‘Other vu the Regents Cte Sais in print are: Ju Cord Fon alte by Walter. Weight ital Wings of Fd Mass Fd aie ty Feank MacShane mary Cito of Gage Hey Les ‘Eel hy Abe R. Kany itary Ci of ede Poe ‘ied by Berean A. oldgar ity ition of Edt las Boe aid ty Robert Le Hogs itary Cri of Wi Wordrte aie hy Paul MZ 700.18. 38.478 Russian Formalist Criticism Four Essays Translated and veith an Itrduction by Lee T. Lemon and Marion J. Reis UNIVERSITY OF NEBRASKA PRESS LINCOLN‘Copyright 1965 by the University of Nebraska Pre Al Rigs Recoed Library of Congr Catalog card number 65-2899 Regents Critics Series “The Regents Critics Seri provides reading text of sgniicant teary eres in the Western tation. Thesers east as ‘Toe tol an inode the exe's ova petry and prone irhctna pct or awa nodacion to her woo nis hy if heise jue than cat, Nowhere ets regarded asa feline bt ae wait e—a means wo the understanding ofthe FEmguage of arta his exited and been understood in various eta ad acetic ach volume incl scholrly induction which deeribes ton the work calle come tobe writen, and sogest is wee. [Aten are ete inthe mon coerativ son consonant with the predocan of = gow seing text and all translated texts Clete the dct that the eter gives and thespiritils when (ecicl r rigrows passe i being put into Eas, Other {peso pases maybe more ely tate, Footnoting and ther 2RShayporapbernti ave rested tothe exe minim, Such fatues sa tiblogpical heli are ented hese they fre appropine wo the work in ad If volume the fist ellec ‘Son ee ati’ eal wring, hinted in the bibliog Pau A. Ons University of NebraskaSTOR SHKLOVSKYActas Technique car Sik is cain the mot rate and Proll he max inj of he oa te. Arr amber of he ro had ha se saton of ile! gai, comet, nd thecal esi repue of «prego ge ey yas of mo M1 Fak she (Te Thr of Paral td), Sis teed mt fhe fandanental of Porat hry, was fin the fo 0 (ie ren, a rey ited toads ion. He se tayo std hom separa to shu ike TB. Heo STS, Bhs he wast of te Hn of sant hat ie mae Sls of a eet ind oar oo atk, Bab th mois al the as lear forth aris and bse {5s en toad th Reson Rein es sl cpl! be tof te ta the Pras atone comm. By 236 b a ping oe nn mia ity fre; is ko ‘hie 920 oer Wr a Peace oh! fo rae Forth ih cts Tay rene and hens 5 ete? Iie Tesia™ (1917) ithe inp! ste maf ely mast mtd, oly en me ro ih the othr haps ibe a ht fine and ha a, ad rly ec tof yt eto icin nd he pure of te agp we ened he Forma? guar Pbys i {fal tm nei api re Slay tthe Sas dof aight int in ia and hal Tp tn rem the ween ot fen haba acendt) the ken Tht te ws aed wit hich lie Sot nn Say", ig LN La Noffs it inital pial, esis rina, at ‘Sty point ot T on vl fe Wieder eer nnd pa et oe: ecliptic it asl bras eee hel heft iy camer From the dept id ine ad ate end of is mt, Words esos Pas Trine mage tke afin tat ype I had fe hd hinge ret fr hah hing ed fo. TF Page dsrian of ti, date oh hotly ond ral “Ih ine the Formals ed it or a sald dite Aire betes usar wad rate mre Jenly 0 Sly thon had bo ne ah tat oda he soe fat the rs of trate Si ap of "fearctin’ dat t {ns spent sri scr, fe py hed Paya de ne Sis aren, se, ta the abil a of (Maing io mate te wf dy ese pul, Normal ‘esto ae “ott” hc cae ay of ying aye ‘mois Peis nit, rly «mat of argo Tine he vl aed ede on ante fore wil tev ae vt the rat soph eos, er mors, ‘na dis, ano, th «mim sn fir. Ertl, ‘Comayeeret ppt itcal lg a eect ‘em he odin ba fsa he ks Ue When ding ‘nary rare hy ni hatching