Warm-up Exercises

Emory Remington

I. Sustained Tones

          

          

      
 

    
   

II. Tonguing
(to be played both staccato and legato)

                                       

                                       

                                       

                                       
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 
                         


                         


                         

III. Three-Note Slurs

              
    

          
      

IV. Four-Note Slurs

     
            
  

           
   

       
       