Camera

I AM YOUR EYES
www.nikon-asia.com
See Through Different Eyes
Every photographer is unique. Whatever your ideas, experience or creative vision,
there is a NIKKOR lens to draw out your potential. Each product in the lineup
represents the pride and craftsmanship that only an optical manufacturer can
understand, delivering a level of clarity and reliability that every passionate
photographer can appreciate. How will you see the world? Let NIKKOR help.
Capture more. Create more.
Wide-Angle Zoom NIKKOR Lenses.................... p4-p9 Normal Zoom NIKKOR Lenses.....................p10-p21 Telephoto Zoom NIKKOR Lenses.................................p22-p26
Fixed Focal-Length NIKKOR Lenses..............p27-p45 Special-Purpose NIKKOR Lenses..............p46-p48 Optional Accessories.............................................................. p49
NIKKOR Technology........................................... p50-p53 Specifications................................................. p54-p55
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Ading Attamimi
AF-S NIKKOR 16-35mm f/4G ED VR
Special purpose
Sharp, ultra-wide-angle zoom with VR This versatile ultra-wide-angle zoom covers a remarkably broad range, with Vibration Reduction (VR)
that provides an effect equivalent to a shutter speed 2.5 stops* faster to enable blur-free handheld
Lens construction: 17 elements in 12 groups

images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and Minimum focus distance: 0.28 m/0.9 ft (in 20-28mm)
documentary work. Maximum reproduction ratio: 0.24×
Filter-attachment size: 77 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum Accessories: Hood HB-23 / Case CL-1120
telephoto position.
4 5
Wide-angle zoom
Wide-angle zoom
Normal zoom
Normal zoom
Telephoto zoom
Telephoto zoom
© Tim Andrew
© Dixie Dixon
Fixed focal length
Fixed focal length

AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
Ultra-wide-angle zoom lens for dynamic perspectives Ultra-wide-angle zoom lens for exclusive use with Nikon DX-format digital SLR
Special purpose
Special purpose
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED DX AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED DX
Explore the extremes of photography with the ultra-wide-angle A very popular choice for extreme wide-angle photography.
coverage of this practical zoom lens. With the widest end of Lens construction: 14 elements in 9 groups The fixed aperture ensures consistent exposures across the zoom
10 mm covering a 109° angle of view, this lens delivers dramatic Minimum focus distance: 0.24 m/0.8 ft (AF) range. Perfect for shooting large building exteriors, narrow interiors Minimum focus distance: 0.3 m/1 ft
0.22 m/0.7 ft (MF)
perspectives to give your photography a creative edge. Close-up Maximum reproduction ratio: 0.19× and vast natural landscapes. Maximum reproduction ratio: 0.12×
shooting capability and minimized distortion also add to its appeal. Filter-attachment size: 77 mm
Accessories: Hood HB-23 / Case CL-S2 (optional)
Accessories: Hood HB-23 / Case CL-1118
6 7
Wide-angle zoom
Wide-angle zoom
© Preecha Sakhonphantharak
Normal zoom
Normal zoom
AF-S NIKKOR 14-24mm f/2.8G ED
An optical masterpiece: widest at 14 mm with fixed f/2.8 Legendary professional wide-angle zoom lens
Telephoto zoom
Telephoto zoom
AF-S NIKKOR 14-24mm f/2.8G ED AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED
© Joshua Cripps
Fixed focal length
Fixed focal length

With a fixed maximum aperture of f/2.8, this award-winning With a fixed maximum aperture of f/2.8, this lens covers the optimal
professional lens delivers edge-to-edge sharpness across the range for wide-angle assignments. The glass produces clear and high-
frame. Nano Crystal Coat and ED glass ensure outstanding contrast images throughout the entire zoom range. A highly reliable
AF-S NIKKOR 18-35mm f/3.5-4.5G ED

contrast, even in backlit conditions. Tough and reliable, this is professional lens.
essential glass for professional photographers everywhere.
Lens construction: 14 elements in 11 groups Lens construction: 13 elements in 10 groups

Minimum focus distance: 0.28 m/0.92 ft (in 18-24 mm) Minimum focus distance: 0.28 m/0.9 ft
Maximum reproduction ratio: 0.14× Maximum reproduction ratio: 0.21×
Filter-attachment size: Filter cannot be attached Filter-attachment size: 77 mm
Accessories: Built-in hood / Case CL-M3 Accessories: Hood HB-23 / Case CL-76
Compact and approachable wide-angle zoom lens
Special purpose
Special purpose
AF-S NIKKOR 18-35mm f/3.5-4.5G ED
While featuring 100° angle-of-view coverage at 18 mm, this compact
and lightweight zoom gives you superb mobility. The optical system
incorporates two ED glass elements and three aspherical lens Minimum focus distance: 0.28 m/0.9 ft
elements in order to maximize the performance of high-pixel-count Maximum reproduction ratio: 0.19×
D-SLR cameras. Accessories: Hood HB-66 / Case CL-1118
8 9
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Dany Eid
AF-S NIKKOR 24-70mm f/2.8E ED VR
Special purpose
High-performance, fast normal zoom lens An aspherical ED glass element – a first for NIKKOR lenses, ED glass and HRI lens elements plus Nano
Crystal Coat are employed to achieve remarkably high optical performance. Evolved Vibration Reduction
with an aspherical ED glass element (VR) provides an effect equivalent to a shutter speed 4.0 stops* faster. Other notable features include an
Minimum focus distance: 0.38 m/1.25 ft (in 35-50 mm),
0.41 m /1.35 ft (in 24, 28, 70 mm)
electromagnetic diaphragm mechanism, fluorine coat, and highly durable body.
Maximum reproduction ratio: 0.28×
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum Accessories: Hood HB-74 / Case CL-M3
telephoto position.
10 11
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Elliot Lee
Special purpose
Practical standard zoom lens with VR and Nano Crystal Coat This versatile 5× zoom lens delivers stunning image quality at any aperture or focal length, while the
Nano Crystal Coat reduces ghost and flare effects. The lens body is impressively slim and compact,

despite having built-in Vibration Reduction (VR) that provides an effect equivalent to a shutter speed Minimum focus distance: 0.45 m/1.5 ft
3.5 stops* faster. A standard zoom lens of exceptional utility and value for FX-format users. Maximum reproduction ratio: 0.23×
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum
telephoto position.
12 13
Wide-angle zoom
Wide-angle zoom
© Andrew Hancock
Normal zoom
Normal zoom
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
Practical standard zoom with VR and remarkably wide Fast f/2.8 standard zoom lens delivering exceptional
coverage image quality
Telephoto zoom
Telephoto zoom
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR DX AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED DX
The most balanced and versatile standard This is the DX lens for both stunning
zoom lens for passionate DX-format sharpness and beautiful bokeh. Its fine
camera users, with 5.3× zoom coverage resolution delivers exceptional image
that starts at an 83° angle of view at rendering – from close subjects all the
16 mm. Incredible sharpness, compact way to infinity – to satisfy professionals
body and Vibration Reduction (VR) with on assignment as well as aspiring high-
an effect equivalent to 3.5 stops* to end photographers who value image
ensure steadier shots and more photo quality.
opportunities – from daily snapshots to
travel documentary work.
© Raymond Kam

Minimum focus distance: 0.38 m/1.3 ft Minimum focus distance: 0.36 m/1.2 ft (at 35 mm)
Fixed focal length
Fixed focal length

Filter-attachment size: 67 mm Filter-attachment size: 77 mm
Accessories: Hood HB-39 / Case CL-1015 Accessories: Hood HB-31 / Case CL-1120
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR
DX-format, ultra-high-power 16.7× zoom lens with VR Compact and light, ultra-high-power zoom with VR
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR DX AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR DX
Despite having an unprecedented approx. A compact and light body is achieved while
16.7× zoom capability, this lens offers featuring high-power approx. 16.7× zoom
consistent image quality throughout capability. High optical performance is
its broad range. You can even shoot realized with the employment of three ED
handheld at 300 mm super-telephoto, glass and three aspherical lens elements.
thanks to built-in Vibration Reduction Vibration Reduction (VR) provides an effect
(VR) which provides an effect equivalent equivalent to a shutter speed 4.0 stops*
to a shutter speed 3.5 stops* faster. faster. This well-balanced high-power zoom
Normal zoom lens with superior depiction and high mobility
Special purpose
Special purpose
Experience a truly all-around performance lens is ideal for capturing diverse subjects
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR DX lens that is ideal for travel and events. with a single lens.
Remarkably lightweight 5× normal zoom lens with a maximum aperture
of f/2.8 at the maximum wide-angle position. This high-performance lens Lens construction: 19 elements in 14 groups Lens construction: 16 elements in 12 groups
adopts the latest technologies such as Nano Crystal Coat, fluorine coat and Lens construction: 17 elements in 13 groups Minimum focus distance: 0.45 m/1.48 ft (at 300 mm) Minimum focus distance: 0.48 m/1.6 ft
electromagnetic diaphragm – all are firsts for DX-format lenses. Vibration Minimum focus distance: 0.35 m/1.15 ft Maximum reproduction ratio: 0.29× Maximum reproduction ratio: 0.31×
Maximum reproduction ratio: 0.22× Filter-attachment size: 77 mm Filter-attachment size: 67 mm
Reduction (VR) provides an effect equivalent to a shutter speed 4.0 stops* Filter-attachment size: 72 mm Accessories: Hood HB-58 / Case CL-1120 Accessories: Hood HB-39 (optional) / Case CL-1018 (optional)
faster in Normal mode. Utilizing its excellent rendering and superior mobility, Accessories: Hood HB-75 / Case CL-1218 (optional)
genuine shooting can be enjoyed during travel. * Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set at the maximum telephoto position.
14 15
Wide-angle zoom
Wide-angle zoom
© Robert Bösch
Normal zoom
Normal zoom
© Dave Black
AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR

AF-S NIKKOR 24-70mm f/2.8G ED
High-powered zoom with VR for DX photographers Incredibly reliable, highly balanced standard zoom lens Sharp and approachable standard zoom lens Versatile, high-powered 11× zoom with VR
Telephoto zoom
Telephoto zoom
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II DX AF-S NIKKOR 24-70mm f/2.8G ED AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR
Fixed focal length
Fixed focal length

