Professional Documents
Culture Documents
June 2018 $6
Glenn Barkley
Raquel Ormella
David Ralph
GLENN BARKLEY
SULLIVAN+STRUMPF / SYDNEY
7–23 JUNE
Contact
Editor – Chloe Mandryk
cmandryk@art-almanac.com.au
Assistant Editor – Elli Walsh
ewalsh@art-almanac.com.au
Deputy Editor – Kirsty Mulholland
info@art-almanac.com.au
Art Director – Paul Saint
National Advertising – Laraine Deer
Cover
ldeer@art-almanac.com.au
Glenn Barkley, ODUJH SRW ZLWK H[WUXGHG îXUR
Digital Editor – Melissa Pesa
mpesa@art-almanac.com.au
carbuncles, 2018, earthenware, 43 x 23 x 23cm
Courtesy the artist and Sullivan+Strumpf,
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listing@art-almanac.com.au
Sydney | Singapore
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Accounts – Penny McCulloch
accounts@art-almanac.com.au
T 02 9901 6398
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Locked Bag 5555, St Leonards NSW 1590
art-almanac.com.au
5
Art in Australia
News and Books – Art Almanac team 21
What’s On
Gallery Index 75
Melbourne 80
Victoria 114
Sydney 122
New South Wales 146
Australian Capital Territory 154
Tasmania 158
South Australia 162
Western Australia 166
Northern Territory 171
Queensland 174
Artist Index 182
6
DAVID RALPH
MARK TITMARSH
Saturday 23 June –
Sunday 9 September
Charles J. Noke, Talk less. You never know (detail) c.1944, Issued by the Ministry of Home
Security and printed by James Hawthorn & Brother Ltd. Lithograph, Australian War Memorial
EXHIBITIONS
mprg.mornpen.vic.gov.au
adults $4 concession $2
Art in
Australia
20
Hatched
Curated by Eugenio Viola, ‘Hatched:
National Graduate Show’ examines
the pulse of the nation’s emerging
arts practices while acting as an
important platform for artistic
careers. In an expansive exhibition
across all galleries of the Perth
Institute of Contemporary Arts
(PICA), work by 30 recent arts
graduates from 22 nation-wide higher
education institutions will be on show
until 15 July.
Through painting, drawing, sculpture, installation, performance, sound and video, this year’s
new batch of works show ‘creativity, originality, sensitivity and dexterity,’ says Annika Kristensen,
co-judge for the $40,000 Schenberg Art Fellowship – awarded annually to one of the nominated
graduates – ‘who, in their own distinct ways, tackle ideas from the environment to society, identity
to technology, with sophistication, perception and occasionally, humour.’
pica.org.au
Aden Sargeant, Flag 3, 2017, pinewood, plywood, cotton, inks, dimensions variable
Courtesy the artist and Perth Institute of Contemporary Arts, Western Australia
A stream of Aboriginal voices will immerse audiences in a ‘deep listening’ experience; a concept
based on stories, silences and the spaces in between. Titled ‘humechochorus’ (hum echo chorus)
the work is a composition of oral histories, informal interviews and spoken word performances
VKDULQJVWRULHVRIWKH%DUDQJDURRVLWHEHIRUHFRORQLVDWLRQRQFHDSODFHIRUíVKLQJDQGKXQWLQJ
ZLWKUHîHFWLRQVRQWKHFRPSOH[LWLHVRIXUEDQGHYHORSPHQWPHPRU\RISODFHDQGKLVWRULFDOWUXWKV
urbantheatre.com.au
21
C3West Arts Project
Through the Blacktown Native Institution Project, The Museum of Contemporary Art Australia
and Blacktown Arts present ‘Ngara – Ngurangwa Byallara (Listen, hear, think – The Place
Speaks)’, an arts initiative acknowledging the symbolic Aboriginal site in Sydney’s western
suburbs – the former home of Blacktown Native Institution. Established in 1823, the residential
school is one of the earliest known examples of institutional removal of Aboriginal children from
their families.
bniproject.com
Bay of Fires
Winter Arts Festival
The east coast of Tasmania is set to light up with the ‘Bay of Fires Winter Arts Festival’ from 9 to
11 June, in a wide-reaching celebration of the arts. A dynamic program of exhibitions, craft, live
music, performance, workshops, a writers studio and two-day Arts Market provides a platform
for emerging artists, artisans and craftspeople to present their work and tell their stories. Festival
highlights include the ‘Bay of Fires Art
Prize and Exhibition’ and ‘Youth Art
Prize’, both on show at Tidal Waters
Resort, St Helens. Nine studios across
Binalong Bay, Akaroa, Scamander,
Four Mile Creek and St Mary’s will be
open to the public with the work of 17
local artists on show and for sale.
ϐǤ Ǥ
22
Dark Mofo
From 13 to 24 June, the Museum of Old and New Art’s (Mona) winter solstice celebrations return
to Tasmania with a colourful line-up of art, music, food and more. ‘Dark Mofo’ delves into human
rituals to explore the links between ancient and contemporary mythology, man and nature,
religious and secular traditions, darkness and light, birth, death and renewal.
The sixth annual festival kicks off with the Prelude from 7 to 10 June, featuring ‘Dark + Dangerous
7KRXJKWVnrDFRQîXHQFHRIíOPOLWHUDWXUHSHUIRUPDQFHDQGLGHDVSOXVDPDVNHGFRVWXPH
ball. Major show openings include ‘ZERO’ at Mona and ‘A Journey to Freedom’ at the Tasmanian
Museum and Art Gallery.
Weeks one and two will see musical performances by Laurie Anderson (USA), St. Vincent (USA),
Chrysta Bell (USA), Electric Wizard (UK), Alice Glass (CAN), Marlon Williams (NZ), Lydia Lunch
(USA) and others. Art to travel for includes Ryoji Ikeda (JPN), United Visual Artists (UK) and
Matthew Schreiber (USA). Exhibitions will be staged across the city of Hobart and beyond,
such as a collaboration between Constance ARI and Risdon Prison inmates and immersive
DIWHUGDUNH[SHULHQFHVDWKLVWRULFVLWHV7LP0LQFKLQZLOOSUHVHQWKLVíUVW$XVWUDOLDQVROR
performance in nearly a decade, while journalist Peter Greste will interview former violent jihadist
Muhammad Manwar Ali. Other notable events include the Winter Feast, Dark Park, and the Nude
Solstice Swim.
darkmofo.net.au
23
imagine
Simon Gregg
Gippsland Art Gallery
Side by Side?
Community Art and the
Challenge of Co-Creativity
Maya Haviland
Routledge
24
Tom Nicholson:
Edited by Amelia Barikin
and Helen Hughes
Sternberg Press, Institute of Modern Art and
Australian Centre for Contemporary Art
(XJHQHYRQ*XÂUDUGVHWRXWWRíQGQHZ
landscapes to record in countries as far
away as Australia and New Zealand. In the
tradition of German artists to enrich their
artistic training, von Guérard, aged 12,
travelled to Italy with his father (also an
artist) thus beginning a lifelong occupation
of using sketchbooks as the lexicon with
which to describe the lands he explored.
This monograph shows the breadth of his
exploration in chaptered accounts and
features illustrated pages from the total
collection of 47 books.
25
ٸȋ
having come together)
Edited by Luke Scholes
Museum and Art Gallery of the Northern
Territory
Never standing on
Clare Rae
Perimeter Editions
27
David Ralph
Elli Walsh
Based between Melbourne and Leipzig, Germany, David Ralph creates quiet, uncanny scenes
WKDWFRQîDWHDKRVWRIGLFKRWRPLHVQDWXUHDQGFXOWXUHH[WHULRUDQGLQWHULRUSK\VLFDODQG
psychological.
Your paintings capture a connectivity between architectural spaces and the human experience. How
does your latest series build on this?
I realised early on that the built environment is very important to me; it’s a metaphor for who we
are or might aspire to be. Winston Churchill once said ‘We shape our buildings; thereafter they
shape us.’ I’ve always been attracted to this idea. In my work I make portraits of people as their
environments; it’s a sort of collective portrait. I like the residual spirit of abandoned buildings as a
kind of theatre of life, full of history, mystery and psychology.
My latest series is about stimulating curiosity and looking for clues in interiors. To some extent,
like a detective, I want to elicit a portrait of a person from their background, their things, in their
absence.
Many of your spaces seem silent and empty, evoking the loneliness endemic to contemporary urban
life. What are you trying to convey here?
Silence at times is great; it’s a counterpoint to the noise of the city. I see emptiness as space to
think and loneliness as a challenge to be curious; to contemplate and observe the things around
us that we would otherwise miss in our busy lives. Being a painter is a very solitary business, so the
work really echoes this.
These kinds of spaces can also be intriguing in and of themselves, like a cave you’ve discovered
r\RXGRQnWZDQWíJXUHVFRPSHWLQJZLWKWKHVSDFHIRU\RXUDWWHQWLRQ\RXZDQWWRVWXG\WKHFDYH
For a long time in the Academies of Europe, interiors without people or a grand narrative were
frowned upon. The rise of the painted interior in the mid 19th century coincided with crime
íFWLRQDQGWKHSV\FKRDQDO\VLVRI)UHXGDQG-XQJVRWKLVVXEMHFWLVYHU\PXFKDERXWSHUVRQDOLW\
‘interiority’ and psychology. My scenes signify a variety of people and states of mind. Where I have
LQFRUSRUDWHGíJXUHVWKH\DUHPHOGLQJZLWKWKHLQWHULRUDVLIRQHDQGWKHVDPHEHORQJLQJ,OLNHWR
WKLQNRIíJXUHVDVSDUWRIWKHZRRGZRUNLQJUDLQHGRUFDPRXîDJHGOLNHDQDQLPDOLQDUDLQIRUHVW
In your new work Jungle Room (2018), foliage sprouts from the ambiguous walls of a lounge room.
What are you exploring here?
