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“Success consists of going from failure to failure without loss of enthusiasm,” said
Winston Churchill. The true challenge of failure is not the failure or loss itself, it is finding the
strength, the enthusiasm, the passion to continue. In Shakespeare’s Hamlet, Hamlet struggles to
find the will to avenge the murder of his father at the hands of Denmark’s new King, his uncle
Claudius. Hamlet is in love with his mother, Gertrude, Claudius’ new wife, so much that he
cannot act without her approval. The death of his father and the actions of his mother plunges
Hamlet into paralyzing depression. As a gifted intellectual, Hamlet pursues the perfect revenge
and finds himself deliberating the consequences of every move he makes toward killing
Claudius. Hamlet lacks the passion to act until he does because he is constantly deliberating,
Most men love their mothers. But few love their mother as much and in the same way as
Hamlet does. He is more disgusted with his mother’s marriage to Claudius than with the murder
of his father. “(Let me not think on ‘t; frailty, thy name is woman!)” (1.2.150) Hamlet exclaims
after the wedding. “For look you how cheerfully my mother looks, / and my father died within ‘s
two hours.” (3.2.134-135) Again Hamlet expresses his disappointment. Yet, it is not until Hamlet
confronts Gertrude in her chambers the great magnitude of his anger and love.
leaves a final request for Gertrude: do not sleep with Claudius. This suggests a possible Oedipus
complex in Hamlet. He must leave Gertrude with her approval and affection. In fact, the act with
which brings the rage powerful enough for Hamlet to finally butcher Claudius is Claudius’
accidental murder of Gertrude. The loss of her affection enrages and the inability for her to
Loss is often paralyzing; regret, sadness, and grief are paralyzing. This paralyzed is state
is called mourning and Hamlet is trapped in it. At the marriage of Claudius and Gertrude, Hamlet
remains in his black attire and alludes to the severity of his sadness. Hamlet believed his father
was a great man and loves his mother; therefore he cannot bear his emotional response to his
The news from the ghost of his murder only deepens Hamlet’s depression further, as evident
from his episode in Ophelia’s bedroom. Ophelia describes his knees shaking and a blank look on
his face. He later admits to his fear of the afterlife and the consequences of the revenge he seeks;
clearly another factor in his depression. It is not until he confronts Gertrude in her chambers and
With intellect, comes the burden of thought. Thinking, planning, and reasoning takes
time. Hamlet is unfortunately hindered by this burden. He wants the perfect revenge and even
carefully considers the consequences of executing his revenge. Realizing the horrid act which a
perfect revenge would entail, Hamlet’s thoughts turn to the philosophical implications:
Hamlet considers whether it is worth facing the risk of the unknown that comes after death in the
pursuit of writing the wrongs in his life, these are the thoughts which delay his action and are a
testament to the man’s intellect. Next, he takes the step to confirm Claudius’ guilt by springing
the play, Murder of Gonzago, on Claudius. After Claudius confirms his guilt by his reaction to
the play, he retreats to reflect on his guilt, praying. Hamlet approaches from the shadows with
the intention of killing Claudius, but finds himself reasoning his way into inaction. To kill
Claudius know would be to kill him with dignity, pleading to God for forgiveness. A Laertes, or
Fortinbras would not have even considered such a thing as evident by their rage and quick action
devoid of deliberation. On his way to exile in England, Hamlet witnesses the power a man of
Hamlet recognizes that his thoughts have held him back from action. He vows from this point
Throughout Shakespeare’s work, Hamlet is seeking the approval and affection of his
mother, toiling through depression and deliberation. This results in his lack of the passion
required to kill Claudius. However, there is another possible contributing factor. At Ophelia’s
funeral Hamlet discovers the skull of the jester who raised him, Yorick. Though Hamlet clearly
believes his father was a great man, it is possible he did not love him as much as he would have
had Hamlet Sr. been the one to raise him. One cannot help but be sympathetic to the unfortunate