rang if ead aso toting the iil mond a rd The fff at song to ‘Shy i fee mt Sis pr al aot, (dlp aay of tig oie no ea all ‘Satin tutes The" 4 may of exyeriencing the al fat an jects the eit important Te aj i ott bn ot he nt a ae iY ating aie St the on at ma Bt Be” “Ps th plot th merit offing i tons ba oe tha neha Sis ton 3 morse than pent ul adit. To he tl wrk of ar con be essed hint Thats ikeany tet, maya te ane ha ny et moms hy oer oe advantage ds pal for prep fr tating ond ling stein. ‘Thus i ately ar nig i foes an xr of meng apo th rnd Ath ‘Stary ot fle ti dit win te vg of i hey hou ny. He pfs aga cs 1. Richard, that ovens on nde th the go i eff ma fal cert ‘Fen ta pao Reh ad sae Sy, the ‘dof and ees for ht aes “eign, th ch ei fo romsing sc peti sagas ss ach dee re taal By ny mn fds A ma ui of ie SM i a oe ure rade preci by mig the fir me eae. Wary, ‘Tteciy aed ithe i of puch cn al hae these (Gor No ing ty, tensa pty. Pry 1 eid ma ‘Se prom e vei Kad font of ag, ais ml, rota by abit fo ae manok wih extol igh lel fers. “ses thinking in image" This maim, which even hgh school suena prot mevertnlew the starting pont fr the erudite flog wis begining to pt together some Kind of systematic Ferry tory. he iden, gia in par by Poebya hase, "Without imagery there to at and in pariular wo poetry,” Potcnya write And chewhere, “Poetey aswell pros, ss fd fren pel way a inking and knowing" ‘octy tra special way of thinking I precy, a way of von in imate way which permis wat genera elle corny a onal efi, wy whic rakes fot“ eration of the lave cae ofthe pce” Aaa eling the reaction 51.8. Ri Sia Ft 25 ein in iin itn ii ei i ig Mh a “sia meg Yen rm to Me The of eu rn 8) 98‘hiecnomy. This tow the academician Ovyano-Kulorsy ho undoubedly rad the works of Potbnya attentively, slimes Cevtuinly dersood and italy sumarieed the eas of is teacher Povey and hit mumerour dies conser poetry a Special Kd of hinking—‘tiing by seats of images they te thar the purpose of imagery ito help chanel vasou objec and tetivies inte groupe and lary the unknown by eats ofthe ‘ys wera ut mt eam te i woul be intracsive tory apply thi principe to yates ‘omparton of sue ligtang toda and dumb demos of Gage compar the sy othe garment of Co ‘Without imagery thee an at? "Are tng in images” “These mani have led to faretched interpretations af nial rods of arts Atemp have been made to evahate even moe reditetre; and te petry ae nage thought Aer quater ta century atach aempa Oviyani-Klioky Bally had ‘Ssgnyrie petty, etre, ad ent x pei eatery of CoE eet inte sale ype coon: he nage art alto define them are ats appealing directly 1 thcemotns, And this Be admit an enrmour area ar wich tet oho A par a his ate, ye por arom onsiered) pte te the vial art it ao vera Bat, mach ‘more mporiant visual art pases quite imperceptibly into novia ty yet aur perceptions of both ae sia, ‘everest dfn "Ae I thinking 3 age” whieh enn (omit he walle tee o the argument) tha ts the making of sy as seived the dowatl of the theory ‘which suport Te ruvves cel i the wake of Symbolism, pecially among te eorsts othe Syl reverent speci ene "road al landseape’ an "rr and ou ‘desi the chit eharaceratic poetry. Camequen they ‘oud hove expected the history of magic ars" av they call Tito coms os ary of changes in imagery. But we Bid that nme change ie; om etry a century, om nation ation, from ptt pot, they How on without changing Images Delong thoes they we "the