Professional Documents
Culture Documents
2.
セ M セ セ@ b.
c.
CADB
BOCA
|[ セ、・」ゥウッョ@ making, however, does d. DCBA
t necessarily fully guard against 4.
bitrariness and anarchy, for A. With that, I swallowed the shampoo,
individual capriciousness can get and obtained m ost realistic results
substituted by collusion of group almost on the spot.
members. B. The mm shuflled away into the back
B. Nature itself is an intricate system of regions to make up a prescription, and
checks and balmces, meant to preserve after a moment I got through on the
the delicate balance between various shop -telephone to the Consulate,
f
in ion to
20.
took
His mother made great sacrifices to
educate him, moving house on three
occasions, and severing the thread on her
daysand
d. otherwise on!
and
G
c. be otherwise only el ay 1?r a few
28.
d actions of mernb er states needed to b
evaluated agamst the stated commuru
goals
In the statement " 1t amoun d
reco gn1t1on that mternatlonal trf e
fi 1
ere are some who would disagree when I say
abstract art reqwres more creat1111ty and artist
talent to produce a good p1ece than does
represent all on a! art, but there are many
weaknesses m thetr arguments
benefits cannot be enJoyed セ ウ@ tra g People who look down on abstract art have
nations accept the dtscl linr-=at a several maJor arguments to support the1r b ehefs.
negotiated rule-based n セ ョ エNB@ 'it' They feel that artists tum abstract because they are
refers to: not capable of the teclmical drafting skills that
a Ambassador appear in a Russell; therefore, such artists create
WTO. + an art form that anyone is capable of and that is
b. ァィG セ ゥャA ゥO QGZゥ N@ ty on export gains less time consuming, and then parade it as artistic
」QB セ ゥQj エGャ 。ョケ@ countries at the progress. Secondly, they feel that the purpose of
d. art is to create something of beauty in an orderly,
logical composition. Russell's compositions are
balanced and rational: everything sits calmly on
the canvas, leaving the viewer satisfied that he has
seen all there is to see. The modem ab stractioni sts,
on the other hand, seem to compose their pieces
irrationally. For example, upon seeing Picasso's
a gave a new impetus to the momentum Guernica, a friend of mine asked me, "What's the
of legal development at the European point?" Finally, many p eo pie feel that art should
Court of Justice. portray the ideal and real. The exactness of detail
b. resulted in a decision that expanded in Charlie Russell's work is an example of this.
incremental! y the E U' s internal He has been called a great historian because his
market. pieces depict the life sty! e, dress, and events of the
c. strengthened the role of the Court more times. His subject matter is derived from his own
than envisaged in the Treaty of Rome.
experiences on the trail, and reproduced to the cease to exist. With ab stracti onism as the victor of
smallest detail. the first battle, may be a different kind of eye! e
I agree in part with many of these will be touched off. Possibly, some time in the
arguments, and at one time even endorsed them. distant future, thousands of years from now, art
But now, I believe differently. Firstly I object to itself will be physically nonexistent. Some artists
the argument that abstract artists are not capable today believe that once they have planned and
of drafting. Many abstract artists, such as Picasso, constructed a piece in their mind, there is no sense
are excellent draftsmen. As his work matured, in finishing it with their hands; it has already been
Picasso became more abstract in order to increase done and can never be duplicated.
the expressive quality of his work. Guemica was
meant as a protest against the bombing of that city 30. The author argues that many
by the Germans. To express the terror and down upon abstract art bee e th
suffering of the victims more vividly, he distorted that セ@
the figures and presented them in a black and a Modem abstract does o portray
white journalistic manner. If he had used what IS 1deal ap
representational images and colour, much of the b Abstract art! ウエ j セ・@ uw 1 ed m matters
emotional content would have been lost and the of techrucal 、イ 。 セ Zv@
piece would not have caused the demand for c Abstracl!orusts compose 1rrat1onally
justice that it did. Secondly, I do not think that a d All ッ O q Nッ カ セ@
piece must be logical and aesthetically pleasing to 31. tィ セ セャ| Q・カウ@ that people feel
be art. The message it conveys to its viewers is co ッ Lセ エィ@ represental!onal art
more important. It should reflect the ideals and hec se
issues of its time and be true to itsel( not just a ' t le are not engulfed tn bnghtly
flowery, glossy surface. For example, through his セ@ loured canvases
work, Mondrian was trying to present a system of they do not have to chck thetr tongues
simplicity, logic, and rational order. As a イ・ウオャ セ L@ and shake thetr heads m sympathy
his pieces did end up looking like a scrab bl c they understand the art wtthout putl!ng
board. too much strain on their minds.
Miro created powerful, surrealistic i . es d. paintings like Guerni ca do not have a
from his dreams and sub conscious. Thes · point.
were trying to evoke a response fr et 32. In the author's opinion, Picasso's Guemica
through an expressionistic m Fin created a strong demand for justice since
abstract artists and representation· · sts a it was a protest against the German
maintain different ideas 。「ッ セ イ@ ᄋセ[ケ ᄋ@ To the bombing ofGuemica.
representational artist, reality i at e sees with b. Picasso managed to express the
his eyes. This is the イ セ ゥ@ ty 1i feproduces on emotional content well with his
canvas. To the abstrf . s · st, ¢ ality is what he abstract depiction.
feels about what his e This is the reality he c. it depicts the terror and suffering of the
interprets on c セ@ s an be illustrated by victims in a distorted manner.
Mondrian' s ees ries. ;you can actually see the d. it was a mature work of Picasso's,
pro gressio fi 1 early recognizable, though painted when the artist's drafting skills
ab ウエイ セ。」・@ to his final solution, the grid were excellent.
syste. 33. The author acknowledges that Mondrian' s
.........:'t.: le of abstract and representational art pieces may have ended up looking like a
「・ァ セ ィ@ the first scratching of prehistoric man. scrabble board because
From tlie abstractions of ancient Egypt to a many people declared the poor guy
representational, classical Rome, returning to- played too many scrabble games.
ab stracti onism in early Christian art and so on up b. M ondrian believed in the 'grid-works'
to the present day, the cycle has been going on. approach to ab stracti onist painting.
But this day and age may witness its death c. M ondrian was trying to convey the
through the camera. With film, there is no need to message of simplicity and rational
produce finely detailed. historical records order.
manually; the camera does this for us more d. M ondrian learned from his Trees series
efficiently. Maybe, representational art would to evolve a grid system.
