October 2017

THE PRODUCTION OF

SALT-WATER
MOON
BY DAVID FRENCH
DIRECTED BY RAVI JAIN
 DAVID MIRVISH
Presents

THE PRODUCTION OF

SALT-WATER
DAY 237:
HE KNOWS THE
SPOTLIGHT IS BRIGHT,
MOON
BY DAVID FRENCH
DIRECTED BY RAVI JAIN
BUT HIS FUTURE Starring

IS BRIGHTER. KAWA ADA

MAYKO NGUYEN
ANIA SOUL
Stage Manager

Whether he’s a performer on or off stage, your son deserves the opportunity to shine. TAMARA PROTIC
UCC’s unrivalled combination of academics, athletics and arts will sharpen his mind,
Apprentice Stage Manager
strengthen his body and ignite a creative spirit in him that only UCC can establish and
nurture. Visit Upper Canada College and see for yourself where the foundation for your TROY TAYLOR
son’s success begins and where he will discover his stage. Come to our Open House
October 19 and 20. Lighting Designer
KAILEIGH KRYSZTOFIAK
DISCOVER HOW WE CAN HELP Sound Designer
With over $5 million in financial assistance
available, your son’s dreams could THOMAS RYDER PAYNE
become a reality.
www.ucc.on.ca/day1
 T H E C A S T

Jacob Mercer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAWA ADA

Mary Snow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MAYKO NGUYEN

Narration and Music . . . . . . . . . . . . . . . . . . . . . . . . . . . ANIA SOUL

A moonlit September night in 1926, in front of a late 19th century home

in rural Newfoundland.

with no intermission.

Salt-Water Moon has a running time of 90 minutes
SP I RITS CO LLEC TIO N
Salt-Water Moon was first presented by Tarragon Theatre, Toronto in 1984.

This production of Salt-Water Moon was first produced by Factory Theatre,

Toronto, ON in February 2015
All rights enquiries to Author’s agent: Charles Northcote, Core Literary Inc ., Toronto

The use of any recording device, either audio or video, and the taking of
photographs, either with or without flash, is strictly prohibited . Please turn
off all electronic devices such as cellular phones, beepers and watches .