Interiority or inner subjectivity. Jungle Room is based on an existing interior designed by an artist
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RQKLP:KHQKHDUULYHGKRPHKHNQHZKHZRXOGQnWî\DJDLQGXHWRKLVIHDURIî\LQJVRWRJHW
that feeling back he converted a space in his house into a jungle room. In the latter days of his life
he spent most of his days there, singing and playing guitar. It was his favourite room because of an
encounter with Hawaii and its jungle.
30
31
:KHQ,OHDUQHGWKLVDERXWWKHm-XQJOH5RRPn,KDGWRSDLQWLWEHFDXVHLWH[HPSOLíHVZKDW,OLNH
about interiors – that they display the lengths people will go to make their interior into a portrait
of their psychological needs and interests. Often what people yearn for but can’t have, they create
as a virtual reality.
2YHUWKH\HDUV,nYHPRYHGDZD\IURPSDLQWLQJVOLFNFRQWHPSRUDU\VSDFHVWKDWVXLWDíQHUJUDLQHG
realism. I choose environments that kind of look and feel like they might already be an expressive
SDLQWLQJrORZGHíQLWLRQRUORZWHFKHPRWLRQDO0\KDQGOLQJRIHQYLURQPHQWVLVQHYHUOLWHUDO,
want some things to be lost and new things found in the translation.
Gallery 9
13 June to 7 July, 2018
Sydney
32
Raquel Ormella
I hope you get this
Macushla Robinson
There is a poetic sadness to Raquel Ormella’s work that is politically charged, expressing deeply
felt approaches to issues of labour, class, migration and nationalism. I spoke with Raquel a week
before the opening of her survey show at Shepparton Regional Gallery.
The relationship between politics and textiles is rich. As Roszika Parker famously wrote, ‘To know the
history of embroidery is to know the history of women.’ It’s also the history of working class protest
movements. How did you arrive at textiles?
I had grown up doing craft. My mother taught me sewing and needlework, which were also taught
to girls at state school. They were essential life skills for a working-class person: you needed to
NQRZKRZWRUHSDLU\RXUFORWKHV:KHQ,ZHQWWRDUWVFKRRO,ZDVLQîXHQFHGE\WKHIHPLQLVWV
around me – Jenny Watson, Narelle Jubelin and Vivian Binns, among others. There was this
rethinking of modernism through a feminist perspective and that involved resuscitating textile
practices; so class and feminism became intertwined in my work.
A lot of this is about different kinds of labour. Whenever I see something that’s embroidered
I want to see the back of it because it tells you how it’s made, and the time it took. The pieces
comprising my new work All these small intensities (2018) will be displayed so you can see both
sides, keeping that labour on display, presenting them as objects rather than just images.
33
A self-confessed ‘palette hoarder’, you’ve embroidered a series from threads that you’ve kept since
art school. I’m reminded of the work of political theorist Jane Bennet, who reframes the hoarder as
someone with a heightened sensitivity to the call of objects in an age of ecological destruction – an
‘object-oriented ontology’.
Hoarding – being messy and not being a domestic goddess – is something you’re supposed to
be ashamed of. But it’s complicated. I was cleaning out my belongings because I was moving
studios. I decided I couldn’t hold onto things anymore: I had to either use it or get rid of it. This
is the thing about being an artist: if you buy something you don’t want to throw it out and have
to buy it again; you don’t have that kind of money. If you come from a migrant family or grow up
with material scarcity, there is a displaced emotional relationship to things. On the other hand,
if you’re renting, you have to cart it all around and that has its own cost. So there’s this tension
between being frugal and being impractical.
The way Bennet speaks about the ‘object-oriented ontology’ is quite freeing. The object has its
power outside of any theoretical framework or art history, as artists we are sensitive and attracted
to the ways that objects resist neat frameworks.
In Australia my father worked in a factory, so he wore grey King Gees. That was a detail I had
forgotten until I saw some grey King Gees in an op-shop and I realised that the shades of grey I
had bought at art school 20 years ago were the colours of my father’s work clothes. Clothing can
bring back smells, feelings, memories of your dad coming home and changing out of his work
clothes, the rituals of the day. The grey of King Gees is pretty much gone from the spectrum of the
city; you don’t see people wearing them anymore. It was the colour of people who worked on the
railways and in factories.
There are two banners in this exhibition that read ‘I’m worried I’m not political enough’ and ‘I’m
worried this will become a slogan’. Given that activism takes a kind of emotional labour, how do you
íQGDEDODQFHEHWZHHQSROLWLFDODFWLRQDQGSHUVRQDOFDUH"
Even though these works come from a particular time and connect to a particular set of
relationships, people are still interested in them 20 years later. A lot has changed about activism
since then, but the sense of being present and isolated at the same time remains relevant. We feel
34
like we’re not doing enough, and the world keeps spinning. How do we emotionally do activism?
How do we live between the public gesture and the private need to take care of ourselves?
I still feel really attached to these works – I can remember where I was and how painful it was
to make them: they take so long and cover the kitchen table. They are redolent of the domestic
spaces and emotional landscapes in which they were made but continue to connect to other
people’s emotional experiences too.
Wealth for Toil I, 2014, nylon, acrylic and glitter on hessian, 220 x 270cm
© the artist
All these small intensities (detail), 2017, silk and cotton embroidery thread on linen
© the artist
Photograph: David Patterson
All these small intensities (back detail), 2017, silk and cotton embroidery thread on linen
© the artist
Photograph: David Patterson
All these small intensities, (detail 5), 2017, silk and cotton embroidery thread on linen, 8 x 13cm irregular
© the artist
Photograph: David Patterson
Courtesy the artist, Milani Gallery, Brisbane and Shepparton Art Museum, Victoria
35
Samantha Everton
Indochine
Melissa Pesa
m,QGRFKLQHnH[SORUHVWKHLQWHUVHFWLRQRIFURVVFXOWXUDOLQîXHQFHVDQGWUDGLWLRQVLQWKHJXLVHRID
single, female sitter. Informed by her multicultural upbringing, Samantha Everton examines the
intrusion of Western culture within Asian customs and the contemporary struggle for authenticity
DPLGFRQîLFWLQJFXOWXUDOSUHVVXUHV%\HPEHGGLQJV\PEROLFHOHPHQWVZLWKLQKHUSKRWRJUDSKV
the artist offers clues to underlying narratives of fragility and adaptability, vulnerability and
resilience, compliance and resolute self-expression.
7KHVHULHVUHîHFWV(YHUWRQnVFRPPLWPHQWWRmSKRWRJUDSKLFDXWKHQWLFLW\nDQGKHUUHSXWDWLRQ
for ambitious production processes. Taking on a Hollywood studio approach to her practice,
WKHDUWLVWPHWLFXORXVO\VWDJHGKHUVFHQHVZLWKVRXUFHGDQGFRPPLVVLRQHGFRXWXUHRXWíWV
(Edwardian, Tudor and Elizabethan collars, cheongsams and headdresses by Cirque du Soleil
costume designers and Greek milliners), handcrafted jewellery and props such as a yellow albino
%XUPHVHS\WKRQSD\LQJKRPDJHWR%ULWQH\6SHDUVDQGGHFRUDWLYHîRUDOZDOOSDSHUm(YHU\WKLQJ
,FUHDWHLVLQFDPHUDnVD\VWKHDUWLVWm,nPLQIURQWRIWKHFDPHUDíQHWXQLQJDQGUHíQLQJHYHU\
aspect of the detailed and elaborate sets before the shutter is pressed.’ Shot in Ho Chi Minh City,
Vietnam, over an 18-month period, ‘Indochine’ is an extension of Everton’s studio concepts –
VWRU\ERDUGVVNHWFKHVSULQWDQGFXWRXWVPRQWDJHVRIFRORXUDQGLQVSLUDWLRQWKDWíOOKHUHQWLUH
lounge room (studio). ‘Once every item is sourced, made, designed or commissioned, I then bring
this all together in one set,’ says Everton, who insists that her work is ‘organised spontaneity’. ‘My
photographs are staged, but still capture a unique moment in time, whether it be the expression
from my model and her interaction with the situation or the movement of the animal in the shoot.
I carefully construct the elements of the scene to allow that moment to occur.’
The convergence
of Western and
Eastern cultures has
precipitated a gradual
shift in the physical and
psychological appearance
of women over the
centuries. Everton charts
these gender-oriented
alterations through her
lone protagonist; an ambi-
cultural femme fatale
whose characterisation
forms a critical stance
toward colonialisation
as well as repressive
gender and racial
politics – in particular,
femininity within a
Franco-Asian setting:
36
‘There is one woman
taking on a chameleon-
like appearance
throughout this series
of work. The protagonist
of ‘Indochine’ is
literally morphing and
adapting herself to
each environment. How
much we keep or let go
of in our environment
is a decision we as
individual women make
every day. These images
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on a grand scale and tell
the same story at the
level of a nation, which
must also form its own
identity over a much
longer timescale.
The implicit language, theatricality and beauty of Everton’s mise-en-scènes evoke and suggest,
rather than reveal or expose. The model in Troung Son (2018) – wearing a loose, red collared
blouse and sporting a pink bob – rests one arm across her body with a cigarette in the other.
Her nonchalant posture prompts her head to tilt to the side; she exhales. A small puff of white
smoke reinforces her contemporary, punk attitude while her direct gaze reclaims her sexuality
and the acceptance of who she has become. Likewise, in Jacquerie (2018), a tropical parrot
SUHSDUHVWRWDNHîLJKWIURPWKHZRPDQnVKDQGLWVDUFFRORXUHGIHDWKHUVIDQQLQJRXWDFURVV
her face. Implicit in its title, this work depicts a revolt – a rise from the traditional submissive
íJXUHWRDPRUHFRQíGHQWZRPDQUHDVVXUHGE\WKHPRGHOnVXQZDYHULQJVWDUH
Everton’s images are continuous, void of any start and end. They suggest that there’s more to
come and encourage the viewer to question, ‘what next?’
