London in the mid-1800s.
pace the speed at which a story or style the special way a writer uses
novel develops and moves along language to express both literary
The pace of the rescue scene was
form and his or her own life
very fast and exciting. experience
Ernest Hemingway’s style is famous
passage a section of a written work; for his use of short sentences and
may include just one line or several easy-to-understand words.
paragraphs
symbol a person or thing that stands
My favorite passage described the for, or represents, something else
character’s childhood.
In Hawthorne’s famous novel, the
plot the chain of events in a story that scarlet letter is a symbol for adultery.
leads to its outcome
theme the central meaning of a
The war novel’s plot is packed story, play, or novel; the main idea,
with action.
the point
point of view the mental position Ambition and revenge are common
from which a character sees the themes in Shakespeare’s plays.
events of the story unfold
tone the feeling given by the author’s
The character’s great wealth influenced voice; the attitude expressed by the
his point of view about the poor.
author’s use of language
quotation a passage quoted; the Is the tone of her dialogue humorous
exact words spoken by a character; or formal?
the words set off between quotation
voice the author’s unique way of
marks
telling a story; a combination of
“It was a season of hope. It was a personality and use of literary tools;
season of despair,” is a famous
quotation from A Tale of Two Cities. the quality that sets one writer apart
from other writers
realism the author’s emphasis on
Mark Twain’s colorful voice is not
showing life as it really is, not hard to recognize.
romanticized or idealized
Stephen Crane used great realism
in describing the sights and sounds
of battle.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 13
ManIronMaskSG 09/19/06 3:01 PM Page 14
ACROSS
DOWN
2. The musketeers’ ( motto / memo ) was “All for one and one for all.”
7. “Those innocent persons have never harmed a ( soul / son )!” Philippe said.
14 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:01 PM Page 15
A. Write a letter to match each cause on the left with its effect on the right.
1. _____ Aramis wanted to be pope. a. The king wanted to kill
the younger twin.
2. _____ Seldon made fun of the king.
b. They were both poisoned.
3. _____ Philippe read a letter from
the queen. c. King Louis the Fourteenth
put him in the Bastille.
4. _____ The queen gave birth to
twin boys. d. Louis the Thirteenth sent
Philippe to prison.
5. _____ Aramis gave Baisemeaux
a forged letter. e. He planned to make
Philippe the king of France.
6. _____ The nurse and the tutor
confessed that Philippe f. Philippe was freed from
found a letter. the Bastille.
1. _____ Philippe went down a well to get a letter from the queen.
2. _____ Louis the Fourteenth didn’t know his brother was in the Bastille.
5. _____ Louis the Fourteenth sent people to prison for minor reasons.
6. _____ Louis the Fourteenth let his younger son grow up in England.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 15
ManIronMaskSG 09/19/06 3:01 PM Page 16
A. Circle the hidden words. They may go up, down, across, backward, or
diagonally. Check off each word as you find it.
S J A Z W G E O L K G H E
___ JUDGMENT ___ HEIR
O U P C X A D V I S E R L
___ COUNTRYMEN ___ SHED J D H D R Z L E Y Q U Y C
A G S E W E C I N G F I A
___ OBSTACLE ___ EXILE O M K J N H P R O T E S T
P E L A D E I M G F X L S
___ ADVISER ___ AGONY
S N D F L E P O A M I X B
___ PROTEST ___ FOIL V T M J H A H E I P L Y O
E W R T B Y U S K J E M P
___ PAMPER ___ GAZE C O U N T R Y M E N N C L
C. Write a word from the hidden words puzzle under the definition that matches.
16 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 17
Circle a letter to show the implied, but not literally stated, meaning of each phrase
or sentence from the story.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 17
ManIronMaskSG 09/19/06 3:02 PM Page 18
Compare your own thoughts and experiences to those of the characters. Answer the
questions in complete sentences.
1. Louis the Fourteenth was not a good leader for his countrymen. What sort of
actions would a good leader take? What actions would a bad leader take?
________________________________________________________________
________________________________________________________________
________________________________________________________________
2. Philippe cannot bring himself to let Louis die, even though Louis would
probably have Philippe killed if he caught him. Could you let someone die,
even if he or she was a possible danger to you?
________________________________________________________________
________________________________________________________________
3. Aramis offers Philippe a choice: to be king or to live a quiet life on an island.
What would you choose: to be the leader of your country or live a quiet,
peaceful life?