A B O U T S A LT- WAT E R M O O N

DAVID FRENCH’S SALT-WATER MOON Play, the Canadian Authors Association

premiered at Tarragon Theatre in 1984
as part of the semi-autobiographical
Mercer Family Cycle . Although written
over a decade after the first Mercer play,
it takes place early in the Mercer family
chronology and depicts the tender and
tumultuous courtship of Jacob Mercer
and Mary Snow . The play won the Dora
Mavor Moore Award for Outstanding New
4 mirvish.com
Literary Award for Drama, the Hollywood
Drama-Logue Critics’ Award, and was a
finalist for the 1985 Governor General’s
Award for Drama . Salt-Water Moon
has received hundreds of productions
Happy hour just got better!
around the world since its premiere,
including a French-language translation
by Antonine Maillet, which has been
produced across Canada .
HÄAGEN-DAZS TRADEMARKS REPRODUCED UNDER LICENSE BY / MARQUES DE COMMERCE HÄAGEN-DAZS
REPRODUITES SOUS LICENCE PAR: NESTLÉ CANADA INC., NORTH YORK, ON M2N 6S8
mirvish.com PB
 T H E O F F - M I RV I S H
IN AUGUST 2012 DAVID MIRVISH SAW
Niagara Wine Country a wonderful production of an Irish
play called Terminus at the annual
is closer than you SummerWorks Theatre Festival . The
production was playing for only a few
might think. performances in a venue that held
no more than 30 people . He thought
it was a shame that more people
could not have a chance to see it,
so he did something quite unusual
and extraordinary . He found a way to
make the stage of the Royal Alexandra
Theatre a black-box theatre seating 200
people with the playing area located in
front of the empty historic auditorium
of 1,500 seats .
As well, for many years David was
searching for a way to showcase
the wealth and breadth of Toronto's
theatre community and to bring
its work to a larger audience . He
also wanted to bring acclaimed
and important international shows
that share a commitment to artistic
excellence, and an exploration of
language, action and ideas that
are challenging, innovative and
A B O U T FA C T O RY
FOUNDED IN 1970, FACTORY WAS THE
first theatre company in the country
to devote itself to producing 100%
Canadian content . In recent years,
This Mirvish theatre proudly under the Artistic Direction of Nina Lee
serves wine from Peller Estates. Aquino, Factory has become renowned
for producing work from exciting and
diverse artists from across Canada .
From their home at 125 Bathurst
PB mirvish.com
S E R I E S
provocative . These shows often would
not be appropriate to play 1,500 or 2,000
seats; but at 700 seats, the Panasonic
Theatre is an ideal size for this kind
of work .
This is how the Off-Mirvish
season began .
The inaugural season in 2012-13
included Terminus from Outside the
March company, Anthony Rapp in
Without You, Studio 180’s production of
the Pulitzer Prize-winning Clybourne
Park and Mary Walsh in Dancing
With Rage .
Subsequent seasons included the
Tony Award-winning comedy God of
Carnage, The Two Worlds of Charlie F .,
George F . Walker’s Dead Metaphor, Buyer
& Cellar, Rick Miller’s Boom, the Tony
Award-winning Vanya & Sonia & Masha
& Spike, Seminar starring Tom McCamus,
BigMouth and the Pulitzer Prize-winning
drama Disgraced .
This season’s lineup begins with
Salt-Water Moon, continues with King
Charles III and ends with the Tony
Award-winning Best Musical, Fun Home .
T H E AT R E
Street, Toronto, Factory has led the
development and sharing of Canadian
stories like the one you are seeing
today for over four decades .
This Season Factory is producing
six plays between September 2017
and May 2018 . If you like what you see
tonight visit factorytheatre .ca to find
out more .
mirvish.com 7
 T H E C O M PA N Y
KAWA ADA
Jacob Mercer
After graduating
from The Boston
Conservatory, Kawa was
cast on Broadway in
Bombay Dreams . Since then, he’s played
leading roles at major theatres in the
country, including Tarragon, Factory,
Canadian Stage, The Shaw Festival
and Soulpepper Theatre Company, for
which his debut performance earned
him a Dora Award for Outstanding
Actor . His recent screen credits include
a recurring role in the CBC series Shoot
the Messenger and the animated feature,
The Breadwinner, which premiered at