37
SCULPTURE EXHIBITION & AWARDS 2018
28 OCTOBER – 9 DECEMBER
Awards
Yering Station Sculpture Award
Arnold Bloch Leibler Award
RACV Award
Yering Station Art Gallery Award
Montsalvat Sculpture Award
People’s Choice Award
ExpressionsofInterest
For further information and application details
ENTRIES CLOSE FRIDAY 6 JULY
contact Dr Ewen Jarvis: Curator (03) 9730 0102
artgallery@yering.com www.yvarts.com YeringStation
or download an application from our webpage: P.O. Box 390
PO
www.yering.com/visit-yering-station/art-gallery 38 Melba Highway, Yarra Glen, Victoria 3775
‘It is quite obsessive, and I’m quite an obsessive person, so it’s almost like I’ve taken my obsession
into my work and each pot is an obsessive object,’ confesses Glenn Barkley. ‘And once I’ve
íQLVKHG,nYHíQLVKHGZLWKWKDWREVHVVLRQDQG,PRYHRQWRWKHQH[Wn,nPVLWWLQJRQWKHVLGHRI
the road in my car, mobile pressed to my ear, listening to Barkley enthusiastically discuss his
forthcoming exhibition, ‘imayimightimust,’ at Sullivan+Strumpf. It’s hot, I’m sweaty – and there
is no place I’d rather be. The curator-cum-writer-cum-artist has a way of conscripting you into
his obsessions, a way of taking the artistic enterprise and somehow bringing it closer to you. Art
is often a foreign and inhospitable beast – one whose discussion is limited to the ‘initiated’ and
refuses, or at least discourages, participation from others – but with Barkley, it feels different. It
feels approachable.
Barkley’s new exhibition continues to explore many of the themes that have come to characterise
his relatively short career as a ceramicist. He returns to the intersection between the past and the
present, marrying archaeology with popular culture. Barkley looks at each pot ‘as if it is some sort
of archaeological dig’ – an eclectic synecdoche that incorporates text; one moment referencing
W. H. Auden poems and the next looking to Van Morrison lyrics.
But despite this eclecticism, there is a concerted consciousness embedded within Barkley’s
ceramics that recognises the ‘nowness’ of their own creation. His pots assume one of the most
WLPHOHVVIRUPV\HWFDSWXUHWKHVSHFLíFLWLHVRIRXUWLPHm>3RWWHU\@LVDQDQFLHQWDUWIRUPZKLFKKDV
become quite contemporary, but still has a foot in the past in a way that no other medium really
GRHVnWKHDUWLVWUHîHFWVm2QFHDSRWLVPDGHLWH[LVWVIRUHYHUn%DUNOH\SOD\VZLWKWKLVQRWLRQRI
time, pairing the enduring quality of ceramics with the most ephemeral of subjects: Instagram,
the Internet, and digital media. Here, the transient becomes permanent, able to escape, what he
dubs, the ‘digital death spiral’. Just as we look back at ancient amphorae and witness a moment in
time, his works embed aspects of our ever-changing present into the hardened clay.
<HWLWZRXOGEHPLVUHSUHVHQWDWLYHWRFRQíQHWKHGLVFXVVLRQRI%DUNOH\nVZRUNVWRVXFKJUDQGLRVH
ideas. While they engage with large questions, there is a humbleness to their existence; to their
obvious utility; and to their recognisable form. ‘To me, they’re pots: they have a hole in the top,
they have some sort of function,’ the artist says. ‘I want them to be useful in some way – I don’t
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No, just obsessed. It’s clear from the way Barkley discusses his work that he personally invests in
WKHLUHYHU\FRQWRXU+HDYRLGVWKHíQHVVHWKDWLVDIIRUGHGE\WKURZLQJRQDZKHHOLQVWHDGRSWLQJ
to slowly hand build each of his creations: coil by coil, piece by piece.
While the surfaces of Barkley’s works are a myriad of patterns and textures, they maintain a
simplicity of form. He allows traces of their construction to remain visible, attracting not only the
audience’s vision but also their hands. ‘As a curator, I was always interested in the idea of systems
– so you can use a system to make a work and if you follow the system anyone can make the work,’
%DUNOH\H[SODLQVm7KHUHLVVRPHWKLQJDERXWP\ZRUNWKDWíWVLQWRWKLVZKROHLGHDRIV\VWHPV
based making. So if I were to show you how to make one and show you the system, you could make
it.’ He pauses. ‘I just hope that people don’t.’
40
41
It strikes me as we talk that Barkley’s experience as a curator has made him more responsive to
his viewers. I don’t mean that he looks to placate them, but that there is some ineffable sense of
generosity in his work. Yet, when I put this to him, his answer surprises me. ‘Part of the reason
WKDWWKHVXUIDFHV>RIWKHSRWV@DUHVRDFWLYHDQGWKDWWKH\DUHVRWLPHFRQVXPLQJeLVWKDW,GRQnW
ZDQWWRIHHOOD]\DQG,GRQnWZDQWWKHDXGLHQFHWRWKLQN,nPOD]\nKHFRQíGHVm,NQRZWKDWWKH
audience likes and appreciates labour, so quite often it’s about me putting in that labour, so
that viewers don’t think I’ve done it quickly.’ There is something both comically absurd and
completely understandable in Barkley’s sentiments, and the idea that one can toil tirelessly on a
show and yet still feel the need to do more.
Sullivan+Strumpf
7 to 23 June, 2018
Sydney
pox group, 2018, earthenware, green pox pot: 23 x 11 x 2.5cm, multi coloured pox pot: 15 x 14 x 14cm, blue pox pot: 13 x 10.5 x 7cm
42
Colony: Australia 1770-1861
/ Frontier Wars
Sasha Grishin
In all of the silliness that surrounded the bicentennial celebrations in 1988, in Canberra there
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WKHUHDSSHDUHGDSLHFHRIJUDIíWLWKDWLQEROGZKLWHOHWWHUVSURFODLPHGm:KLWH$XVWUDOLDKDVD
EODFNKLVWRU\n7KLVVHHPHGWRVXPXSPRUHSRLJQDQWO\PDQ\RIWKHSUREOHPVDVVRFLDWHGZLWK
$XVWUDOLDnVQDWLRQKRRGWKDQDGR]HQFXOWXUDOSURJUDPVIXQGHGE\$XVWUDOLD&RXQFLOIRUWKH$UWV
7KHUHKDVDOZD\VEHHQKHDUWDFKHDQGDQJXLVKRYHUWKHPDUNLQJRI$XVWUDOLD'D\ZKLFKRQO\
recently boiled over into open dissent between those who celebrate the founding of a British
FRORQ\DQGWKRVHZKRODPHQWGLVSRVVHVVLRQDQGJHQRFLGH,WLVDGLOHPPDWKDWFRQIURQWVDQ\
LQVWLWXWLRQWKDWDWWHPSWVWRSUHVHQWDQDFFRXQWRI$XVWUDOLDQFRORQLDODUW
'L[VRQ*DOOHULHV&ROOHFWRUnVFKHVWIURPWKHVHFRQGGHFDGHRIWKHWKFHQWXU\FRPSOHWHZLWKLWV
QDWXUDOKLVWRU\H[KLELWVYLHVIRUVSDFHZLWKWKHRLOSDLQWLQJDIWHU7KRPDV:DWOLQJnVView of the
town of Sydney in the colony of New South WalesFIURPWKH$UW*DOOHU\RI6RXWK$XVWUDOLD
DQGDSDQRUDPDRI0HOERXUQHLQWKDWSUHYLRXVO\,KDYHRQO\VHHQLQUHSURGXFWLRQV8QLTXH
43
and rarely seen photographs include those by George
*RRGPDQrSRVVLEO\WKHíUVWSURIHVVLRQDOSKRWRJUDSKHU
in Australia – as well as a set of Douglas Kilburn’s
GDJXHUUHRW\SHVRI,QGLJHQRXVSHRSOHLQ9LFWRULDWKHíUVW
such photographic images to be made. This all-inclusive,
non-hieratical approach introduces a host of new artists,
including many women, who recorded visual information
about the emerging antipodean colonies from Captain
Cook’s visit through to the 1860s.
One of the most hauntingly memorable pieces is a series of inkjet prints by the Brisbane-based
photomedia artist of Bidjara heritage, Michael Cook, who reimagines Australia as a place where
Indigenous people make up 96 percent of the population. The simple inversion of the status quo
effectively poses the question: how would you feel if you had to walk in the shoes of an Indigenous
person in contemporary Australian society?
The catalogue does indicate the thinking behind most aspects of the exhibition where, in
many sections, compositions on non-Indigenous art are juxtaposed with a thematically related
Indigenous essay. In the exhibition, the physical distance and the existence of two discrete shows
make some of the conceptual links less immediately apparent. It is always a challenge to tell two
sides of a story simultaneously and to do this in a scholarly, beautiful and convincing manner.
Sasha Grishin works internationally as an art historian, art critic and curator.
44
National Gallery of Victoria: NGV Australia
Colony: Australia 1770-1861, until 15 July, 2018
Colony: Frontier Wars, until 2 September, 2018
Melbourne
Thomas Watling (1762-1814) (after), Unknown, View of the town of Sydney in the colony of New South Wales, c. 1799, oil on canvas,
65 x 133cm
Art Gallery of South Australia, Adelaide. Gift of M.J.M. Carter AO through the Art Gallery of South Australia Foundation in recognition of the
abilities of James Bennett to promote public awareness and appreciation of Asian art and culture 2015. Donated through the Australian
Government’s Cultural Gifts Program
Courtesy Art Gallery of South Australia, Adelaide and National Gallery of Victoria, Melbourne
Michael Cook, Senate, 2014, no. 5 from the ‘Majority Rule’ series 2014, inkjet print, ed. 8/8, 84 x 120cm
National Gallery of Victoria, Melbourne
Yvonne Pettengell Bequest, 2014
© Michael Cook
Courtesy the artist and National Gallery of Victoria, Melbourne
45
S.A. Adair
Locus
Caren Florance
7KHFORVHGXSJDOOHU\VSDFHLVíOOHGZLWKXOWUDYLROHWEOXHPDNLQJ\RXUH\HVSRS$OODURXQG\RXLV
DPDWHULDOGUDZLQJJORZLQJZKLWHO\FOXVWHUHGXQHYHQOLQHVZHEELQJDQGFUHHSLQJDORQJWKHîRRU
and up the walls. Is it threatening? Or enchanting? S.A. Adair would love to know.