One lens for every opportunity. This incredibly versatile lens has With a fixed aperture of f/2.8, the NIKKOR glass in this lens An excellent compact standard-use lens that works well with agile A powerful zoom lens optimized for FX-format cameras. This lens
a dynamic zoom coverage of approx. 11× from the widest 76° to provides both fine resolution and natural representation. In FX-format cameras. Covering the most frequently used zoom offers outstanding sharpness for such a broad zoom range while
the maximum telephoto 8°. Then there is also Vibration Reduction addition, the Nano Crystal Coat helps effectively reduce ghost range, this versatile lens can handle a wide range of subject maintaining an f/5.6 aperture at the telephoto end. Built-in Vibration
(VR) which provides an effect equivalent to a shutter speed 3.5 and flare effects under harsh lighting. Praised for its reliability and matter, including landscapes, interiors, portraits and candids. The Reduction (VR) provides an effect equivalent to a shutter speed
stops* faster for even more potential. Perfect when you need to overall image quality, this is a long-time favorite of passionate Vibration Reduction (VR) which provides an effect equivalent to a 3.5 stops* faster. A remarkably versatile zoom lens best suited for
travel light. professionals. shutter speed 4.0 stops* faster enhances your handheld capability, travel and other outdoor applications.
opening up many new low-light opportunities.
Lens construction: 16 elements in 12 groups Lens construction: 15 elements in 11 groups Lens construction: 16 elements in 11 groups Lens construction: 19 elements in 14 groups
Minimum focus distance: 0.5 m/1.6 ft Minimum focus distance: 0.38 m/1.2 ft (in 35-50 mm) Minimum focus distance: 0.38 m/1.25 ft Minimum focus distance: 0.5 m/1.6 ft
Maximum reproduction ratio: 0.22× Maximum reproduction ratio: 0.26× Maximum reproduction ratio: 0.22× Maximum reproduction ratio: 0.31×
Filter-attachment size: 72 mm Filter-attachment size: 77 mm Filter-attachment size: 72 mm Filter-attachment size: 77 mm
Accessories: Hood HB-35 / Case CL-1018 Accessories: Hood HB-40 / Case CL-M3 Accessories: Hood HB-63 / Case CL-1118 Accessories: Hood HB-50 / Case CL-1120
Special purpose
Special purpose
* Based on CIPA Standard. The value is achieved when: DX-format lenses are attached
to a DX-format digital SLR camera, FX-format compatible lenses are attached to an
FX-format digital SLR camera, and zoom lenses are set at the maximum telephoto
position.
16 17
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Sonoe
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR
Special purpose
New-category AF-P lens employing a stepping motor and VR This compact and lightweight zoom lens incorporates a stepping motor for fast and quiet AF operation. Two
aspherical lens elements minimize lens aberrations. The Vibration Reduction (VR) system provides an effect Lens construction: 12 elements in 9 groups
DX
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR
equivalent to a shutter speed 4.0 stops*1 faster. Some lens settings can be adjusted through the camera*2. Minimum focus distance: 0.25 m/0.9 ft
*1 Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set at the maximum telephoto position. Filter-attachment size: 55 mm
*2 Because focus mode (AF/MF) and VR ON/OFF are set using the camera menus, the number of compatible cameras is limited. Accessories: Hood HB-N106 (optional) /
Case CL-0815 (optional)
[NOTE] Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, some models
require firmware update.
18 19
Wide-angle zoom
Wide-angle zoom
© Andrew Hancock
© Koichi Isomura
Normal zoom
Normal zoom
AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II
Remarkably compact and light, New-category

DX-format standard zoom lens AF-P normal zoom lens employing a stepping motor High-powered zoom with VR for DX photographers Versatile, high-power zoom with stunning image quality
Telephoto zoom
Telephoto zoom
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II DX AF-P DX NIKKOR 18-55mm f/3.5-5.6G DX AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR DX AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR DX
(When retracted)
Fixed focal length
Fixed focal length

The employment of a retractable-lens mechanism enables a This compact and lightweight, 3.1× normal zoom lens incorporates This powerful, approx. 5.8× standard zoom lens makes it possible The powerful, approx. 7.8× zoom of this lens covers a wide
compact and light body. The high-performance optical design a stepping motor for fast and quiet AF operation. Two aspherical to shoot most subject matter with just one lens. Vibration focal-length range from wide-angle to telephoto. Superb optical
incorporating an aspherical lens element delivers high-definition lens elements deliver superior optical performance with minimal Reduction (VR) which provides an effect equivalent to a shutter performance achieves high-definition images when combined
images throughout the entire zoom range. Built-in Vibration lens aberrations. Adopting a setting system using the camera speed 3.5 stops* faster helps you achieve steadier shots during with high-pixel-count cameras. Vibration Reduction (VR) which
Reduction (VR) provides an effect equivalent to a shutter speed menus, some lens settings can be adjusted through the camera*. low-light and telephoto shooting. provides an effect equivalent to a shutter speed 4.0 stops* faster
4.0 stops* faster. With 0.25 m/0.8 ft minimum focus distance, you This highly portable, high-performance lens is a great choice for effectively compensates camera shake. This lens is ideal for
can get much closer to the subject. entry-class D-SLR users. capturing diverse scenes of everyday life or during travel with a
*Because focus mode (AF/MF) is set using the camera menus, the number of compatible
single lens.
cameras is limited.
[NOTE] Because AF-P lenses incorporate a stepping motor, the number of compatible
cameras is limited. Even for compatible cameras, some models require firmware update.
Lens construction: 11 elements in 8 groups Lens construction: 15 elements in 11 groups Lens construction: 17 elements in 12 groups
Minimum focus distance: 0.28 m/0.92 ft (AF) ; 0.25 m/0.82 ft (MF) Minimum focus distance: 0.45 m/1.5 ft Minimum focus distance: 0.45 m/1.48 ft
Maximum reproduction ratio: 0.30× (AF) ; 0.36× (MF) Maximum reproduction ratio: 0.20× Maximum reproduction ratio: 0.23×
Filter-attachment size: 52 mm Lens construction: 12 elements in 9 groups Filter-attachment size: 67 mm Filter-attachment size: 67 mm
Accessories: Hood HB-69 (optional) / Case CL-0815 (optional) Minimum focus distance: 0.25 m/0.9 ft Accessories: Hood HB-32 / Case CL-1018 Accessories: Hood HB-32 (optional) / Case CL-1018 (optional)
Special purpose
Special purpose
Accessories: Hood HB-N106 (optional) / Case CL-0815 (optional)
* Based on CIPA Standard. This value is achieved when attached to a DX-format digital
SLR camera, with zoom set at the maximum telephoto position.
20 21
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Edwin Giesbers
Special purpose
Adoption of ED glass elements achieves superior optical performance with minimal chromatic aberration
Super-telephoto zoom lens with superb optical performance and VR throughout the entire zoom range. The Vibration Reduction (VR) system providing an effect equivalent to
a shutter speed 4.5 stops* faster in Normal mode employs Sport mode as a VR mode option to cope with Lens construction: 19 elements in 12 groups
AF-S NIKKOR 200-500mm f/5.6E ED VR capturing quick moving subjects. Stable AE control is ensured even during high-speed continuous shooting via
the adoption of an electromagnetic diaphragm mechanism, enabling the capture of decisive moments.
Minimum focus distance: 2.2 m/7.22 ft
*Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum
telephoto position.
22 23
Wide-angle zoom
Wide-angle zoom
© Catalin Marin
© Subodh Shetty
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

Normal zoom
Normal zoom
AF-S NIKKOR 70-200mm f/2.8G ED VR II
Telephoto zoom lens featuring a retractable lens Compact and accessible telephoto zoom with a powerful
Telephoto zoom
Telephoto zoom
mechanism Significantly refined: a pro’s essential telephoto zoom lens Telephoto zoom lens with Nano Crystal Coat and VR 300 mm reach
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II DX AF-S NIKKOR 70-200mm f/2.8G ED VR II AF-S NIKKOR 70-200mm f/4G ED VR AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
Adopting a retractable barrel
mechanism, remarkably compact size
is realized. Vibration Reduction (VR)
provides an effect equivalent to a
shutter speed 4.0 stops* faster. An ED
glass element effectively minimizes
(When retracted) chromatic aberration.

Fixed focal length
Fixed focal length

Accessories: Hood HB-37 (optional) / Case CL-0915 (optional)
The most reliable and essential f/2.8 fixed aperture telephoto This carry-anywhere telephoto zoom lens is useful across a wide Whether you shoot in DX format or FX format, this small and
zoom lens has now been reborn with a number of significant general range of shooting scenarios such as sports and snapshots. portable zoom offers impressive versatility with a fairly long focal
improvements. Optimized for FX-format cameras, the resulting Its Nano Crystal Coat effectively reduces ghost and flare while its length of 300 mm. Its approx. 4.3× zoom range and Vibration
Approachable zoom for sharp super-telephoto shooting images deliver stunning detail and contrast across the entire frame high-performance Vibration Reduction (VR) minimizes the effects of Reduction (VR) providing an effect equivalent to a shutter speed
when taken at any focus point or aperture. What's more, the camera shake, providing an effect equivalent to a shutter speed 4.0 2.5 stops* faster. add to its utility for most telephoto shooting
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR DX
lens comes equipped with enhanced AF performance, Vibration stops* faster. Close-up capability is an added advantage. opportunities. The specialized NIKKOR glass produces clear, high-
This practical zoom lens allows DX users to Reduction (VR) which provides an effect equivalent to a shutter contrast images with less chromatic aberration.
reach 300 mm super-telephoto and make speed 3.5 stops* faster and Nano Crystal Coat to reduce ghost
sharper shots with ease, thanks to built-in and flare effects, broadening your shooting potential and giving
Vibration Reduction (VR) that provides an photographers added confidence when shooting in difficult
effect equivalent to a shutter speed 3.0 situations. Lens construction: 17 elements in 12 groups
stops* faster. In addition, the HRI (High Minimum focus distance: 1.0 m/3.28 ft
Refractive Index) lens achieves clear, high- Filter-attachment size: 67 mm Filter-attachment size: 67 mm
contrast images at every aperture and focal Accessories: Hood HB-60 / Case CL-1225 / Tripod Collar Ring RT-1 (optional)
Special purpose
Special purpose
length. Lens construction: 21 elements in 16 groups
Accessories: Hood HB-48 / Case CL-M2
Minimum focus distance: 1.4 m/4.59 ft * Based on CIPA Standard. The value is achieved when: DX-format lenses are attached
Maximum reproduction ratio: 0.27× to a DX-format digital SLR camera, FX-format compatible lenses are attached to an
Filter-attachment size: 58 mm FX-format digital SLR camera, and zoom lenses are set at the maximum telephoto
Accessories: Hood HB-57 / Case CL-1020 position.
24 25
Wide-angle zoom
Wide-angle zoom
© Waran Suwanno
© Ken Goshima
Normal zoom
Normal zoom
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR
AF-S NIKKOR 20mm f/1.8G ED

Telephoto zoom
Long-range, VR-enabled 400 mm zoom lens Fixed aperture f/2.8 with great optics and beautiful bokeh
Telephoto zoom
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR AF Zoom-Nikkor 80-200mm f/2.8D ED
This high-performance zoom has a fixed
f/2.8 aperture throughout the zoom
range, giving your telephoto shots a
beautiful background bokeh. Expect
remarkable image reproduction in the
fine details, even when shooting wide-
open. AF close-up shooting is also
possible, letting you focus and shoot
from 1.5 m/4.9 ft.

Minimum focus distance: 1.8 m/6 ft (1.5 m/4.9 ft in macro)
Maximum reproduction ratio: 0.13× (0.17× in macro)
Fixed focal length

This 5× telephoto zoom is ideal for shooting sports, wild birds, aircraft Filter-attachment size: 77 mm
Fixed focal length
Accessories: Hood HB-7 (optional) / Case CL-43A

and landscapes. Its superior optical performance is due in part to
its one Super ED and four ED glass elements, as well as its Nano
© Ken Goshima
Crystal Coat. Vibration Reduction (VR) is integrated to offer an effect Top-of-the-line, super-telephoto zoom for crucial
equivalent to a shutter speed 4.0 stops* faster. assignments
AF-S NIKKOR 200-400mm f/4G ED VR II

Lens construction: 20 elements in 12 groups This zoom range 200-400 mm lens
Minimum focus distance: 1.75 m/5.74 ft (AF) ; 1.5 m/4.92 ft (MF) has a fixed aperture of f/4 and is a
Maximum reproduction ratio: 0.17× (AF) ; 0.19× (MF)
Filter-attachment size: 77 mm NIKKOR-exclusive quality lens. Ideal for
Accessories: Hood HB-65 / Case CL-M2 photographers who need to keep their
gear to a minimum while on super-
telephoto assignments that require
stunning image quality. Nano Crystal
Coat and Vibration Reduction (VR) with
an effect equivalent to a shutter speed Compact, ultra-wide-angle lens for elaborate expression
Special purpose
Special purpose
3.0 stops* faster offer added capability,
contributing to sharper images under AF-S NIKKOR 20mm f/1.8G ED
demanding conditions. This 20 mm lens enables photographic expression utilizing the shallow
depth of field achieved at the maximum aperture of f/1.8. The latest
optical design technology delivers high resolution and superb point- Minimum focus distance: 0.2 m/0.66 ft
Minimum focus distance: 2.0 m/6.6 ft (AF) ; 1.95 m/6.4 ft (MF) image reproduction while minimizing chromatic aberration. ED glass Maximum reproduction ratio: 0.23×
Maximum reproduction ratio: 0.26× (AF) ; 0.27× (MF) Filter-attachment size: 77 mm
elements and Nano Crystal Coat ensure superior image quality. A great Accessories: Hood HB-72 / Case CL-1015
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital
SLR camera, with zoom set at the maximum telephoto position. Accessories: Hood HK-30 / Case CL-L2 choice for landscapes and indoor shots.
26 27
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Bhuminan P.
Special purpose
Superb optics with fast f/1.4 for amazing bokeh The greatest advantage of this versatile wide-angle lens is its amazingly beautiful bokeh at f/1.4 while
covering an 84° angle of view. Its optical design now reveals more refined detail with even less aberration.