9 t:<f ,?> 1
34. The main difference between the abstract canvas or in 'Writing a certain aspect of the fields
artist and the representational artist in or the sea or a look on someone' s face which I
matters of the 'ideal' and the 'real', have disclosed, I am conscious of having
according to the author, is: produced them by condensing relationships, by
a How each chooses to deal with intro clueing order where there was none, by
'reality' on his or her canvas. imposing the unity of mind on the diversity of
b. The superiority of interpretation of things. That is, I think myself essential in relation
reality over reproduction of reality. to my creation. But this time it is the created
c. The different values attached by each object which escapes me; I can not reveal and
to being a historian. produce at the same time. The creation o セ ・ウ@
d. The varying I eve! s of drafting skills inessential in relation to the creative ·ty. ゥセ ヲ エ@
and logical thinking abilities. of all, even if it appears to others as イオ エQ セ@ the
created object always ウ・ュ セ ゥョ BゥN ウエ。・@ of
PASSAGE III suspension; we can always c ge ᄋウ [ セ ゥ ョ・@ that
Each one has his reasons: for one art is a flight;
for another, a means of conquering. But one can
shade, that word. Thus,
novice painter asked his セ イL 。」セ セ@
r. fo es itself A
en should I
flee into a hermitage, into madness, into death. consider my painting fimii,he_V And the teacher
One can conquer by arms. Why does it have to be answers, 'When ケ セ 。ョ@ lo1k at it in amazement
writing, why does one have to manage his escapes and say to your- i f" f
· th' t one who did that!"
and conquests by writing? Because, behind the wィゥ セ@ t o saying 'never'? For it is
various aims of authors, there is a deeper and virtually i 'nsidet'l t one's work with someone
more immediate choice which is common to all of
us. We shall try to elucidate this choice, and we
shall see whether it is not in the name of this very
choice of writing that the engagement of writers
must be required.
i
else's e" A!Id r, v ealing what has been created.
But · 1• elf-evtdent that we are proportionally
nsci
sc セ ウ@ of the thing produced and more
of our productive activity. When it is a
r of poetry or carpentry, we work according
Each of our perceptions is accompanied b:z traditional norms, with tools whose usage is
the consciousness that human reality is co ilified; it is Heidegger's famous 'they' who are
'revealer', that is, it is through human reali -t working with our hands. In this case, the result
is the means by which things are mani, st'e'a t · objectivity in our eyes. But if we ourselves
our presence in the world キィ セ セ オャ@ tip tes produce the rules of production, the measures, the
relations. It is we who set u a イ ・ セ オ ッョ ウィゥー@ criteria, and if our creative drive comes from the
between this tree and that bit o s セ ウ@ォ to us, very depths of our heart, then we never find
that star which has been dead ennia, that anything but ourselves in our work. It is we how
the unity of a ャ。ョ、ウ」 セ・ N@ I th¢ peed of our auto our history, our love, our gaiety that we recognize
and our airplane w · 」 ャZj セ セ@ ·zes the great masses in it. Even if we should regard it without touching
of the earth. w· (t\ o our acts, the world it any further, we never receive from it that gaiety
reveals to us t,ne'\1 face. But, if we know that we or love. We put them into it. The results which we
are direct!IU....d\ 01 . , we also know that we are have obtained on canvas or paper never seem to us
not its セゥ ᄋ@ f we tum away from this objective. We are too familiar with the .processes
ャ。ョ セ ウ@ e, it wtll sink back into its dark of which they are the effects. These processes
p en !\.t least, it will sink back; there is no remain a subjective discovery; they are ourselves,
one enough to think that it is going to be our inspiration, our ruse, and when we seek to
annihilated. It is we who shall be annihilated, and perceive our work, we create it again, we rep eat
the earth will remain in its lethargy until another mentally the operations which produced it; each of
consciousness comes along to awaken it. Thus, to its aspects appears as a result. Thus, in the
our inner certainty of being 'revealers' is added perception, the object is given as the essential
that of being inessential in rei ati on to the thing thing and the subject as the inessential. The latter
revealed. seeks essentiality in the creation and obtains it, but
One of the chief motives of artistic then it is the object which becomes the inessential.
creation is certainly the need of feeling that we are The dialectic is nowhere more apparent
essential in relationship to the world. If I fix on than in the art of writing, for the literary object is
ャoクヲNセゥ@
a peculiar top which exists only in movement. To b. writing to be meaningful needs the
make it come into view a concrete act called concrete act of reading.
reading is necessary, and it lasts only as long as c. this art is anticipated and progresses on
this act can last. Beyond that, there are only black a series of hypotheses.
marks on paper. Now, the writer can not read what d. this literary object has a movmg
he writes, whereas the shoemaker can put on the horizon brought about by the very act
shoes he has just made if they are to his size, and of creation.
the architect can live in the house he has built. In 39. A writer, as an artist
reading, one foresees; one waits. He foresees the a reveals the essentiality of revelation
end of the sentence, the following sentence, the b. makes us feel essential カゥ セ M a- · セ ・@
next page. He waits for them to confirm or c. creates realt ty セ@
disappoint his foresights. The reading is composed d. reveals nature in its perm ce
of a host of hypotheses, followed by awakenings,
of hopes and deceptions. Readers are always PASSAGE-IQ
ahead of the sentence they are reading in a merely Since World War II, エ セ セ エ@ e has been
probable future which partly collapses and part! y regarded with approval evet]i p o itical system
comes together in proportion as they progress, and every ideology. In th am.)'of modernization
which withdraws from one page to the next and in the West, of ウ セ ゥ ウュ@ in :lie Eastern bloc, and
forms the moving horizon of the literary object. of 、・カャッーュセ ェ セ ・@ セ 「ゥイ、@ World, it was
Without waiting, without a future, without expected toA"""' セ ・@ happiness of individuals
ignorance, there is no objectivity. as atlzen セ ー ッ・ ーャウ@ as soctetles. However,
e
ec
エ@ a pears to have broken down in
o e world. It has failed to guarantee
or social justice, and has been
revent either international wars or civil
Disturbed by the claims of communities
elements •.:thin it, the nation-state tries to repress their
c. It is human action that reveals demands and to proclaim itself as the only
various facets of nature guarantor of security of all. In the name of
d.
nature are unified in a セ@ d nt its citizens and non-partisan secularism, the state
sense ..- can use its powerful resources to reject the
36. It is the author's contentio.n.that: - demands of the communities; it may even go so
a Artistic creations ar,('i?Ji!Jf f human far as genocide to ensure that order prevails.
