This document contains 3 poems by Walt Whitman:
1. "Kosmos" discusses the all-encompassing nature of the universe and humanity's place within it.
2. "Song of the Open Road" celebrates freedom and independence as the speaker travels unencumbered down the open road before him.
3. "Whoever You Are Holding Me Now in Hand" warns potential followers that embracing the speaker requires abandoning all else and being his sole standard, with an uncertain outcome.
This document contains 3 poems by Walt Whitman:
1. "Kosmos" discusses the all-encompassing nature of the universe and humanity's place within it.
2. "Song of the Open Road" celebrates freedom and independence as the speaker travels unencumbered down the open road before him.
3. "Whoever You Are Holding Me Now in Hand" warns potential followers that embracing the speaker requires abandoning all else and being his sole standard, with an uncertain outcome.
This document contains 3 poems by Walt Whitman:
1. "Kosmos" discusses the all-encompassing nature of the universe and humanity's place within it.
2. "Song of the Open Road" celebrates freedom and independence as the speaker travels unencumbered down the open road before him.
3. "Whoever You Are Holding Me Now in Hand" warns potential followers that embracing the speaker requires abandoning all else and being his sole standard, with an uncertain outcome.
Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the great charity of the earth and the equilibrium also, Who has not look’d forth from the windows the eyes for nothing, or whose brain held audience with messengers for nothing, Who contains believers and disbelievers, who is the most majestic lover, Who holds duly his or her triune proportion of realism, spiritualism, and of the æsthetic or intellectual, Who having consider’d the body finds all its organs and parts good, Who, out of the theory of the earth and of his or her body understands by subtle analogies all other theories, The theory of a city, a poem, and of the large politics of these States; Who believes not only in our globe with its sun and moon, but in other globes with their suns and moons, Who, constructing the house of himself or herself, not for a day but for all time, sees races, eras, dates, generations, The past, the future, dwelling there, like space, inseparable together.
Song of the Open Road
WALT WHITMAN
1 Afoot and light-hearted I take to the open road, Healthy, free, the world before me, The long brown path before me leading wherever I choose.
Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing, Done with indoor complaints, libraries, querulous criticisms, Strong and content I travel the open road.
The earth, that is sufficient,
I do not want the constellations any nearer, I know they are very well where they are, I know they suffice for those who belong to them.
(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go, I swear it is impossible for me to get rid of them, I am fill’d with them, and I will fill them in return.)
Whoever You Are Holding Me Now in Hand
WALT WHITMAN
Whoever you are holding me now in hand,
Without one thing all will be useless, I give you fair warning before you attempt me further, I am not what you supposed, but far different. Who is he that would become my follower? Who would sign himself a candidate for my affections?
The way is suspicious, the result uncertain, perhaps destructive,
You would have to give up all else, I alone would expect to be your sole and exclusive standard, Your novitiate would even then be long and exhausting, The whole past theory of your life and all conformity to the lives around you would have to be abandon’d, Therefore release me now before troubling yourself any further, let go your hand from my shoulders, Put me down and depart on your way.
Or else by stealth in some wood for trial,
Or back of a rock in the open air, (For in any roof’d room of a house I emerge not, nor in company, And in libraries I lie as one dumb, a gawk, or unborn, or dead,) But just possibly with you on a high hill, first watching lest any person for miles around approach unawares, Or possibly with you sailing at sea, or on the beach of the sea or some quiet island, Here to put your lips upon mine I permit you, With the comrade’s long-dwelling kiss or the new husband’s kiss, For I am the new husband and I am the comrade.
Stopping by Woods on a Snowy Evening by Robert Frost
Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.