In addition, Nano Crystal Coat effectively reduces ghost and flare effects in harsh lighting. Minimum focus distance: 0.25 m/0.82 ft
28 29
Wide-angle zoom
Wide-angle zoom
Normal zoom
Normal zoom
AF Nikkor 14mm f/2.8D ED © Fraser Harding
Dynamic perspectives achieved by ultra-wide angle Standard wide-angle lenses for general purpose
Telephoto zoom
Telephoto zoom
AF Nikkor 14mm f/2.8D ED AF Nikkor 24mm f/2.8D
At 14 mm, this lens covers an extremely Compact and approachable, this wide-
wide 114° angle of view, capturing angle lens provides sharp images with a
a remarkably broad expanse with an great perspective. Ideal for landscapes,
exaggerated perspective, making it ideal travel, environmental portraits and more.
for shooting large buildings, narrow
indoor spaces or vast nature.

Minimum focus distance: 0.2 m/0.66 ft Minimum focus distance: 0.3 m/1 ft
Fixed focal length
Fixed focal length

Filter-attachment size: Gelatin filter Filter-attachment size: 52 mm
Accessories: Built-in hood / Case CL-S2 Accessories: Hood HN-1 (optional) / Case CL-0715 (optional)
© Dixie Dixon
AF Nikkor 20mm f/2.8D AF Nikkor 28mm f/2.8D
With both a dynamic perspective and This light, compact and convenient
AF-S DX NIKKOR 35mm f/1.8G

a great depth of field, this 20 mm lens wide-angle lens allows you to get as
gives you edge-to-edge sharpness and close as 0.25 m/0.85 ft with a natural
less distortion when shooting interiors, perspective. A great lens for nearly any
landscapes and more. Superb optics and wide-angle subject matter.
compact design (approx. 270 g/9.5 oz).
Lens construction: 12 elements in 9 groups Lens construction: 6 elements in 6 groups Strikingly crisp, f/1.8 prime for DX users
Special purpose
Special purpose
Minimum focus distance: 0.25 m/0.85 ft Minimum focus distance: 0.25 m/0.85 ft
Filter-attachment size: 52 mm AF-S DX NIKKOR 35mm f/1.8G DX
Accessories: Hood HB-4 (optional) / Case CL-S2 (optional) Accessories: Hood HN-2 (optional) / Case CL-0715 (optional)
Optimized for DX-format cameras, this lens delivers both the superb
sharpness and smooth bokeh you expect from a prime lens, making
it particularly suited for portraits. The fast aperture ensures more Minimum focus distance: 0.3 m/0.98 ft
photo opportunities in low light. Maximum reproduction ratio: 0.16×
30 31
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Alex Soh
Special purpose
Compact and light, fast wide-angle lens with high image quality A fast, compact, lightweight, wide-angle prime lens that can create natural blur utilizing the maximum
aperture of f/1.8. Employing Nano Crystal Coat, ED glass elements, and aspherical lens elements

delivers superior optical performance with minimal ghost effect and chromatic aberration. The latest Minimum focus distance: 0.23 m/0.75 ft.
optical design technologies achieve superior resolution to the edges of the frame. Ideal for shooting wide Maximum reproduction ratio: 0.20×
landscapes. Accessories: Hood HB-76 / Case CL-1015
32 33
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Shinichi Sato
AF-S NIKKOR 35mm f/1.4G
Special purpose
Wide-angle f/1.4 prime with stunning clarity The legendary manual-focus NIKKOR 35mm f/1.4 has now been upgraded to an AF-S lens with the latest
digital technology. This lens achieves a remarkable level of coma aberration correction in order to deliver

stunning images, even at a wide-open aperture. Nano Crystal Coat drastically reduces ghost and flare Minimum focus distance: 0.3 m/0.98 ft
effects when shooting wide-angle, where the possibility of these effects can increase. A great choice for Maximum reproduction ratio: 0.19×
nature, landscape, night scenes and astrophotography. Accessories: Hood HB-59 / Case CL-1118
34 35
Wide-angle zoom
Wide-angle zoom
© Jeremy Walker
Normal zoom
Normal zoom
© Nelson Ng
Fast f/1.8 wide-angle lens with exquisite sharpness and

quality bokeh Compact and light, fast wide-angle lens with high resolution Fast and highly practical wide-angle lens Ultra-fast f/1.4 for exquisite sharpness and bokeh
Telephoto zoom
Telephoto zoom
AF-S NIKKOR 28mm f/1.8G AF-S NIKKOR 35mm f/1.8G ED AF Nikkor 35mm f/2D AF-S NIKKOR 50mm f/1.4G
A fast f/2 aperture makes it easier to Expect outstanding image quality, edge-
shoot in low light, giving you sharp and to-edge sharpness and high contrast at
high-contrast images from infinity to up- any aperture or focus distance. An ultra-
close. A great choice for landscapes and fast f/1.4 maximum aperture not only
environmental portraits with either deep- creates attractive bokeh with its rounded
focus or beautiful background bokeh. 9-blade diaphragm, but also offers
great low-light performance. Ideal for
portraits, landscapes, travel and more.

Minimum focus distance: 0.25 m/0.85 ft Minimum focus distance: 0.45 m/1.5 ft
Fixed focal length
Fixed focal length

Accessories: Hood HN-3 (optional) / Case CL-0715 (optional) Accessories: Hood HB-47 / Case CL-1013
This lens is designed to take full advantage of the latest high- This wide-angle prime lens realizes superior point-image
megapixel cameras by delivering stunning sharpness and clarity. reproduction. With its high resolving power and sharp rendering
Its Nano Crystal Coat reduces ghost and flare effects to enhance capability, impressive expression utilizing natural and beautiful Strikingly crisp, compact and approachable prime AF Nikkor 50mm f/1.4D
its image quality even further. bokeh for both foreground and background can be attained. It is
ideal for snapshots as well as for capturing diverse scenes such as AF-S NIKKOR 50mm f/1.8G
This lens offers quality optics and an
night landscapes, landscapes and portraits. ultra-fast f/1.4 maximum aperture,
Remarkably light and compact body
delivering superb resolution and color
considering the fast f/1.8 maximum
reproduction. An approachable standard
aperture and built-in SWM that enables
lens for both fine detail and stunning
smooth AF. This lens features a newly
Lens construction: 11 elements in 9 groups Lens construction: 11 elements in 8 groups bokeh imagery.
Minimum focus distance: 0.25 m/0.82 ft Minimum focus distance: 0.25 m/0.85 ft designed optical system including
Maximum reproduction ratio: 0.21× Maximum reproduction ratio: 0.23× an aspherical lens element, offering
Accessories: Hood HB-64 / Case CL-0915 Accessories: Hood HB-70 / Case CL-0915 stunning sharpness and quality bokeh.
A great choice for portraits, still-life shots,
low-light scenes and more.
Special purpose
Special purpose
Lens construction: 7 elements in 6 groups Accessories: Hood HR-2 (optional) / Case CL-0715 (optional)
36 37
Wide-angle zoom
Wide-angle zoom
AF-S NIKKOR 50mm f/1.8G (Special Edition) © Takeshi Fukazawa
© Hideyuki Motegi
Normal zoom
Normal zoom
Fast normal lens designed for the Nikon Df Fast normal lens with overwhelming rendering performance Medium-range telephoto lens optimal for portraits Medium-range telephoto lens optimal for portraits
Telephoto zoom
Telephoto zoom
AF-S NIKKOR 50mm f/1.8G (Special Edition) AF-S NIKKOR 58mm f/1.4G AF-S NIKKOR 85mm f/1.4G AF-S NIKKOR 85mm f/1.8G
Fixed focal length
Fixed focal length

The current 50mm f/1.8G has been redesigned to achieve ideal This prime lens achieves impressive scene description with high Employing a re-designed optical system incorporating Nano An approachable portrait prime lens for FX and DX photographers
matching with the smallest and lightest FX-format camera, the resolution and smooth, beautiful bokeh. Despite the fast aperture, Crystal Coat, this lens inherits an ultra-fast f/1.4 and a rounded alike. With its fast f/1.8 aperture and a new optical design, this lens
Nikon Df, maximizing its high optical performance and superior sharp, high-contrast images of distant subjects can be captured 9-blade diaphragm for stunning bokeh. In addition, the newly delivers both stunning details and quality bokeh from a surprisingly
mobility. While paying homage to classic manual-focus lenses, even at the maximum aperture. Point light sources located at developed MF driving mechanism reduces focus time lag and light and compact body. Moreover, its Silent Wave Motor (SWM)
its external design features leather-tone finish as well as a silver infinity can be finely reproduced as point images even with the enables smooth operation in M/A mode. Expect incredibly crisp offers quieter and smoother AF.
aluminum ring and knurled focus ring, all coordinated with the Df. aperture set at the maximum. In addition, elaborately designed yet natural image rendering for portraits, whether for studio work
bokeh characteristics depict subjects attractively, resulting in or other commercial shoots outdoors.
images with natural depth. Superior rendering capability that
realizes two contradictory factors enables new photographic
creativity. With all these advantages, this lens is a very individual
addition to the NIKKOR lineup.
Lens construction: 7 elements in 6 groups Lens construction: 9 elements in 6 groups Lens construction: 10 elements in 9 groups Lens construction: 9 elements in 9 groups
Special purpose
Special purpose
Minimum focus distance: 0.45 m/1.5 ft Minimum focus distance: 0.58 m/1.90 ft Minimum focus distance: 0.85 m/2.79 ft Minimum focus distance: 0.8 m/2.62 ft
Maximum reproduction ratio: 0.15× Maximum reproduction ratio: 0.12× Maximum reproduction ratio: 0.11× Maximum reproduction ratio: 0.12×
Filter-attachment size: 58 mm Filter-attachment size: 72 mm Filter-attachment size: 77 mm Filter-attachment size: 67 mm
Accessories: Hood HB-47 / Case CL-1013 Accessories: Hood HB-68 / Case CL-1015 Accessories: Hood HB-55 / Case CL-1118 Accessories: Hood HB-62 / Case CL-1015
38 39
Wide-angle zoom
Normal zoom
Telephoto zoom
Fixed focal length
© Emil Tse
AF-S NIKKOR 300mm f/4E PF ED VR
Special purpose
Prime telephoto lens employing a PF (Phase Fresnel) lens This telephoto lens employs a PF (Phase Fresnel) lens element, a first in the NIKKOR lineup, to realize
an outstandingly compact and light body while effectively minimizing chromatic aberration. High optical
AF-S NIKKOR 300mm f/4E PF ED VR

performance is also ensured with an ED glass element and Nano Crystal Coat. Vibration Reduction (VR) Lens construction: 16 elements in 10 groups
function provides an effect equivalent to a shutter speed 4.5 stops* faster in Normal mode. Ideal for Minimum focus distance: 1.4 m/4.6 ft
capturing a wide range of scenes such as sports, wildlife, landscapes, and portraits. Filter-attachment size: 77 mm
Accessories: Hood HB-73 / Case CL-M3 /
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera. Tripod Collar Ring RT-1 (optional)
40 41
Wide-angle zoom
Wide-angle zoom
Normal zoom
Normal zoom
Telephoto zoom
Telephoto zoom
Fixed focal length
Fixed focal length

