Paul Hilario is a Filipino painter who works in the figurative expressionism genre.

His inspiration to create is to visualize information, issues, contradictions, scenarios,

events, fallacies and realities of life. His subject matter can be anything from personal,
social, historical and political. Most of the time, he uses symbolism and prefers to create
a scene of disconnections between individual images and items within the canvas. His
point of view reconnects the images. He likes to make stories and prefers to use themes
that spans the emotional spectrum.[1]
He was influenced by the paintings of post-impressionist Vincent Van Gogh and
Filipino modernist Vicente Manansala, until he stumbled upon the Marcel Antonio virtual
school of art. Much encouraged at school, he examined the Byzantine era (330 to 1453)
to learn old master techniques and added his own signature.[2]
Aside from the Philippines, his works have found their way to collectors
in Australia, Canada, Dubai, Japan, Saudi Arabia, Mexico, the Netherlands, Singapore,
the United Kingdom and the United States.[3]
 Boy Go,
Abstract Painter
Duyan ni Nanay (Rocking Chair Of My
Mother)

Boy Go [His pseudonym] is its first

resident artist of Arts & Craft Philippines.
He is now 58 and started painting when he
was 23 years old. He does not know how
many paintings he painted but painting
runs in his blood including his dad, his
children and grand children are also taking
up painting like him. He specializes in
abstract work but does impressionistic
works of Philippine landscapes and typical
countryside scenes.
Victorio Edades
Filipino painter
Victorio C. Edades was a Filipino painter. He led the revolutionary Thirteen Moderns,
who engaged their classical compatriots in heated debate over the nature and function
of art. He was named a National Artist in
1976. Wikipedia
Born: 23 December 1895, Dagupan
Died: 7 March 1985, Davao
Artworks: Poinsettia Girl, Portrait of the
Professor, MORE
Period: Modernism
Education: University of Washington