consciousness Y.J As one observes the awakening of
b. The very act i;l.f artistre-creation I eads communities in different part of the world, one
to the ・ウ セ 。 v@ o!J e o¢ ated object. cannot ignore the context in which identity issues'
c. Man can and reveal at the arise. It is no longer a context of sealed frontiers
same セゥ@ and isolated regions but is one of integrated global
d. セv@ creation forces itself on our systems. In a reaction to this trend towards
con ·· ess leaving us full of globalization, individuals and communities
セ ーセ エN@ everywhere are voicing their desire to exist, to use
37 ass age makes a distinction between their power of creation and to play an active part
tion and creation in terms of: in national and international life.
bjectivity and subjectivity. There are two ways in which the ourrent
b. Revelation and action. upsurge in demands for the recognition of
c. Objective reality and perceived reality. identities can be looked at. On the positive side,
d. Essentiality and non-essentiality of the efforts by certain population groups to assert
objects and subjects. their identity can be regarded as "liberation
38. The art of writing manifests the dialectic movements", challenging oppresst on and
of perception and creation because injustice. What these groups are doing -
a reading reveals the writing till the act pro claiming that they are different, rediscovering
of reading lasts. the roots of their culture or strengthening group
solidarity - may accordingly be seen as legitimate
J..l <:<f .H
attempts to escape from their state of subjugation all forms of identification - which would be
and enjoy a certain measure of dignity. On the unrealistic since identity is a cognitive necessity -
downside, however, militant action for recognition but simply to remind ourselves that each of us has
tends to make such groups more deeply several identities at the same time. Second, since
entrenched in their attitude and to make their tears of nostalgia are being shed over the past, we
cultural compartments even more watertight. The recognise that culture is constantly being recreated
assertion of identity then starts turning into self- by cobbling together fresh and ori gina! elements
absorption and isolation, and is liable to slide into and counter- cultures. There is in our own country
intolerance of others and towards ideas of" ethnic as I arge number of syncretism cults wherein
cleansing", xenophobia and violence. modem elements are blended with tv 1 · nal
Whereas continuous variations among values or people of different uru
people prevent drawing of clear dividing lines venerate saints or divinities of p I セ エィウN@
between the groups, those militating for Such cults and movements 。イ・ セ@ 'zed by a
recognition of their group's identity arbitrarily continual inflow and outflow f m b ers which
choose a limited number of criteria such as prevent them from エ。ォゥョァ セ 。@ <elf- erp etuating
religion, language, skin colour, and place of origin existence of their own 。Tセ@ holrj\out hope for the
so that their members recognise themselves future, indeed, perhaps セ ・@ only possible
primarily in terms of the labels attached to the future. Finally, セ ゥッョ@ -state must respond to
group whose existence is being asserted. 1bi s the identity urg s o ii セ ョウエゥオ・@ communities
distinction between the group in question and and to their · t:1 ate uest for security and so cia!
other groups is established by simp IiI' ing the justice. It st do s,.. y inventing what the French
feature selected. Simplification also works by ーィゥャッウ セ ィ・ エ@ and sociologist, Raymond Aron,
transforming groups into essences, abstractions 」。ャゥ セ ヲ エャ ャ@ e rough law". That would guarantee
endowed with 'the capacity to remain unchanged j エゥ セ ・@ o o the state as i whole and its parts,
through time. In some cases, people actually act as d r t the claims of both reason and
though the group has remained unchanged and セG ・ ュ セ」 エ ャ N@ ons. The problem is one of reconciling
talk, for example, about the history of nations an ョ セ ッョ。ャゥウエ@ demands with the exerase of
communi ties as if these entities survived democracy.
centuries without changing, with the ウ。ュ・ セ G@ o
acting and thinking, the same desires, 'ie · 40. According to the author, happiness of
and aspirations. individuals was expected to be guaranteed
Paradoxically, precisely be us i den rty in the name of:
represents a simpli I' ing ヲゥ」エッョ セ ・。エュ@ unt orm a Development in the lbird World
groups out of disparate pe e a identity b. Socialism in the Third World.
performs a cognitive function. n s us to put c. Development in the West.
names to ourselves and fo some idea of d. Modernization in the Eastern Bloc.
who we are and who are,-$and ascertain the 41. Demands for recognition of identities can
place we the, others in the be viewed:
world and upsurge to assert a Positively and negatively
the identity o be partly explained b. As liberation movements and militant
by the performed by identity. action.
p eo,ple would not go along as c. As effort to rediscover cultural roots
BG aMNセ セ@ m large numbers, with the which can slide towards intolerance of
L ュjセ ヲ ー オエ@ to them, in spite of the sacrifices others.
there was not a very strong feeling d. All of the above.
identity, a need to take stock of things 42. Going by the author's exposition of the
and know "who we are". "where we come from". nature of identity, which of the following
and "where we are going." statements is untrue?
Identity is thus a necessity in a constant! y a Identity represents creating uniform
changing world, but it can also be a potent source groups of disparate people
of violence and disruption. How can these two b. Identity is a necessity in the changing
contradictory aspects of identity be reconciled? world.
First, we must bear the arbitrary nature of identity c. Identity is a cognitive necessity,
categories in mind, not with a view to eliminating d. None of the above.
43. According to the author, the nation-state in any language. Not until Clausewitz, did the
a has fulfilled its potential West produce a strategic theorist to match the
b. is willing to do anything to preserve sophistication of Sun-tzu, whose Art of War was
order. written 2, 3 00 years earlier.
c. generates security for all its citizens, In Sun-tzu and other Chinese writings, the
d. has been a major force in Preventing highest achievement of arms is to defeat an
civil and intemati onal wars. adversaty without fighting. He wrote: "To win
44. Which of the following views of the one hundred victories in one hundred battles is not
nation-state cannot be attributed to the the acme of skill. To subdue the enemy without
author? fighting is the supreme excellence." tual
a It has not guaranteed peace and combat is just one among many me エ ッキ セ@
security. the goal of subduing an adversaty. ·
b. It may go as far as genocide for self- too many surprises to be a first.__...,.
preservation. to ruinous losses, as has been s en tin d again.
c. It represents the demands of It can have the unwanted セ@ ゥョ セ@ ring heroic
communities within it. efforts .in an enemy, as tJf,.e UniU States learned
d. It is unable to prevent international in Vietnam, and as the j セ@ found out after
wars. Pearl Harbour.
