UOWPA 429A 49 sopepeyew euidag [IA ‘9 FONFIS GNV JISNYW +O TyNYNOr Isjoxaq ALI 3A MIZOIBahariye Sanat Galerisi Yayinlan ISBN 978-9944.0263-6-9 MUZIK ve BILIM DERGISI Journal of Music and Science 6.yil Segilmig Makaleler 6 th Year Selected Articles Baska Kasim 2009 Baska: Cetin Matbaseiltk Given Sanayi Sitesi C Blok No: 229 Topkapvistanbul Tel: 0 212 576 59 85 BAHARIYE SANAT GALERISI YAYINLARI Caferaga Mh. Kadife Sk. Kvziltung Apt. No: 1/1 Kadikéy/{stanbul Tel: 0 216 414 55.06 wow bahariyesanat.com, Mitcik ve Bilim Dergisi - Journal of Music and Science MOzik Ve Bitm Dercisi ‘Uhuslararasi Hakemli Bilimsel Mizik Dergisi Yan zarnanh (yilda 2 say:) Mart, Eylil JOURNAL OF MUSIC AND SCIENCE (JMS) International Refereed Scientific Music Journal Semi-annual (2 times per year) Maret, September ISSN: 1304 - 6446 (Online) Mozix ve Blin Derct Sanat / Jourwat oF Music AnD ScizNcE OWNER ‘Ahmet Emre GELIK ‘Yavin KURULU BASKANI VE GENEL YAVIN KOORDINATORO EbtroR1At BoaRo CHAIRMAN AND GENERAL PUBLICATION COORDINATOR lay KARAMAHMUTOGLU Kirar Eptrorw / Boox Eorror: Gilay KARAMAHMUTOGLU ‘YAYIN Koruto Uvecert / Eprronit Boaro! Abdullah AKAT Ahmet t. TOZ ‘Ahmet Emre CELIK ‘Aida Islam ‘Alp OZEREN Dimittije BUZAROWSKI ‘M. Hakan CEVHER Muhammed YELTEN Nuri OZCAN Recep USLU Zeynep BARUT ‘Cevint VE INGILIZCE REDAKSIVON / ENGLISH REDACTION AND TRANSLATION Bring Dikict Ozge SAMANCT ‘WaKeM Hevert / Apvisory Boar Epirontat assistants? Ali FRAL Ali UGAN, Edip GUNAY F. Cengiz UNAL Gilay KARAMAHMUTOGLU —_H. Selen ERGOZ Hagmet ALTINOLGEK M. Cihat CAN M, Haken CEVHER M. Nurlu BRAL ‘Melda CINMAN SiMSEK Mete CAMDERELL Muhammed YELTEN ‘Mustafa USLU Nermin KAYGUSUZ Nevzat TARHAN ‘Nilgin DOGRUSOZ Recep USLU Sabri YENER Semi ALTINOLCEK ‘Zekeriya BASARSLAN (©2008 wow.muzicvebiin.com ‘Botan hakian Saki. 7 All rights reserved, Jest Men bp tree ae stat sa ie (Acotng te eter tether aes i sabe in besarte gr alebet oral (Accord the eter che names i apatite ode) 1jp euyod ne ipoure ungiay “pe aero i uapussvouniny nBrwyo priniog m4 uonio nia a4 188e0 tRop posopumon inure, pununsnno pojseg epundo 10H s00e seue}o wbiop area tts foouarg sayy ‘soscucyonn aasOnoy Wor suena pane 1p! mop ajso}you 0809101 un ne wept O50 sip10 mys youoniy on aoa Dusyéno digos sureny Poootontoungs i2sunig” wapmayo” 109. ounony ng raopeye. amGos. yd Inésey busejownios veneers o¢ spongy Io unl nawopypoule)o4 00s yd pub gd nq "unser ng Spang mecopouaeoud ye "opuisuts stuerpnutos an oaunsele taco tape tap iopey po0e azn mao 219 mdmuinyo roses sop Buoy ag psy oa lintcoduos ipa sousg 904g sociay Opal tent op op otetiy ok nat pani di md oping panos nao sap Ho haviosisoupo tbo our] sayiay 96 210400) pt Hono Taep ag ‘okey Boze orui woeesiod “atason toocoean tfaoen ges Usonox? nasyns Dio nacnesey Bepuey ng aso ‘wounkog unizodwas un ousoan nuoy “esq Of MITGD) dug, ouny phortoua 20s unypsfow) ‘uaponastyo!9o ‘vapaounsyp zisuagoq "uoryyosuiyg soysoy ap oud 24 moran 2p Ud} opibty uodos puousuunp jasugyg unios Ay npuoninpapuogsoBep 94g Dung unsyo véwjo au zuupousies oprasoauos a4 4odisidoe aziuioen ayia uurang wopanjdminy nq apwery oy Ip! aryowigodn> ngry yoUsty03 pundok ryendnanay nBnplo io a22pws soysagT Tp1OKpe Uot2p woppsoydniny 198 Bong oer Wrenyy wus “f= eR yan L-Bieny wg upjo 4a vpunupsod yenpy pt oryoumuto Jos 219 ungo vpuspuumyuntrd unarusited isouougies dpieos tauodot dousijos “pep yjayu YpunZoS Yad varz -sojptonpouuye Lay auausepugs duepups numer af¢Beop 0 s2}uosuy 2408 DuLérpunin) tacvquope sak apuysorsy wayOH Ip) vprdos yoooKouse® rapped a2 9 s1B9p yon jasuiig opuntun yo5408 (Bap U0}qos) 24 1hunyD}y wyomn yp umpunumsnny xyyesurg n¥od isoyyp ‘ypdoryoure rouzY Pussopsouu ununaray nBnpIo uo mp Bd uuistounded Of -ppkifoso) musty 41g Yakaq “ipyoyod “npiokwuosoyn akiSry opikos yoyo ped at mmosou 2198 exiutndser yoHQ =apkoryousnucy mpuryyoY ‘Bipouyo indos asunyig vyznf Yad oupiozy yen oy, TTHD Bau tay wasepoysD op, donsossesuoy ‘opuiseas wntzoduas iq 1SDID.0]5I “GEST Ph “NACIOLIAT doce ST 22ueIRS pun otsnpy fo pousnor ~ISi8i0q aE D4 YE Stb/ SY TWHLLTVSDH StL woneojand :Aoqoorsnus 4 wwoweye eavowsepury y | aide ‘960 faweL SpUNKENZOHE ANRICTIA TENA Lbs Yowonpasd > SuINOND) URLOWOILIC AEZONN FAL USI, 604 / seus (m)arnWY [YONA ¥ZOWN :AWNOD BP 604) SYOHLNY 183ND | a RZVA HNO LOL | Amues iio} Buunp 20efeq uewoRd | dno1B ofsnUs UeIpL Jo HOAIsodLuoO /e0i80g UnunaruS >IZOWV UI BoULAEIeS NuEISO KZN, “YX ATTEN desoH 16 ofdoed Bunos pue wesode 9} ofsnur Buwersy 40 ple ous 2 / woreXe LoneIOU joa!smy eYy pub UekowoUry winssedlaroH Ziuisisig (ewe)EION On UeADUOWHT WnsiedWeH :AIDOLAWHYIYAYY £2109 4s / senbwy901 Bus Buys srsAeue erou yeorsnyy | (zHeUY eION a voDKye) Buse} YI