© Ray Chua
AF-S NIKKOR 600mm f/4E FL ED VR
Special purpose
Special purpose
Employing two fluorite lens elements, this fast 600 mm super-telephoto lens realizes superior optical
New-generation, super-telephoto lens performance in a remarkably lightweight approx. 3,810 g body. ED glass elements and Nano Crystal Coat
achieving a light body and high optical performance also contribute to high-quality images with minimal chromatic aberration and ghost effect. The Vibration
Reduction (VR) system which provides an effect equivalent to a shutter speed 4.0 stops* faster in NORMAL (plus one meniscus protective glass element with fluorine coat)
AF-S NIKKOR 600mm f/4E FL ED VR mode also offers SPORT mode. Other notable features include an electromagnetic diaphragm mechanism,
fluorine coat applied to the lens front, and a tripod collar ring utilizing bearings for smooth operation.
Filter-attachment size: 40.5 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera. Accessories: Hood HK-40 / Case CT-608
42 43
DC lenses allowing creative focus control Approachable, easy-to-handle telephoto lens
Wide-angle zoom
Wide-angle zoom
AF DC-Nikkor 105mm f/2D AF-S Nikkor 300mm f/4D IF-ED
Offering an excellent balance between
size and image quality, this lens realizes
great sharpness, making it an ideal super-
telephoto lens for sports, wildlife or travel
applications. Also handles closer subjects
incredibly well.
DC (Defocus Image Control) allows you to control the degree of
soft focus in the foreground or background of an image. With
a focal length of 105 mm and a fast f/2 maximum aperture, it Minimum focus distance: 1.45 m/4.8 ft
performs well as a portrait lens with sharpness and excellent Maximum reproduction ratio: 0.27×
© Sergey Gorshkov
bokeh. Accessories: Built-in-hood / Case CL-M2
Normal zoom
Normal zoom
The most renowned professional telephoto prime
Lens construction: 6 elements in 6 groups (plus one protective lens)
AF-S NIKKOR 300mm f/2.8G ED VR II
AF-S NIKKOR 800mm f/5.6E FL ED VR

Accessories: Built-in hood / Case CL-38 (optional)
AF DC-Nikkor 135mm f/2D
This highly regarded professional super-telephoto lens is now

reborn with Vibration Reduction (VR) to enable handheld shooting
at up to 3.0 stops* slower. The Nano Crystal Coat reduces ghost New-generation, super-telephoto lens achieving a light
Using the same DC (Defocus Image Control) employed in the and flare effects, helping to create stunningly crisp, clear images. body and high optical performance Overwhelming super-telephoto with fluorite
Telephoto zoom
Telephoto zoom
105mm f/2D, the 135 mm focal length offers more telephoto The best choice for indoor and action sports. AF-S NIKKOR 800mm f/5.6E FL ED VR
AF-S NIKKOR 500mm f/4E FL ED VR
reach, making it ideal for tight portraits while providing
AF-S TELECONVERTER TC800-1.25E ED
opportunities to shoot with a shallow depth of field or under low
light. Lens construction: 11 elements in 8 groups (plus one Meniscus Protective Lens)
Minimum focus distance: 2.3 m/7.5 ft (AF) ; 2.2 m/7.2 ft (MF)
Maximum reproduction ratio: 0.15× (AF) ; 0.16× (MF)
Accessories: Hood HK-30 / Case CL-L1
Lens construction: 7 elements in 6 groups (plus one protective lens)
Filter-attachment size: 72 mm Remarkably lightweight, high-performance
Accessories: Built-in hood / Case CL-38 (optional) super-telephoto lens
AF-S NIKKOR 400mm f/2.8E FL ED VR
Crystal-clear, amazingly fast telephoto with VR This fast 500 mm super-telephoto lens with superior rendering With its 800 mm focal length, this lens is what sports and press
Fixed focal length
Fixed focal length

is useful for sport scenes. Employing two fluorite lens elements photographers have been waiting for. Employing fluorite, ED glass and
AF-S NIKKOR 200mm f/2G ED VR II realizes an extremely lightweight approx. 3090 g body. Besides Nano Crystal Coat, it delivers outstandingly clear images with minimized
fluorite elements, ED glass elements plus Nano Crystal Coat chromatic aberration, ghosting and flare. Super-telephoto shooting is
are employed to achieve high optical performance with minimal reliably supported by an electromagnetic diaphragm mechanism and
chromatic aberration and ghost effect. Vibration Reduction (VR) Vibration Reduction (VR) which provides an effect equivalent to a shutter
system (provides an effect equivalent to a shutter speed 4.0 speed 4.5 stops* faster (4.0 stops* with the AF-S TELECONVERTER
stops* faster in Normal mode) adopts SPORT mode as a VR mode TC800-1.25E ED). Thanks to the use of fluorite and magnesium alloy, a
This new-generation super-telephoto lens provides outstanding
option. Even during high-speed continuous shooting, superior AF light yet durable lens is realized. With the dedicated 1.25× Teleconverter
optical performance with minimized chromatic aberration.
tracking is achieved, while exposure is stably controlled with the employing ED glass, focal length is extended to 1000 mm while retaining
The weight of approx. 3800 g/136.9 oz is realized through the
adoption of an electromagnetic diaphragm mechanism. Tripod superior reproduction.
employment of fluorites for superior mobility. Vibration Reduction
Trusted by countless professionals, this telephoto prime lens has collar ring utilizing bearings enables smooth switching between • Compatible AF teleconverters: [AF is possible when attached to f/8-compatible
(VR) which provides an effect equivalent to a shutter speed 4.0 cameras] AF-S TELECONVERTER TC800-1.25E ED/AF-S TELECONVERTER TC-14E
captured many significant moments in sports, theater and studio horizontal and vertical orientation. Fluorine coat is applied for
stops* faster adopts a new “SPORT” mode that is particularly III, [MF only] AF-S TELECONVERTER TC-20E III/AF-S TELECONVERTER TC-17E II
portraiture. ED glass elements – including one Super ED glass – enhanced durability and dust prevention.
effective when shooting sports. Other noticeable features include
compensate for chromatic aberration, plus Nano Crystal Coat
an electromagnetic diaphragm for stable exposure control even
ensures clarity in demanding light. Vibration Reduction (VR) which Lens construction: 16 elements in 12 groups
during continuous shooting, a highly reliable fluorine coat applied (plus one meniscus protective glass element with fluorine coat)
provides an effect equivalent to a shutter speed 3.0 stops* faster Minimum focus distance: 5.9 m/19.36 ft (AF) ; 5.8 m/19.03 ft (MF)
to the lens front, and a tripod mount ring incorporating bearings for Minimum focus distance: 3.6 m/11.9 ft
Special purpose
Special purpose
and a fast f/2 aperture broaden creative potential. Maximum reproduction ratio: 0.15× (AF) ; 0.15× (MF)
smooth operation. Filter-attachment size: 40.5 mm
Accessories: Hood HK-38 / Case CT-801 / AF-S TELECONVERTER TC800-1.25E ED
Accessories: Hood HK-34 / Case CT-505
AF-S TELECONVERTER TC800-1.25E ED*1
Lens construction: 5 elements in 3 groups Weight: 135 g/4.8 oz
Lens construction: 13 elements in 9 groups Lens construction: 16 elements in 12 groups Diameter × length*2 : 62.5 × 16 mm/2.5 × 0.6 in.
Minimum focus distance: 1.9 m/6.2 ft Minimum focus distance: 2.6 m/8.5 ft *1 Focal length is extended by 1.25×.
Maximum reproduction ratio: 0.12× Maximum reproduction ratio: 0.17× *2 Distance from camera’s lens-mount flange.
Filter-attachment size: 52 mm Filter-attachment size: 40.5 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital
Accessories: Hood HK-31 / Case CL-L1 Accessories: Hood HK-38 / Case CT-405 [Note] Supplied AF-S TELECONVERTER TC800-1.25E ED is a dedicated teleconverter to the AF-S NIKKOR
SLR camera.
800mm f/5.6E FL ED VR and cannot be attached to other lenses. It is not sold separately.
44 45
Wide-angle zoom
Wide-angle zoom
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR © Andrew Hancock
AF Fisheye-Nikkor 16mm f/2.8D © Daniel Cheong
Normal zoom
Normal zoom
Fun-to-use, compact fisheye lens for DX photographers Compact and versatile standard micro lenses Compact and approachable DX Micro with amazing clarity Versatile, high-performance micro lens for DX photographers
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED DX AF-S Micro NIKKOR 60mm f/2.8G ED AF-S DX Micro NIKKOR 40mm f/2.8G DX AF-S DX Micro NIKKOR 85mm f/3.5G ED VR DX
Telephoto zoom
Telephoto zoom
This compact and lightweight fisheye Delivers stunningly sharp images up to This remarkably light, compact and agile Compact and lightweight, even with the
lens is designed exclusively for DX- life-size (1×) at all f-stops with incredible micro lens serves as an exceptional incorporated Vibration Reduction (VR)
format cameras. With its frame-filling bokeh. Nano Crystal Coat effectively complement to DX cameras. In addition providing an effect equivalent to a
180° angle of view and unique bending reduces ghost and flare effects under to life-size (1×) close-up capability, the shutter speed 3.0 stops* faster, which
effects, any scene or subject will take on harsh lighting, such as in backlit situa- 40 mm focal length can make a wide enables steadier handheld shooting.
new dimensions through the viewfinder, tions. With its wide focusing range, this variety of subject matter approachable, With a great working distance and
making anything you shoot fun. The lens lens is not limited to extreme close-up including portraits. An excellent Micro continuous autofocus from infinity to life-
has edge-to-edge sharpness and enables photography and can be used for most NIKKOR for any DX photographer. size (1×), this lens gives you amazing
you to get as close to the subject as subject matter. sharpness and background bokeh for
3 cm/1.2 in. from the lens front. close-up subjects, portraits, nature
images and more.
Lens construction: 12 elements in 9 groups Maximum reproduction ratio: 1.00×
Minimum focus distance: 0.185 m/0.6 ft Filter-attachment size: 52 mm
Maximum reproduction ratio: 1.00× Accessories: Hood HB-61 / Case CL-0915
Maximum reproduction ratio: 0.20× Lens construction: 14 elements in 10 groups
Fixed focal length
Fixed focal length

Filter-attachment size: Gelatin filter Filter-attachment size: 62 mm Minimum focus distance: 0.286 m/0.9 ft
Accessories: Built-in hood / Case CL-0715 Accessories: Hood HB-42 / Case CL-1018 Maximum reproduction ratio: 1.00×
Excellently balanced micro lens with VR Accessories: Hood HB-37 / Case CL-1018
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

Sharp, full-frame fisheye lens creating dramatic
perspectives This medium telephoto micro has Vibration
© Aaron Wong
Reduction (VR) providing an effect
AF Fisheye-Nikkor 16mm f/2.8D AF Micro-Nikkor 60mm f/2.8D equivalent to a shutter speed 3.0 stops*
faster for easy handheld macro shooting.
NIKKOR’s supreme optical performance This longtime seller delivers crisp The lens delivers crisp yet natural images
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

provides continuous sharpness from images at any focus distance from in any genre of photography. The longer
infinity to the closest subject, offer- infinity to life-size (1×). Ideal for general focal length gives it a great working
ing the uniquely altered reality of ultra- close-ups, portraits, landscapes, copy distance when shooting close-ups of
wide-angle photography for beautiful work and more. flowers, insects and other small wildlife. It
Special purpose
Special purpose
and dramatic images. Four bayonet type also takes fantastic portraits. Nano Crystal
filters attached to the lens rear give more Coat effectively reduces ghost and flare
creative options in filter effects. effects.