Land's The more you undestand an ae the mote conned you beeen thatthe images» gen por ed find wth you thought hs own were taken alos weaned om “iter port The works pcs are clad or grouped neo rete new techniques that pte coer and share spd according {other sangement ad developmen he resources of langage pects ae mach more concersed with seanging images than with reating them, anges ae given ko pts the ably to remember Uh ore importa than the ay to cet them. inate thong dos notin yee, che all the pes of arin eenallthe ype f verbal et Acne in magery ino ‘Senate the development of poetry. We know that feqoeny Si expen ie tnt toe pose, eo be erated fo asteic Pare although actualy i wat eet tho eeh tenet ‘Kener opinion thatthe Slavic languages are expecially poetic fin? Andey Bly ectaey over the tecique of placing adjectives ‘Mer una lechaaqe ted by eightentecentery Rusia peteBey jolly accep the ehique as smething artiste, move ata a ntended me comer intenon art. Actual, this fever af the mua adjectivenoun order = pecalirty o the Tanguage (which hd been nfnced by Church Savon), Th ‘wor aay he (1) ikended ae promic and acrped a pote, oF (2) intended a porti and acopted a roa Tissuggest tha the rity atte toa gen work eu ran the way we prev Seca echnigues designe! o make the works nly ate Potcya’s concn, which can be formulated “poetry equal Imagery" eve rie in the we theory that “mogery eal ‘yb that the image my serve nti print ‘rious subject (Thiconhins, becase expe ideas dae To the theories ofthe Symbols, intrigued some of der eng Fepreentative Andrey Bel, MeresNhowsy and. he “eternal empatne dn ff the bas of de ery of Sy Tam) The cnet tre paty fom the fet that ote Aidt dings between the language of pact ad te langunge tf pre: Caseguenty be igre the fet that there 76 690 ‘Specs of imagery: imagery ata prateal meane of thinking, ‘means of placing objets within categoria and imagery a poi, {in rear of rinsing a presion. all lr wth a ‘hample,I want to atieat the ateaton of young eld whois ‘ing read bute an geting the tron le gets 1 el ey, buteringee™ Thin gure gech, a cay promi trope: Now adiferen cumple The hd playing wih my game fad inp them. T cll, “Hey, butteringes?”!? Ths gure of Speech a pow tope, (ln te Sint example, “buterSnges” tetonmis i the send, metaporie butt snot what {Want impreion, Aes rtd iy depending sp purpose, mete Imore nor len ellertive thin other pore techniques te nether nore ar les festive than ony negative parallel om pation, repetition, Balanced strate, hyperbole, the commonly cepted rere! Sgurs and all hse methods which emphasize the emotional eect of tn expresion (including wor or een euated wands), But pee iagery nly externally ees ‘Ser the sock imagery les an alld hinkinginimages— ey the example In Onan eakomky’s Lagwage and A in ‘nich ite il cll all ee watermelon, Poetic imagery ic Thome of the device of pci language Prove imagery 3 mens sine ile watermelon intend fa lampshade, ora ile ‘atemelon stead of = head, oly the abstraction of ne ofthe (hjects characterise, that af roundness 1 mo erent om Stying hatte bead ud hereon are bo ound. hiss what tment, but ening oo wth poetry. “Thelaw ofthe economy freatve fin ital generaliyaceped. Wesbert} Spencer wrote ‘Ast Rfiehadl) Avena: inlet ew meh might br pe ene re i agate iei te aperentie er saps apnea ih Peseahithy, with only one rerence co dhe general a of meatal ‘re, recs [Willan Tames theory of he pial