S¥ / uoneonpe aIsnw ¢fepo4 U1 posh soyoeoudde pue epoyrow aig Jo mawieno Uy / Seq Hq OUD EIORUISEIHE ACA uM OpURURIBS NW ZOUINUND =AOSHOL UNYSOD 06 / “9fequ uowes;eApE UO [EG OUIBIZON WEPION {NIIZO Sy eb) A1osyy waishs unos sreuLin) SuISHOSL, IBISIS Soy LLL,AOUU, UNUNWIOPGY UIpENYeS =yFTAd awa WEY EE / ,.,SONLEM MSY ONY SHOHLNY | RIVIWASIYD aN BY TEVZYA, by soim SunUAA bby seidiouna revonps 2ouaqog pun aysmyy fo pousnor = 8:08q WERE 28 YOMitzik ve Bilim Dergisi - Journal of Music and Science edildikten sonra, Once yayin kerulumucun, sonra konusuna dzel s hakemlerin denetimine tabi tutularak yaymlanmasina dzen g0st Bilimsel Danigma Kuruiunu belirli kisilerden oluymus bir gurupla gahgmaya wygu , olumiu yale olumsuz yaklasmlar: da, kendimizi gézden gecirip gel sunan bir firsat olarak degerlendirdik. Mitzik ve Bilim, Tarkiye'deki ilk bagumstz, bilimsel, hakemli, elektronit miizik dergisi idi. Bayle bir adim atma cesaretini gist yakin velya wiak gevremizden, miizik alanmndan ya da dei ‘olan olmayan pek cok kisiden destek aldik. Miizik ve gukarken, herhangi bir konuda “ilk” olmak ve “fark” olan denemenis Gok zor oldugunu biliyorduk ama yeni bir seyler yapmak, ardimizdan gelenlere bir yo! aarak “drnek” teskil etmek, sorun gozmek gibi Gzellikler tastyan her gercek bilim ‘macera dolu bir yolda oldugumuci la, ~ ‘azellikle internet itzerinden yayin yapmamuzin getirdigi- zorlu zamanlarimuz da oldu, ama umudunnezu asta yitirmedik. Derginin, elektronik bir dergi olmasi fikri Ahmet Emre CELIK’e aitt, ben ise senede bir kere olsun bastlmasmn da istemekteydim. Ancak ilk yapmmimidan bu yan, zaman grinds, bir derginin basins ve m, Ozellikle ilkemiz kogullarinda, ne kadar zor oldugunu bizzat ‘porereh, neden interne! ortammnda yayin iserinde durdugumu daha it anladim. Nitekim internet ortam: da bircok sorun ve riskierle doluydu; bizler de dergimizin yayin yasam boyunca bunu pek cok kez bunu deneyimledik. Buna en gizel Srnek: wwv.muzikbilim.com adresinin isi hakkant haberimiz oimadan bagka birinin satin almasi sonucu, bundan sonra www,meitvebilim.com adresinden yayn yapmak durumunda sealmamtzdtr. Mitcik ve Bilim yolculugumuzda altmet seneyi bitirirken, her yil bastlt bir yullik yaynlayamams olsak da, secilmis makalelerden olusan bir ‘tap yayshlamay: her tirlit zorlu kosula ragmen basardik. Kitapta, dergimizde (fark zamaniarda) yaymnlagms yedi calrsma ile konuk yazarlarimzmn ii¢ makalesine yer verilmistir. Hakem heyeti bashg alunda, 2004'den bu yana dergimize bilimsel damismankik yapmig olan isimler bulunmaktadw. Yayin kurulumuza meveut iiyelerimizin diginda, bu kitap icin Ingilizce cevirmenlik ve redaksiyon yapan iki isim daha eklenmistir. Dergimic cif dillidir ancak bu Kitapta, ana metinier Tike, bzetler Ingilizee ve Tiirkge olarak verilmistir. Mitzik ve Bilim yoleulugumuz boyunca, yayin kurulumuz ve bilimsel danisma kaarulumuz igerisinde yer aldrak destek veren ve galigmatarm: bizler araciligt ile paylasan degerli bilim insanlari ile okuyuculara, Kitabimtz icin ingilizce redaksiyon ve cevirimde tiim yogunluklarma 4 Miizik ve Bilim Dergisi - Journal of Music and Science ragmen sevkle yer alan Ozge SAMACI ve Ering DIKICI ye ve ayrica dergimizin bu ilk kitabinm basilmasi asamasinda yardimlarit esirgemeyen Vural YILDIRIM ve Omit GEZGIN' e- tesekkiir ederiz. Yasadigumtz boyuta veda etmis.olsa da, dergimize, bilimsel damagmanlk yaparak destek verip aramiza katilan Miizik ve Bilim yolculugunuz ‘boyunca, yiireklerimizdeki yeri ile yanumzda olmaya devam edecek Dog.Drisit CELASUN’ 1, daima gergek bir bilim ve ditsiince insam olarak saygt ve sevgiyle anacagtz. Miizikt ve Bilim Dergisi' nin kuruluy asamasmda ve yaym hayat boyunca ingilizce cevrim ve redaksiyonlarmda yer almanm yaninda ekibimize her zaman manevi desteklerini esirgemeyen Ast GINGIL, SENKUL ve $ Alper KARAMAHMUTOGLU’ na miitesekkiriz tk saymuzin yaymslandigi Mart-2004' ten bu yana, velya farkix disiplinlerden calsmalara yer verdi alamnda bir kez daha bir ilk olan, bu secki kitabindan duydugumus mutlulugu sizlerle paylasmann lavanct igerisindeyiz. Saygilarimla, Gillay KARAMAHMUTOGLU Eyliil-2009|£ onBurjig 51 poumnol sng -yoog siya 40f Bupa puo ys Bug of uoymjsuoss dif PIP OYM ‘souDU omg BuIppo Lg popuaIxe ud2q Soy PAO [LONPT ay! ‘Siaquiai juauind mo sapisag -.pupog Liosiapy oYMuaIrs, 2111 ay depun wwedde poz sours siostaiedns oyhyuoios 80 pants oye SoUIDU 24 “Sia}LuM 18aNB ano fo sap>n.20 2ouyp pu (sanss} w2.2{fip W)) pousnof uno us poysyqnd suoded uoaas peruasoud s1 s9pve4 94) “YOO SIH UE ‘puny 110 fo suoppuoo Busuaqoyo endsop ‘soponu posoojes fo yoo9 » ysyqnd of paSouvw ‘ao “ava Kade anssy Adozpany B yst}qnd 0} axatyoo 10% pjnod 20k yBnowyo SONIIDS CNY DISNAY fo Kowinol ano fo eoad axis ays ystaf om SY ‘2ouu tno mnoyso ‘9s]9 auo2UIOS Aq pasoyoind wooq poy WOTUTGAWAAR fo sry8y wpuiop oy2 oye WOTUNTRATATRAR ssaippo ays woss ystgnd 01 pediygo a1o%. 