Minimum focus distance: 0.219 m/8 3/4 in. Lens construction: 14 elements in 12 groups
Minimum focus distance : 0.25 m/0.85 ft
Maximum reproduction ratio: 1.00× Minimum focus distance: 0.314 m/1.0 ft
Filter-attachment size: 62 mm Maximum reproduction ratio: 1.00× * Based on CIPA Standard. The value is achieved when: DX-format lenses are attached
Accessories: Built-in hood / Case CL-0715 (optional) / Filter L37C, A2, B2, O56
Accessories: Hood HN-22 (optional) / Case CL-0815 (optional) Filter-attachment size: 62 mm to a DX-format digital SLR camera and FX-format compatible lenses are attached to
Accessories: Hood HB-38 / Case CL-1020 an FX-format digital SLR camera.
46 47
OPTIONAL ACCESSORIES
PC-E lens lineup: more freedom in controlling perspectives
Wide-angle zoom
PC-E NIKKOR 24mm f/3.5D ED AF-S Teleconverters

Teleconverters increase the original focal length to 2×, 1.7× or 1.4× when attached between an AF-S/AF-I lens and the camera body.
Their superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal
transmission. • Please refer to the user manual for the list of compatible lenses.
This wide-angle PC lens covers an 84° angle of view and features AF-S Teleconverter TC-20E III AF-S Teleconverter TC-17E II AF-S Teleconverter TC-14E III
tilt and shift operation, as well as +/-90° revolving mechanism. This teleconverter expands the focal This teleconverter expands the focal length This teleconverter expands the focal length
Ideal for architecture, cityscapes, general indoor photography and length by 2× and slows down the aperture by 1.7× and slows down the aperture by by 1.4× and slows down the aperture by
© Shinichi Sato
nature. Auto aperture control is possible with the electromagnetic by 2 stops. 1.5 stops. 1 stop. Fluorine coat is applied to the front
diaphragm. Nano Crystal Coat reduces ghost and flare effects. and rear surfaces.
Normal zoom

Extension Rings
PC-E Micro NIKKOR 45mm f/2.8D ED

Accessories: Hood HB-41 / Case CL-1120 n Auto Extension Ring PK-11A, 12, 13 n Macro Adapter Ring BR-2A/BR-5
These extension rings are for NIKKOR lenses with the AI Mounted to the lens in reverse, this extension ring can be
(Automatic maximum aperture Indexing) system. Seven extension attached directly or using the Bellows Focusing Attachment.
lengths can be achieved when used individually or in combination. When shooting in a reproduction ratio larger than 1×, even
PC-E Micro NIKKOR 45mm f/2.8D ED
*The exposure meter cannot be used with cameras that do not have an exposure meter better lens performance is realized by attaching the ring to the
coupling lever, such as the F80 and F75 lens in reverse. BR-2A is compatible
with lenses having 52 mm-
n Adapter Ring BR-3 sized front attachment
This adapter converts the bayonet mount of reverse-mounted and the BR-5 (with BR-
Powerful telephoto micro lens with great working distance lenses to the 52 mm thread used for filters and hoods (HB-type 2A together) with lenses
Telephoto zoom
bayonet hoods cannot be used). having 62 mm-sized front

AF Micro-Nikkor 200mm f/4D IF-ED attachment.
PK-11A PK-12 PK-13 BR-2A BR-3 BR-5
With a fast f/2.8 aperture, this standard PC lens also has micro
capability, shooting up to 1/2× life-size and enabling tilt, shift and
Filters/holders Hoods
+/-90° revolving mechanism. Perfect for commercial work, product Lens hoods reduce stray light that can degrade your image
n Neutral Color NC Filter
shots, nature photography or any other subjects that require a quality while minimizing ghost and flare effects. They can also
Ideal as a lens protector, this filter does not affect the color
natural perspective and fine detail. Auto aperture control is possible be used as lens protectors. For every type of NIKKOR lens,
balance (visible light spectrum) of your lens. Its multilayer
with electromagnetic diaphragm. Nano Crystal Coat is employed to
coating prevents light reflection inside the glass. there is a lens hood available. They are
reduce ghost and flare effects.
classified according to the attachment
n Soft Focus Filter methods and materials: HB (bayonet),
By taking advantage of the long working distance of 0.26 m/0.9 ft Lens construction: 9 elements in 8 groups Give your images a moderately soft and beautiful blur effect. HN (screw-on), HK (slip-on), HS
at life-size (1×), it is ideal for shooting flowers, insects and other Minimum focus distance: 0.253 m/0.83 ft (snap-on) and HR (rubber screw-on).
Good for various shooting situations, such as portraiture.
tiny wildlife without disturbing them. The NIKKOR glass ensures Filter-attachment size: 77 mm
clear and high-contrast images regardless of f-stop, and the lens Accessories: Hood HB-43 / Case CL-1120
n Circular Polarizing Filter II
Fixed focal length
performs superbly as a regular telephoto as well. By dramatically reducing the reflective qualities, polarizing filters
NAL-1 Zoom/Focus Assist Lever
allow direct shooting through glass or into bodies of water, and
PC-E Micro NIKKOR 85mm f/2.8D enable better capture of other non-metallic objects that reflect When attached to a zoom ring or a focus ring, this lens
Lens construction: 13 elements in 8 groups light. Polarizing filters also cut the reflective light of vapor and attachment enables smoother zoom or focus operation. It is
Minimum focus distance: 0.5 m/1 5/8 ft
Maximum reproduction ratio: 1.00× minute dust in the air, so blue skies can be rendered even bluer. especially helpful for zooming during movie recording as well as
Filter-attachment size: 62 mm for fine manual focusing.
• This filter is incompatible with AF Nikkor 20mm f/2.8D.
Accessories: Hood HN-30 (optional) / Case CL-45
n Slip-in Circular Polarizing Filter

Designed for use with telephoto lenses equipped with a slip-
in filter holder, this filter reduces reflected light and draws out
FT1 Mount Adapter
more clarity and color while decreasing the effect of sunlight
The FT1 mount adapter allows NIKKOR F-mount
This medium-telephoto PC lens enables tilt, shift and +/-90° reflection from airborne water vapor and dust. Also, polarizing
lenses to be used with Nikon 1 cameras equipped
revolving mechanism and also has micro capability to shoot up filters darken the blue in skies without affecting the contrast,
with a Nikon 1 mount. The angle of view of an
Special purpose
to 1/2× life-size. A great choice for long-range portraits, nature, further emphasizing your subject. When shooting in color, the
F-mount lens mounted on the FT1 is equivalent
and commercial work with uniquely controlled perspectives. Auto filter eliminates color casting caused by reflected light.
to that of a 35mm-format lens with a focal length
aperture control is possible with electromagnetic diaphragm. Nano
about 2.7× longer.
Crystal Coat is employed to reduce ghost and flare effects.