Adair is a sculptor interested in immersive experiences that trace the physical, emotional and
psychological remnants of personal engagement. Locus (2018) is an ephemeral work exploring the
notion that change and development can arise out of times of neglect and disinterest, creating
possibilities that may not happen otherwise.
LocusíUVWDSSHDUHGLQRQHRI&DQEHUUDnVGLVXVHGFLW\VSDFHVGXULQJWKHm<RX$UH+HUH
Festival’, and the artist was pleasantly surprised at the enthusiasm of the general public, who
SOXQJHGZKROHKHDUWHGO\LQWRWKHWLJKWVSDFHWDNLQJVHOíHVDQGJURXSSKRWRV7KLVODWHVWLWHUDWLRQ
DW$XVWUDOLDQ1DWLRQDO&DSLWDO$UWLVWV$1&$*DOOHU\LQ-XQHLVDFKDQFHWRUHFRQíJXUHWKHZRUN
and augment it with performance.
Trained at UNSW Art & Design and the ANU School of Art & Design, Adair works predominantly
with line, using found objects, drawing media, felt and gravel. Sometimes the lines form a
discrete object (Inkening, 2015), or wall-mounted graphic components that act like symmetry
fold-overs (Contagion, 2014). Recently she has started creating landscape installations, making
Japanese-style white gravel gardens with sharp red gravel lines that trace conceptual echoes
emanating from trees in the area.
$IWHUWKLVVKRZLQJ$GDLUKRSHVWRíQGRWKHUPRUHFKDOOHQJLQJVLWHVIRUWKHZRUNGHVHUWHG
industrial spaces that will add further dimensionality and foster unexpected encounters. For this,
VKHPD\QHHGWRORRNIXUWKHUDíHOGWKDQ&DQEHUUDZKHUHDEDQGRQHGEXLOGLQJVUDUHO\GHFD\ORQJ
enough to look interesting before being knocked down or repurposed.
Caren Florance is an
artist and writer based in
Canberra.
ANCA Gallery
14 June to 1 July, 2018
Australian Capital Territory
ReverbJUDYHOSDLQWVLWHVSHFLíF
installation for ‘The Point’ (curated
by Kirsten Farrell), at Art Not Apart,
Canberra, 2018
pen g t J ne
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C tenary Centre, Henry Street, Gord
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artprize@ravenswood.nsw.edu.au
Proudly sponsored by
Sylvia Ken, Seven Sisters, 2017, acrylic on linen, 197 x 198cm Anastasia Booth, Portrait of Scylla, 2016, video
Photograph: Jon Linkins Courtesy the artist and BLINDSIDE, Melbourne
Courtesy the artist, Tjala Arts, South Australia and Jan Murphy
Gallery, Queensland
50
Threads Meredith Turnbull
ȁ
Closer
Until 1 July, 2018
South Australia The Ian Potter Museum of Art
Until 1 July, 2018
Melbourne
Threads in the context of this exhibition are ‘Closer’ is a newly commissioned exhibition
QRWíQHFORWKHVKHOLFDOULGJHVRQWKHRXWVLGH by Meredith Turnbull exploring adornment
of a screw, a reference to the 1984 British TV and excess, decoration and utility. The
drama, or a magazine for sewing enthusiasts. artist has selected an array of decorative art
objects from the University of Melbourne Art
Bridget Currie, Dana Harris, Louise Haselton Collection, spanning antiquity to the current
and Matt Huppatz share characteristics day, presented alongside her own artworks in
in their works, which bring them together an immersive environment that includes wall
beyond their visual disparities and draw paintings and custom furniture. ‘These are
RQWKHVKDUHGVHQVLELOLWLHVRIíQGLQJ special objects with personalities or visceral
VSLULWXDOVLJQLíFDQFHLQHOHPHQWVFRPPRQO\ qualities that we can feel just by slowing down
overlooked. The artists create alternative DQGORRNLQJPRUHFORVHO\nUHîHFWV7XUQEXOO
dimensions from re-appropriated realities in
order to construct new sensorial connections.
Dana Harris, Future Plan 1, 2018, hand knitted cotton and wool English, No title (decanter), green glass, pewter, silver and cork, c.
and pins, dimensions variable 1850, 2018, archival pigment print on paper
Photograph: Peter Atkins Courtesy the artist and The Ian Potter Museum of Art, Melbourne
Courtesy the artist and GAGPROJECTS | Greenaway Art Gallery,
South Australia
51
Joe Wilson & India Kenning
Chanelle Collier Army of me
Hangover
Sister Gallery
22 June to 20 July, 2018
Articulate project space
South Australia
1 to 17 June, 2018
Sydney India Kenning uses performative process
combined with digital media as a way to
‘Hangover’ is a whole-space installation that transform and explore intricate modes
employs the dynamic form of a readymade and rhythms of the body. Withholding the
WHQW8VLQJURSHVDQGíWWLQJVWRRSHQLWV visual language of identity, sexuality and the
canvas panelling into planar forms, it engages psyche, the works in ‘Army of Me’ act as both
with the formal concerns of sculpture and questions and answers to and from the artist
painting as well as with the physical structure through a series of intimate encounters.
RI$UWLFXODWHSURMHFWVSDFH,WLVWKHíUVWSURMHFW Physical interaction and sensory elements –
in Articulate’s Changing Place program, light, colour, sound and the moving image
which aims to show artworks contributing – trigger the audience’s awareness and alter
to the revaluation of place through their preconceived notions of our physical form.
acknowledgement of the settings in which
they are located.
Joe Wilson and Chanelle Collier, Hangover in progress, 2018 Body, 2017, still from single-channel video 6:40 minutes (looped),
Courtesy the artists and Articulate project space, Sydney colour, silent
Courtesy the artist and Sister Gallery, South Australia
52
ϐ Danie Mellor
Back to Burra Bee Dee Proximity and Perception
From ‘Back to Burra Bee Dee’ series, 2016, linocut Dulgu-burra (a procession of history), 2018, wax pastel, crayon,
Courtesy the artist and Devonport Regional Gallery, Tasmania coloured pencil, wash with oil pigment, watercolour and pencil
with glitter and Swarovski crystals on paper, 98 x 149cm
Photograph: Mim Stirling, 2018
Commissioned by Cairns Art Gallery Foundation, 2018
Courtesy the artist and Cairns Art Gallery, Queensland
53
Odile The Inner Apartment
Heritage Hill Museum, Drum Theatre, Nishi Gallery
Garnar Lane, and Walker Street Gallery Until 22 July, 2018
Until 23 June, 2018 Australian Capital Territory
Melbourne
Tchaikovsky’s Swan Lake is a tale of loyalty Shireen Taweel, Hoda Afshar and Leila El
and betrayal, love, and the duality of human Rayes explore the fractured beauty of the
nature. These dichotomies are the genesis sacred and the mundane, and the ways
of ‘Odile’, a major exhibition held across that private, spiritual and deeply personal
four cultural venues in Victoria’s Greater matters of the hearts and minds of Muslim
Dandenong region. The work of Zoë Croggon, communities in Australia have been turned
Anne Ferran, Juan Ford, Tarryn Gill, Jenny inside-out – as a consequence of faith, culture
Holzer, Kyoko Imazu, Hung Lin, Polixeni and identity open to debate in the public
Papapetrou, Kate Rohde, Vanessa White, and GRPDLQDFURVVPDLQVWUHDPPHGLD$IíUPLQJ
Gosia Wlodarczak explores ideas implicit in their experiences the artists embrace
good and evil, performance and identity traditional motifs, symbols, narratives and
while referencing dance, puppetry and the artforms to reclaim, repatriate and replenish
spoken word. inner sanctum.
Tarryn Gill, Guardians (Dancers), 2015-2016, mixed media Shireen Taweel, Sirraj, 2016, pierced copper, 27 x 18 x 18cm
including speakers, mirrors, foam, sequined and hi-vis fabrics, Courtesy the artist and Nishi Gallery, Australian Capital Territory
50 x 35 x 30cm
Courtesy the artist, Sophie Gannon Gallery, Melbourne, Walker
Street Gallery, Melbourne and Heritage Hill Museum, Melbourne
54
Yidumduma Bill Harney Crocodility
Bush Professor Bundoora Homestead Art Centre
Until 17 June, 2018
Melbourne
Until 21 July, 2018
Northern Territory
Left to right: Warling, Young Initiate, 2012; Warranggin Aaron Christopher Rees, Speculative Foundations, 2016,
(Ceremonial) Law Man, 2012; Gujingga (Law Man), 2012 installation view, HD Televisions, HD Digital Videos, Manfrotto
Courtesy the artist, Godinymayin Yijard Rivers Arts and Culture AutoPoles, framed inkjet prints on Canson Baryta Paper and
Centre and Charles Darwin University Art Gallery, Northern Perspex engraving
Territory Documentation of the work taken at Sutton Projects Gallery,
Melbourne
Courtesy the artist and Bundoora Homestead Art Centre,
Melbourne
55
Hunter Red: Corpus Dead Centre
Geraldton Regional Art Gallery
Until 27 July, 2018 Until 16 June, 2018
New South Wales Western Australia
Juz Kitson, Thousands of words exist silently in your memory, Tony Albert, Brother (Our present), 2013, pigment print on paper
2017, hand-blown glass, merino wool, rabbit fur, polyester string, Courtesy the artist, Sullivan+Strumpf, Sydney and Geraldton
marine ply and treated pine, 200 x 78 x 60cm Regional Art Gallery, Western Australia
Artist collection
Courtesy the artist, GAGPROJECTS | Greenaway Art Gallery, South
Australia and Newcastle Art Gallery, New South Wales
56
Matt Chun Jenny Orchard and
MAY SPACE
Dale Richards
6 to 23 June, 2018
Despard Gallery
Sydney
1 to 24 June, 2018
Tasmania
Multidisciplinary artist Matt Chun divides ‘At the heart of my ceramics and art practice
his time between Taipei, Sydney, and his is a yearning for connection,’ says Sydney-
permanent open studio in Bermagui – a small based ceramicist, Jenny Orchard, whose
íVKLQJYLOODJHLQWKH%HJD9DOOH\6KLUHDQGWKH hybrid forms explore liminal states of
source of inspiration for his latest series of being while celebrating the diversity of
work. This exhibition showcases ‘memento material form. This exhibition presents new
mori and plein air travelogues in watercolour, sculptures and drawings by Orchard alongside
pencil and mixed media,’ says the artist. SDLQWLQJVE\7DVPDQLDQíJXUDWLYHDUWLVW'DOH
‘These introspective observational drawings Richards. With dream-like images – from
represent the current phase of my ongoing surreal representations to disproportioned
creative engagement with the landscape, compositions – Richards’ subjects
material and community of the far south coast occasionally border on the melancholic. This
of NSW (Yuin country).’ two and three-dimensional assemblage of
their work promises to be a visual treat.