ass of matin a theory which contradic his owe. Een Aleander Vocovky aaowlege the principle f the economy of ete ort a thcry eps appeatiog inthe sty af yt, and evced with Speers A saisctry ole fe preciely tha le wick deve the gente amt of ought inthe wet word.” Tad Andrey Bey despite the fat that tbe pgs ave ‘merous examples orogeny’ an pala ‘he enample ou Barty) showed the fut inheren pete alo thought necoeary to peak ofthe iw of he Peony af eae eft in i book™—a heroic elt oeeate thew a art but on verted fet fom antigua our, oF Tip wat howledige ofthe ech of pc rest, and om Kaye high shea physic text "Thee ideas about the esr of energy, a8 wel as about the Taw a it eet, ae perhape tee in thelr application “practical” Language; they were, ewevet ested to pele Linge Hence they donot angi post betwee the as ta pnt language ad he laws oct language The ft that Japanese petty has suns ot found in conversational Japancse feos harly theft factual ination of the derencs between Poetic nd everyday language, Leo Jakub has oberved tat {hetaw afte dian of it ound doesnot ppl o poe Tanne Pissed ohn tht poetic ange let the ‘minon of hard erpenounee conglomeration of sar sounds 15 Te Rain adn mi i” Te asin EeSghems fenen s he Bs a 1 tiny py Bl a Mpa hmm yt (Ont Ee amp ste fe ce een eae ae i nab ai eas or ar te eer poem Compcert aren es nbeiclinats mes oe td see ne terry tenaetin ocr mee oe pela nese Re ci ll la hee Sr en snp oe vse enue a 3 Rosanne ter{alto hear the prose word init entity (6 Leo Jakubisky’s ase) and, hence, why alg with her slp ofthe tongue) we fl to pronounce it. The proce “nigehration” the over ‘uiomatiation of an oer, permits the grate economy Deteptve efit. Either secs ae asigel nly ne proper features number, fr example or ele they anction a hough by formals and do no even appa in coin sim ands’ oneness ow sa Be ilo ta ha te consid, then wa te ne mi “Sconce, i thew se Tne ema ppl ft ‘Sconces i thy ha pe ben Ando lifes econed as nothing. Habitualzaton devour works, 4° eles farnitue, one wile, ad the far of wa, “I the whole rms es may pg cei en "he esation a ie ent to make ne fl thingy to ae the ‘one sy. The purpse af artista impart the seston hing thoy ae Bea nd ot as hey renown Te echo fr ject” osetia nee the iit and length of pcepon cane he pace beeen na ete cad ielfand mst be relent ar Sy of extn te riff on iat th ee ia ington. “he ange of et ata) wrk extends rom the eer he segue rm pty to pre fm the conte to he aera tam CovanterDen Qs arate sd por nema, half onsite cro fede oe bread ut empty Don Qs of Turgencr em Charlemag the mame “king” (i Resian "Charlee and ing” sly ‘vive om he a on The meaning 8 work Broadens 21 Jatin, Sh 6 to the ene that aus and artistry din: tho «ible “obi ince than » poem, and» prover mae than a fable, Gonsequety he lent elkcontradicry pat of Posehn theory teh retment of the fale whic, fom his pne of view, he investigated throughly. But nce bis theary ad not provide for “expreive” work are ould ot Sis hit bok Are ko, Den Thy of rae was plied in 1905, hte Yeats ‘Mer Preys death, Poteys hel completed oly thesecton fm the able ‘Aer wesee an object sever tin, we begin to recognize. The jects in ent rand we rw abut but we do motaee 2 fretce we ean say anything sigicnt abou Ar removes tle frm the atomtian of perception in several ways. Here T rant to trate a way aed epeately by Leo Tasty, that weer Iwo, foe Meechtony a lea, ecn to preset his a be