* Based on CIPA Standard. This value is achieved when attached to a DX-format digital Maximum reproduction ratio: 0.50×
SLR camera. Filter-attachment size: 77 mm
48 49
NIKKOR TECHNOLOGY
Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest to create
the finest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of actual shooting situa-
tions, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.
Aspherical ED glass Aspherical lens PF (Phase Fresnel) lens Nano Crystal Coat
Using ED (Extra-low Dispersion) glass that successfully minimizes This type of lens utilizes non-spherical Conceptual image of The PF (Phase Fresnel) lens, developed by Originating from Nikon’s work in Reflected light
color fringing as a material, this type of lens features non- distortion correction Incident
surfaces on either one or both sides Nikon, effectively compensates chromatic semiconductor manufacturing light
spherical surfaces on one or both sides of the glass. It provides Conventional multilayer
of the glass in order to eliminate aberration utilizing the photo diffraction technology, NIKKOR’s Nano Crystal Coat coating
superior rendering capability by maximizing the advantages of certain types of lens aberration. These phenomenon*. It provides superior chromatic is an antireflective coating that employs Lens
both ED glass and an aspherical lens – effectively correcting aspherical elements are particularly aberration compensation performance when an extra-low refractive index coating
various lens aberrations such as lateral chromatic aberration, useful for correcting the distortion in combined with a normal glass lens. Compared featuring ultra-fine, nano-sized* crystal Without coating
coma flare at the periphery, as well as distortion and spherical wide-angle lenses. Such distortions to many general camera lenses that employ Conceptual image of the
particles. These crystallized particles
appearance of the PF (Phase
aberration. Adopted in the AF-S NIKKOR 24-70mm f/2.8E ED VR. are caused by variations in the an optical system using the photorefractive Fresnel) lens eliminate reflections inside the lens Incident
light Reflected light
magnification of the image, depending phenomenon, a remarkably compact and lightweight body can be throughout the spectrum of visible light
Image of aspherical ED glass Distortion is suppressed Nano Crystal Coat
on its distance from the optical axis. attained with less number of lens elements. waves (380 to 780 nm) in ways that
Aspherical ED glass: provides superior rendering capability by maximizing the advantages of Conceptual image of Lens
both ED glass and an aspherical lens Aspherical lens elements correct these spherical aberration A general interchangeable lens forms an image on an imaging far exceed the limits of conventional
ED glass: Enables the production of lenses that offer superior sharpness and color correction distortions by continuously changing correction
plane, using the photorefractive phenomenon. The degree of light antireflection coating systems. Nano
by minimizing chromatic aberration the refractive index from the center of refraction differs depending on the color (wavelength), and image Crystal Coat not only solves ghost Nano Crystal Coat
the lens. formation is performed in the order of blue (B), green (G), and effects caused by red light, which
Since the 1960s, Nikon engineers Spherical red (R) starting with the portion near the lens. The color deviation was incredibly difficult for previous
aberration
have established design theories and Normal lens referred to as chromatic aberration induces color bleeding, systems. It also effectively reduces
Secondary
spectrum
Secondary
spectrum
lens-processing techniques to refine resulting in a deterioration of observed or captured images. ghost and flare effects caused by
Normal glass ED glass the aspherical lens. In 1968, the OP light entering the lens diagonally. The (From left) Without coating, Nikon Super
With PF (Phase Fresnel) lenses, on the other hand, image Integrated Coating, Nano Crystal Coat
Fisheye-Nikkor 10mm f/5.6 became result: clearer images.
Aspherical lens: Virtually eliminates the problem of coma and other types of lens aberration formation is performed in the order of red (R), green (G), and blue
the first interchangeable SLR lens *One nanometer equals one millionth of a millimeter
Image Conceptual Image Conceptual Aspherical lens
(B) starting with the portion near the lens. By combining the PF
plane image plane image incorporating aspherical lens elements.
Refractive index is continuously (Phase Fresnel) lens with a refractive lens, chromatic aberration
Since then, aspherical lenses have changed from the center
can be effectively compensated.
been an important part of the NIKKOR
Focal
point
Spherical Focal
point
lens family, with every new addition to the lineup providing a new
*Diffraction phenomenon: Light has characteristics as a waveform. When a waveform faces
an obstacle, it attempts to go around and behind it, and this characteristic is referred to as
Nikon’s coating system utilizing fluorine
aberration
Normal lens Aspherical lens level of contrast, resolution and compact design. diffraction. Diffraction causes chromatic dispersion in the reverse order of refraction.
Hybrid aspherical lenses: made of a special plastic molded onto Nikon’s fluorine coat effectively repels dust, water droplets,
Chromatic aberration compensation with the PF (Phase Fresnel) lens
optical glass. grease or dirt, ensuring easy removal even when they adhere to
the lens surface. Thanks to Nikon’s original technology, it delivers
Molded glass aspherical lenses: manufactured by directly
higher durability and is more peel-resistant. Compared to other
ED glass / Super ED glass pressing optical glass into a high-precision aspherical mold.
manufacturers’ coating of a similar kind, fluorine coat endures
Refractive lens element a higher frequency of lens surface wiping and provides longer-
Nikon was the world’s first camera The longer the wavelengths,
duration staying power. Its anti-reflective effect also contributes
maker to develop ED (Extra-low the farther the focal point
Fluorite lens to the capture of clear images.
Dispersion) glass that could minimize
prism-caused color dispersion. This Secondary PF (Phase Fresnel) lens
low-dispersion ED glass also offers spectrum Fluorite is a monocrystal optical material that features a high Mutual cancellation compensates
chromatic aberration
Normal glass transmission rate within both the infrared and ultraviolet zones.
anomalous dispersion characteristics PF (Phase Fresnel) lens element
like calcium fluoride crystals, which With its superb anomalous dispersion properties, fluorite intense- The shorter the wavelengths,
the farther the focal point
consequently minimize the secondary ly blocks the secondary spectrum in order to effectively correct Static contact angle: 110˚ Static contact angle: 40˚
White light Blue Green Red
spectrum. For lenses using normal chromatic aberration within the visible light spectrum – some- With flourine coat Without coating
optical glass, the longer the focal Secondary thing that is more difficult to achieve at longer focal lengths. It
spectrum
length, the more difficult it is to correct is also significantly lighter than optical glass, giving you a more [Note]
ED glass Due to the characteristics of a PF (Phase Fresnel) lens that utilizes the photo diffraction
the chromatic aberration that causes effective lens with less weight. phenomenon, when there is a strong light source within the frame or when light enters the
lens from outside of the frame, ring-shaped colored flare may occur according to shooting
color fringing. Nikon’s ED glass, which conditions. This phenomenon can be minimized with “PF Flare Control” included in Capture
effectively compensates for this kind NX-D. Refer to the software manual for more information. Capture NX-D is available from
our website. Please download and use the latest version.
of chromatic aberration, is employed High Refractive Index lens
Secondary
in a wide range of NIKKOR telephoto spectrum Comparison images of PF Flare Control effect
lenses for superior reproduction. Super ED glass
With a refractive index of more than 2.0, one HRI lens can offer
Nikon has also developed Super ED
effects equivalent to those obtained with several normal glass
glass featuring even lower dispersion properties and extremely
elements and can compensate for both field curvature and
high performance in eliminating the secondary spectrum, to
spherical aberrations. Therefore, HRI lenses achieve great optical
minimize chromatic aberration even further, as well as other lens
performance in an even more compact body.
aberrations.
Original image PF Flare Control applied
50 51
NIKKOR TECHNOLOGY
Vibration Reduction (VR) Silent Wave Motor M/A (manual-priority auto) mode
With NIKKOR’s Vibration Reduction system, camera shake Nikon’s original Silent Wave Motor (SWM) converts “traveling Simply by rotating a focus ring, M/A mode allows you to switch
information is detected by the VR sensor of the VR lens unit, waves” into rotational energy to drive the optics used for from autofocus to manual with virtually no time lag. This makes
which is continually in motion inside the lens, aligning the optical focusing. The two SWM lens types – ring type and compact type it possible to seamlessly switch to fine manual focusing while
axis with your camera’s imaging sensor, thereby reducing image – are specifically chosen to match each lens’s specs and design. looking through the viewfinder.
blur. By providing the equivalent of shooting at shutter speeds up Any AF-S NIKKOR lens featuring these SWMs delivers extremely
to 4.5 stops* faster, the system helps you achieve sharper shots smooth, quiet and comfortable auto focusing for both general
A/M (auto-priority manual) mode
when shooting sports scenes, dimly lit landscapes and handheld shooting as well as
situations. VR off VR on extreme situations, This mode also enables an easy transition
such as sports and from autofocus to manual during AF operation.
wildlife. However, mode switch sensitivity has been
In-lens blur correction for clearer viewfinder image Panning detection for moving subjects
altered to reduce the possibility of sudden
Nikon’s Vibration Reduction (VR) VR lens unit For a panning shot in which
unintentional switching to manual focus while
function is built into the lens. Unlike subject movement needs to be
shooting.
with in-camera systems, your Image sensor
emphasized, Nikon’s VR detects
camera’s sensor does not move with Direction of movement
camera movement for panning, SWM Compact SWM
VR, thereby giving you a steadier automatically suppressing the A-M mode ring/lever/switch
VR mechanism
view through the viewfinder and eliminating the blur blur-correction function. For a
AF-P lens/Stepping Motor
you would see in the image itself. A clear view makes it easier to horizontally moving subject, Thanks to a mechanism incorporated in the lens barrel, smooth
confirm your composition and place your focus point accurately. only vertical blur is corrected. An AF-P lens that employs an STM (stepping motor) for driving focusing operation in Manual focus mode is realized in the same
With VR lenses employing Active mode, choose Normal mode for the AF. Motor operation is synchronized with pulse electric way as users have become accustomed to with conventional
Optimization in every lens panning shots. power, rotating one step per electric pulse. It offers high manual-focus lenses by adding an appropriate torque to the
• Refer to page 54 for VR lenses with Active mode.
Consider, for example, the special situation of using a micro lens to response and controllability for starting and stopping, and its focus ring. The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II,
shoot extreme close-ups of a flower where the photographer is in simple mechanical structure allows for extremely quiet operation. AF-S DX Zoom-Nikkor 18-55 mm f/3.5-5.6G ED II and AF-S DX
a crouching position. This shooting scenario deserves its own VR Tripod vibration reduction function Useful for video shooting and other times when operational noise Nikkor 55-200mm f/4-5.6G ED VR II are equipped with A-M
parameters, so Nikon conducted over 10,000 shooting tests to refine This function automatically differentiates the frequency of the from the lens is a concern. mode switch, and the focus ring on these lenses rotate during
unique algorithms for each VR lens type. Yet another reason why the vibration from that of camera shake, and changes the algorithm to autofocus.
vibration reduction system is built inside the lens. correct image blur caused by slight tripod vibration.
• Refer to page 54 for VR lenses with this function.
Dual algorithm
Three VR modes selectable n Nikon Super Integrated Coating n D Signal – Distance information output n Rounded Diaphragm
Looking through a fully blur-corrected viewfinder for long periods
according to shooting situations Nikon’s exclusive multilayer lens coating capability When shooting with an ordinary diaphragm,
of time may cause feelings similar to motion sickness in some
photographers. To prevent this, Nikon developed an exclusive Normal mode achieves high transmittance in a wider The D stands for Distance. Subject-to- blurry, polygon-shaped spots are likely to
algorithm utilized when the shutter release button is half-pressed. Normal mode is recommended for most general scenes. In this wavelength range. Even for zoom lenses camera distance information is obtained appear in images of scenes that include
This first algorithm controls the blur correction at a slightly lower mode, slow and wide camera movement is regarded as the with a large number of glass elements, with an internal encoder, which is linked to point light sources such as street lamps
level than usual. When the shutter release button is fully pressed, a photographer recomposing a shot and blur-correction operation is
this coating system effectively reduces the lens focus ring. This information is then or holiday lighting at night. A rounded
second algorithm engages to maximize camera shake compensation limited accordingly. Normal mode also includes automatic panning
the ghost and flare effects that are likely transmitted to the camera body for high- diaphragm is achieved by using specialized
during exposure for clear images. detection.
to occur in backlit situations, helping you precision exposure control found in 3D Color blades for a beautiful and naturally round
Active mode
achieve high-contrast images with rich Matrix Metering II/III and i-TTL Balanced Fill- shape for out-of-focus objects.
Centering prior to exposure When shooting from a moving vehicle or other unstable position,
gradation. With outstanding color balance Flash. Every AF, AF-S, PC and PC-E series
The instant the shutter is released, the VR lens unit will reset to a the lens can sometimes misinterpret camera movement or a
photographer’s intentions. In this case, choose Active mode for and reproduction capability, superb optical lens has a distance signal built in. n Internal Focusing
central position (optical axis) from an off-centered position which is
further compensation, a more stable viewfinder image and even performance can be achieved. Ghost and With this focusing method, all the lens
the result of VR operation. Although the shift range of the VR lens
steadier shots. flare effects caused by internal reflections n E-type lenses elements are divided into front, middle and
unit is limited, centering of the lens ensures uniform shift in any
direction, maximizing the VR effect as well as optical performance.
• Refer to page 54 for VR lenses with Active mode. particular to digital cameras are also An electromagnetic diaphragm mechanism rear groups, with only the middle group
effectively minimized. This coating system is incorporated inside the body of these moving to focus.
Sport mode
High blur-correction performance is applied to all current lenses in the lenses and controlled via electronic signals
Sport mode is particularly effective
It is said that a shutter Degree for shooting sports because natural NIKKOR lineup. from the camera body. This gives you n Rear Focusing
VR OFF VR ON (4.5 stops)
of blur
speed of 1/[focal length finder image can be reliably provided incredibly accurate aperture control, even With Nikon’s Rear Focusing (RF) system, all
(mm)] second or slower even when tracking randomly moving n Meniscus Protective Glass when a teleconverter is being used with a the lens elements are divided into specific
may cause image blur, subjects. This is also achieved when tracking subjects with handheld NIKKOR’s exclusive protective glass for super-telephoto lens*. lens groups, with only the rear lens group
however, this cannot panning or even during movie recording. A more stable finder image lenses comes attached to the front of *Some limitations apply moving for focusing.
be applied to every 1/500 1/250 1/125 1/60 1/30 1/15 1/8