Still, 2017, ink and watercolour on paper, 30 x 42cm Jenny Orchard studio view, Sydney, February 2018
Courtesy the artist and MAY SPACE, Sydney Courtesy the artist and Despard Gallery, Tasmania
57
Art &
Industry
As we near celebrating 45 years of publishing Art Almanac continues to
serve and be shaped by people who engage with art everyday.
Our practice supports the sustainability of our arts community in
all its forms. We have experience as artists, in critical writing,
working in galleries and festivals, design, teaching, digital media
and the curatorial ield.
58
Artist
Opportunities
We have selected a few galleries
and funding bodies calling for
submissions for Art Awards,
Artist Engagements, Grants,
Public Art, Residency Programs,
Exhibition Proposals and more.
Enjoy and good luck!
Joel Crosswell with his artwork
Recipient Bruny Island Residency, 2018
Bruny Island Artists Courtesy Bett Gallery, Tasmania and Bruny Island Foundation for the
Arts, Tasmania
in Residence:
Kyle Hedrick and Joel Crosswell Aesthetica Art Prize
The Bruny Island Foundation for the Arts is an Entries close 31 August 2018
Australian charity dedicated to advancing arts and The Aesthetica Art Prize is a celebration of excellence
culture on Bruny Island. It aims to expand the creative in art from across the world, hosted by Aesthetica
community’s reputation to a broader audience both Magazine. Submissions are now open to emerging
locally and nationally with support reaching across the and established artists for the two prizes; Main
fields of visual arts, performance, music and literature. Art Prize and Emerging Art Prize. There are four
categories for entry; Photographic & Digital Art, Three
As part of the Foundation’s program, two residencies Dimensional Design & Sculpture, Painting, Drawing &
were offered this year, the ‘Cape Bruny Residency’, a Mixed Media and Video, Installation & Performance.
collaborative partnership with Tasmanian Parks and aestheticamagazine.com
Wildlife Service, and the ‘Bruny Island Residency’. We
congratulate filmmaker Kyle Hedrick, and artist Joel
Crosswell recently announced as the recipients of the
Future Generation Art Prize
Tasmanian residencies. Applications close 29 June 2018
The $100,000 biannual ‘Future Generation Art Prize’
Hedrick, also a director, writer, editor and composer, is calling for entries from artists around the globe
has been awarded the ‘Cape Bruny Residency’ and with the aim of discovering, recognising and offering
while residing at the Lighthouse Keeper’s Quarters long-term support to a future generation of artists. All
throughout June he will undertake research and write artists aged 35 or younger, working in any medium
a new feature film script which will reflect on the Island are invited to enter. Twenty artists will be shortlisted
and its surrounds. and commissioned to create new works for display
at the PinchukArtCentre, Kyiv, Ukraine and will
As the recipient of the ‘Bruny Island Residency’, present their works in the ‘Future Generation Art Prize’
Crosswell, whose practice is based on painting and exhibition at the 2019 Venice Biennale.
sculpture, will take inspiration from Cape Bruny’s futuregenerationartprize.org
historic lighthouse located on the southern tip of the
island’s headland, to build on themes relating to ‘myth’. First Nations Commission
He explains, ‘in drawing on the site as an influence, Applications close 5pm, 11 June 2018
I will investigate the psyche of the landscape and the Aboriginal and Torres Strait Islander artists and groups
ways in which history and story adds multiple layers to working across performance, dance, live art, sound
the environment.’ art, video and visual art practices are invited to
submit proposals for a new commission to premiere
The Foundation’s projects also include the ‘Bruny at TARNANTHI in 2019. The recipient will receive;
Island Art Prize’ for painting, with a major prize of a $20,000 commission fee, travel allowance, a
$20,000 awarded. Submissions are now open and residency opportunity at Vitalstatistix, curatorial and
entries close midnight, Monday 16 July. Finalists will project management support from the Vitalstatistix
be announced on 25 August, with shortlisted selections and TARNANTHI teams, presentation in TARNANTHI
on show from 13 to 21 October at Alonnah, Bruny 2019, and access to professional networks.
Island. Vitalstatistix is a South Australian arts organisation
brunyislandartprize.com based in Port Adelaide.
brunyislandfoundation.com vitalstatistix.com.au
ǡ
ǡ
W www.artsy.net A fast-paced digital company W www.guggenheim-venice.it Internship program in
regularly advertises for Editorial, Accounts and Art Venice and The Hilla Rebay International Fellowship
Marketing positions. advertised throughout the year.
Fitzroy Stretches
63 Weston Street, Brunswick VIC 3056.
Materials T (03) 9380-9553. E info@fitzroystretches.com
W www.fitzroystretches.com
Neil Wallace
Printmaking Supplies
June Paper Sale!
409 Gore Street, Fitzroy VIC 3065.
T (03) 9419-5949. E sales@e.artstore.net
W www.e-artstore.net H Mon-Fri 9.30 to 5.30,
Sat 10.00 to 5.00. Huge range of materials for
printmakers and artists, also stocking a range of
bookbinding accessories. See ad page 111.
SUBSCRIBE
artalmanac.com.au
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W www.artistprofile.com.au The artists behind W www.runway.org.au Runway is an independent
the art. Artist interviews, essays, reviews, news. Australian experimental art journal run by a collective
Subscribe online at mymagazines.com.au of Sydney-based and internationally-based artists,
See ad page 121. writers and curators.
Artlink Sturgeon
W www.artlink.com.au Contemporary art of Australia W www.sturgeonmagazine.com.au Produced by
and the Asia-Pacific. Online reviews and archive. Artbank magazine surveys Australian art, culture, etc.
artalmanac.com.au
mymagazines.com.au
Call 1300 361 146 or
+61 2 9901 6111 for international callers
ACQUISITIVE SECOND
FIRST PRIZE PRIZE
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15,000 $
4,000
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PRIZE
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ENTRIES CLOSE
Monday 23 July 2018
EXHIBITION
Sunday 2 September –
Sunday 14 October 2018
Redland Art Gallery, Cleveland
Cnr Middle and Bloomfield Streets,
Cleveland Q 4163
Proudly sponsored by
Redland Art Gallery is an initiative of Redland City Council, dedicated to the late Eddie Santagiuliana
Gallery Index
75
A-C
76 Gallery Index
C-J
Gallery Index 77
J-P
78 Gallery Index
P-Z
Peacock Gallery and Auburn Arts Studio 144 Suki & Hugh Gallery 153
Penrith Regional Gallery & The Lewers Bequest 144 Sullivan+Strumpf 131
Performance Space 124 Suzanne O’Connell Gallery 177
Perth Institute of Contemporary Arts 168 Swan Hill Regional Art Gallery 120
Petrie Terrace Gallery 176 Tableland Regional Gallery 180
Phil Henshall Studio 117 Tacit Galleries 96
Philip Bacon Galleries 176 Tactile Arts 173
Platform 72 Art Gallery 137 Tandanya 165
Plimsoll Gallery 160 TAP Art Gallery 129
Port Hedland Courthouse Gallery 170 TarraWarra Museum of Art 112
Port Jackson Press Australia 96 Tasmanian Museum and Art Gallery 160
Port Pirie Regional Art Gallery 165 Ten Cubed 104
Post Office Gallery 119 Thienny Lee Gallery 140
PROJECT [504] 137 Tinning Street Presents 98
Quadrant Gallery 104 Tjanpi Desert Weavers 173
Queen Victoria Museum & Art Gallery 161 Tolarno Galleries 82
Queensland Art Gallery 176 Toorak Village Sculpture Exhibition 100
QUT Art Museum 177 Toowoomba Regional Art Gallery 179
Ravenswood School for Girls 137 Town Hall Gallery 106
red gallery 96 Tributary Projects 157
Red Tree Gallery Jindivick 120 UMI Art Shop and Galleries 180
Redland Art Gallery 177 The University Gallery and Senta Taft-Hendry Museum 148
Retrospect Galleries 150
The University of Queensland Art Museum 177
Rex-Livingston Art + Objects 151
UNSW Galleries 129
RMIT First Site Gallery 82
Utopia Art Sydney 131
RMIT Gallery 82
UTS Gallery 124
RMIT Project Space / Spare Room 93
Verge Gallery 124
Robin Gibson Gallery 128
Victorian Artists’ Society 96
Roslyn Oxley9 Gallery 140
Vivien Anderson Gallery 102
Sabbia Gallery 140
Wagner Contemporary 140
Saint Cloche 140
Wagner Framemakers 160
Salamanca Arts Centre 160
Walker Street Gallery & Arts Centre 113
SASA Gallery 164
Wallarobba Arts and Cultural Centre 137
Sawtooth ARI 161
SCA Galleries 134 Wangaratta Art Gallery 120
SCOPE Galleries 117 Wanneroo Gallery 168
Scott Livesey Galleries 104 Warrnambool Art Gallery 118
S.H. Ervin Gallery 124 Watch This Space ARI 173
Sheffer Gallery 124 Watt Space 148
Shepparton Art Museum 120 Watters Gallery 129
The Shop Gallery 134 West End Art Space 84
Sister Gallery 164 Western Plains Cultural Centre 153
Soho Waterloo 130 Western Sydney University Art Gallery 144
Southern Buoy Studios 116 Whistlewood Contemporary Australian Art 116
STACKS Projects 128 White Rabbit Gallery 126
Stanley Street Gallery 129 Whitehorse Artspace 113
STATION 100 William Mora Galleries 99
Stella Downer Fine Art 131 Wishart Gallery 118
Stephen McLaughlan Gallery 86 Wollongong Art Gallery 150
Steps Gallery 93 Women’s Art Register 1975-2015 99
Stevens Street Gallery 178 Yandina Historic House 178
Strathnairn Arts 157 Yarra Ranges Regional Museum 113
Studio B Gallery 100 Yarra Sculpture Gallery 96
Sturt Gallery & Studios 150 Yering Station Art Gallery 113
Gallery Index 79
Melbourne
80
Deakin Downtown Gallery
Federation Level 12, Tower 2 Collins Square, 727 Collins Street,
Melbourne 3008. W deakin.edu.au/art-collection
Square Free entry. H Mon-Fri 9.00 to 5.00 during exhibitions.