the Toronto International Film Festival
this September . Kawa is also a writer
and has the distinction of being the
first Afghan-Canadian published
playwright, with the release of his
play, The Wanderers, by Playwrights
Canada Press . He was born in Kabul,
Afghanistan .
MAYKO NGUYEN
Mary Snow
Select theatre credits:
TomorrowLove – Outside
The March; The Unending
– Convergence Theatre;
Salt-Water Moon – Factory Theatre
(Dora nomination); LULU v.2 – Rhubarb
Festival; Passion Play – Outside the
March/Convergence Theatre/Sheep
No Wool (Dora nomination, Best
Ensemble); Carried Away On The Crest
Of A Wave –Tarragon Theatre; Offensive
Fouls – Hustle N’ Bustle Theatre (Dora
nomination Best TYA Production . Select
TV credits: Killjoys, Slasher, Cracked,
8 mirvish.com
Rookie Blue, ReGenesis, Bloodletting and
Miraculous Cures . Mayko is a three-time
Gemini Award nominee .
ANIA SOUL
Narration and Music
Janisa Weekes aka Ania
Soul bridges the gap
between two disparate
musical worlds . She
merges the intimacy and introspection
of a singer-songwriter with the rich
aesthetic of roots soul and R n B . She
is fresh from underscoring music and
performing in the Dora award winning
play Salt-Water Moon early 2016 . Shortly
after she was accepted into the coveted
Early Fall music residency at the Banff
Centre, where she had the space and
time to create new works for her
album due Spring 2018 . Her lyrical
ability to document a soundtrack to
her life has left audiences wanting
more as she has showcased her
original works at NXNE, Canadian
Music Week, Manifesto Festival and
more . When not performing her own
compositions, she channels Aretha
Franklin and Gladys Knight as she is
one of the mesmerizing leading ladies
fronting the popular events band The
St .Royals in Toronto . Summer 2017 gave
her the opportunity to perform main
stage at the Vancouver Island Music
Festival and collaborate with Sam
Cooke’s original backing band The Soul
Stirrers . Janisa’s desire to be an actor
alongside a musician comes easily and
honed this longing while attending the
Rcurrents program at Bcurrent lead by
Ahdri Zhina Mandiela from 2008 .
mirvish.com PB
WINNER OF THE PULITZER PRIZE FOR DRAMA T H E C R E AT I V E
DAVID FRENCH
Playwright
David French (1939–2010) was one
of Canada’s best-known and most
successful playwrights . Among his
A PLAY BY AYAD AKHTAR DIRECTED BY ROBERT ROSS PARKER works are the semi-autobiographical
Mercer plays: Leaving Home; Of the
KAREN ALEX RAOUL BIRGITTE ALI Fields, Lately; Salt-Water Moon; 1949; and
GLAVE POCH-GOLDIN BHANEJA SOLEM MOMEN Soldier’s Heart . This quintet of plays
about a Newfoundland family has also
touched audiences in the US, Europe,
South America, and Australia . French’s
other works include the smash-hit
backstage comedy Jitters, the pool-hall
drama One Crack Out, the memory
play That Summer, and translations of
Chekhov’s The Seagull, and Strindberg’s
Miss Julie . In 1989, French was inducted
into the Newfoundland Arts Hall of
Honour, and in 2001 he was appointed
an Officer of the Order of Canada . Born
in Coley’s Point, Newfoundland, French
made his home in Toronto, but spent 39
summers at his cottage in Cable Head,
PEI . David French died in December
of 2010 .
1/ 2
RAVI JAIN
“EXCELLENT! FEARLESS!
Director
Toronto-based stage director Ravi Jain is
a multi-award-winning artist known for
making politically bold and accessible
Throbs with mounting tension!” theatrical experiences in both small
indie productions and large theatres .
THE GLOBE AND MAIL As the founding artistic director of
RNS
RETUTER A
Why Not Theatre, Ravi has established
AF D-OUT himself as an artistic leader for his
SOL UN
NOVEMBER 11–26
inventive productions, international
R producing/collaborations and innovative
Panasonic Theatre, 651 Yonge Street
producing models which are aimed
to better support emerging artists to
make money from their art. Selected
416-872-1212
PB mirvish.com
T E A M
directing credits include: For Why Not
Theatre: The Prince Hamlet (5 Dora Award
Nominations); A Brimful of Asha, I’m So
Close, Fault Lines: Greenland, Iceland and
Faroe Islands (Governor General Award
for playwright Nicolas Billon); Like
Mother, Like Daughter (in collaboration