Shutter speed [s] is attained when utilizing a monopod or a tripod. For shooting still fast super-telephoto lenses. Normal flat
situation because 1/6
subjects, Normal mode that offers a higher blur-correction effect is n G-type lenses
protective glass lets incoming light reflect n Close-Range Correction system
there are differences in Effect: 4.5 stops recommended.
off the surface of the image sensor or film, For this type of lens, apertures are always The Close-Range Correction (CRC)
photographers’ skill and lens/camera performance. For this reason,
especially under a strong light source such selected from the camera body, as there is system is one of Nikon’s most important
Nikon’s engineers compared an image with VR on and another
without VR based on CIPA Standard. As a result, the VR effect as a spotlight. This then reflects again off no aperture ring on the lens itself. Through focusing innovations, because it provides
providing the equivalent of a shutter speed up to 4.5 stops* faster is the protective glass, resulting in a ghost the powerful control of diaphragm blades, superior picture quality when shooting at
confirmed. This allows photographers to use slower shutter speeds *Based on CIPA Standard. The value is achieved when: DX-format lenses are effect. NIKKOR’s curved meniscus glass stable high-speed continuous shooting is close distances, increasing your focusing
attached to a DX-format digital SLR camera, FX-format compatible lenses are
than would otherwise be possible for taking sharp images with attached to an FX-format digital SLR camera, and zoom lenses are set at the dramatically reduces this re-reflected light, enabled, even at smaller apertures*. range. With CRC, the lens elements
minimal blur, expanding photographic expression. maximum telephoto position. For VR effect in stops with each lens, refer to page 54. realizing clearer images with less ghosting. *Some limitations apply
are configured in a “floating element”
design wherein each lens group moves
independently to achieve focusing.
52 53
SPECIFICATIONS
Lens Angle of view Angle of view Vibration Reduction (VR) When using the D5000 series and
Number of Minimum Maximum Filter- D3000 series, autofocusing is
construction with with Focusing Tripod diaphragm Minimum Weight Diameter x length Lens cap
Lens name focus distance reproduction attachment size Lens hood*5 Lens case
[groups/ FX-format DX-format System*1 Effect in VR mode vibration f-stop [g/oz] [mm/in.] *4 type possible only with AF-S or AF-I
stops*2 blades [m/ft] *3 ratio[x] [mm]
elements] cameras cameras reduction lenses that have the motor built-in.
■ WIDE-ANGLE ZOOM NIKKOR LENSES
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED 9/14 — 109˚-61˚ IF 7 22-29 0.24/0.8 (0.22/0.7)*6 0.19 460/16.2 82.5 x 87/3.2 x 3.4 77 Snap-on HB-23 (provided) CL-1118 (provided)
*1 With the IF (Internal Focusing) system,
the shorter the shooting distance,
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED 7/11 — 99˚-61˚ IF 7 22 0.3/1 0.12 465/16.4 82.5 x 90/3.2 x 3.5 77 Snap-on HB-23 (provided) CL-S2 (optional)
the shorter the focal length becomes
AF-S NIKKOR 14-24mm f/2.8G ED 11/14 114˚-84˚ 90˚-61˚ IF 9 22 0.28/0.92*9 0.14 970/34.2 98 x 131.5/3.9 x 5.2 — Slip-on Built-in CL-M3 (provided)
because of its optical characteristics.
AF-S NIKKOR 16-35mm f/4G ED VR 12/17 107˚-63˚ 83˚-44˚ IF 2.5 Normal 9 22 0.28/0.9*10 0.24 680/24.0 82.5 x 125/3.2 x 4.9 77 Snap-on HB-23 (provided) CL-1120 (provided)
*2 Based on CIPA Standard. This value is
AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED 10/13 104˚-62˚ 79˚-44˚ IF 9 22 0.28/0.9 0.21 745/26.3 82.5 x 106/3.2 x 4.2 77 Snap-on HB-23 (provided) CL-76 (provided)
achieved when: DX-format lenses are
AF-S NIKKOR 18-35mm f/3.5-4.5G ED 8/12 100˚-63˚ 76˚-44˚ IF 7 22-29 0.28/0.92 0.19 385/13.6 83 x 95/3.3 x 3.7 77 Snap-on HB-66 (provided) CL-1118 (provided)
attached to a DX-format digital SLR
■ NORMAL ZOOM NIKKOR LENSES camera, FX-format compatible lenses
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR 13/17 — 83˚-20˚ IF 4.0 Normal / Active √ 7 22-32 0.35/1.15 0.22 480/16.9 80 x 85.5/3.1 x 3.4 72 Snap-on HB-75 (provided) CL-1218 (optional) are attached to an FX-format digital
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR 11/17 — 83˚-18˚50' IF 3.5 Normal / Active 7 22-36 0.38/1.3 0.21 485/17.1 72 x 85/2.8 x 3.3 67 Snap-on HB-39 (provided) CL-1015 (provided) SLR camera, and zoom lenses are set
AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED 10/14 — 79˚-28˚50' IF 9 22 0.36/1.2*11 0.20 755/26.6 85.5 x 110.5/3.4 x 4.4 77 Snap-on HB-31 (provided) CL-1120 (provided) at the maximum telephoto position.
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR 9/12 — 76°-28°50’ IF 4.0 Normal 7 22-38 0.25/0.9 0.38 205/7.3 64.5 x 62.5/2.6 x 2.5 55 Snap-on HB-N106 (optional) CL-0815 (optional) *3 Minimum focus distance is the
AF-P DX NIKKOR 18-55mm f/3.5-5.6G 9/12 — 76°-28°50’ IF 7 22-38 0.25/0.9 0.38 195/6.9 64.5 x 62.5/2.6 x 2.5 55 Snap-on HB-N106 (optional) CL-0815 (optional) distance from a camera's focal plane
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II 8/11 — 76˚-28˚50' 4.0 Normal 7 22-36 0.28/0.92 (0.25/0.82)*6 0.30 (0.36)*6 195/6.9 66 x 59.5/2.6 x 2.3 52 Snap-on HB-69 (optional) CL-0815 (optional) mark to the subject.
AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR 11/15 — 76˚-15˚20' IF 3.5 Normal 7 22-38 0.45/1.5 0.20 420/14.8 76 x 89/3.0 x 3.5 67 Snap-on HB-32 (provided) CL-1018 (provided) *4 Distance from camera lens mount
AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR 12/17 — 76˚-11˚30' IF 4.0 Normal 7 22-38 0.45/1.48 0.23 490/17.3 78 x 97/3.1 x 3.8 67 Snap-on HB-32 (optional) CL-1018 (optional) flange.
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II 12/16 — 76˚-8˚ IF 3.5 Normal / Active 7 22-36 0.5/1.6 0.22 (0.5)*6 565/19.9 77 x 96.5/3.0 x 3.8 72 Snap-on HB-35 (provided) CL-1018 (provided) *5 Lens hood names indicate type: HB
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR 14/19 — 76˚-5˚20' IF 3.5 Normal / Active 9 22-32 0.45/1.48*12 0.31 830/29.3 83 x 120/3.3 x 4.7 77 Snap-on HB-58 (provided) CL-1120 (provided) (bayonet), HN (screw-on), HK (slip-on),
AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR 12/16 — 76˚-5˚20' IF 4.0 Normal 7 22-40 0.48/1.6 0.29 550/19.4 78.5 x 99/3.1 x 3.9 67 Snap-on HB-39 (optional) CL-1018 (optional) HS (snap-on) and HR (rubber screw-on).
AF-S NIKKOR 24-70mm f/2.8E ED VR 16/20 84˚-34˚20' 61˚-22˚50' IF 4.0 Normal / Active √ 9 22 0.38/1.25*13 (0.41/1.35)*14 0.28 1070/37.7 88 x 154.5/3.5 x 6.1 82 Snap-on HB-74 (provided) CL-M3 (provided) *6 Number in ( ) is for MF.
AF-S NIKKOR 24-70mm f/2.8G ED 11/15 84˚-34˚20' 61˚-22˚50' IF 9 22 0.38/1.2*13 0.26 900/31.7 83 x 133/3.3 x 5.2 77 Snap-on HB-40 (provided) CL-M3 (provided) *7 Number in ( ) is for macro setting.
AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR 11/16 84˚-28˚30' 61˚-18˚50' IF 4.0 Normal 7 22-29 0.38/1.25 0.22 465/16.4 78 x 82/3.1 x 3.2 72 Snap-on HB-63 (provided) CL-1118 (provided)
*8 Number in ( ) is for macro setting at
AF-S NIKKOR 24-120mm f/4G ED VR 13/17 84˚-20˚20' 61˚-13˚20' IF 3.5 Normal / Active 9 22 0.45/1.5 0.23 710/25 84 x 103.5/3.3 x 4.1 77 Snap-on HB-53 (provided) CL-1218 (provided) 85 mm telephoto end.
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR 14/19 75˚-8˚10' 53˚-5˚20' IF 3.5 Normal / Active 9 22-38 0.5/1.6 0.31 800/28.2 83 x 114.5/3.3 x 4.5 77 Snap-on HB-50 (provided) CL-1120 (provided)
*9 When in between 18-24 mm.
■ TELEPHOTO ZOOM NIKKOR LENSES *10 When in between 20-28 mm.
AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II 9/13 — 28˚50'-8˚ IF 4.0 Normal 7 22-32 1.1/3.7 0.23 300/10.6 70.5 x 83/2.8 x 3.3 52 Snap-on HB-37 (optional) CL-0915 (optional)
*11 When in 35 mm.
AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR 11/17 — 28˚50'-5˚20' 3.0 Normal 9 22-29 1.4/4.59 0.27 530/18.7 76.5 x 123/3.0 x 4.8 58 Snap-on HB-57 (provided) CL-1020 (provided)
*12 When in 300 mm.
AF-S NIKKOR 70-200mm f/2.8G ED VR II*15 16/21 34˚20'-12˚20' 22˚50'-8˚ IF 3.5 Normal / Active 9 22 1.4/4.6 0.11 1540 (1460)/54.3 (51.5)*16
87 x 205.5/3.4 x 8.1 77 Snap-on HB-48 (provided) CL-M2 (provided)
AF-S NIKKOR 70-200mm f/4G ED VR 14/20 34˚20'-12˚20' 22˚50'-8˚ IF 4.0 Normal / Active 9 32 1.0/3.28 0.27 850/30.0 78 x 178.5/3.1 x 7.0 67 Snap-on HB-60 (provided) CL-1225 (provided) *13 When in between 35-50 mm.
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED 12/17 34˚20'-8˚10' 22˚50'-5˚20' IF 2.5 Normal / Active 9 32-40 1.5/4.9 0.24 745/26.3 80 x 143.5/3.1 x 5.6 67 Snap-on HB-36 (provided) CL-1022 (provided) *14 When in 24, 28, 70 mm.
AF Zoom-Nikkor 80-200mm f/2.8D ED*15 11/16 30˚10'-12˚20' 20˚-8˚ 9 22 1.8/6 (1.5/4.9)*7 0.13 (0.17)*7 1300/45.9 87 x 187/3.4 x 7.4 77 Snap-on HB-7 (optional) CL-43A (provided) *15 Tripod mounting collar is provided.
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR*15 12/20 30˚10'-6˚10' 20˚-4˚ IF 4.0 Normal / Active √ 9 32-40 1.75/5.74 (1.5/4.92)*6 0.17 (0.19)*6 1570/55.4 95.5 x 203/3.8 x 8.0 77 Snap-on HB-65 (provided) CL-M2 (provided) *16 Number in ( ) is the weight without
AF-S NIKKOR 200-400mm f/4G ED VR II*15 17/24 12˚20'-6˚10' 8˚-4˚ IF 3.0 Normal / Active √ 9 32 2/6.6 (1.95/6.4)*6 0.26 (0.27)*6 3360/118.5 124 x 365.5/4.9 x 14.4 52 Slip-on HK-30 (provided) CL-L2 (provided) tripod mounting collar.
AF-S NIKKOR 200-500mm f/5.6E ED VR*15 12/19 12˚20'-5˚ 8˚-3˚10' IF 4.5 Normal / Sport √ 9 32 2.2/7.22 0.22 2300/81.1 108 x 267.5/4.3 x 10.5 95 Snap-on HB-71 (provided) CL-1434 (provided) *17 Use CL-0715 instead if you are using
■ FIXED FOCAL-LENGTH NIKKOR LENSES the lens hood HB-33.
AF Nikkor 14mm f/2.8D ED 12/14 114˚ 90˚ RF 7 22 0.2/0.66 0.15 670/23.6 87 x 86.5/3.4 x 3.4 Gelatin filter Slip-on Built-in CL-S2 (provided) *18 Close-Range Correction (CRC) system
AF-S NIKKOR 20mm f/1.8G ED 11/13 94˚ 70˚ RF 7 16 0.2/0.66 0.23 355/12.5 82.5 x 80.5/3.2 x 3.2 77 Snap-on HB-72 (provided) CL-1015 (provided) *19 Using shifting and/or tilting under
AF Nikkor 20mm f/2.8D*18 9/12 94˚ 70˚ 7 22 0.25/0.85 0.12 270/9.5 69 x 42.5/2.7 x 1.7 62 Snap-on HB-4 (optional) CL-S2 (optional) some conditions may cause
AF-S NIKKOR 24mm f/1.4G ED 10/12 84˚ 61˚ RF 9 16 0.25/0.82 0.18 620/21.9 83 x 88.5/3.3 x 3.5 77 Snap-on HB-51 (provided) CL-1118 (provided) vignetting.
AF-S NIKKOR 24mm f/1.8G ED 9/12 84˚ 61˚ RF 7 16 0.23/0.75 0.20 355/12.5 77.5 x 83/3.1 x 3.3 72 Snap-on HB-76 (provided) CL-1015 (provided)
AF Nikkor 24mm f/2.8D*18 9/9 84˚ 61˚ 7 22 0.3/1 0.11 270/9.5 64.5 x 46/2.5 x 1.8 52 Snap-on HN-1 (optional) CL-0715 (optional)
AF-S NIKKOR 28mm f/1.8G 9/11 75˚ 53˚ RF 7 16 0.25/0.82 0.21 330/11.6 73 x 80.5/2.9 x 3.2 67 Snap-on HB-64 (provided) CL-0915 (provided)
AF Nikkor 28mm f/2.8D 6/6 74˚ 53˚ 7 22 0.25/0.85 0.17 205/7.2 65 x 44.5/2.6 x 1.8 52 Snap-on HN-2 (optional) CL-0715 (optional)
AF-S NIKKOR 35mm f/1.4G 7/10 63˚ 44˚ RF 9 16 0.3/0.98 0.19 600/21.2 83 x 89.5/3.3 x 3.5 67 Snap-on HB-59 (provided) CL-1118 (provided)
AF-S NIKKOR 35mm f/1.8G ED 8/11 63˚ 44˚ RF 7 16 0.25/0.85 0.23 305/10.8 72 x 71.5/2.8 x 2.8 58 Snap-on HB-70 (provided) CL-0915 (provided)
AF-S DX NIKKOR 35mm f/1.8G 6/8 — 44˚ RF 7 22 0.3/0.98 0.16 200/7.1 70 x 52.5/2.8 x 2.1 52 Snap-on HB-46 (provided) CL-0913 (provided)
AF Nikkor 35mm f/2D 5/6 62˚ 44˚ 7 22 0.25/0.85 0.23 205/7.2 64.5 x 43.5/2.5 x 1.7 52 Snap-on HN-3 (optional) CL-0715 (optional)
AF-S NIKKOR 50mm f/1.4G 7/8 46˚ 31˚30' 9 16 0.45/1.5 0.14 280/9.9 73.5 x 54/2.9 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided)
AF Nikkor 50mm f/1.4D 6/7 46˚ 31˚30' 7 16 0.45/1.5 0.14 230/8.1 64.5 x 42.5/2.5 x 1.7 52 Snap-on HR-2 (optional) CL-0715 (optional)
AF-S NIKKOR 50mm f/1.8G (Special Edition) 6/7 47˚ 31˚30' 7 16 0.45/1.48 0.15 190/6.7 73 x 52.5/2.9 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided)
AF-S NIKKOR 50mm f/1.8G 6/7 47˚ 31˚30' 7 16 0.45/1.48 0.15 185/6.5 72 x 52.5/2.8 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided)
AF-S NIKKOR 58mm f/1.4G 6/9 40˚50' 27˚20' 9 16 0.58/1.9 0.12 385/13.6 85 x 70/3.3 x 2.8 72 Snap-on HB-68 (provided) CL-1015 (provided)
AF-S NIKKOR 85mm f/1.4G 9/10 28˚30' 18˚50' IF 9 16 0.85/2.79 0.11 595/21.0 86.5 x 84/3.4 x 3.3 77 Snap-on HB-55 (provided) CL-1118 (provided)
AF-S NIKKOR 85mm f/1.8G 9/9 28˚30' 18˚50' IF 7 16 0.8/2.62 0.12 350/12.3 80 x 73/3.1 x 2.9 67 Snap-on HB-62 (provided) CL-1015 (provided)
AF DC-Nikkor 105mm f/2D 6/6 23˚20' 15˚20' RF 9 16 0.9/3 0.13 640/22.6 79 x 111/3.1 x 4.4 72 Snap-on Built-in CL-38 (optional)
AF DC-Nikkor 135mm f/2D 6/7 18˚ 12˚ RF 9 16 1.1/4 0.13 815/28.7 79 x 120/3.1 x 4.7 72 Snap-on Built-in CL-38 (optional)
AF-S NIKKOR 200mm f/2G ED VR II*15 9/13 12˚20' 8˚ IF 3.0 Normal / Active √ 9 22 1.9/6.2 0.12 2930/103.4 124 x 203.5/4.9 x 8.0 52 Slip-on HK-31 (provided) CL-L1 (provided)
AF-S NIKKOR 300mm f/2.8G ED VR II*15 8/11 8˚10' 5˚20' IF 3.0 Normal / Active √ 9 22 2.3/7.5 (2.2/7.2)*6 0.15 (0.16)*6 2900/102.3 124 x 267.5/4.9 x 10.5 52 Slip-on HK-30 (provided) CL-L1 (provided)
AF-S NIKKOR 300mm f/4E PF ED VR*15 10/16 8˚10' 5˚20' IF 4.5 Normal / Sport √ 9 32 1.4/4.6 0.24 755/26.6 89 x 147.5/3.5 x 5.8 77 Snap-on HB-73 (provided) CL-M3 (provided)
AF-S Nikkor 300mm f/4D IF-ED*15 6/10 8˚10' 5˚20' IF 9 32 1.45/4.8 0.24 1440 (1300)/50.8 (45.9)*16 90 x 222.5/3.5 x 8.8 77 Snap-on Built-in CL-M2 (provided)
AF-S NIKKOR 400mm f/2.8E FL ED VR*15 12/16 6˚10' 4˚ IF 4.0 Normal / Sport √ 9 22 2.6/8.5 0.27 3800/134.0 159.5 x 358/6.3 x 14.1 40.5 Slip-on HK-38 (provided) CT-405 (provided)
AF-S NIKKOR 500mm f/4E FL ED VR 12/16 5˚ 3˚10' IF 4.0 Normal / Sport √ 9 22 3.6/11.9 0.15 3090/109.0 140 x 387/5.5 x 15.2 40.5 Slip-on HK-34 (provided) CT-505 (provided)
AF-S NIKKOR 600mm f/4E FL ED VR 12/16 4˚10' 2˚40' IF 4.0 Normal / Sport √ 9 22 4.4/14.4 0.14 3810/134.4 166 x 432/6.5 x 17.0 40.5 Slip-on HK-40 (provided) CT-608 (provided)
AF-S NIKKOR 800mm f/5.6E FL ED VR*15 13/20 3˚10' 2˚ IF 4.5 Normal / Active √ 9 32 5.9/19.36 (5.8/19.03)*6 0.15 (0.15)*6 4590/161.9 160 x 461/6.3 x 18.1 52 Slip-on HK-38 (provided) CT-801 (provided)
■ SPECIAL-PURPOSE NIKKOR LENSES
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED*18 7/10 — 180˚ 7 22 0.14/0.46 0.20 305/10.8 63 x 62.5/2.5 x 2.5 Gelatin filter Slip-on Built-in CL-0715 (provided)
AF Fisheye-Nikkor 16mm f/2.8D*18 5/8 180˚ 107˚ 7 22 0.25/0.85 0.09 290/10.2 63 x 57/2.5 x 2.2 Rear-attachment type Slip-on Built-in CL-0715 (optional)
AF-S DX Micro NIKKOR 40mm f/2.8G*18 7/9 — 38˚50' 7 22 0.163/0.53 1.00 235/8.3 68.5 x 64.5/2.7 x 2.5 52 Snap-on HB-61 (provided) CL-0915 (provided)
AF-S Micro NIKKOR 60mm f/2.8G ED 9/12 39˚40' 26˚30' IF 9 32 0.185/0.6 1.00 425/15.0 73 x 89/2.9 x 3.5 62 Snap-on HB-42 (provided) CL-1018 (provided)
AF Micro-Nikkor 60mm f/2.8D*18 7/8 39˚40' 26˚30' 7 32 0.219/8 3/4 in. 1.00 440/15.5 70 x 74.5/2.8 x 2.9 62 Snap-on HN-22 (optional) CL-0815 (optional)
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR 10/14 — 18˚50' IF 3.0 Normal 9 32 0.286/0.9 1.00 355/12.5 73 x 98.5/2.9 x 3.9 52 Snap-on HB-37 (provided) CL-1018 (provided)
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED 12/14 23˚20' 15˚20' IF 3.0 Normal 9 32 0.314/1 1.00 750/26.5 83 x 116/3.3 x 4.6 62 Snap-on HB-38 (provided) CL-1020 (provided)
AF Micro-Nikkor 200mm f/4D IF-ED*15*18 8/13 12˚20' 8˚ IF 9 32 0.5/1 5/8 1.00 1190/42.0 76 x 193/3.0 x 7.6 62 Snap-on HN-30 (optional) CL-45 (provided)
PC-E NIKKOR 24mm f/3.5D ED*19 10/13 84˚ 61˚ RF 9 32 0.21/0.75 0.36 730/25.7 82.5 x 108/3.2 x 4.3 77 Snap-on HB-41 (provided) CL-1120 (provided)
PC-E Micro NIKKOR 45mm f/2.8D ED*18*19 8/9 51˚ 34˚50' 9 32 0.253/0.83 0.50 740/26.1 82.5 x 112/3.2 x 4.4 77 Snap-on HB-43 (provided) CL-1120 (provided)
PC-E Micro NIKKOR 85mm f/2.8D*18*19 5/6 28˚30' 18˚50' 9 32 0.39/1.3 0.50 635/22.4 83.5 x 107/3.3 x 4.2 77 Snap-on HB-22 (provided) CL-1120 (provided)
54 55
I AM 95 MILLION
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. March 2016 2016 Nikon Corporation
TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT.
WARNING
SOME DOCUMENTS CAN BE DOWNLOADED FROM downloadcenter.nikonimglib.com.
Nikon Singapore Pte Ltd 23 Church Street, Unit #13-07, Capital Square, Singapore, 049481 www.nikon.com.sg
Nikon Hong Kong Ltd. Suite 1001, 10F, Cityplaza One, 1111 King's Road, Taikoo Shing, Hong Kong www.nikon.com.hk
Nikon (Malaysia) Sdn. Bhd. 11th Floor, Block A, Menara PKNS, No. 17, Jalan Yong Shook Lin, 46050 Petaling Jaya, Selangor Darul Ehsan, Malaysia www.nikon.com.my
Nikon Australia Pty Ltd. Suite 501, Level 5, 5 Rider Boulevard, Rhodes, NSW 2138, Australia www.nikon.com.au
Nikon India Private Limited Plot No. 71, Sector 32, Institutional Area, Gurgaon 122001, Haryana, India (CIN-74999HR2007FTC036820) www.nikon.co.in
Nikon Sales (Thailand) Co., Ltd. 1 Empire Tower, 45th Floor, River Wing East, South Sathorn Rd, Yannawa, Sathorn, Bangkok 10120, Thailand www.nikon.co.th
Nikon Middle East FZE Level 4, The Galleries Bldg. 2, Downtown Jebel Ali, P.O. Box 261908, Dubai, UAE www.nikon-me.com
PT Nikon Indonesia 35th Floor, Wisma 46 - Kota BNI, Jl. Jend. Sudirman Kav.1, Jakarta, 10220, Indonesia www.nikon.co.id
NIKON CORPORATION Shinagawa Intercity Tower C, 2-15-3, Konan, Minato-ku, Tokyo 108-6290, Japan www.nikon.com
Printed in China Code No. NSG-EA-SGP-NIKKOR-BOOK (1603/A)K