Aware o./ D-JJ!lCertainties of a militaty
PASSAGE-V campaign, s Q セ@ セ 」。エ・、@ war only after the
The persistent patterns in the way nations fight most thor gh P{ep-arations. Even then it should
reflect their cultural and historical traditions and be q · d cl . Ideally, the army is just an
deeply rooted attitudes that collectively make up ms me to eal the final blow to an enemy
their strategic culture. These p attems provide 。ス・ 、セ@ we ened by isolation, poor morale, and
insights that go beyond what can be learnt just by •suni ver since Sun -tzu, the Chinese have
comparing armaments and divisions. In the e seen as masters of subtlety who take
Vietnam War, the strategic tradition of the Unite •asured actions to manipulate an adversaty
States called for forcing the enemy to figh wi l:hout his knowledge. The dividing line between
massed battle in an open area, where セ ᄋッ@ war and peace can be obscure. Low level violence
American weapons would prevail. The n· · often is the backdrop to a larger strategic
States was ttying to re-fight World w M Mi セ ゥ@ campaign. The unwitting victim, focused on the
jungles of Southeast Asia, against ; ; e emy1·, day- to -day events, never realizes what's
no intention of doing so. happening to him until it's too late. History holds
Some British rnilitaty セゥRZ@ escribes many examples. The Viet Cong lured French and
the Asian way o fwar as one セ@ n · ect attacks, U.S. infantry deep into the jungle, weakening their
avoiding frontal attacks eant o-overp ower an morale over several years. The mobile army of the
opponent. These trac b エッ セ ウゥ。ョ@ history and United States was designed to fight on the plains
geography: the gr at es and harsh terrain of Europe, where it could quickly move
have 0 ften made t wt 0 execute the sort of unhindered from one spot to the next. The jungle
open field cl s es lowed by the f1 at terrain and did more than make quick movement impossible;
relatively size of Europe. A very broken down into smaller units and scattered in
different tradition arose in Asia isolated bases, forces were deprived of the feeling
d arrow were metaphors for an of support and protection that ordinarii y comes
E f war. By its nature, the arrow is an from being part of a big army.
indtr weapon. Fired from a distance of The isolation of U.S. troops in Vietnam
hundreds of yards, it does not necessitate was not just a logistical detail, something that
immediate physical contact with the enemy. Thus, could be overcome by, for instance, bringing in
it can be fired from hidden positions. When fired reinforcements by helicopter. In a big army
from behind a ridge, the barrage seems to come reinforcements are readily available. It was
out of nowhere, taking the enemy by surprise. The Nap ole on who realized the extraordinaty effects
tradition of this kind of fighting is captured in the on morale that come from being part of a larger
classical strategic writings of the East. The 2,000 formation. Just the knowledge of it lowers the
years' worth of Chinese writings on war soldier's fear and increases his aggressiveness. In
constitutes the most subtle writings on .the subject the jungle and on isolated bases, this feeling was
removed. The thick vegetation slowed down the stunned by Iraq's attack on Kuwait even though it
reinforcements and made it difficult to find had satellite pictures of Iraqi troops massing at the
stranded units. Soldiers felt they were on their border. The exception that proves the point that
own. cultural differences obscure the West's
More important, by altering the way the understanding of Asian behaviour was the Soviet
war was fought, the Viet Cong stripped the United Union's 1979 invasion of Afghanistan. This was
States of its belief in the inevitability of victory, as fully anticipated and understood in advance. There
it had done to the French before them: Morale was was no surprise because the United States
high when these armies first went to Vietnam. understood Moscow's world view and thinking. It
Only after many years' of debilitating and could anticipate Soviet action almost as I as
demoralizing fighting did Hanoi launch its the Soviets themselves, because the セ NLQZ L L@
decisive attacks, at Dienbienphu in 1954 and was really a Western country.
against Saigon in 1975. ft should be recalled that The difference b ・エキ セGエ セ G[Z セ@
in the final push to victory the North Vietnamese the Western way of war is s
abandoned their jungle guerrilla tactics great strategic writer, Cl§ " • i セ@ ed war to
completely, committing their entire army of politics, as did Sun -tzu. ッセN i L・イ ・@ opponents of
twenty divisions to pushing the South Vietnamese militarism, of turning w セ エッ@ the generals.
into coli apse. This final battle, with the enemy's But there all sirnil ity en s. Clausewitz wrote
army all in one place, was the one that the United that the way to イセ@ a セ ァ・イ@ political purpose
States had desperately wanted to fight in 1965. is through d セ ヲ@ the enemy's army. After
When it did come out into the open in 1975, observing apoleon-conquer Europe by smashing
Washington had already withdrawn its forces and en ・ュ セ@ to ·\ts, Cl ausewitz made his famous
there was no possibility ofre-intervention. rem 0 ar (1932) that combat is the
The Japanese early in World War II used a c t1 :.tio · of politics by violent means. Morale
modern form of the indirect attack, one that relied d are important, but they should be
on stealth and surprise for its effect. At Pearl ssed for the ultimate battle. If the Eastern
stealth and surprise were attained by sailing un metaphorical Western counterpart is the
radio silence so that the navy's movementr § l swordsman charging forward, seeking a decisive
not be tracked. Moving troops aboard shi s · showdown, eager to administer the blow that will
Southeast Asia made it appear that th' J es obliterate the enemy once and for all. In this view;
army was also "invisible." .Attacks セ ウエ@ Haw i war proceeds along a fixed course and occupies a
and Sin gap ore seemed, to the et Q and finite extent of time, like a play in three acts with
British defenders, to come o ケM ッ セ@ ere. In a beginning, rniddl e, and an end. The end, the
Indonesia and the Philippines Jap ese attack final scene, decides the issue for goo d.
was even faster than . Germ- litz against When things don't work out quite this
France in the West. + way, the Western military mind feels tremendous
The greatest ary surprises tn frustration. Sun -tzu' s great disciples, Mao Zedong
American histot:) セ@ • I een in Asia. Surely and Ho Chi Minh, are respected in Asia for their
purely te i cui ties of detecting enemy an advantage over stronger adversaries. But in the
ュッカ・ セ@ ' arl Harbour, the Chinese West their approach is seen as underhand and
interv. tio in orea, and the T et offensive in devious. To the American strategic mind, the Viet
v セ@ e out of a tradition of surprise and Cong guerrilla did not fight fair! y. He should have
ウエ・。ャ セ@ . technical intelligence - the I ocation of come out into the open and fought like a man,
enemy units and their movements - was greatly instead of hiding in the jungle and sneaking
improved after each surprise, but with no around like a cat in the night.
noticeable improvement in the American ability to
foresee or prep are what would happen next. There 45. According to the author, the main reason
is a cultural divide here, not just a technical one. for the U.S. losing the Vietnam War was
Even when it was possible to track an army with a the Vietnamese understood the local
intelligence satellites, as when Iraq invaded terrain better.