2 1041 5} ajdwox2 3809 244 “uoweo}}gnd ano fo af 242 Btainp sous duos soy poouatiods2 ont pub ‘sysia puo surajqoud fo yf ospp somn sousasuy ay %90f fo sou D sy “suljUo SuyeHand uo pomsrydu AsponIoD oy ys 2199 pootssepun | pun ‘Aasunoo ino fo suoinpuoo ays ut Gporvadse ‘pounof v aingiasip pu ysignd oF st 3 pany oy Ud—S aany [ ‘Onsst Jsaf ino 20us passod ay) 80 ing -avad D it 200 1809} 10 ssa4d 0} oUOE Baby OF 2 POYT] BADY PROM. 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SONOS ANY SISAL ssoqjaeuno dojadap puto asyaa4 0} sayunioddo so soysvoudde exyeBou posepisuos o% pu ‘peaiooos au susposo aansod ay) &4 Jomod youn’ suogis amo pms yoo 40f &pooifisods poroojxs aio soaiafo4 ayy ‘oqdood Jo dnouB winiuao v Aq (P1009 Auostapy oyfisus}2s 24s TOLASDL JOU Pip 244 ‘S159[Qns toy) fo soDuafo4 radio ou; &q uous puo ‘p1009 youuowpe no &@ ssu4f ‘wopsiruodns 07 109fGns ai ysuqndl of uoWuenD prod 2a ‘sejdiouuad uoyvorgnd oy pun soins Butyeds yr 2ouny duos soy) 40f jousnof ays 08 suas salpmas a4 Buy2—442 vayfy “sisqueu 5 40 wonnipsi Kuo q (Sougvou 40 «onsstsod) arvelfe Buyaq rnowar 2a1y 03 panuyuco 3 ‘outdjosyp sow sty OF SyUONLT 20uatag pun s1smyy fo pousmor - sy8i9g wa a8 4OUH 5 ‘siaffo snosounu peataces an yBnoyyo ‘uounmsus 10 Gjsseagun due uo wepuadep sofpuo Yate poqasutie? 1299 4949U SOY JOUR! ano “uOSCOL SIY) 40:} *, Spun pub jUsLUUO.IRKD 25110910 pul Ba4f up sng suOtansiste up jou sisix2 30ud!05, joyp 1YBnoys ay yam fo 108 9m ‘TuotUystGD;s® SH UP “P00 YoLoW ut Joumof $snwu ojuo4r—}9 Ifauotos Pooxafe4 pPuojoung wu so dyporoufo 2) $11 woB2q JONIIDS ANY DISTR opt sis Sunnnfox soqdiucna infssooons fo jynf sou 2010198 fo Auorsty 24s yBnoygpo “uoynaysas atuspeoD i &q posnifo 31199 moun pasoiyoe 29 10u pynos ayuotos Su9g sous paiseBBns yonn suouedo “xD passauisar Apps pun &ipasiadans ov “Lantuao yiouuoas oi) ut Bute auon dys yBnoy) oA wopouuos D YORS sparaior were] Kiponioe sou pip sioypavasad oisnu oyj fo Kuo wey pazipwo4 ox “pQOe [pn soIpMIS pul yoseses uoByip ano Buancy sumsoducs ays fo puo ayy 9 spur ano wi pawweddo Apoodiyo pe pounof 0 Sunyssrqnd fo Dap ayZ “2xsnau fo sxo140 2ys apisino daquny ui maf kojuas pun pooago sapduarxs Yyons 210M 210441 ‘Jouioniy oys yBnoup 2IQIsSod 29 1599 pon suoKt9AD 0} wodo pu v04f Busog “aansow ayfinia.9s fo Ara pun “2a4f ‘pouowouiany ‘93880900 Sso9 50m YotyM pousnof B 2g pjmoys:910%4) “OnSS} siys uo suotuido ,soepuE}I® ays 18 04 pais | puo NPT amg rounyy unsoducs ayy mnoySnoayy, “pyfguatos Busoq pum Gyponwoduas ‘éyaiive(qo Burpy mepuadepua moqn Buryyor sox au0Kaae ‘esajaynioaayy “syupyynsuos Dyfauo!s so payion oye ajdoad tof piyoa oso som wajqoud auvs 247 “&iBupsoo9” poynjoss 2q prom Ius1"0D fo ssojpao8o. ‘soypms anok ‘spuonuoyfe pu ‘sdwoyo jearf dion anok ‘ut not 0; yous pron seupimod asoys fo auo fo Jaqny ay, 0) poBuofag 2ysppy &qanjod oy jo uoypoygnd oy) &q Kuo pesdoooe yom 494/504 1B prow aug afi 21snw ue 80 isnt Burysygnd fo priod 949 ta routes 07 Susrugu0e adaer 21s7ipy uy [POSSE] ~ OISePy ypout Puen ‘oESMpY doct — SEsnpy poassseyD) IEMPY YER ~ tEnpY ADssey4 ax sUOKDSEADJOg suowino ays fo &xrqvory 242 nq “Aaponb s3p 101 S01 paysnqnd ion 24) 298 prom sors "Uayps fo éuBra ta tal puy “sisi aauafox ays wt acoyx fo sepminso ap uo pasa Buyin La2yp thugns 0} soyjeyas 0 apioap 01 pesn sioyyny -soquems ut puby auo fo sia8uif unys $89} asoe spouanof o1snu oyfyuetos (payywo-08 10u) Anas pun posiofog, oyfyuatos Butog wosf anf o1o% Koy, ‘suotioyzanf paw ‘01 paBuojaq days uoprausis ays 40 «oysyqnd «rays says fo sasodind ays of Buiaaos ‘posorg Sisou pun poorad-ysiy ‘24doad fo taquinu juorougins b yovos of 21Qoun ‘maf aia suopoangnd Biunstxo ayp ‘wore pauDys ano 0} Btapuo20y ‘21snu No suotponjgnd oxfiguatos Av 10U 249m 24041 roy, ynogo “Cuoypasasuo ay) wosf aut fo pual m “FTA anu s2Myy yas Buryes som 7 *umtsoduts pououviena uo Busine] ‘6661 00K “IWRIOLIAL aouapg pun visnpy fo pousnor ~1se84ocr mang a6 NH‘Mazik ve Bilim Dergist - Journal of Music and Science however in this book the main articles will be given in Turkish whereas the abstracts will be provided both in English and in Turkish, We would like to thank our valuable readers and valuable seientists who shared their studies and supported us by participating. in our Editorial Board and Scientific Advisory Board. We also would like express our gratitude to Ozge SAMANCI and Ering DIKICI, who enthusiastically took part in editing and translation of our book into English despite their heavy schedule, and