imeem, s hem int entre, nl did tke them "Taoy mate the famine seem range by not saming the funiiae abject He deseribes ance ab he were sing it forthe fin me, an event af were Nappening forthe Bt tne. Tn tsibing wneting heaved the aceptd mame oft parts a instead names eoresponding parts of eter objects Fer example, “Shame” Tobey "deters" the de of Dogging in hs “strip people ho hve broken the ly 0 it them tthe Hor, te oa om he botonn with swith” and afer few Boe, ‘Ne ak aout on these toe” Then he ema Jy cial hi gy men ing in ‘nthe et iyi at 1 alge fortis hath example, batt ipa of Toby's way pricking the comsene. Te faiiar act uf fogging made tle both by the deseipon aed bythe propa to change Re ium without changing se mature Tobtoy ses his technique of ‘"dtanlization” constantly. The haratr of “Kbolomer," for 1 Aes Pim Jy ti sal Ue eS Thay of‘example isa hos and it the horse's pint of lew (ae that 8 ‘perion) tha makes the content ofthe sory seem oom. Here Show the hore regards the instition of private propery ee et amet oe Seat ae att Se po ec ined tee ear rene they separated me from che other horse, did T begin to understand, SVEN Sa oe ee (htop vfs Bie dieetig core ale ana Se ee aceon atcieaste asses SerameS edgar eae Stenson ae Sour ete Tepe cious oderreearao secon per etal on Fe peo a es ett ete sed pole seve re i 8 Mt ac cain Allcce twee ‘in hw reser at song home a ‘Taos ae el yond bye “The hoe ile elore the en fhe try, bu the manner of het, ehniqe, dcr nt change ch ny Seria oy ih ab rene Feet es tly ha ane soa te wal ‘Sra ears opie Fra ng tie ae ad and mca Moc ny leh cay ran a ga ia omy mae mei i ot a ‘Sco sesh seco as st at ie “Thur we ec that athe end ofthe story Tosi coins ose the Teese Se hag the motivation he reason fr oe) + erly and Powe estoy we he sme techni fn desing “whe aes ithates weve smeting new: These desiptions aa ncene te quote: two be neces) to extrac cmiderableatt of he our-ohume novel But Toy ss the ame method ‘cing the drwing oom andthe tears eet ‘aay pe ae pcan ee aa ‘etree rar pao ee in ithe it eatin i eye ‘Sapo in has aro wee ss The ef {com ming tee rg eyo au Te third ate deserted 1s the fourth act, There war sme st of devil who sang, waving tis hand, unt he horde were maved at om under him ad he opp owe" Rent Tlstoy deserts the ty and the court in the ame way; he es sta fchnique i "Kreuzer Sonata” whe be ties marage Why pope have ana asa, mst they sep together?” Bu he did ot deaiirze only thee things be mocered at ar plc th ese oe fod wher nnd theayre ‘Med nm uel he an on aig Ms obs, 008 ‘Mond thi empl ane oer Ts ha" ape Pare ni te bgt a inl “The sem tytn Pec hain dah ding ig ite ae al hey cn sp ina bed nd Reveal and wen afin amen oe owe slop. “Anyone wo knows Toko an find seer! bundredsoch pases in kinword His mind ofseing things tf tee normal context ato apparent ins st work Tltoy deverbed the gas and Flats aael hey were units everyday meanings forthe cntrnly selgows meanings of the words ‘Common in church is. Many penons were panflly wounded ‘hey comidesed i blapemy to resent a strange and monstos ‘Mu they seeped ay tacsed "Tr react wat chi theSe. technique dough sehich Takoy persed and reported is fnvirnment. Abd afer turning to what he bd long avoided, Toltoy found that his peeepsns had usted i fh ‘The technique of deumiarizaton ie not Toho’ lone. cted “Tosoy beaie his work gnealy Known, ‘Now; having explained the ature of hs echnigue, let