with Complicite, London); For Theatre
Centre: We are Proud to Present...
(4 Dora Award Nominations), Sea Sick
(co-directed with Franco Boni); A Lion
in the Streets (National Theatre School);
Lisa Codrington’s The Adventures of the
Black Girl in her search for God (Shaw
Festival); For Soulpepper: Accidental
Death of An Anarchist (Dora Award for
Outstanding Production); The 39 Steps
(4 Dora Award Nominations); For Factory
Theatre, Salt-Water Moon (Dora Award
and Toronto Theatre Critics Award for
Direction). Consultant director credits
include BOOM! (Mirvish/WYRD); and
Much Ado about Nothing (Tarragon
Theatre) . Jain was the inaugural
artistic-director-in- residence at The
Theatre Centre . He was shortlisted for
the 2016 Siminovitch Prize and won
the 2012 Pauline McGibbon Award for
Emerging Director and the 2016 Canada
Council John Hirsch Prize for direction .
He is a graduate of the two-year
program at École Jacques Lecoq . For
more information on Why Not Theatre,
www .theatrewhynot .org
TAMARA PROTIC
Stage Manager
Tamara Protic, a graduate of the York
University Theatre Production program,
spent seven years with the Classical
Theatre Project working on all sorts
of Shakespeare and touring Canada
mirvish.com 11
 and the United States . Most recently
she had the pleasure of working with
ZoomerMedia/Theatre Brouhaha on
Late Night, written and directed by Kat
Integrated Sandler; Cue6 Productions’ Byhalia,
Mississippi, directed by Jill Harper; and
Partnerships Veritas Theatre’s S h e e t s, written and
directed by Salvatore Antonio . This past
Connect with our highly July she toured this wonderful show to
affluent and engaged Ottawa, and she’s thrilled to be back and
customers through a thankful for the opportunity to work on
variety of key touchpoints: it again . Tamara would like to send out
thank-yous to her parents, Nemanja,
Ana, and Trish for their stupendous love
and support .
TROY TAYLOR
Red Carpet Corporate Apprentice Stage Manager
Hospitality Events For Factory: Debut . For Mirvish: Debut .
Elsewhere: Apprentice Stage Manager:
The Millennial Malcontent (Tarragon), All
But Gone (Necessary Angel/Canadian
Stage), Something Fishy (Lighthouse
Programme In Venue Festival Theatre), The Seagull (Crows
Magazine Partnerships Theatre/Canadian Stage) . Assistant Stage
Manager: Dance Weekend Ontario 2017,
Romeo and Juliet (Shakespeare in the
Ruff), Fall for Dance North 2015 . Stage
Manager: manicpixiedreamgirls (Rock
Bottom Movement), Armband (Human
Digital, Email, Product Body Expression) . Production Assistant
Print and Sampling and
Out of Home Branded at the Stratford Festival . Graduate of the
Advertising Activations Ryerson Theatre School . Much love to
Mum, Dad, Ryan, Rene, Madison, David,
Erika, and all those that have shown
kindness to me .
KAILEIGH KRYSZTOFIAK
Lighting Designer
Recent credits: El Retorno (Riser Project);
BRIAN HIMEL t: 416-305-5654 Wildfire (RARE, Soulpepper); The
e: brian.himel@brandsamplified.com Emancipation of Ms. Lovely, The Breath
JORY AMAR t: 416-725-1423 in Between (Crow’s); Superior Donuts
e: jory.amar@brandsamplified.com (Coal Mine); Laurier (Charlottetown
Festival, TNB); Beaver (Storefront); Noises
12 mirvish.com
Off (Soulpepper); Cambaby (Theatre
Mischief); Salt-Water Moon (Factory/Why
Not), A Line in the Sand, The Crackwalker
(Factory Theatre); Hana Hashimoto
(Carousel Players); Objections to Sex and
Violence (Sex & Violence Collective) .
Kaileigh has designed for musicians
Elizabeth Shepherd, Nagata Schachu,
and Plants and Animals . She is an
alumni and instructor at the National
Theatre School of Canada and a
two-time Dora nominee .
C R E D I T S & A C K N O W L E D G M E N T S
FOR FACTORY THEATRE
Artistic Director . . . . . . . . . . . . . . . . . . . . . . . . . NINA LEE AQUINO
Managing Director . . . . . . . . . . . . . . . . . . . . . JONATHAN HEPPNER
Mainspace Head Technician . . . . . . . . . . . . . . . . . JOSH HOODLESS
Studio Head Technician . . . . . . . . . . . . . . . . . . . QUINN HOODLESS
Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . JASMINE KNOX
Director of Marketing & Development . . . . . . . ADAM MATHESON
Company Dramaturge . . . . . . . . . . . . . . . . . . . . . MATT McGEACHY