May 30 to July 20 Artworks From The Torch – the
Torch supports current and former Indigenous
Melbourne 81
Lesley Kehoe Galleries Neon Parc
Ground Floor, 101 Collins Street, Melbourne 3000. 1/53 Bourke Street, Melbourne 3000.
T (03) 9671-4311. E gallery@kehoe.com.au T (03) 9663-0911, Also at 15 Tinning Street,
W www.kehoe.com.au H Open by appt. To make an Brunswick 3056. E info@neonparc.com.au
appointment, or request an invite to 2018 viewings W www.neonparc.com.au H Wed-Sat 12.00 to 5.00,
and events email, or call the gallery. Lesley Kehoe or by appt.
Galleries is an internationally recognised gallery for
contemporary and historical Japanese artworks. RMIT First Site Gallery
The Galleries provide visitors with an immersive
Storey Hall Basement, 344 Swanston Street,
experience underpinned by beauty and intellect.
Melbourne 3000. T (03) 9925-3878.
E simon.pericich@rmit.edu.au
W fb.me/RMITFirstSiteGallery Free entry.
H Tues-Fri 11.00 to 5.00.
RMIT Gallery
344 Swanston Street, Melbourne 3000.
T (03) 9925-1717. E rmit.gallery@rmit.edu.au
W www.rmit.edu.au/rmitgallery Free admission. Lift
access. H Mon-Fri 11.00 to 5.00, Thurs 11.00 to
7.00, Sat 12.00 to 5.00, closed Sun and public hols.
Like RMIT Gallery on Facebook. Follow @RMITGallery
on Twitter. June 29 to Aug 18 My Monster: The
human animal hybrid. The hybrid is the ultimate
Igawa Takeshi, In The Wind II 風の間Ⅱ, lacquer sculpture,
23.5 x 107 x 22.5cm metaphor and its almost human image haunts us
Courtesy the artist and Lesley Kehoe Galleries from mythology to horror films, folk lore to fiction,
and all aspects of visual art. The trouble with hybrids
is that they disturb our moral compass, reminding
National Gallery of Victoria us that we are animals, and animals are like us.
The Ian Potter Centre: Bringing together work by more than 25 Australian
NGV Australia and international artists in diverse media from public
Federation Square, cnr Russell and Flinders streets, and private collections, including several new works
Melbourne 3000. T (03) 8620-2222. created for the exhibition, My Monster: The Human
W www.ngv.vic.gov.au H Daily 10.00 to 5.00. Animal Hybrid is a compelling modern celebration
To July 15 Colony: Australia 1770-1861. for the 200th anniversary year of the publication of
To July 15 Top Arts 2018. To Sept 2 Colony: Frontier Mary Shelley’s seminal novel ‘Frankenstein’. Artists:
Wars. To Jan, 2019 A Modern Life: Table wares Rose Agnew, Jane Alexander, Janet Beckhouse,
1930s-1980s. Peter Booth, Jazmina Cininas, Kate Clark, Catherine
Clover, Beth Croce, Julia deVille, Heri Dono, Peter
Ellis, Rona Green, Moira Finucane, Rayner Hoff, Sam
Jinks, Deborah Kelly, Bharti Kher, Deborah Klein,
Oleg Kulik, Sam Leach, Norman Lindsay, Sidney
Nolan, Eko Nugroho, Patricia Piccinini, Kira O’Reilly
& Jennifer Willet, Lisa Roet, Geoffrey Ricardo, Mithu
Sen, Maja Smrekar, Ronnie van Hout and (((20hz))).
Curated by Evelyn Tsitas. Public programs: Fri June 29,
12.30-1.30pm Beyond Taxidermy – Kate Clark & Julia
deVille artist talk; Fri July 6, 12.30-1.30pm Animal
instinct – Rona Green artist talk; Fri July 20, 12.30-
1.30pm Contemporary hybrids – Ronnie van Hout
artist talk; Tues July 24, 12.30-1.30pm Frankenstein’s
Legacy – Evelyn Tsitas Curator talk; Fri July 27 12.30-
1.30pm In a Manner of Speaking – Catherine Clover
participatory performance. See ad page 4.
Tolarno Galleries
Level 4, 104 Exhibition Street, Melbourne 3000.
Christian Thompson, Othering the explorer, James Cook, 2015, T (03) 9654-6000 F 9654-7000.
printed 2016, from the ‘Museum of Others’ series 2015-16, E mail@tolarnogalleries.com
C-type photograph on metallic paper, 128 x 126.9cm W www.tolarnogalleries.com Director: Jan Minchin
National Gallery of Victoria, Melbourne (member of ACGA). H Tues-Fri 10.00 to 5.00,
© Courtesy the artist and Gallery Gabrielle Pizzi Sat 1.00 to 5.00. June 7 to July 7 Spill by
Andrew Browne.
82 Melbourne
ZHONG CHEN
4 JUNE — 23 JUNE 2018
BLINDSIDE
Nicholas Building, 714/37 Swanston Street (enter via
Cathedral Arcade lifts, cnr Flinders Lane), Melbourne
3000. T (03) 9650-0093. E info@blindside.org.au
W www.blindside.org.au H Tues-Sat 12.00 to 6.00.
May 30 to June 16 Beyond the Veil – Anastasia
Booth, Daniel Gawronski, Guy Grabowsky, Josh
Hook, Paulina Hupe, Cristal Johnson, Tessy King,
Hernan Lopera, Diego Ramirez, Britt Salt, Michele
Sierra and Jake Treacy. Curated by Jake Treacy.
June 20 to July 7 Serpent Songs/Windshadows
by Gerard Crewdson – SOUND SERIES 2018 in
partnership with Liquid Architecture. Also, Reparar
Means To Repair by Camila Galaz.
Flinders Lane
Anna Schwartz Gallery
185 Flinders Lane, Melbourne 3000.
T (03) 9654-6131. E mail@annaschwartzgallery.com
W www.annaschwartzgallery.com Director: Anna
Schwartz. H Tues-Fri 12.00 to 5.00, Sat 1.00
to 5.00. June 2 to 30 Gabriella Mangano &
Silvana Mangano.
84 Melbourne
A Prelude
Steps Gallery 62 Lygon Street, Carlton South Vic 3053 An exhibition of selected paintings by fine artist
Joanna Kordos
From the series, I Am Elizabeth and
The Messenger – A Private Collection
14 - 28 June 2018
03 9650 3577 • JNorris@amieuvic.net
Solo Exhibition
Melbourne 85
Chapter House Lane Murray White Room
Entry via Flinders Lane, Melbourne 3000. Sargood Lane (off 8 Exhibition Street), Melbourne
W www.chapterhouselane.org.au To June 30 3000 (PO Box 18400, Collins St East, Vic 8003).
Daydreamer Wolf by Elyas Alavi. T (03) 9663-3204. E email@murraywhiteroom.com
W www.murraywhiteroom.com H Tues-Fri 11.00 to
Craft Victoria 6.00, Sat 1.00 to 5.00. To June 16 As a young snail,
a middle aged snail, an old snail, I was not a fast
Watson Place, off Flinders Lane behind Supernormal,
worker by Alasdair McLuckie.
Melbourne 3000. T (03) 9650-7775.
E craft@craft.org.au W www.craft.org.au Free entry.
H Mon-Wed 11.00 to 6.00, Thurs-Fri 11.00 to 7.00, Stephen McLaughlan Gallery
Sat 10.00 to 5.00. Level 8, Room 16, 37 Swanston Street (cnr Flinders
Lane), Melbourne 3000. T 0407-317-323.
Flinders Lane Gallery W www.stephenmclaughlangallery.com.au Director:
Stephen McLaughlan. H Wed-Fri 1.00 to 5.00,
137 Flinders Lane, Melbourne 3000.
Sat 11.00 to 5.00 or by appt. May 30 to June 16
T (03) 9654-3332. E info@flg.com.au
Sylvia Mair. June 13 to July 7 South Gallery: Laura
W www.flg.com.au Director: Claire Harris. H Tues-Fri
Osborne. June 20 to July 7 Kendal Heyes.
11.00 to 6.00, Sat 11.00 to 5.00. Please consult
website for any opening hours changes. Our extensive
stockroom can also be viewed on our website. To
June 16 Gallery 1 and 2: South West Coast by
Kathryn Ryan. FLG Showroom: 20/20 by Harley
Manifold. June 19 to July 14 Gallery 1 and 2:
Southbank
Exploration 18: Emerging Artist Exhibition – Archie
Barry, Tiffany Cole, Farnaz Dadfar, Brett Ferry,
Jasper Jacobsen, Rose Jiiwu Lee, Mohsen Meysami,
Sth Melbourne
Claire Mooney and Belinda Wiltshire.