to Vural YILDIRIM and Umit GEZGIN, who spared no effort to print this frst book of our journal. Even though she has bid farewell to the worldly climension that we are living, we will always cherish and respectfully remember Assoc. Prof. Dr. Isil CELASUN as a true sctentist and a person of thought who kindly supported our journal as a scientific advisor and will continue to live in our hearts, We are grateful to §. Alper KARAMAHMUTOGLU, Selda SENKUL and Ash CINGIL for their role in translation and editing during the establishment and publication life of Musie and Science, as well as their continual moral support to our team. Since our first issue in March 2004, we have tried to give place to studies about music, from relevant and/or different disciplines. We are now proud to share with you our pleasure to present this anthology book, which is once again one of its Kind. Sincerely, Giilay KARAMAHMUTOGLU September 2009 ‘Mitzik ve Rilim Dergisi - Journal of Music and Science Igerisinde, merkezi ond ‘Yayinianan makalelerin haklan MOzik ve Biir'e devredims kabul edit. Yayin itketeri Hakemin raporu negatifoldugu taksrce galigma yeniden incelenmak azere kina! bir hhakeme gonderilecokti. Makale yazarian hakem ve yayin kurulunun elestir, Grenier ve dizettmeterine itiraz edebiirier. Eger gorbsien farkl \se;fkririni hak gosterme ve yenigen sunma 2. Makalenin baslangicinda konuyu aniatan; en fazia 200 kellmeden olugmus, 12 ontluk italic harflerle yazimis bir Gzet bulunmalidr. kelimaden az clmamalt ve 15,000 kelimeyi gegmemelidir.uN (euy 10 uewoy many sow, “pasn aq 0} Som (Ju) ]ULIOY KEL LORY eSMVOID "SMOPUIM JO} BIOM YOSDIDIN Aq BIEPES! oq pINOYS sWELINIOP wT SUL “F ‘Knog yoeasge oun s0Ue ‘Ado ou) ovo Buneo} (5 winuneUL “g UUM) spiom hoy Oq PINOUS BIOUL “E Z|, SN MP STUN TOWp SPIOM OO LiNLUPCELL UL YoKGNS eq US Og pinoys asoy! ofrE OM Jo BuIUMIBOG Oy LI -Z eyseo YOU Plog ,S6upeay-qns 1nq ploq pue saya) jeydeo uy aq pnous (soxpuadde pue (yspun, Aue mou you 51 ysiug ‘siouine JeuBiei0j ot 25 1ysuBuS pu YEEINA shog Sa oye feypn wioy ssounne au "YsyBUS PUP USPHNL BIe SAF JO ‘pueysiojeq os pores | uonedignd s04 perdeooe ‘2g 0} paydase "40 paysiand Aisnowoud ud9q any JOU PINOYS 3) "SOM Ajsnowaud Uo onjoedsied mou © PUE pjey SI} 0} SUORNgUNUCS oYNUE!OS sBUNq ORY ‘IONE BUBpo Ue oq Pinoys (SWNT) SOURIS PUR OISAWY Jo feUINOP OL ues GUE Uy soidioune 1euenpa ‘sar 01 pauoysuen pasopssuoo axe “ul pousignd yoryM 'seyNVE ot 40 SIUOL Ay]ehoOH BL “Arenu jo iquow 21a Uy suonmansuy Buxepu jueo 0} papiemio) oe syir 40 sienuuy “Alenuer 9 JENULE UE ‘YeRK yoee jo pus ou) iy JeqWedes, UE YDIEY YeOK & seu om) ysHOUa pue USpUNL WL peusiand Gueq 3} 3} ‘sjp9fosd yoseosas jo syode: o1uos PUP Suunisodusée ‘soous:04u05 “suoRIpe oyenu “syS0q 1UBYOdU UO SKESSO MOA! ‘jde00e S00p oun oj ouNR WOH ‘smOINBd YsyGNd AueINBe JOU Sop SHIP OAO!OH 2owapag pun simpy fo pousnor ~ sse810q MET 28 HONK. or (2661-2490) PESTER RETO E68) KOPN c Any 30 ASH woYadAY y ‘uEIReT "d “YeNE Jose bz8) uspig SiuMUEWWIKE opt ‘eup8 euua]uue) unseg sepreUrt 1ezeh 1g 4885 "6 un, Ysoys!oNUD pes a “SVLSMINIL “ueopeury suguees “SHOL AIPSS BAIRD jog 9A WOUAL 404 “ASOUWSE ve 12-604 “(€) AI 'Bs9c Nekigan3 oA NG >UML IBOUsIONUD inauER| ‘yoyesa neg ABC Ue “GS6) URES a “SVEN 1'3'q uomos roads ‘(uz s0qus090 "PS6L) 'W "SHOON ueovewy ounue_s ‘SHO, Aye EAN HoH AB WOU 404 yE61) “4 ‘ATTIONE ee apyeooiien exfenis sneqeHe epunLoS uUioU eUE “(ae eer ep) 14D DIEPIBeSe seEUKeY “—B (998 'NOwTHvO) (upeL Py MOA epurbt Zaqus.ed pursed) une 1g pepifeSe 8A yewye 10K epre}s JBaEyEINUL (BSED —Z (zt :400g ‘we jeus9) CON eyes :4we. py Houses) jus] yeuker “(arose uekewio eq uezeA jSwOA reoxewnu B60 on plese ‘us s9pa6e 1eEUIZeh jo 2A JOpYOUAEY LEKEUIO 14UE) IKEA ‘fn (G1 0002 ‘AOSMY) Con exkes :ueL ipefos wwezes) je eu zorvezed la16 pyepiBese epussus5y unous seisues—}04 “9 aouatos pun aesnyy fo wunor -1s18t0q mate 24 YEHMiizik ve Bilim Dergist - Journal of Music and Science {is the font preferred with the 12 typed size. Articles should not éxceed 30,000 \words'and, not be less than 2500. 5. JPEG and PNG should be used in electronic form of pictures, figures and tables of articles. Figures should be numbered with a caption of the tile also tables should be numbered. The ties of the figures arid tables should be ‘written jn bold with 10 font sized 6. 