ty to etermine te approximate ims ofr application, 1 persoaly et ‘hat detention i fod linet everywhere fot i fo nother words the dieenc between Potetnya's pit a iw ad usis the An imager ot permanent seleent for thse mutate Completes of ifewhich are nevcaled through it purpose to make us perceive meaning, but to crest asec pereption of ‘he octets fe btn of gw a aes Jor aon i The purpose of imagery ineotic at canbe studied even more accurately an erat object ely presented att were een br the at tine, Gogl a "Chana Eve" provides the flowing ample ree arose her meee iy, cough, sil a ber tout ie pam, are rm wt i ape sd exe el {na way tat showed oh og ds cone Hm, ana e d thetcary aially,siied wih bgacng He ned slew he om "And what hou ave, ure Seah ld in he ae sina er gpd igh ye ec “And win hs you tein Sli?" Te nt "non ha th seer wold echo ge a ‘And Kinut Harsun has the flowing in “Hunger “Two white Prodiges appeared rom Death her Howe a eae nc coin Hence eel aera tterred wi terms flock ad key Fasting oa cose or nga gud sa wnsior She prope wade a inthe legend of| hat 1 ir play wth you at magi! Then Vain Mana Soe in was an it of er Mea fe mod eve dang na een vena ofthe legend we Sd a hey othe de a detain tel ecg of teeter Perit alo the bs and point of al techn eophenisn—it ba i Side Every ele pretends ow i subject either by words Diy oa, ga em ef ain Pr (scene Ri Br gy a at Al} Xa Sle oP tyose i et tc Sipe Timea gery someting cule t “ening the se “trang the er The tech of dean SOE asa caer Th ak of coin te Elling we ute pl: sot drome oi, hie ‘the yk sesh pens and Te 18, We hari ir gi xo ts ot eatin toe sf pred ye a aoe ee ee aay or ecee es nao "The Ue se ie atay NE meget ii sth simi otecique here and in Takin’ “Kbiome" Tink, bios sei erature the ea ac il defiled fx ne ecm reer nraing oo Bare” “ete Se ey wens woke lt at developed nh elation oem we in desing he wea, an eerie of plots x hae such lack of econ ie en Menges inate Tat teenie ory ol The Shy Sram nthe fact that a object not called i a canter worm Exe of omc $9 Peter er suoca "Speed Petont” fale no. 525, anc ab i Sr ete tnd the Have kom Ztimate Tal, whieh the bear tthe have make =" woure.” Me gana ete athe mori” ox “OM Nick a rons (Braman, are alo examples of the cc etaetrtaan, Adin my ari on pot om ‘ec ut defamation in pryeholagal pall fam te PPcpeat thatthe peeepion of dsarmany in Ba Bee eat important npr. The purpose of sme te general pp faery, to anesthe aan an ert int despre oe percep (hari ey makes nique semantic mein a ec pec ino pont ar ea uc so dts Berar derbation of words snd in the chat Ter agi areca: compounded frm the word we ‘iy 2a, rt at mes asin 1a Jes Pee Pc, 86‘vesyuherethe arti tademarh—thiti wetid mateiaobvionaly Created to femote the aviomation of perception; the author Purp stent the von which et om tht detonated Percepion. A work created “atta” o that perception Inmpeded and the greats posible fet i prided through the Slowaes ofthe pereepion. Ara rel of th ingeing, the objec Contin. "Ta “puede language” He sxsaton, Aoi 0 “Ariole, pete language mist appear srange and wondefl; and in fy ti len actually rel: the Sumerian wed by the ‘Asians she Latin of Europe dung the Mile Age the Arabians ofthe Penias, the Old Bulgarian of Rusian Mate, othe evate, almost rary language of folk songs. The common ‘rca of pete language he iiacy ofthe weet new syle (abe si ms]? the since syle of he language of Amat Daniel wih