Australian Centre for
Contemporary Art (ACCA)
111 Sturt Street, Southbank 3006.
T (03) 9697-9999. W www.acca.melbourne
Free admission. H Tues-Fri 10.00 to 5.00, Sat-Sun
12.00 to 5.00, Mon by appt. To June 24 Dwelling
Poetically: Mexico City, a case study – considers
the ways artists and cities mutually transform each
other. One of the great cross-roads of north America,
Mexico City has taken prominence not only as one
of America’s most populous urban centres, and as
Latin America’s strongest economy, but as a node of
rich and potent cultural production thanks in part to
a whole generation of artists from the ‘90s through to
Kathryn Ryan, Fenceline Pines, oil on linen, 112 x 152cm the burgeoning, much-discussed contemporary scene.
Courtesy the artist and Flinders Lane Gallery Dwelling Poetically proposes a portrait of the Mexican
capital through a selection of artists that live there,
ϐ have lived there, or have only passed through, and
45 Flinders Lane, Melbourne 3000. yet have nevertheless contributed to its composition.
T (03) 9662-9966. E briar@fortyfivedownstairs.com Developed by guest curator Chris Sharp, assisted by
W www.fortyfivedownstairs.com H Tues-Fri 11.00 Fabiola Talavera, Dwelling Poetically: Mexico City,
to 5.00, Sat 12.00 to 4.00. To June 2 Captured a case study presents new and existing work by
Landscapes painting by Alison Percy. Also, Francis Alÿs, Andrew Birk, Ramiro Chaves,
MAXIMUM minimal painting by Andrew Scollo. Isabel Nuño de Buen, Martin Soto Climent,
June 5 to 16 Kati Thanda – Lake Eyre: Chelsea Culprit, Abraham Cruzvillegas, Ektor Garcia,
interpretations from the air photography by The Yann Gerstberger, Jaki Irvine, Kate Newby and
Light Collective. Also, Constant Companions Melanie Smith.
drawing by Maria Petrova. June 19 to 30 Emerging
Artist Award 2018 – group exhibition, presented by
fortyfivedownstairs.
86 Melbourne
L I V I D L E G IS L AT IO N
LOVERS LOVERS
F O R L I F E L O G O S
LOVERS LOVERS
L O B B Y I N G L I T A N Y
LOVERS LOVERS
L O Y A L T Y U N L O V I N G
LOVERS LOVERS
L A C R I M A L LIBER VERITATIS
2016 - 2018
Wa r r e n B r e n i n g e r
Charles Nodrum Gallery
July 14 - August 4 267 Church St, Richmond VIC 3121
Opening: Open: Tuesday - Saturday, 11am-6pm
Sat July 14, 4-6pm www.charlesnodrumgallery.com.au
(03) 9328 8658
Australian Tapestry Workshop Margaret Lawrence Gallery
262-266 Park Street, South Melbourne 3205. 40 Dodds Street, Southbank 3006.
T (03) 9699-7885. E contact@austapestry.com.au T (03) 9035-9400. E ml-gallery@unimelb.edu.au
W www.austapestry.com.au Gold coin entry to the W www.vca.unimelb.edu.au/mlg H Tues-Sat 12.00
galleries and workshop. H Tues-Fri 10.00 to 5.00. to 5.00. June 15 to July 14 (opening Thurs June
Guided tours Wed 11am and Thurs 2pm, $10 per 14, 5.30pm) Overdrawn – Kate Daw, Xin Xiao
person: bookings essential. View the weavers and Chan, Lou Hubbard, Raafat Ishak, Tang Lin Nah,
dyer at work on major contemporary art commissions Nick Selenitsch, Tam Chew Seng and Eleanor Lim
and artists in residence. Tapestries being woven Shan. Drawing can be seen to have its origins in the
on the looms designed by Emily Floyd, Guan Wei space between pictures and text. Perhaps at some
and Justin Hill. To July 28 Tapestry x Architecture point in history, drawing and writing may even have
– an exhibition of experimental tapestry samples once been one and the same. In Overdrawn, ideas
which interpret previous Tapestry Design Prize for and processes connected with drawing are a starting
Architects prize-winning designs by John Wardle point for both critical dialogue and artistic output. This
Architects (TDPA 2015) and Justin Hill (TDPA 2016). exhibition explores the notion of expanded drawing
Tapestry x Architecture offers viewers a glimpse into practice as a process of hybridising and fusing a
the process of handmade tapestry production and variety of concepts, media and techniques. Overdrawn
highlights the innovative collaboration between the is a collaborative project between the Victorian College
ATW weavers and living architects. of the Arts and the Nanyang Academy of Fine Arts.
Buxton Contemporary
Cnr Dodds Street and Southbank Boulevard,
Southbank T (03) 9035-3020.
E buxton-contemporary@unimelb.edu.au
W www.buxtoncontemporary.com H Wed-Sun 11.00
to 5.00, Thurs to 8.00. The new purpose-built home
for the Michael Buxton Collection of contemporary
art. To June 24 The shape of things to come – works
from the collection explore a constellation of ideas
around the role and agency of the artist in culture,
society and politics – as visionary, storyteller, dissenter
and alchemist.
Laurent Gallery
115 Thistlethwaite Street, South Melbourne 3205.
T 0481-055-558 . E info@laurentgallery.com
W www.laurentgallery.com H Mon-Wed and Fri
12.00 to 5.00, or by appt. Permanent exhibition by
Titane Laurent.
88 Melbourne
KERRIE WARREN
‘THE LAST SUPPER’ YSG - Yarra Sculpture Gallery
Gallery Hours: Thurs - Sun, 11am - 4pm
Opening: Sat, 2 June 2- 4pm 117 Vere Street, Abbotsford VIC 3067
yarrasculpturegallery@gmail.com
Exhibition Dates: 1- 24 June 2018 yarrasculpturegallery.com.au
www.tulipfestival.com.au
Melbourne 89
Stand Point I and Stand Point II
‘Stand Point I’ and ‘Stand Point II’ are not stop.’ Liu utilizes colour to emphasize
two powerful multi-themed exhibitions the dichotomies in life. Warm reds and deep
featuring ten artists living in China who pinks of a street market and a busy intersec-
use a camera and computer to speak to tion draw the viewer into the daily commerce.
people everywhere. Then as an antithesis to the vibrancy and life
The four artists of ‘Standpoint I’ are all of these sequences, Liu contrasts this with
from Yangquan, a coal mining city of over the brutality of pigs in the abattoir, strung up
one million people situated in north-west by one leg, thrashing their way to an inevita-
China. The city has obviously provided a ble end. The use of black and white film loads
source of inspiration for the artists, prompt- the sense of doom on this sequence.
ing both political and personal reactions. Two hundred years after its invention there
The video art in ’Stand Point I’ is projected does not seem to be anywhere a camera can-
in a loop onto the gallery wall. This repeti- not go. ‘Stand Point II’ hits the pause button.
tion is mirrored in the imagery of two of This photographic exhibition provides an
the artists works. A string of prayer beads opportunity to view the black and white tonal
turns in slow, loaded increments in Di Zhou’s techniques developed by the mid-twentieth
ethereal In A Breath, while Monna Wang is century greats, at the same time as allowing
seen repeatedly blowing her nose, slowly fill- a glimpse at the futuristic notion of photog-
ing a table with perfectly folded used tissues raphy in the virtual world. Like the artists
expressing the everyday distress the comes of ‘Stand Point I’, the six artists exhibited in
with long-term rhinitis. ‘Stand Point II’ all live in China, each with a
Comrade Yue by Jianbo Yue explores singular vision.
identity in modern day China. Marginalised by ShaoJie Xu’s Jin Opera offers an immersive
Chinese society as a gay coalminer, passion- look into the Shanxi provence’s iconic opera
ate about rock music and an avid runner of through a series of twenty-four rich and
marathons, Yue describes the agony of his vibrant action shots, detailing the audience
life as an outsider. and performers throughout the preparation
and the show proper. The
dynamism of the scenes,
captured through a singular
blur of movement, epito-
mizes the artist’s technique
which involves ‘discovering
the moments with his heart
and capturing them quickly’.
In contrast, the solitary
figures in Irina Kovalchuk’s
highly choreographed dou-
ble-exposure photographs
s. However, she says there is
a story in Androgyny y which,
“is about our inner doubts
and self-confidence.” The
resulting double-exposure
images gives the work an
ethereal atmosphere.
Art critic Susan Sontag
said that unlike a painting,
which is always an inter-
Di Zhao pretation of the world, a
photograph is “… a trace,
While Yue’s work concentrates on iden- something stenciled off the real, like a foot-
tity, Gang Liu is influenced by place. Now print or a death mask.”* In ’Stand Point II’,
resident in Australia, Liu spent many years in photographers, XiaoFeng Chen and ShiXiong
Yangquan. I Saw, I Painted d combines video Zhao challenge Sontag’s thinking. Reality be-
footage of the rapidly changing city of Yang- comes detached when Zhao re-photographs
quan, with film of the vibrant landscapes he pictures in magazines. The dark and gauzy
painted. ‘There are different stories every day. photographs of Zhao’s Mother Spaceship
I kept walking, recording and painting. I could Magazine reveal a recycling of images that
forces a reinterpretation by the
viewer of the previously easily rec-
ognizable photos. Conversely, Chen
captures ‘Life’ in the digitally con-
structed world of computer games
in Placing Plants II. Chen explores the
virtual world for pot plants and other
greenery in unlikely or harsh locales
that, despite their make-believe
origins, could be real.
Hue’s sepia-like images detail
riderless, discarded bicycles. In one
sense, these are landscapes of Chi-
nese city life, although it is obvious
the artist is interested in more. Shape
and line are repeated. Diagonals in
the bicycle frame recur. In one pho-
tograph the arc of a wheel on a bike
abandoned on the footpath, echoes
the curve in a patch of disintegrating JianBo Yue
render on the wall behind. Several
of Hue’s photographs include mo-
torised vehicles; a hint that – for the
bicycle – time is standing still.