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Lauren; A Hypertext History of Multy-User Dimensions, The MUD ox, 1993 aps vome spose orf ulvinadexiestat (05.12.1984) R Mitzik ve Bilim Dergisi- Journal of Muste and Science YAZARLAR VE CALISMALARI ‘SAFIYUDDIN ABDULMOMIN URMEVININ SES SISTEMI TEORISINE MATEMATIKSEL BIR YAKLASIN’: Ahmet Emre GELIK ft: A MATHEMATICAL APPROACH TO SAFIYUDDIN ABDULMOMIN LURMEVES SOUND SYSTEM THEORY The music theory proposed by Saflyuddin Abdiimimin Urmevi in the Xil.century has been discussed by many researchers and explanations of the theory have been made. Sound system part of this theory has been brought forward after many years and many opinions have formed around it. However, there have ‘been different explanations of this theory during this reawakenir This study deals with the sound system part of Safiyuddin's theory. Mathematical details have been recalculated, and new evaluations have been made. Keywords: Safiyydddin Abduimamin Urmevi - Are! Exgi Uzdlok - Pythagoras ‘Sound System Szet: SAFIYUDDIN ABOOLMOMIN URMEVININ SES SISTEMI TEORISINE IKSEL BIR VAKLASIM XIII, ylzyiida yagayan Safiyuddin Abdtimdmin Urmevi'nin ortaya attigt muzik teorisi birgok arastirmaci tarafindan ele alinmis ve teorl hakkinda i in ses sistem! bolumd uzun yillardan sonra tekrar ircok gortig taretildi, ancak bu yeniden gindeme gels raternatik olarak farkl anlatimlari oldu. Bu caligmada Safiyuddin'in teorisindeki ses sistemi béldmd ele alinds, ‘matematik hesaplamalar tekrarden yapuldi ve yeni tespitierde bulunuldu. Anahtar Kelimeler: Safiyyadcin Abdaimamin Urmevi - Arel Exgi Uzdiek - Pisagor - Ses Sister iris Safiyiddin Abdaimumin Urmevi, Xill. yazytida yagamig, Tark Makam Mazigi isin énemii bir teoriysen ve mizisyendir. Prof. 1988'de basilan kitabi: Turk Masikisinin Mes’ Snemil isim tekrar yogjun olarak makam md:syepunuos uiveSied fous ruepr8 ppusioen 7a 16) YAU} UIUISepIOU H;Se!q pepunSnyunzn WH (P plepunuos wtueSued ouuIa “sNUNIEE ABIOP esses space ng 9 wounaydosnys aces BROS een (1996) 4 ws! uursereu sg Dlepunuos uiuesied oul “unUR|EG oPINP [OL PIBPUNBNIUReN Wey (B muons apron jay aa sony dosey sos VA EROS, 4 a Y qe L ie fet ate tt lets) £ zee (6-196) -IPYA tus! UIUISepjOU D)seq pyepunuos UILeSJed JouLNG “unUN}Og ep 19) BYepUNBhIUNzN Hy (2 uquoisgS apuyicen jor 90 womrydoseyy MISES HL TAPS x 7 m DHA nus} WUIsepjoU Dyseq pyepuIEELO Wer UjOr BYopUNBUREA WY fe tap paoyroumroyy on nhog wut He 28 7 AEIOS ‘Ganes) eq unos nq uppodyes Jejewsjdesoy jesyeuioyeus aouapog pun 21smpy fo pousmor ~ pspBing ape 28. YEO (song ¥nr9s wpadonsuy ¥2MMt USZOSIEIN toy a 6m lsc) spronnag ugg efebied x60 98 BEUNY JEN "GOEL MEDD I HES U29'99 ‘6661 ‘NNOANI wasn we, wiGeoeyS esiseg euuefepyoU jBuey uja) rq. 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Tabit gizeligin, sun’ gizelige tercih e Satiyliddin, sistemindeki sesleri anlattktan sonra “Eb’adin Oranlan 1 DY egigin_uyumnlulugunu bakiyeninkinden Gstin, bul lade “A'nin D'ye.nisbeti “fs oranindadir. A ile C “Va, “le, “**I2as nisbetlerinden olagan cins yerine, “fe, ic. A le B arasindaki nisbet de yaklasik onun yerine nisbetlerinden olugan cins kul jur.” [UYGUN,1999:68] sdzieriyle yeni bir agikiama ne kadar, Safiyaddi gin verse de, Far ee oa oranterin maternati "te, “as rant ise yaklagik gibidir ve oram erinin devaminda ”"/49 orz in daha 6: Bundan gnceki galigmalar incelendijinde seslerin anlatminda A-B (bakiye) = */a4q ve A-C (macennep) = °"/ggoug [TURA, 1988:183-186} IBARDAKGI, 1986: 57], [UYGUN, 62] olarak oranlarin verildigini gérraz. Daha nce de sdyledigimiz gibi, ses sistemleri varolan mazigin sesle Koma Degeri | Sent Degen 3 7 yapma zorunlulugu dogar. Eser Incelendiginde Saflydcdl teorisini bakiye=""/rg3, mticennep="""/saq49 Kabul’ Gizerine _kurdugu 3a (Omek olarak /. Fasil Tenafir_ sebepleri 555, 4.73 ne bakini2.) 'gmada kabul boyut getirmektedir, ama bu boyut bir ediimesi gergken bakiyye ve miicennep oranlan! bakiyye="las ve ledir. Daha énce A-B sesleri arasina macennep= *°* s.o49 olarak kabul edilmelidir. Veoous Orantanint veren yazar gimdi bu lerin Giindimiz Makam’ Mizigi Notalama ‘Desatin Kisimian Hate? ‘oranlardan, bakiyye icin @ Kulagin alglayamayacagi kadar ji oranlar ("4s ve **°"*/sgo¢9) birbirinden blo-t'de_verilen seslerin buganka Tork Makam inde gdstermeyi bizden énce Murat Bardakc1 (Sel ve Nall Yavuzogiu (Sekil-20) [YAV\ 1U,1996:36) veriien hs ve lass oF notalama yakin, ama micennep igin ver fade ettigini gorddk (Sekil-19, 20). pevetne E z 7 Sepa ees Se BE Oajer_|__ an U B Yeni Deger e Sekit9 Murat Bardakriya gore Rlasiéteorideki Sayan) sesler Ings) €” fazla yaklagan aralik, ““/s nisbetindeki bayok 20 2128K S25 yp na uejder azo esypeusneL Yeouy ‘oapsuuNG nGODO epuLHOsH 359% H¢ UUAED!O USE UDgES ingey ei SGuerieq veg uepunt wp iprdek ujeugdesay ses yeouy solnuRNAD YeAIC MED aus Sune ‘ses ma zu HO Res, ano Le EBLE PAPO uippndkyeg eouy soknwuns9® ppOAyeS “apjpjaé nq “uIsuE|desoy esiueidesoy seu myund zmiocouunénp juiBRYB eUNIok eUIKor exsmsn ueriseq exer ueinRop ‘UL.UIppnayes UExsmuMIsNO tuWEISIS SoS "yypre1s06 ep, -o1ge1 epunuos uluewsiye5 ‘uyoysog on es ‘eyy-0q) epursexe uno PIPE NaeY Ises S16ueSeq og sownanog wIses um yuos0 9 Pp. s0Se ye Mens orsoBon uel apy pscyoudosoes IETS voor ears ‘waver weve Mors) wert ore ESS ee aor cary ore ware eve’ sist ao of. *. “401096 \Beoengelpe opey iqi5 pep.