Kuwait or when Syria and Egypt attacked Israel, b. the lack of support for the war from the
surprise was achieved. The United States was American people.
c. the failure of the U.S. to mobilize its
military strength. Directions for Q. 51 to 55: Arrange the sentences
d. their inability to fight a war on terms A, B, C, and D to form a logical sequence
other than those they understood well. between sentences I and 6.
46. Which of the following statements does
not describe the 'Asian' way of war? 51. Arrange the sentences A, B, C, and D to
a Indirect attacks without frontal attacks. form a logical sequence between sentences
b. The swordsman charging forward to I and 6.
obliterate the enemy once and for all. I. Making people laugh is tricky.
c. Manipulation of an adversary without A. At times, the ゥョエ・、 セ セ 。ケ@
his knowledge. simply not come off. '- '
d. Subduing an enemy without fighting. B. Making people laugh wl e tl) g to
47. Which of the following is not one of Sun- sell them somet · n<'e · tougher
tzu' s ideas? challenge, since co ercial can
a Actual combat i the princip a! means of fall flat on エキ セ@
subduing an adversary. C. There are m 。、カ セ ュ ウ・ュョエ@ which
b. War should be undertaken only after do amuse but セ ・カョ@ begin to set
48.
thorough preparation.
c. War is linked to politics.
d. War should not be left to the generals
alone.
The difference in the concepts of war of
E
the cas tills イゥ セ ュァN@
D. Agai i 1 rarely sufficient for an
er
enct
fi
ply to amuse the target
order to reap the sales
a セ セ オ ・@
a 1t/4
セ
"' セ
] セ セ セZ@
Z ゥウ@ a circle of radius I em. Each
b 31tl2 セ@ member of a sequence of regular polygons
c 1t/2 S i(n), n 4, 5, 6, ..., where n is the number
d 1t of sides of the polygon, is circumscribing
69. Three I ab elled boxes contammg セ ᄋ@ the circle; and each mernb er of _the
white cncket bails are allnuslab e1 1 sequence of regular polygons S2 (n), n - 4,
known that one of the boxes cot am 'onl 5,6, ..., where n is the number of sides of
white balls and one only ols e the polygon, is inscribed in the .eire! e. Let
third contains a mixture white Ll(n) and L2(n) denote the penmeters of
balls. You are require t e y label the corresponding polygons of Sl(n) and
the boxes with the lab re white and S2(n). Then (Ll(i3) + 21t}/L2( 17) 1s
red and white 「ケ セ@ eking a sample of one a greater than 1t/4 and less than I
ball from ッセ ケL@ ョ・ セ ックN セ \nィ。エ@ is the label b. greater than I and less than 2
on the box ou . エ セ ウ。ューャ・_@ c. greater than 2
a Whit d. less than 1t/4
b. R 74. There is a square field with each side 50 0
c. セ ・@ ite metres long. It has a compound wall a! ong
o ssible determine from a sample its perimeter. At one of its comers, a
one hail triangular area of the field is to be
78 123456787654321, whatisn? cordoned off by erecting a straight-line
344 3 21 fence. The compound wall and the fence
b. 123 578 9 will form its borders. If the length of the
c. 11111111 fence is I 0 0 metres, what is the maximum
d. 1111111 area in square metres that can be cordoned
71. Abraham, Border, Charlie, Dennis and off?
Elmer and their respective wives recently a 2,500
dined together and were seated at a b. I 0, 0 00
circular table. The seats were so arranged c. 5,000
that men and women alternated and each d. 20, 0 00
woman was three pi aces distant from her
Directions for Q. 75 to 77: These questions based d. 33
on the situation given below: 79. The minimum number of flowers that
Ten coins are distributed among four people P, Q, could be offered to each deity is:
R, S such that one of them gets one coin, another a 0
gets two coins, the third gets three coins and the b. 15
fourth gets four coins. It is known that Q gets c. 16
more coins than P, and S gets fewer coins than R. d. Cannot be determined
80. The minimum number of flowers with
75. If the number of coins distributed to Q is which Ro op a leaves home is·
77.
b. Q gets more coins than P.
c. P gets more coins than S
d. P and Q together get at least five coins
If Q gets fewer coins than R, then which
one of the following is not necessarily
rl
(jru
Su o se
se
n
.0 0
1.70
675.00
'" ᄋセ@
flowers to セ@ " T dips
·ty :"'She f セBᄋ@
...... '
the remaining b. 0.
c. I6
flowers ゥ セ@ , and again the number of d. 2. 3
ヲャッキ・ セ ウ@ · u She goes to the third place of
wors o ers y flowers to the deity. She dips the Directions for questions 83 and 84: These
イ セ エャT_@ wers into the river, and again the questions are based on the situation given below:
ョオ セ@ flowers doubles. She goes to the fourth A, B, C, D E and F are a group of friends from a
place of worship, offers y flowers to the deity. club. There are two housewives, one lecturer, one
Now she is left with no flowers in hand. archi teet, one accountant and one lawyer in the
group. There are two married couples in the
78. If Ro op a leaves home with 3 0 flowers, the group. The lawyer is married to D who is a
number of flowers she offers to each deity housewife. No lady in the group is either an
IS: archi teet or an accountant. C, the accountant, is
a 30 married to F who is a lecturer. A is married to D
b. 31 and £is not a housewife.
c. 32
t9 t:<f .?> l
83. What is E? a The closest pair of points among the
a Lawyer six given points cannot be (F, C).
b. Architect b. Distance between A and B is greater
c. Lecturer than that between F and C
d. Accountant c. The closest pair of points among the
84. Flow many members of the group are six. given points is (C, D), (D, F), or
male? (C, F)
a 2 d. None of these
b. 3
c. 4 88. B>AF>BF; CD>DE>CE; and
d. None of these 6,15 em. Whichis the closest p ·
a C
b.
e.G
D
d. F セ@
;f 89.
