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The Woman of It - Continuity Script
The Woman of It - Continuity Script
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not belong in e eiren a.ttltude is lea"rhg her
and being replrt.e alno.sympeithetic iritereet * the
reaLi zes th.a.t e rro\o,*e e1-es of the rffl,n before her
th e re l s d r tragedg. Si:.e is cluestioning h{m and.
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a t th e o th e r si h.e tabl p t c k s up hlil c&5l, a,nd. as
h e g e ts u p , ve r d.rope hat:d. holdring the cap over
t ire ci g a re ts tiP, As aves the table they have
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of gar and, ira n $ Q in h i s h a n d , c o u n t s t h e * h a n g e ;
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$clulltr 22, ]fIEFATAI,Y C],Of;s slJ0T o lr.riTH l,i',ANAr,.'lDJACi...
sws. F5":
ltTanEees Senny waofti ind.icatee for him to tl p
the boys il:at tra tng tinat tkrey need.nft worr;'
about him. Senny s,$ancl out of scene. Jackr g
eyes following him] an once reore turne to
ge.ze at, Jac]<o
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p'v';nf;-r''o€i
L{fn s and he fa,ces her, hrs
Ver;r slo'ivlY .i';is he ti-ie
is 'a conflict af t i $ n s ; Itr Iy i$an indlcatgs Po';d'er i'u:
\art s iotrarcl- it,, ilan ir:'di cates
fcre hltti; he k; Jut
y3e 1o0ks off , then trar:l'. to
'Llr.e ci.'r-le gt i c t"l ,fa
pot'i''J.er; ct"r"dd.en weeps * l-, c r-l er fro:ii tki* tabie l.,ith
on i:i* ariii$. I{'aa siiii].eg.
]tl,e hand., and- d-,"tsi i: s fer'ria -i:eat this
r r"e e that 3 € can ;i,ilni s
$he is beginrr
rnea,itt-'es8far l:1
-rT)' o iti es hisri.
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be,ckgrcurnd -- wearing hoxing a,:rd icllY g:ia.iring
h e r re a d -in g paper i s
so L i {a i re -- se ate$ }
Jaik, cQatless r *qi
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rises and. idan L * j-tt rtps -tip
u"i - id;Ln
cro sg e s to h e r a' $ lYajr
h-e ,]I'tj ai her "
and. e:t.braces hinr
Lookit:g ir.1-,eit J&', T€I'I t-:; o v c s t iri* ira n ' a t rd "a, l i i - i ; i e
siios,' in ti:is fJ.nishr aisQ
i-- !- a - J 3 1 ,- ,r 1 ,, .,-a
of l:h.e depth 0f &
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Jack conies out m oment, th.en looks o ff
ouddenJ-y ar:d. sees
tha .,^ L
i9c u the btmpe"s
qs,
J0:$*_** ggffi _=sr{gt*!4{-_{$
#9&1@
rhape ,ve a,
axre who woliJ.*'
child wno would
The thouglrt th e migh . . \ \ cnlJ.c.
re ce i ve th e s tof trea{ment,
treatment, he lgokd
he tra
lookd track
tovrard the an $}:inkln$. T,et hiry'lr€aI,iz,
Lnkln$. T,et hiry'ireal,ize
and deeide rm,rry .-*,hq lools .l,n his
p o o ke t, fi nde enoug& fbr,i a _J.{Oens-€ and
g ta rts o u t o fs
scgLrs II{TJIRTOA
S ti rr ter impulse.
,uto'3
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c !, ug :
s$*su E-r'j!
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She is ra,tli€r s t led ad<r E vu'orcl-sand. seenre e+" a loss
t o understancl kia,s rt e d s u -c h a step on l:is Xnr"b,
Nan is the ty l'ii h a t e s a ll Law and. r eco gni z es none
Fave the i-aw o and- he*.rt. Sh.e i.ra,: been
sa,ti sfi ed. wit .'.L+
t7\r'J
nfr"Tria.'&&
t a.nc1Ja,ckr s eudden
w o rd s ra th e r e a $hb questi ens hinio
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lier f ti.ee qOrues L1I] f r o:ir i,tre g:lAYLce the :rd.;osr, fi iled ll ith
+ co r.t*rn p t f or . tire lavrs c slaivly , vi cl ot'.sly , E&€
"n"er
-Ln-t-'. in rv,, f:,ggg Jiack , f ace
-M-<_ fli,rning, in ang r at the ,She suee.k$--It{S]j]n! TllLE
€1,fe * t+ - *ed to i i t*L:i f 1S C l I I t i c rin rt
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f'roiii the ***., i 'lcrir t
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Jnck seeke X
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tJ T , a n rl. t rie s t a in . $ is t , b u t N r ' l u
vri Ll h.ave n ne $n treats him track lv:th tlee sheer
pOtv'er o f' h & rrl n a lly J a c k , a s t h o a c k n o w l e d g i n g
d e fca t, tu D d.s lsratching him, and then sl.or'rly
re a l i zi n s -.L
llJ i e realiy gneat aird lvor:derful
1oy,e '',"ih.ic}l s for h.i a n a s s e rt s it s e lf at:d she
goes to hirii imPii sively " ehe r.,irrcstc.r his sicl.e-