¢z-1eES uUE|ses apumweisis eulejeou UMIGe2nw WeyeW -zOlUNUNE “opLIDIpIPS Mae YeIB} op 1808 SiBuE\Seq Nonuos seJeUEIdeSoH “ZuNGoKOEzZ 9es0KIP 2012195 pun otsnpe fo fousno Boer mn 24 4. as 7 j910)896 e108 eunuotseiou jepulsepied ypBe, e1uos ISR apUaISS wy app 2408 DHLMABOERAEK ON OTIS (At 7A eet: aouap2g pun a1snpy fo rouinog - Rig mag 98 PNYMitzik ve Bitim Dergist - Journal of Music and Science (bakiniz galigmanin sonunda bulunan Tablo-8) gdsterdigimizde Pisagorun sistemindeki seslerie bir liski oldugunu gdrebiliiz, “A-M TELINE FREKANS AM TELINE _ ae ata uaressta Bu noktada yeni bir tespit yapmay! zorunlu buluyoruz. Safiydddin‘in bugiinkd notalama sisteminde gisterilicen eGer Rast perdesi u aniatmakta Yegah'tan Ancak, tablo 8'deki matematik yon g6zEniinde tutuldugunda buginki notalama sisteminde bagiangic ses! olarak rast veya kaba rast perdesi baslangi¢ sesi olarak kullanitmalidi Rast sesini baslangig sest olarak kabul ettigimizde (buginki makam ‘mazigi notalama sistemine gore) Saflyaddin’in bir tam seste (Rast-Dagah, Digah-Buselik, Cargah-Neva, Neva-Hdseyni, Acem-Gordaniye) Pisagor un kullandigi sesin yanina yeni bir ses ekiedigini gbrariz (Sekil.25) Paager [ames Saiyaddin a ae ae RE 3 Sekil-25 Pisagor ve Saplyddnydekt 9/8 oranl tam sesin boltromest 24 Mitzik ve Billm Dergist - Journal of Music and Science Gindmiize ‘Tork Makam MAzigi nazariyatindaki sekli jle at kendisinden dnce yasamis olan Pisagor'un sistem bi dordined komasina dordnca komada ari dort koma) geklinde ana ses, dérdiincd komada anizali bir ses, sekizinc komada ses, 9. komada ana ses olarak boimUstir. SONUG, Makam mizijimizde Safiyiddin'in adi anilarak ortaya alan tartigmalar, bilgi noksantig) tagimaktadir. Bu caligmada, bu tartismalara yer vermeden, sadece itibar edilir kaynaklardan alintilar yapip, cesitli_ tespitlerde bulunarak Safiyiiddin'in ses sistem teorisine agiklik getirmeye galistik Arol-Ezgi-Uzdlilok ses sis tagimasi sebebiyle AreLEzgi-Uzellok teor ‘oldugu gergektr. te yandan, Are/-Ezgi-Uzdlok sistemindeki seslerin Turk Makem M socio NerplamadisrGsone "havoc, ‘Satyacdnin “eo jin uygulamaya daha yakin ortaya konan bir asikisi Mes'eleleri ip, araliklari ses layarak bu probleme yoni bi aslinda yeni bir teori ve Arel-Ezgi-Uzaiiek tezine karsi da atm n Tork Makam Mdziginin gun da dOgOndyorsz. Bu Safiylddin’emledenteri, Karsilastirma _yapmadan | Saflydddin ismi bilimsel bakig agisindan uzak, “taraftar" zihniye I camiasinda’ béyle bir Enyarg: olusturanlarin’ neyi anlamakta gUglOk gekiyoruz. 25“a 9z 5 Bal 8 ay ig =| . BEE 5 pat 2 gl ‘af i e wes | oneers cov Tan] de oe waesngg | essai e261 Zh a Bag Re ese “LL6o44 a Wor Sasa lad wees p00 on a E elgg [nna —T see ze TESTE 8 im | a we60g OA fs) dee abe EN 8 Staak xiiz_—_ wk SasTe | | 7 a de seu) We cs is st as ii sn09 80 A epee AL 0 Tie | WORST lee a iva | i mB ay Eg | ERSTE a wenivanoy a Z weasy wakosny ig. Zz ls SI n a Ag Fea EY MOA SIS NG 7s uN e9DE i =| xe 8 HEBER, @ ISB aig wT 2 180 6a WO SSEAE eee 2H ON OH a 2 UBD IE i ¥ = uno svees | aes t Ec sexperts soln | ou pala at Ag = min | snr fe rn Zl rva6oa + fa] tel gs] dal d-| fel S| te] ag] g- la 5 {uog on ewoy ‘euEyal4 GRE “SAY SUBNOL4 UBDISSS OPUS PH 8-O1FeL | z soups pus simpy fo usnor -wBiog ming 9s 4onne zourag pie op fo roumnog =o wa 28: HEOBLMilzik ve Bilim Dergist- Journal of Music and Sclence Lape (Bab =p ss 18 I] ise Tse IGE “Eine Ue la Ea, is, BIBI RII PAPC Gud cad hac L aE fee LE [-bs} te LBBB se Lae 1 Isp 1p lst 14 WPI eye LrTee ye Tile Sinn iene rato 28 ‘Miizik ve Bilim Dergisi - Journal of Music and Science SEKIL LISTESi inn Boyu ve Matomaticsel fades! Hasaplanmasi ve Tel Uzerinde gdsterimi Hosapianmasi ve Tel Uzerinde gésterimi rdakgi ya gore Klask Teorideki (Sarividk Sekil-20 Dr. Nail Yavuzo% ‘Sokil-21 Rast perdes! de, Safiyddin’n elsteminde ‘Sekil-23 Hesaplamalaria olde ediion Pisagor'un Sesleri ‘Seki-24 Pisagor'da 9/8 oranll tam esin boltinmesi. 