Mセ@
·,
'-
"
セx@
86. Which of the followin a1rs ay not be .
•l
seated エッァ・ セ ・イ_@ !
a E&A + '
-1
b. B&D
」N セ F@
d. G
base
dゥイ・ セ エゥ@ 87 and 88: These questions are
t
situation given below:
-·
e PRS U, is divided into two smaller
セ@ PQTU, and QRST by the line TQ. PQ _,
= !Ocm, QR = 5cm and RS = !Ocm. Points A, B,
a a
F are within rectangle PQTU, and points C, D, E
b. b
are within the rectangle QRST The closest pair of c. c
points among the pairs (A, C), (A, D), (A, E), (F,
d. d
C), (F, D), (F, E), (B, C), (B, D), (B, E) are em
90.
apart.
-%
71 I
fl(•l
a
b
a
b
.................. : j . .J
c c
d d
2 X
based on the sttuatlon gtven be w
There are m blue カ・ウャ セ@ volumes v1,
v2, ..... v,. arranged m as dmg ,order of volume,
where v1 > 0, 5 litre, and v <- セ ・N@ Each of these
is full of water セ ケ N@ セ ・@ water from each of
these is empti ・、 | ョ LN セ@ J irumum number of empty
a a white vesG , ・ 。 セ 。カ ゥョァ@ volume I lure. The
b. b water fro a bl e vessel is not emptied into a
c. c キィゥエ セ@ e ' ss the white vessel has enough
d. d emp t e to hold all the water of the blue
91. :<I sse!. number of white vessels required to
ue as n.
_,
' x
'l} 3. Among the four values given below, which
is the least upper bound on e, where e is
the total empty volume in the n white
·- - - ;· - - - 0
n.x)
vessels at the end of the above pro cess?
a mvm
b. m(l - v,.)
c. mv1
d. m(l - Vt)
105.
d. Cannot be determined
BD?
a 5Okm
b. 52.5km
;f! value is the number on the card. Once, the Player
" I
'\
108. If Ghosh Babu stopped playing the game
""""""'"""""""""""'J
b. 20 B. Increase in carbon monoxide 1s
c. 16 hazardous to health.
d. 4 C. Traffic congestion is hazardous to
109. The initi a! money Ghosh Babu had (before health.
the beginning of the game sessions) was D. Some traffic congestion does not cause
Rs. X. At no point did he have to borrow increase carbon monoxide.
any money. What is the minimum possible E. Some traffic congestion 1s not
value ofX? hazardous to health.
a 16 a CBA
b. 8 b. BDE
c. I 00 c. CDE
d. 24 d. BAC
110. If the final amount of money that Ghosh
Babu had with him was Rs. I 0 0, what was
the initial amount he had with him?
a 120
b. 8
113.
A
B. Some apples
C. All sweets are asty.
D. Some apples n.o
e ty.
セ Q[ Z 。ウ セ@
c. 4
d. 96 ;
b. b セ KエサLI@
」 セ@
QTN セ c@
SECTION-III
Nwnber of Question= 55
Directions for Q. 111 to 120: Each question of セ@ me towns m India are polluted
five statements followed by options consisting of :All polluted towns should be
three statements put together m a spec1fic ッイ、 セ・@ destroyed
Choose the option which md1cates a val1d C Town Meghana should be destroyed.
argument, that 1s, where the third statement 1s D Town Meghana1s polluted
conclusion drawn from the ーイ・」、ュ セ@ E Some towns m Ind1a should be
statements. destroyed
Example: a BDE
A All cigarettes are hazardous エッ[ ィ ・ セ エィ @ b. BAE
B. Brand X is a cゥァ。イ・エN セ@ c. ADE
C. Brand X is hazardous t e d. CDB
ABC is a valid option, where em t C can be 115.
concluded from ウエ セ。・ュョ@ A an+ . A No patriot is a criminal.
B. Bundledas is not a criminal.
Ill C. Bundledas is a patriot.
A All セ@ comparues employ D. Bogusdas is not a patriot.
セ@ w rkers ;· Bogusdas is a criminal.
セ
」ZN セ セ ッキャ・、ァ@、 ᄋZセ[L]@
workers 116.
セ@ セA@
E. Tara Tech employs only knowledge A Ant eaters like ants.
workers B. Boys are ant eaters.
a ABC C. Balaram is an ant eater.
b. ACB D. Balaram likes ants.
c. COB E. Balaram may eat ants.
d. ACE a DCA
112. b. ADC
A Traffic congestion increases carbon c. ABE
monoxide in the environment. d. ACD
Rᄋセ@ t:<f .?> l
117. B. The orang-utan is not angry.
A All actors are handsome. C. The orang-utan does not frown upon
B. Some actors are popular. the world,
C. Ram.ishandsome. D. The orangutan is angry.
D. Ram is a popular actor. a CB only
E. Some popular people are handsome. b. DAonly
a ACD c. AB only
b. ABE d. CB and DA
c. DCA 12 2. Either Ravana is a demon, or he is a hero.
d. EDC A Ravanais a hero. セ@
118. B. Ravanais a demon.
A Modern industry is technology driven. C. Ravanais not a demon.
B. BTl is a modem industry. D Ravanais not aheroo
C.
D.
E.
a
BTl is technology driven.
BTl may be technology driven.
Techno! ogy driven industry is modem
ABC
a CD only
b BAonly
c CD andBA
d DB andCA
CJ
b. ABD 12 3. Wheneverセ 。 j@ eev uses the Internet, he
c. BCA dreams BX⦅セ セ ᄋ p@ ders.
d. EBC A セ ᄋ@ セNLェ@ t dream about spiders.
119.
A All Golmal islanders are blue coloured
people.
tj·
セ
B. aJee\\use the Internet.
セ 、イ・。ュエ@ about spiders.
セ@ eev did not use the internet.
B. Some smart people are not blue セ@ ·C
coloured people.
C. Some babies are blue coloured. セ@ c CB
D. Some babies are smart. d. DA
E. Some smart people are not Go
'l} 124. If I talk to my professors, then I do not
1s1 anders
a BCD
b. ABE
c. CBD
d. None of these
;f need to take a pill for headache.
A I talked to my professors.
B. I did not need to take a pill for
headache.
C. I needed to take a pill for headache.
120. セ@ D. I did not talk to my professors.