________________________________________________________________
________________________________________________________________
4. Through Aramis, Philippe learns about a mother and brother he’s never met. If
you had relatives you’d never met, what would you want to know about
them?
________________________________________________________________
________________________________________________________________
5. Aramis is using Philippe in his plan to become pope. Have you ever known
someone who used another person to further his or her own plans?
Describe what happened.
________________________________________________________________
________________________________________________________________
18 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 19
A. Choose a synonym (word that means about the same) from the box for each
boldface word. Write the synonym on the line. Hint: You will not use all the
words in the box.
terrified damp confused whispered humor
plotting mad through heartfelt danger
6. The air in the cellar was cold, gloomy, and moist ___________________.
B. Notice the boldface word in each sentence. Then circle the antonym (word that
means the opposite) in the word group below.
1. Aramis thought Baisemeaux was right after all. He said, “It wasn’t Marchiali
who should have been released.”
freed imprisoned transported recruited
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 19
ManIronMaskSG 09/19/06 3:02 PM Page 20
Help! Someone has mixed up the characters and locations in the following
sentences. Rewrite the sentences correctly on the lines.
1. Philippe’s bed rises upward to the tower of the chateau.
________________________________________________________________
________________________________________________________________
2. Louis is taken from the Bastille to Fouquet’s estate.
________________________________________________________________
________________________________________________________________
3. Fouquet suspects Aramis has been stealing from the king’s treasury.
________________________________________________________________
________________________________________________________________
4. Aramis tells the jailer that Seldon must be put in prison and Marchiali must be
released.
________________________________________________________________
________________________________________________________________
5. Aramis suspects D’Artagnan is plotting against Philippe.
________________________________________________________________
________________________________________________________________
6. Philippe advises the king to wait before arresting Colbert.
________________________________________________________________
________________________________________________________________
7. Fouquet feels guilty about lying to his old friend, King Louis.
________________________________________________________________
________________________________________________________________
20 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 21
a. to the Bastille.
b. to Vaux.
a. Fouquet.
b. Philippe.
a. the king.
b. Fouquet.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 21
ManIronMaskSG 09/19/06 3:02 PM Page 22
1. The rat kept its eyes on the new ( ruler / occupant ) of the cell.
2. Once the other prisoners were King Louis’ victims; now they were his
( company / companions ).
3. As King Louis heard his own ( tears / wail ), he knew that he was alive.
5. “Why does the king set me at ( freedom / liberty )?” Fouquet asked.
8. Aramis had ( stalled / installed ) a special machine that moved the bed.
22 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 23
First, complete the sentences with words from the box. Then, number the events to
show which happened first, second, and so on. Hint: You will not use all the words.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 23
ManIronMaskSG 09/19/06 3:02 PM Page 24
Fill in the blanks with the correct character from the box. You will use some names
more than once.
Fouquet King Louis Philippe
the jailer D’Artagnan Aramis
3. “I didn’t know that you and the king were such good friends, Aramis,”
____________________ said.
5. “The king is still alive, and his imprisonment saves your life,”
____________________ said.
9. “Oh, but you’re mistaken, my friend. I’ve spoken with the king hundreds of
times,” ____________________ said.
10. “You must leave to save your life. I must leave to save my honor,”
____________________ said.
24 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 25
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 25
ManIronMaskSG 09/19/06 3:02 PM Page 26
Complete each sentence with the adjective or adjectives used in the story.
Hint: You will not use all the adjectives in the box.
6. “They shall pay for this ____________________ crime!” King Louis cried.
26 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 27
3. Philippe felt something like a shadow gliding between him and the
___________________ of his new ___________________.
B. Draw a line to match each boldface word from the story with its antonym
(word that means the opposite).
1. firm a. confident
2. meek b. arrived
3. uneasy c. bold
4. departed d. weak
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 27
ManIronMaskSG 09/19/06 3:02 PM Page 28
28 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 29
6. The governor invited the two strangers to the fort for ____________________.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 29
ManIronMaskSG 09/19/06 3:02 PM Page 30
First, find and underline the incorrect word or words in each sentence. Then, find
the correct word or words used incorrectly in one of the other sentences. Finally,
rewrite the sentence correctly on the line.
________________________________________________________________
________________________________________________________________
30 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 31
Complete the sentences with the correct names and places from the box. Then, number
the events to show which happened first, second, and so on.