'Sekil-25 Pisagor ve Saflyaddin'dek! 9/8 oranli tam sesin bolUnmesi ‘TABLO LiSTESI KAYNAKLAR BARDAKC!, Murat; (Istanbul 1986), Maragali Abdilkadir, Pan Yayinotik SOZER, Vi 12 gubat teri! bzei géragme,|TU TMDK, Macka istanbul 1944), lim vo Masi, Istenbul Belediyesi 29Te “(928664 es) sms rep 080 clung vag, nq aie a1 woe wows, 19809 npg 7 EpUsReS 2 widely 1549 eainedy "no Sunes nod "Rowe IBodey unLoUEted "AG6 oe8eG taon eave ‘seg, sis ‘wie 30 GeRUEINA US SeUIUPLEMUS WEEN epUUEDY eKUEZeU PISMU HES EY gy NSUOK 9uNIN “qIB MB NpIO feARY UDAY jJ812.J, COPE “KIONDN "WIZNU YeOEHIUB|INY Hes2I0 2198 eunfinpjo yeuuiue iuiSHES UNUNID “SeWe jowe, epUlepeN, “apjeue6 youre ounuo 208 iAtyuUke x05 ded Lezueq on euipipje® 1 eByeisey iBuey UGizow }BueY “LepLl ISewue|uIp anees Ouey uBznw suey iq\6 iGipure eo Hkeep ,,"BIdeyp) IIs! ‘son LeZOW —spepjaune opeat epuisidity sepyes ul UID WIEDaL eIEI0 yISUEN uN Aeuog~unndsex ey ee -2uHG) YOA nq iBuID Wepre. sq Siusjclek euipe Aorsjoy “ipyides 1enues eupe uyndsey 1ofiUe} yo BYyBp junndsey Aoghed sry "eAunp eule euiseuzer Suizes Suea en Seneg yIMlo #4 ‘FOOL, 104 e409 UEA YeIny HopLER, ‘Opfoyy ued ‘uiBaUug "wiINgakaKKos"tuBipewUNE akipplo oS opzO%ID HIZO WeHOSS, © JBIZOP WePIee. 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DrepuUeTnyO enw BOP wneiBeeLe en Mr s06PeS “YIVO ANIOIZAN HYDE 382 ursnienby u swore Jeorsny ~ BusserDy —uogeatunax0D fue nyy ~rooL #82 sp ~ yy GFBLORNLOADY) YZELILIOD “epIOMADy, en J wana ‘anssy ayy 0} aingunuc® 0} PUB , OM 2jwepede, Ue peLepisues o4 JOU pjnoys oisnuy (JUeWesyseApe) jeunuuoo Bursoduoo 3247 Buydssoe Jor poou oui 0} uonuerye ioesie 0} sure Aoms Siu “SHOeNDUNOS oInOU! «nbuoresmyees 10) ose 1nq arSnus QueWiesprexpe) fefoseUioD 40) Jsnf YOU Suerouepeae Bururen so sseusseppesu sopisoq ‘060M so] © IM Po uoo pus A1e1@6 mo] @ 4am PeyaTenb-lopun eu BuiKoduso 40 mo1n oy) 10 AISUBKXe aur Bre SuOHeAIeSAO JaURINY OM] “uoREONpE Jo SenInae} ly squeunsedep ofsnis pure Sauorerresuod Jo SelunureiBoid ofivepese oth uy 19%9 19K ou seop ,21SMHY pu (SiuOWOs)/onDY) S[eRUOUIUED, Jo Foefans fu yim asinoo vy “Aauneo uno uf ‘Bursrenpe uo suogeniand porersuess {0 uaqum ut Joofans pozrsercive pue possnasip yom © JOU 8 2ISMU ue (swewespienps) sjejsvsuiios usemeq dusuoneres au) ‘Ajeyeunyown uct oynue|os puokeq pue ‘seul feuepiouco pus jwuolouynsuy Kien ® Ut sosseuboud “2:enu Jo fan aye oF ejge Bujog Sousdiesip 10170 J0 a4e! oun ef sin 0} LOISUOIKE tie sy “sjooye ojsnus uf O57 1797 sope%b puddes Pue js} Su) UW) AIUO }O ‘quency pue Moy K19A 81 ,OqeONP oISM, 40 fond} Ou) AAUNGD INO Ul ISMN LNANSUNSAQY LNOgY AoEREIY N343z0 dy VO ANISIZOW Wa aousros pun oysnpy fo pouinor - ising wang a4 4HMiizik ve Bilim Dergisi - Journal of Music and Science yemekte yag, tuz vb. unsurlarin dengeli kullaniminin yemegi daha te: reklamda da bilingli kullanilacak mdzik, reklam: daha verimti herhangi lar vardir. Mazikte susulen zamanlant vurgulamak amaciyla yap galigma John Cage'in 4’33” (Dort Dakika Otuz Ug Saniye) ir. MP3_ve benzeri toknoloji geligimi sonucunda tim dinyanin olmaktadir. Bu tim insanligin ortak repertuvanna in anonim mOzik parcalarin, iki otant dagak deretle da dasik dcrete mahkam yelistime gereginin halen dt i Galigmaya yoni. Bu caligma ile hedefienen, Tarkiye'de "Rekiam Mdzigf “Akademik bir galigma” olarak kabul ediimesinin Gekmek ve bu konuda az da olga bir katkida 2004'te yayimlanan “Battin Danya"™ adh dergide, akin gogmiste ABD de, Osta yetorl soviyece mize i Sybirer ire matematik dersindeki Buttes Pazarlame" de, kanwnca Reklamda mdzik unsuru dikkate alinmaz ve planli davraniimazsa (@megin mazik segimi, reklam finansdriindn/finansérierinin kisisel zevkine ismadik Sesiet, Der: Hira OOGRUL, Dost Kitabevi, Ankara, 1999, s, 28 1" Baton Danya, Bagkent Oniversites! Yayinlan, Ankara-2004, 8.74-75. 2 ERGIN, MOzik Arastumalan ve Folklor Derlemeleri Sompozyumu kapany konugmass, Istanbul Teknik Universitesi, istanbul, 2003-Aralik 32 ‘Miizik ve Bilim Dergist- Journal of Music and Science Rekiam Mazigi Nedir? Adindan da anlasilacagi Uzere; “Reklam Muzig?, hergeyden dnce Reklam diginda cok begenilebilecek bir mizix rekidma yakistinimayat midzik reklama gok yal kazang amaci tagidigina ticdrete katki saglamak olmal Sonugta, reklam ticari bir amag, yani lam igin yapilan mizigin de ilk hedefi ayn bolum halinde agikianmaktadir. Birinci ve “insanlarin énerilen davranis amaciyla béldmde kisa bir tarif "yapiimal bigimlerini kendllilerinden — benimsemelerini 1an sure ya da yer araciligiyla sunuime: edilmektedir. Diger tarihsel yond ve halk (eusku) olugan; ve sanat” seklinde tarif ‘nokiast, Gokhan Senin kitabr"* olup orada yer , je “Es” kavramiarina yer verilmemiglt. Gerek lisans dazeyinden Sanatta Yotoriik-Doktora dizeyine Kader, bulundugum egitim ortamlarinda; gerekse John Cage'in 1950lerin baginda ledigi "4 ok. 33 sn." iyano eserinde “esin onemi yeterince ‘urgulanmasina kargin bugine kadar okudugum kaynaklarda yer alan miaik tarflerinde “nedense “es” unsuruna deginilmedigini bizzat ézlemlemis _bulunmaktayim. Bu _eksikligi gidererek vo muzik kapsamindald seslerin mazikal sesler olacagini da hatiiatarak yon! bir tarif Olugturmay: tercih etmekteyim: Baslangicta yapilan tari dort ana bolame ayirebilz: ~ Mazikte sesier kadar "es"ier de 6 7 GZ ve digas; ti loti Terie, inkap Yaya, kt 2002, «308, 2 Bla: SEN; Nota Ei, Mazikent Vapi, Ankara, 33,se 940 f8MYY Of, UOWLELICR J814 LOKKO SUL. ge nH een eng NOD. 