A M BAs are m great and a AB only
B. Ram and sQエ。 セ Z@ grea emand b. DC only
C. Ram is in セ 、@ c. CD only
セNᄋ セ sゥZウ セ mセAウ@ d. ABandCD
a a セ@ Directions for Q. 125 to 134: Each question has a
b. C set of four statements. Each statement has three
segments. Choose the alternative where the third
BA segment in the statement can be logically deduced
using both the preceding two, but not just from
D or Q. 121 to 124: Each question has a one of them.
main statement followed by four statements
labelled A, B, C and D. Choose the ordered pair of 125.
statements where the first statement implies the A No cowboys laugh. Some who laugh
second and the two statements are logically are sphinxes. Some sphinxes are not
consistent with main statement. cowboys.
B. All ghosts are fluorescent. Some
121 Either the orang-utan is not angry, or he ghosts do not sing. Some singers are
frowns upon the world. not fluorescent.
A The orang-utan frowns upon the world,
C. Cricketers indulge in swearing. Those a D only
who swear are hanged. Some who are b. B only
hanged are not cricketers. c. C and B
D. Some crazy people are pianists. All d. A only
crazy people are whistlers. Some 129.
whistlers are pianists. A. MD is an actor. Some actors are pretty.
a A and B MD is pretty
b. Conly B. Some men are cops. All cops are
c. A and D brave. Some brave people are cops.
d. D only All cops are brave. s セッ・@
pCJro
C. "-.are
126. cops. Some men are brave. . '
A. All good people are knights. All D. All actors are pretty; l'v is t an
warriors are good people. All knights actor; MD is not
are warners. a D only
B. No footballers are ministers. All b. Conly
fo otballers are tough. Some ministers c. A only
are players. d. Band C
C. All pizzas are snacks. Some meals are
pizzas. Some meals are snacks.
130.
A. All I
セ@ s セ ゥ ョエャ ョ、ゥ。@ No B!Ms are in
D. Some barkers are musk-deer. All In . ' o I Is areBIMs.
barkers are sloth bears. Some sloth B. lli!Vt' are in India. No B!Ms are in
bears are musk -deer. l dia:ltio B!Ms are IIMs.
a C and D ;;('IIMs are not in India Some
b. Band C M s are not tn Indta Some liM s are
c. A only Ms
d. Conly D Some IIMs are not tn Indta Some
127. B!Ms are not tn Indta Some B!Ms are
A. Dinosaurs are pre-historic creatur liM s
Water-buffaloes are not 、ゥョ セ@ a A and B
Water-buffaloes are not ーイ・ セ@ st b C and D
creatures. セ@ c. A only
B. All politicians are fr o d. B only
people are crocodiles No o c iles 131.
are politicians. セ@ A. Citizens of Yes Islands speak only the
C. No diamond is q . o opal is truth. Citizens of Yes Islands are
quartz. DiamowJs are p · . young people. Young people speak
D All ュッ セ セ ウ@ TI e b• anas Some GI only the truth.
Joes It e 1l Some GI Joes are B. Citizens of Yes Islands speak only the
mi truth. Some Yes Islands are in the
ac a C nl D Atlantic. Some citizens of Yes lsi ands
b 0 are in the Atlantic.
C. Citizens of Yes Islands speak only the
an C truth. Some young p eo pie are citizens
I of Yes Islands. Some young people
I earthquakes cause havoc Some speak on! y the truth.
landsltdes cause havoc. Some D. Some people speak only the truth.
earthquakes cause landslides. Some citizens of Yes Islands speak
B. All glass things are transparent. Some only the truth. Some people who speak
curios are glass things. Some curios are on! y the truth are citizens of Yes
transparent. Islands.
C. All clay objects are brittle. All XY are a A only
clay objects. Some XY are brittle. b. B only
D. No criminal is a patriot. Ram is not a c. Conly
patriot. Rami s a criminal. d. D only
132. 7f)J
A All mammals are VIVIparous. Some セdj@
134.
c. Conly
d. D only fa highest profitability in
a 1998-99
b. 1997-98
A A fow イNュ セ@ • •ci®"' < I 99Hl
Some r ocke s tist; each snakes. A d. 1996-97
few famer snakes. 138. With profitability as defined in question
B. Poomll!r · a kangaroo . Some 137, it can be concluded that
k ar! os are made of teak. Poonam is a Profit<bility is non-decreasing during
.J118 the five years from 1994-95 to 1998-
セ n@ lis eat grass. All maadors ea 99.
ss. No maadors are bulls. b. Profit<bility is non-increasing during
e skunks drive Cadillacs. All the five years from 1994-95 to 1998-
unks are polar bears. Some pol ar 99.
bears drive Cadillacs. c. Profitability remained constant during
a B only the five years from 1994-95 to 1998-
b. Aand C 99.
c. Conly d. None of the above.
d. C and D
Directions for Q. 139 to 144:
Directions for Q. 135 to 138: These questions are Consider the information provided in the figure
based on the situation given below: below relating to India's foreign trade 1997-98
Source of Imports
1991-98 Imports Into India: $40779 million
J K A
4% •% 9% 8
c
12%
0
6%
' F
2%
G
19%
1998-99 Imports into India (April-Nov.): $28126
million
J "
5% Qセ@
16%
. セ@
2500
2300
2100
r· ·
Athar (f(iday tJuobtions)
,....,.I
1'--.. .A _;:::1
I price volatility?
a Arhar
b. Pepper
CJ
What is the commo di wit tl'l lowest
セAsod@ j c. Sugar
セ@
•
• noo
tSOO
\/
:
d. gッャ、 セ K@
1300 147. Mr( S ds manager with an
Ft F4 1\13 A2 AS 113 JN2 Jl1 inv ウエュ・ セ@ セ ュー。ョケ@ invested 2 5% of his
w..t.ottll99) in ch of the four commodities at
gtnning of the period. He sold the
Pepper [Friday アエNセゥッョUI@ . ( .- o di ties at the end of the period. His
2DC<Ict
セ@ in: ments in the commodities resulted
__.....\
§' 19500
セ@
セ@
セ@ 10000 I ..... セ@
I
a.. f8000
18!>00
JL V\ I
I
セ@
a 17"/o pro fit
b. 5.5% loss
......... c. no profit, no loss
セ@
17500 II
QWPセN@ ., • iヲ ᄋ セ@ d. 4.3%profit
Fl F4
' " .IU A5 IU
W..ks(19
1 N2 &.-' 14 8. The price volatility of the commodity with
the highest PV during the February - July
1520
Svg.r Hfイゥ、。ケ セ Hセ@ , period is approximately equal to:
a 3%
M]セQUP@
セ@ Jl b. 40%
l!t4SO
12
81460
'-'!