Marketing Officer . . . . . . . . . . . . . . . . . . . . . . . . . . . .LAUREN NAUS
Administrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GINGER SCOTT
Patron Services Manager . . . . . . . . . . . . . . . . . . . . SCOTT WISDOM
Media Relations . . . . . . . . . . . . . . CARRIE SAGER, FLIP PUBLICITY
FOR MIRVISH PRODUCTIONS
Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID MIRVISH
Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN SEWELL
Managing Director . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID MUCCI
Director of Finance . . . . . . . . . . . . . . . . . . . . . . CAMILLO CASCIATO
Director of Sales & Marketing . . . . . . . . . . . JOHN KARASTAMATIS
Director of Development . . . . . . . . . . . . . . . . . . . KELLY ROBINSON
Director of Production . . . . . . . . . . . . . . . . . . . . . . SCOT WHITHAM
Director of Labour Relations &
Business Development . . . . . . . . . . . . . . . . . . . . MARK LAVAWAY
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . LINDA INTASCHI
Associate General Manager . . . . . . . . . . . . . . . . . . . CHARLES CHU
Assistant Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH SISKO
General Management Associate . . . . . . . . . . . . HANNAH MIRVISH
Production Manager . . . . . . . . . . . . . . . . . . . . . . . .CHRIS PRIDEAUX
Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . NATHAN GILES
Production Administrator . . . . . . . . . . . . . . . . ANN HASCALOVITZ
Communications Manager . . . . . . . . . . . . . . . . . . . . . . . .SUE TOTH
Press & Public Relations Manager . . . . . . . . . J . RANDY ALLDREAD
THOMAS RYDER PAYNE
Sound Designer
Thomas Ryder Payne is a composer and
sound designer for theatre, dance and
film . Selected past work includes designs
for Stratford, Shaw, Mirvish, Soulpepper,
CanStage, Tarragon, Factory, TPM, YPT,
Crows, Modern Times, Aluna, BIBT,
Nightwood, Toronto Dance Theatre, NAC,
Theatre Calgary, GCTC, RMTC and many
others . Thomas has received 2 Dora
awards and 17 nominations .
Digital, CRM & Loyalty Manager . . . . . . . . . . . . . . . AUBREY STORK
Marketing Manager . . . . . . . . . . . . . . . . . . . . . . . . . . ANTONIO TAN
Graphic Design Manager . . . . . . . . . . . . . . . . . . . . . . . OTTO PIERRE
Marketing Coordinator . . . . . . . . . . . . . . . . FRANCA LONGOBARDI
Web Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . JENNIFER JENKINS
Videographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TRISTAN GOUGH
Assistant Company Manager . . . . . . . . . . . . . . . . . . ANIKA NATER
Human Resources & Operations Assistant . . MICHAEL KATAMBA
IT Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSIE DI LUZIO
System Administrators . . . . . . . . . . . . . . .CHARLES BARTHMANN,
PHILLIP DREW, KATHARINE POSAVAD
Analyst/Accounting Manager . . . . . . . . . . . . . . . . . . REG DUNCAN
Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON YIP
Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TINA MARSHALL
Show Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . RACQUEL FROST
Accounting Staff . . . . . . . . . . . . . . . . . . . . . JULIE LOGAN, KIM SITU
Payroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LILIAN SIU
Assistant to David Mirvish . . . . . . . . . . . . . . . . . . . LAUREL PURVIS
Receptionists . . . . . . . . . . . . HELDER BRUM, AMY CUNNINGHAM,
DAN GALEA, REBECCA RAFTUS
FOR TICKETKING
General Manager . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ALDRIDGE
Phone Operations Manager . . . . . . . . . . . . . . . . . . .ALAN FORSYTH
Phone Operations Asst . Manager . . . . . . . . . . . . . . SUSIE MARCON
Phone Operations Supervisors . . . . . . . . . . . . . . . . KAREN COSTA,
SCOTT RICHARDSON,
JANET KOMPARE-FRITZ
Administrative Services Manager . . . . . . . . . . . . . MAGGIE BUSKI
Sales & Ticketing Analyst . . . . . . . . . . . . . . . VICTORIA MAGINNIS
Ticketing Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . KARYN KING
Reporting Co-ordinator . . . . . . . . . . . . . . . . . . . . . . IAIN LIDSTONE
Ticketing Software Administrator . . . . . . . . . . . . . . SARA RIVARD
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 Ticketing Software Co-ordinator . . . . . .FRANCO MARCANTONIO