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Di PIBPNUDY Ng LOpZ|WONIN “sIpepjewiqelo JejeusHs! 1zeq ‘ep epnuoy Ag “upepeuygesgA wisoAS louNUe Snes eq eseUEZe WISTS UO WUeIN OuNS UNzn ISeSIed IBreNW WE}ya! 21q “wExIqIqeANpANS KDE luAe JeIiK unzn ose y/2nlu }9849U9/98 41g ep BA W92U0q OA ,IZIy EYUGE, LSUIe/By Us, ‘,oquiedng,, ‘uese uulSy!znui soyndod 4g }BueUIeH “aNUeS fsewlgesequning 1A une)5Aey Leon on senBAey \ey!z0U US) 1GedeIO 1KBZNP baBy eveISHeS “uNsUN WOU UD Yeoefe|Hes jUISaUUGa]PS YlOe} YBIe|O Ipjauns WIUISY| Iq Uedek iBrenu wepey “sIpueR sBIeK epuIseUlio epieqey Uspiepiznw Ue|goun Jepey suNB o Ud! UMN o ‘eouD LepKES 184 UIUISD, uejo yeooje.n Grzqu wep! UJS) UNID Iq ISuEWE} “INAROAEW ansun eh yo3 yad seoeAoIpH ep tuIshAEY BWEPIO! 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EP BOUIUETE IBIZNU Wepre 19)5 NBNPIO epue!e 4941 zu, Pi ZKar{eUllg tk1 405 BAO je0uQ BYep “SuiXepUNUD uIWEHYE! HZDLL PH SpUNLUISIG D}IES, eOUKY “ZiKEUIeING JAK 41g @pU jed |seh}s wouke oA epi ag eiepyznw UB} ezueg an ezefeu ul “upZISI9}0K |SaPB}. WEPIOY UOAZINE/O, EP Bk OAPEL, ‘B11 BS|P9 INGE jsopey ,SWUauEZnP epUIUIS!G D4IeS, sp{208 yeUEPIO ua_NPpave} 1Zeq ep SuISapPEW UUIG ‘SDI epIewNE INGeX uIsepPEUI joupy! UyLEL Ng ‘yen suas eXqay! ayfiBe1 yeuuME i wep (z wugpieu UoAZINgIO} ep eA OfpeI SuuUB|UEZNP BpUIUIdIG DUES (1 ef BIZOW eI -uyop wenep efewuipusyatap epudia apSequning nénuoy on ePyeUAED us} YORLIUEL. Ws iq 9p Woy 9A YEUES 11g WEY “IP 4Iq Woy epue 1uKe >ZNWN = “IpIOeUOIA® HIZO ~ 1IpI2A pjO4 8A YOK ep UNDE JepeX{ JeINBANp oMZO ~ souaqos pun opsnpy fo pousmor -19810q wane 26 YORKMazik ve Bilim Dergisi - Journal of Music and Science durumun bir uzantis! olarak diger kesin yorum yapabilmemin ardinda bizzat yagadigim kisisel deneyimlerim bulunmaidadt. Okemizde reklam mzigi yapanlan bekleyen on buytk lacaktir. Bunun gorekirse; regi Prof.SelahattinIgiihocemiz, Efendi, Buhurizade Mustafa moledierinin bizde uyand luvarda dgrenci_iken, degerii Grencilerine; Hammamizade lemail Dede vb. biyak bestekark @uygulan, s6z konusu eserierin sézlerini gekebilmek amaciyla ortaya Koydugunu sani ir ancak dGnyanin en etkin lisant olan mdzik de, duygul yani "mazikes'yi"® fmadan da bayek bagar Yaklagik yirmi “Depresyona Son’ piyasaya sUrmUgta’” v Grencisi Rahmi Orug Guveng'in yaptigi caligmal Muzik Tarleri ve Zamanlamalar Konusunda i kitapta; “Amadeus'un Otesinde...” bashigin tastyen bolumde qu bigllere yer varimektedi: Gregoryen ahiler, ‘sessizce galgrak Ye medineyon yapmak ian harks gésterebiliiz ,, Ravel), yaratict dartilerl gin isijina cikarabil bilingattinizia 1 geomeniai de saglayabllir. Jazz, Blues gibi anlatimct ve dans mizik tirleri; negelendirir, tham verit. Bayak seving ve Uzdntdleri 25 “Muzitea™ 2 Ucar lant 2" Bilingat: Sartlandirma Telkin Kasetler. Censan Lid. Istanbul % SONY, Bulld Your Baby's Brain, Sony Music Entertainment, 2000, 2 PHILIPS, Ciassies Productions, A Polygram Company, 1992. * TOMATA Grubu, Yrd, Dog. Or. R.Orug GUVENG, tag Mizik Merkezi, 1997. 36 ik ofrek, Gaal Universite Mak Ogetmeniigi anadal Ogre tyes! Pro. Or Mitzik ve Bitim Dergisi - Journal of Music and Science agija cikanr. Espri_ve kinayeleri akta Insant insan_yapan_ortak tones ya imiz ener ve yer algimizi genisleti. Canlilk duygusu yeratie. Heavy H.Selen Ergiz'dn, Trafik ve Insan Sempozyumu'nda kapsaminda”’ degindigh hang! Tork MUzigi_m: itelerinin dogru zamanda sunumunun 6r birer Grek olarak yorumtayal Bir tarif yapmak gerekirse; ben, mi duygu ve akil yoluyla algiianabilen; seklinde tanimiryorum ve bu konservatuvardaki 6grenciter daha doyurucu “ses"ler Gzetlenel tarifi, gerek tespitinde de bir konusudur. Bir reklam mazi sayllabilecegi (9 reklam mazi arada; “rekiamin yas mutieka gz éndne “Rekiem Mazigi Uzmani'nin gdrasine Ihtiyag sz in mazik begenisi tespitte bulunmak ‘de reklam miziginin ikernizde hala en bUybk kaset sklamiarda arabesk mazigin cok ‘acaba? Elbette akademisyen bir ticeri bir "farkindalik eksikig?’ oiarak yorumlamakla birikte; dinya capinda 3 HSERGOZ-Trfe Kuralanmn Igovsoliginds Mizijn Ets, Bik, Trafk vo lnsan Semp, ‘Sgtaya Universes ve Sakzrya Emniyet Mid. Mayts 2004 * AK, Aviupa ve Turk Islam Medeniyetinde Mazikle Tedevi, Tarihi Gelisim! ve Yyoutamalan, Oz Egtim Basi Yayin Dagjtim, Konya, 1887 ANADOL-GURCANL, Turk Din vo Tasawuf Musikisi, Melda Vay, Ist 1984, 37