セ@
セ@
..... .,
セ@
-....
1\ >--.'
\.
\
--
c. 20%
d. 12%
...
"C 1440
1420
140
., ..... I •
v|セ@
v
'
Directions for Q. 149 to 153: These questions are
based on the table below presenting data on
セ「@ F3. A2 Aa 113 JNZ JLI percentage population covered by drinking water
セ@ \ . w..... HQYセI@ and sanitation facilities in selected Asian
....'-...... Gold (Frkla1 アオセッョウI@
-
( countries.
....... セ セ P@ I Population Covered by Drinking War and
""1111
セ@ 4200
@セ 4100
-'\
'/ \ ---1 Sanitation Facilities.
. セ@ mo
- -4000
"" \../\
31100
3700 ' India
Banglades
F1 F4 M3 A2 A5 loU Jlla JU China 97 56 67 74 7 24
w...,.. lt999) Pakistan 82 69 74 77 22 47
Philippines 92 80 86 88 66 77
Indonesia 79 54 62 73 40 51
RセZス@ t:<f .?> 1
C. it is lower than Pakistan in terms of
coverage of sanitation facilities.
Source: World Resources 1998-99, p.251, UNDP, D. it is dominated by Indonesia.
UNEP and World Bank a AandB
Country A is said to dominate B or A > B if A has b. AandC
higher percentage in total coverage for both c. D
drinking water and sanitation facilities, ancl. B is d. None of these
said to be dominated by A, or B <A.
A country is said to be on the coverage frontier if Directions for Q. 154 to 155: These relate to the
no other country dominates it. Similar! y, a country above table with the additional proviso the
0
is not on the coverage frontier if it is dominated gap between the population coverage mitati:
wie
by at least one other country. facilities and drinking water faciliti · a r
of eli sp arity in coverage.
149. What are the countries on the coverage
frontier? !54. The COUntry Q.S isparity In
a In eli a and China coverage of rural セ 」エッイ@ ·
b. Sri Lanka and Indonesia a India
c. Philippines and Bangladesh b. Bangladesh
d. Nepal and Pakistan c. n・ー セ@ +
15 0. Which of the following statements are d セ@ ih セ・@
true? 155. Th · cou ·th the least disparity in
A. In eli a> Pakistan and India> Indonesia セ 」 ッカ@ 。セN・ セ@ f urban sector is
B. India> China and India> Nepal r;/
C. Sri Lanka> China セ@ tstan
D. China> Nepal lippines
a A and C d. None of these
b. Band D
c. A, B and C Directions Q 156-165: Each question is followed
d. B, C and D by two statements, A and B. Answer each
!51
Sanitation facilities columns, fi c b
concluded that rural ーッオャ。 セ iョ@ as 15 6. The average weight of students in a class
a percentage of its エ セ エ@ ッー セ 。エャ ッ ョ@ is is 50 kg. What is the number of students in
approximately. ' the class?
a 76 A. The heaviest and the lightest members
b. 70 セ@ of the class weigh 60 kg and 40 kg
c. 73 + respectively.
d. Cannot be ned B. Exclusion of the heaviest and the
152. Again, オ セ セ ・@ data presented under lightest members from the class does
ウ セ ᄋ@ t ·en acihttes columns, sequence not change the average weight of the
Chi nil, n esi a and Philippines in students.
· order of rural population as a a if the answer can be answered by using
entage of their respective total one of the statements a! one, but cannot
ations. The correct order: is: be answered using the other statement
hilippines, Indonesia, China alone.
b. Indonesia, China, Philippines b. if the question can be answered by
c. Indonesia, Philippines, China either statement a! one.
d. China, Indonesia, Philippines c. if the question can be answered by
153. India is not on the coverage frontier using both statements together, but
because cannot be answered using either
A. it is lower than Bangladesh in terms of statement a! one.
coverage of drinking water facilities. d. if the question cannot be answered
B. it is lower than Sri Lanka in terms of even by usmg both statements
coverage of sanitation facilities. together.
.?>0 t:<f .?> 1
157. A small storage tank is spherical in shape. A. The angle between AB and X -axis
What is the storage vol wne of the tank? when measured with a protractor is 4 0
A. The wall thickness of the tank is I em. degrees, and the angle between CB and
B. When the empty spherical tank is X -axis is 80 degrees.
immersed in a large tank filled with B. The scale ofY-axisis I em= 1000 Rs.
water, 20 litres of water overflow from a if the answer can be answered by using
the large tank. one of the statements a! one, but cannot
a if the answer can be answered by using be answered using the other statement
one of the statements alone, but cannot alone.
be answered using the other statement b. if the question can be 。ョウ カN セ@ by
alone. either statement a! one. II.. '
b. if the question can be answered by c. if the question can be swer by
either statement alone. using both statemu to · セ ・イL@ but
c. if the question can be answered by cannot be answ ed ·ng either
using both statements together, but statement alonG
cannot be answered using either d. if the questi c ot be answered
statement alone. even by us oth statements
d. if the question cannot be answered エッァ・ィ セ@
even by usmg both statements 16 0 There ts セ ᄋ セ キゥ エャ@
centre C at the ongm
together. 。ョ、 セ セ@
Two tangents are drawn
15 8. Mr. X starts walking northwards along the frod!"aii eJ?temaJ pomt D at a dtstance d em
boundary of a field, from point A on the 1:\.. theJJcentre What are the angles
boundary, and after walking for 15 0 セ 」ィ@ tangent and the X-axts?
metres reaches B, and then walks e co -ordmates of D are gtven
westwards, again along the boundary, for eX -axt s btsects one of the tangents
another I 0 0 metres when he reaches C. a tf the answer can be answered by usmg
one of the statements a! one, but cannot
be answered using the other statement
alone.
b. if the question can be answered by
either statement a! one.
c. if the question can be answered by
using both statements together, but
cannot be answered using either
statement a! one.
d. if the question cannot be answered
even by usmg both statements
b. together.
161. Find a pair of real numbers x and y that
c. satisfy, the following two equations
simultaneously. It is known that the values
of a, b, c, d, e and fare non-zero.
ax+by=c, dx+ ey= f
A. a=kd and b =ke, c =k( k,. 0
B. a=b=, d= e=2, f,.2c
a if the answer can be answered by using
159. one of the statements a! one, but cannot
be answered using the other statement
alone.
b. if the question can be answered by
either statement a! one.
c. if the question can be answered by
using both statements together, but
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