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AF-S NIKKOR 16-35mm f/4G ED VR

Fixed focal length

Fixed focal length

AF-S NIKKOR 18-35mm f/3.5-4.5G ED

Lens construction: 14 elements in 11 groups Lens construction: 13 elements in 10 groups

AF-S NIKKOR 24-120mm f/4G ED VR

Lens construction: 17 elements in 11 groups Lens construction: 14 elements in 10 groups

Fixed focal length

AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR

Fixed focal length

Remarkably compact and light, New-category

Fixed focal length

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Lens construction: 13 elements in 9 groups

Fixed focal length

AF-S NIKKOR 20mm f/1.8G ED

Lens construction: 16 elements in 11 groups

Fixed focal length

Accessories: Hood HB-7 (optional) / Case CL-43A

AF-S NIKKOR 20mm f/1.8G ED

AF-S NIKKOR 24mm f/1.4G ED

Lens construction: 14 elements in 12 groups Lens construction: 9 elements in 9 groups

Fixed focal length

AF-S DX NIKKOR 35mm f/1.8G

AF-S NIKKOR 24mm f/1.8G ED

AF-S NIKKOR 35mm f/1.4G

Fast f/1.8 wide-angle lens with exquisite sharpness and

Lens construction: 6 elements in 5 groups Lens construction: 8 elements in 7 groups

Fixed focal length

Fixed focal length

AF-S NIKKOR 300mm f/4E PF ED VR

Fixed focal length

AF-S NIKKOR 800mm f/5.6E FL ED VR

AF DC-Nikkor 135mm f/2D

This highly regarded professional super-telephoto lens is now

Fixed focal length

Fixed focal length

AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

Lens construction: 8 elements in 7 groups

PC-E NIKKOR 24mm f/3.5D ED AF-S Teleconverters

Lens construction: 13 elements in 10 groups

Minimum focus distance: 0.21 m/0.75 ft

bayonet hoods cannot be used). having 62 mm-sized front

n Slip-in Circular Polarizing Filter

Lens construction: 6 elements in 5 groups

Original image PF Flare Control applied

Printed in China Code No. NSG-EA-SGP-NIKKOR-BOOK (1603/A)K

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