present day. Usually, the artists are alive and still making work. Contemporary art is often about ideas and concerns, rather than solely the aesthetic (the look of the work). Artists try different ways of experimenting with ideas and materials. NATIONAL ARTIST FOR CONTEMPORARY VISUAL ARTS Fernando Amorsolo (May 30, 1892 – April 24, 1972)
• known as the Grand Old Man of Philippine Art.
• Born in Manila, he was educated at the Art School of the Liceo de Manila, the University of the Philippines School of Fine Arts, and spent time abroad in Spain and the United States. Fernando Amorsolo (May 30, 1892 – April 24, 1972) • Lauded for his skill in depicting light and form, Amorsolo is well known for his paintings of idyllic Philippine rural life. • He rejected Western ideals of beauty and sought to promote Filipino beauty instead, and his use of chiaroscuro became an artistic trademark that set his work apart from the rest. Maiden in a The Mestiza (1943) Stream (1921) Planting Rice (1946) Guillermo Tolentino (July 24, 1890 – July 12, 1976) • Guillermo Tolentino is a giant in the landscape of Philippine sculpture, and indeed no other sculptor is so widely known, except for perhaps Napoleon Abueva. • His masterpiece, the Bonifacio Monument in Caloocan, was completed in 1933 and symbolizes the Filipino cry for freedom. Guillermo Tolentino (July 24, 1890 – July 12, 1976) • Other famous works include the Oblation, now an iconic symbol of the University of the Philippines, as well as the marble statue of Ramon Magsaysay at the GSIS Building. • Tolentino also created numerous busts and statues that can be found at iconic sites throughout the country. Napoleon Abueva (January 26, 1930 – February 16, 2018) • One of the youngest to ever be conferred the Order of National Artist, Napoleon Abueva received the award at the young age of 46. • The Father of Modern Philippine Sculpture, Abueva was instrumental in shaping sculpture in the Philippines. Napoleon Abueva (January 26, 1930 – February 16, 2018)
• He was recognized for being adept at a variety of
forms and materials. In fact, he was equally as comfortable with classical sculpture as he was with more abstract forms, and his work is made from anything from local hardwood to coral to brass. Kiss of Judas (1955) Nine Muses (1994) Victorio Edades (December 23, 1895 – March 7, 1985)
• Victorio Edades was a key figure in the
history of Philippine art, counted as one of the revolutionary Thirteen Moderns and later called the Father of Modern Philippine Painting. Victorio Edades (December 23, 1895 – March 7, 1985)
• Edades moved away from the idyllic landscapes of his
contemporary Amorsolo and instead preferred to paint a more sobering picture of Philippine society. • His works employed dark and somber colors, and were focused on depicting the dirt and sweat of laborers, factory workers, and the Philippine proletariat. Victorio Edades (December 23, 1895 – March 7, 1985) • Edades became Dean of the Department of Architecture in the University of Santo Tomas, later instituting an art degree program. • He invited Carlos Francisco and Galo B. Ocampo to become professors at the university, and the three were later known as the Triumvirate. The Sketch Portrait of the Professor Poinsettia Girl. Vicente Manansala (January 22, 1910 – August 22, 1981) • A master of the style of Cubism, Vicente Manansala is credited as one of the figures in the Philippine art world who popularized neo-realism in the country. • He was educated at the University of the Philippines School of Fine Arts, later training in Paris, Banff, Montreal and at the Otis School of Drawing in Los Angeles. Vicente Manansala (January 22, 1910 – August 22, 1981)
• Manansala developed a style called transparent
cubism, where he masterfully overlaid colors and shapes to depict forms and figures. • This style is exemplified in his works Kalabaw, Mother and Child, Madonna of the Slums, and Still Life with Green Guitar. Vicente Manansala (January 22, 1910 – August 22, 1981)
• Most of Manansala’s artistic estate
currently resides in Holy Angel University’s The Vicente Manansala Collection. Madonna of Still Life with Green the Slums Guitar