_____ 4. The ____________________ tells Athos that his son needs some
adventure.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 31
ManIronMaskSG 09/19/06 3:02 PM Page 32
3. “During the night, let’s ( slide / slip ) out to sea,” Aramis said.
4. Aramis and Porthos took ( refuse / refuge ) in the great cavern of Locmaria.
6. With the noise of the muskets, the entire cavern ( capsized / collapsed ).
7. “That’s a good idea. But what shall we ( gain / won ) by it?” Porthos asked.
8. The noise brought down huge ( fragments / fragmented ) of rock from the
ceiling.
32 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 33
A. Write a letter to match each cause on the left with its effect on the right.
5. _____ Porthos forgave Aramis for his plot against the king.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 33
ManIronMaskSG 09/19/06 3:02 PM Page 34
1. ( Fouquet / King Louis the Fourteenth ) had given Porthos and Aramis
a head start.
4. “Without those boats, we are lost indeed!” ( Fouquet / Aramis ) cried out.
34 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 35
5. It was easy for the king’s men to ____________________ Aramis and Porthos
in the canoe.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 35
ManIronMaskSG 09/19/06 3:02 PM Page 36
5. The king offered D’Artagnan a choice between taking the new assignment or
a. hanging. b. exile.
6. How long had D’Artagnan been taking orders from the king?
a. for 30 years b. for 20 years
36 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 37
Circle a letter to show the implied, but not literally stated, meaning of each
sentence from the story.
3. Of the four musketeers, there now remained one single body. God
had taken back their souls.
a. Three musketeers were without souls.
b. Only one musketeer was still alive.
c. God had left three souls behind.
4. D’Artagnan told the king that Athos and Porthos would never be
taken alive.
a. They would die before they let themselves be captured.
b. They would do anything to stay alive.
c. They wouldn’t mind being taken into exile.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 37
ManIronMaskSG 09/19/06 3:02 PM Page 38
First, complete the sentences with words from the box. Then, number the events to
show which happened first, second, and so on. Hint: You will not use all the words.
38 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 39
2. Where did Aramis and Porthos hide from the king’s men?
a. Belle-Isle c. Vaux
b. St. Marguerite d. St. Honorat
5. Why did Aramis think Fouquet would go along with his plan?
a. Philippe had pardoned him. c. Fouquet hated King Louis.
b. Fouquet wanted Aramis to d. Fouquet was “evil through
become pope. and through.”
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 39
ManIronMaskSG 09/19/06 3:02 PM Page 40
3. When the king’s men captured Aramis on Belle-Isle, why didn’t they take him
to the king?
________________________________________________________________
________________________________________________________________
5. Besides the chance to be king, what other choice did Aramis offer Philippe?
________________________________________________________________
________________________________________________________________
6. Why did Porthos go along with Aramis even though he didn’t really know what
was happening?
________________________________________________________________
________________________________________________________________
7. At first, Philippe was reluctant to be king. What did Aramis say to convince
him?
________________________________________________________________
________________________________________________________________
40 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 41
SADDLEBACK CLASSICS 27
BEYOND THE TEXT: _______________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
Choose one “extra credit” project from each column. Complete the short-term
project on the back of this sheet. To complete the second project, follow your
teacher’s instructions.
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 41
ManIronMaskSG 09/19/06 3:02 PM Page 42
SADDLEBACK CLASSICS 28
PLOT STUDY: _______________________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
Five elements make up a plot: characters, setting, conflict, climax, and conclusion.
Review the Glossary definition of each element. Then answer the questions about the
novel you just read.
1. What is the setting (time and place) of the novel?
___________________________________________________________________
___________________________________________________________________
2. What conflict or conflicts do the main characters face?
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
3. Explain the climax of these conflicts (how they are resolved).
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
4. Is the outcome of the plot surprising? Why or why not?
___________________________________________________________________
___________________________________________________________________
5. Does the novel focus mostly on character, plot, or setting? Explain your answer.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
6. What might have been a different way for the conflicts to be resolved? Think of
some events that would have changed the outcome of the plot. Write your new
ending here.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
42 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 43
SADDLEBACK CLASSICS 29
THEME ANALYSIS: _________________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
Review the Glossary definition of theme. Then study the literary themes listed
in the box.
bravery loyalty revenge revolution nature hope
guilt love friendship repentance courage war
madness science injustice greed regret youth
Authors often want to deliver a message about their themes. This message, usually
a deeply held belief, is expressed in the story.
Think about the novel you just read. What theme or themes can you recognize?