the “roughened” [Ate] Frm ic nae romain {a“tese ae ed x mac the same wy. Leo Jaen hat ‘demonstrated the principle of phonetic “roughening™ of poetic language i the pastel caso the eptiton fetal ond The language of poetry then, aie roughened, speed Ianguage ns fw pec ntanr the language mats the language f pee, bt hie dae ot oa roughened Her ier wild Taya ‘si ic et rote Pushin. The waa pot language for Puskin's conten Dorrie was dhe elegant ste of Dereain ut usin ye Be ve itsemel inten, war unexpected diate them, We ‘hould remember the contenaton of Pushkin’ contemporaes Der the vlgunt oh expreion He ed she popular rage ‘supecaldevie for prolonging attention, use contempores feverally wed Rutan word in their waly French speed ce {Tobtoy® examples in War and Pea} 25 Dy et 186 Be nw he Je now sll mu chnactei phenomenon ic under way ery tnguse hich ws iginly fein to Ruy fermen angnge fn peat thas blended with Moevenaon On tebe hand tetra now tn Se. SNondncytomrde he we of ates (Renken, Rye BEA See te unequ talent a2 aie lanes ECnetmaly point barbarss (which gave SE SSEME ups And curenty Moc Gor easing 1s ton om te ol ieray langue to he new Berar el weer eetekon2 Ondnary perch and erry gage Bae SE covet place ee the wok of Vychaay Tranny ad seabed aly song tendency, ey Kor 2 BENITA and propa potlanguge serene, et Titec devcepmn wean deine pty as tm, ots one epee forma pk Pre rina) spec ce cas oper tego opr dps ae SMES te pes te see xpesion of ch. Tmt oghened ro snd tration a the one of seen enna an ace on pot eomtuton > Nek the potion ofc wh urge the es of he ccosany afar egy ox weting which es in ade ‘Sedaris pose lawn com, stan enue the See ayn, Spencers drm o yt wale Teta nemo St they ig so ang cami me sith ot ai 325 nop A aan nti ring ws Racine cs It Do sex te BmSey spt tcl "i apparent sr Sm the cn The Philonpy of Sle Spencer aed tery eo dings between he, Hat rythm ay ave to ction The rythm of prove oF ff werk song te "Dubs," permits the member of he work few todo ther nesewary"graning together” and ao ese the ‘tok by making it automatics Ad fc ese to march i ‘moc tan without, and o mach during a anated conve tin seven ear, forthe waking is de uncon, Th he ‘hythm of prne am important automating element; the ym ff pctry ent There ederim ar, yet nota gle ecm of (Grek temple ands exaty init proper orders pote ehyhon i ‘inlay diederedsyiha. Attempt to seems the rea lanes hae been ade sed och ates are prt ofthe arent problem in he teary ft. Its oben ha the tema ‘Son wil "not work, for in realty the problem is ot ane. of comping the shyt but of ddring the sth de. ordering which cannot be preted. Should the dordring of ‘lym bese a coaventin i would be ince at a Sevie fo {he roughening of fnguage Ba ill ot di ryt in ore ice Sky, aha pe” Shs (191 Spee 0 St eH at to Set Stetme’s Tristram Shandy: Stylistic Commentary To ein ex, Sos yo Ts Shy splay herp tad te Ta a wt ia SE a depo the oma gy een 1917 nt 1221. Says Br eon, cd ar, a ‘bam yo i are mins of a, ‘Eo th ae tran ifn fo vr of re ‘et hen, iyi erat gt rn sgt gh ones Tear 78) es ‘ein a fs eb ene “peal npc nc of rae ah oa of oie gy “bse of en 8 (a aan np a me ‘inn ial al ole eb eh sh ee ccentat atnipTa eenf oi= in eer yf ting mtg at ce 1 Strid oie of te des ie Ion rege Teo ptams iy o d en e por tin Bent nd et pal sing ston Pe St are sn jeep Binge il fer ety at Jrpets Ret mast Or sch vig ts el Term en ie era om Seu ae ome {Sah hob a He