Visit the Database Administrator . . . . . . . . . . . . . . . . . APARNA ALIMINETI

Mirvish FOR MIRVISH GROUP SALES & SUBSCRIPTIONS

concession Sales Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS DORSCHT

Group Sales Supervisor . . . . . . . . . . . . . . . . NATASHA SPRINGETT

stands to Associate Manager, Subscription Operations . . .BLAIR LEIGHTON

HARD-TO-GET
Associate Manager, Subscription Services . . . . DANIEL McLARTY
purchase Subscriber Relations Co-ordinator/Supervisor . . . . . DAVE PELLEY

CookieLovers TICKETS
Subscriber Relations Representative . . . . . . . . . . PAULYN RAMAN
Education Co-ordinator . . . . . . . . . . . . . . . . . . DENISE ANDERSON

freshly baked
MADE EASY
Group Sales Co-ordinator . . . . . . . . . . . . . . . . . . . . . . NELIA BAIRD

custom
Corporate Group Sales & Event Co-ordinator . . . TIFFANY TOBIAS
Group Sales Assistant . . . . . . . . . . . . . . . . BRANDON BARNSWELL

cookies. Subscriber Service Representatives . . . . . . . . . . . ERNEST AVSEEV,

DENIS COUILLARD, DANIELLA FRUSTAGLIO,
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ARIKA UMME GUL,ANDREA HEALY, CLARA KIM, presales, reserved seating
ALEXANDRA LEAN, RICHARD McDONALD,
RYAN REEVE, MIKE RICHARDSON, MUNIRA SARUAT
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FOR THE PANASONIC THEATRE
General Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . RON JACOBSON
Search I Amex Invites
Front of House Manager . . . . . . . . . . . . . . . . . . MARIE HOLOWATY
Assistant House Manager . . . . . . . . . . . . . . . . . . . .KENNY GALLOP
Box Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . GERARD RAJU
Assistant Box Office Manager . . . . . . . . . . . . . . . . . DENNIS WONG
Maintenance Manager . . . . . . . . . . . . . . . . . . . . KEVIN McCARTHY
House Head Technician . . . . . . . . . . . . . . . . . . . JASON BROWNING
Assistant House Head Technician . . . . . . . . . G . STUART BAULCH
Head of Wardrobe . . . . . . . . . . . . . . . . . . . . . . . ELENA RAKITSKAYA
Paint Treatment . . . . . . . . . . . . . . . . . . . . . . . . .McWOOD STUDIOS
Lighting Supplier . . . . . . . . . . . . . . . . . .CHRISTIE LITES TORONTO
Audio Supplier . . . . . . . . . . . . . . . . . . . . . . . . .SOUND ASSOCIATES

FOR MIRVISH PROGRAMME

Publisher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID MIRVISH
Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J . RANDY ALLDREAD
Advertising Sales . . . . . . . . . . . . . . . . . . . BRANDS AMPLIFIED INC .
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416.422.3335
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Backstage employees are represented by the

FOR HUNDREDS OF DESIGN IDEAS
International Alliance of Theatrical Stage
Employees (or I .A .T .S .E .) .

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