What was the main idea? What point was the author trying to make about that theme?
What message was delivered?
Choose two or three themes from the box, or write your own. Then write a sentence
explaining the author’s belief about that theme. (This kind of sentence is called a
thematic statement.)
EXAMPLE: Romeo and Juliet, by William Shakespeare
Theme: hatred
Thematic statement: Hatred between families can have tragic
consequences for innocent individuals.
Theme 1: _____________________________
Thematic statement: ____________________________________________________
_____________________________________________________________________
_____________________________________________________________________
Theme 2: _____________________________
Thematic statement: ____________________________________________________
_____________________________________________________________________
_____________________________________________________________________
Theme 3: _____________________________
Thematic statement: ____________________________________________________
_____________________________________________________________________
_____________________________________________________________________
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 43
ManIronMaskSG 09/19/06 3:02 PM Page 44
SADDLEBACK CLASSICS 30
CHARACTER STUDY: _______________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
2. CHARACTER: _______________________________
DESCRIPTION: _________________________________________________________
___________________________________________________________________
7. Write three lines of dialogue or description from the novel that helped you
understand this character.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
8. On the back of this sheet, write a sentence telling how you and the character
are alike. Then write another sentence telling how the two of you are different.
44 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 45
SADDLEBACK CLASSICS 31
VOCABULARY STUDY: _____________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
Look back through the novel you just read. Find 10 words that were new to you.
First, list the words on the lines below. Then check a dictionary if you’re not sure
what each word means. Finally, use each word in a sentence of your own.
1. ______________________________ 6. ______________________________
2. ______________________________ 7. ______________________________
3. ______________________________ 8. ______________________________
4. ______________________________ 9. ______________________________
5. ______________________________ 10. ______________________________
1. ____________________________________________________________________
____________________________________________________________________
2. ____________________________________________________________________
____________________________________________________________________
3. ____________________________________________________________________
____________________________________________________________________
4. ____________________________________________________________________
____________________________________________________________________
5. ____________________________________________________________________
____________________________________________________________________
6. ____________________________________________________________________
____________________________________________________________________
7. ____________________________________________________________________
____________________________________________________________________
8. ____________________________________________________________________
____________________________________________________________________
9. ____________________________________________________________________
____________________________________________________________________
10. ____________________________________________________________________
____________________________________________________________________
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 45
ManIronMaskSG 09/19/06 3:02 PM Page 46
SADDLEBACK CLASSICS 32
GLOSSARY STUDY: ________________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
46 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
ManIronMaskSG 09/19/06 3:02 PM Page 47
Imagine you are a book reviewer for a newspaper. Your job is to describe the
novel you just read for your readers. Before you write your review—which will
contain both fact and opinion—you must take notes. Use this form to record the
information you will use in your article.
BOOK TITLE: _____________________________________________________________
AUTHOR: ________________________________________________________________
1. What was the author’s purpose in writing this book? (Examples: to amuse, terrify,
inform, protest, inspire, etc.) Name more than one purpose, if appropriate.
___________________________________________________________________
3. Describe the main character in two or three sentences. Use meaningful details.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
5. Write one or two sentences from the novel as examples of powerful description.
(Hint: Look for vivid sights, sounds, smells, or feelings.)
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com 47
ManIronMaskSG 09/19/06 3:02 PM Page 48
SADDLEBACK CLASSICS 33
BOOK REVIEW, PART 2: ____________________________________________
(TITLE OF NOVEL)
NAME ____________________________________ DATE _______________________
6. Write one or two lines from the book as examples of memorable dialogue.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
7. Summarize the plot of the book in one brief paragraph. (Hint: Name a key
event at the beginning, middle, and end.)
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
8. Find your favorite illustration in the book. As you describe it, explain how
this drawing works as an aid to the reader’s imagination.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
9. State your opinion of the book’s title. Does the title give a good clue as to
what the story is about? Why or why not? Suggest a different title that would
have worked as well.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
10. State two reasons why you would or would not recommend this novel to
your readers.
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
48 Saddleback Educational Publishing © 2003 • Three Watson, Irvine, CA 92618 • Phone: (888) 735-2225 • Fax: (888) 734-4010 • www.sdlback.com
IronMaskTG.cvr 10/7/06 2:57 PM Page 1
SADDLEBACK
STUDY GUIDE
FOR
THE MAN
IN THE IRON
MASK
Saddleback E-Book