Curator Di Zhao asked photog-
rapher XiaoZhen Fan, creator of
Reality and Dreams, the relevance
of being on the spot to his photo-
graphs “The ‘scene’,” Fan replied, “is
surrounded by the past, is happen-
ing at the moment, and is pointing
to the future.” Fan’s compositions
emphasize this order, while the fine
detail and crisp edges defy that this
image was shot by mobile phone.
Di Zhao has brought together
examples of old and innovative pho-
tographic media in the exhibitions
‘Stand Point I’ and ‘Stand Point II’.
While the photographic techniques
differ, the works – whether moving
image or a still – position us in a
changing world and create thought
provoking exhibitions that intrinsi-
cally relatable and prompt reflection
on society and identity. MengNan Wang
* Sontag, Susan, A Susan Sontag Reader, Penguin, USA, 1982, page 350
92 Melbourne
Langford 120
120 Langford Street, North Melbourne 3051.
T (03) 9328-8658. E Langford120@gmail.com
Fitzroy
W www.langford120.com.au Directors: Irene Barberis
and Wilma Tabacco. H Thurs-Sat 12.00 to 6.00, Sun
12.00 to 5.00. To June 24 George Matoulas: TIME
Collingwood
(bomb), and Theo Strasser: New Paintings. Ellipsis:
Irene Barberis & Wilma Tabacco: Who’s afraid…?
Melbourne 93
Australian Galleries
Stock Rooms
28 Derby Street, Collingwood 3066.
T (03) 9417-2422 F 9417-3433.
E melbourne@australiangalleries.com.au
W www.australiangalleries.com.au Director: Stuart
Purves AM. H Daily 10.00 to 6.00. May 29 to June
17 Gatehouse Paintings by Julian Twigg.
94 Melbourne
ASPECTS OF NATURE 16 JUNE - 7 JULY
Caroline CALWAY
Laurel FOENANDER
John GRAHAM
Margaret McLOUGHLIN
Annette SMEETON
Wendy STEER
Clouds by C. Calway Oil 120 x 150 cm
Shades of Green by A. Smeeton Oil 122 x 152 cm Survivor by L. Foenander Oil 123 x 97 cm
635 Burwood Rd, Hawthorn East. VIC. 3123 (5 doors from Auburn Rd)
Tuesday - Saturday 11am - 5 pm P: 03 9882 5553
www.hawthornstudiogallery.com.au
in.cube8r gallery & emporium Exquisite Palette a group show. Also, Celia Bridle,
and Albert Koomen. June 20 to July 15 Peter
321 Smith Street, Fitzroy 3065. T 0414-736-659.
Newton, Anne Hamalainen, TJ Bateson and
W incube8r.com.au H Mon-Wed 11.00 to 5.00,
Craig Daniels.
Thurs-Sat 11.00 to 6.00, Sun 12.00 to 4.00, closed
public hols. June 1 to 12 (opening Thurs May 31,
6-8pm) Almost Solo V.6 – Giacinta Bliek, Michal Victorian Artists’ Society
Mainzer, Shannon Mary and Helen French each 430 Albert Street, East Melbourne 3002.
exhibiting bodies of work. June 15 to 26 (opening T (03) 9662-1484.
Thurs June 14, 6-8pm) POP – join us as we fill our E admin@victorianartistssociety.com.au
space with all the colours of the rainbow. No room for W victorianartistssociety.com.au/exhibitions
beige here. June 29 to July 4 (openings Thurs June H Mon to Fri 10.00 to 4.00, Sat-Sun 1.00 to 4.00.
28 and Tues July 5, 6-8pm) Alkanofer Collective a May 31 to June 12 (opening Fri June 1, 6.30pm)
group show of Alkanofer Collective Members. A.W. Harding: an exhibition of a lifetime.
To be opened by Hon. Jenny Macklin MP.
Modern Times instagram.com.au/aw.harding.art
311 Smith Street, Fitzroy 3065. T (03) 9913-8598.
E sales@moderntimes.com.au Yarra Sculpture Gallery (YSG)
W www.moderntimes.com.au H Mon-Fri 10.00 to Contemporary Sculptors
6.00, Sat 10.00 to 5.00, Sun 11.00 to 5.00. June
14 to 17 DENFAIR Stand G14. Also, featuring original
Association (CSA)
paintings, photography, and limited edition prints by 117 Vere Street, Abbotsford 3067. T (03) 9419-6177.
local and interstate artists. E yarrasculpturegallery@gmail.com
W yarrasculpturegallery.com.au H Thurs-Sun 11.00
to 4.00. June 1 to 24 (opening Sat June 2, 2-4pm)
Nicholas Thompson Gallery Gallery 1: Falling Away by Amanda Page. Gallery 2:
155 Langridge Street, Collingwood 3066. In Otherwords by Julian Di Martino. Gallery 3: The
T (03) 9415-7882. Last Supper by Kerrie Warren (see ad page 89).
W www.nicholasthompsongallery.com.au H Wed-Sun, Projection Room: The Demagogue by Marcus Encel.
11.00 to 6.00. To June 10 Celeste Chandler. See ad page 103.
June 13 to July 1 Louise Tuckwell.
96 Melbourne
call for entries
98 Melbourne
Niagara Galleries
245 Punt Road, Richmond 3121. T (03) 9429-3666.
E mail@niagaragalleries.com.au
W www.niagaragalleries.com.au Director: William
Nuttall (member of ACGA). H Tues-Fri 11.00 to
6.00, Sat 12.00 to 5.00 or by appt. June 5 to 30
Our Knowing and Not Knowing by Helen Maudsley,
and The Abstract Paintings by Paul Boston. Also
showing in our stockroom: Rick Amor, Glenn Barkley,
Terry Batt, Stephen Benwell, Tony Bevan (UK),
Paul Boston, Angela Brennan, Robert Bridgewater,
Gunter Christmann, Julie Ciccarone, Brenda L.
Croft, Harry Dixon Mptyane, Julia Dowling, Fiona
Foley, Star Gossage (NZ), Michelle Grabner (US),
Malaluba Gumana, Rubaba Haider, Euan Heng,
Dale Hickey, Dianne Jones, Jennifer Joseph, David
Keeling, Yvonne Kendall, Richard Larter, Kevin
Lincoln, Song Ling (CN) Travis MacDonald, Euan
Macleod, Noel Mckenna, Sean Meilak, Samuel
Namunjdja, Lena Nyadbi, Martin Parr (UK) Angelina
Pwerle, Hu Qinwu (CN), Steven Rendall, Andreas
Ruthi (CH), Jan Senbergs, Neil Taylor, Savanhdary
Vongpoothorn, Wukun Wanambi, Wolpa Wanambi,
Bradd Westmoreland, Ken Whisson, Helen Wright
and Liu Zhuoquan (CN).
Melbourne 99
Kinross Arts Centre
Toorak 603 Toorak Road, Toorak 3142. T (03) 9829-0340.
W www.kinrossarts.org.au Free entry.
H Mon-Fri 10.00 to 3.30, Sat-Sun by appt.
Sth Yarra www.facebook.com/KinrossArtsCentre
Studio B Gallery
509 High Street, Prahran 3181. T (03) 9510-1607.
E tamsin@studiobgallery.com.au
W www.studiobgallery.com.au Director: Tamsin Buic.
H Wed-Fri 10.00 to 6.00, Sat-Sun 10.00 to 3.00.
Toorak Village
Sculpture Exhibition
Toorak Road, Toorak 3142. T Director: Tony Fialides
0419-005-052. W www.toorakvillage.com.au
To June 10 Contemporary sculpture on display in
shop windows and on the sidewalks of Toorak Village.
All works for sale. See ad page 109.
Naomi Nicholls, The Less Obedient Gloss, 2017, enamel on
aluminium panel, 118 x 93cm
Courtesy the artist and Alternating Current Art Space
The Cullen
164 Commercial Road, Prahran 3181.
T (03) 9098-1555. W www.artserieshotels.com.au/
cullen A boutique hotel featuring original artwork and
prints by Australian contemporary artist Adam Cullen.
100 Melbourne
The Atrium 2019
Call for entries
4 June - 29 June 2018
Calling for experienced artists who work in sculptural and
spacial practices. Applications with new and site-specific
works are encouraged.
MAS Gallery
1297-1299 High Street, Malvern 3144.
T (03) 9822-7813. E malvart@optusnet.com.au
W malvernartists.org.au H Daily 11.00 to 4.00
during exhibitions.
102 Melbourne
Artist moving Artists - Art Courier
GIANNA ROSICA
ACCOUNTING FOR THE ARTS
Melbourne 103
Metro Gallery
1214 High Street, Armadale 3143.
T (03) 9500-8511. E info@metrogallery.com.au
Hawthorn
W www.metrogallery.com.au Gallery Manager:
Rebecca Sheahan. H Tues-Fri 10.00 to 5.30, Sat-Sun East & West Art
11.00 to 5.00. June 25 to July 21 Dean Home. 665 High Street, East Kew 3102. T (03) 9859-6277.
June 4 to 23 From Black Line to White Line: The E info@eastwestart.com.au
Chinaman Series by Zhong Chen. See ad page 83. W www.eastwestart.com.au Director: Marjorie Ho.
H Mon-Fri 11.00 to 5.30, Sat 11.00 to 4.30.
Scott Livesey Galleries Specialists in Asian Fine Arts and Antiques. To June
23 Textiles of Indonesia, Java, Bali, Sumba and
909a High Street, Armadale 3143.
Timor, Ikat, batiks and Songket.
T (03) 9824-7770. E info@scottliveseygalleries.com
W www.scottliveseygalleries.com H Tues-Fri 11.00 to
5.30, Sat 11.00 to 4.00. To June 9 Escarpment by Eastgate Gallery
Luke Sciberras. June 16 to July 14 Group Exhibition. Dealers in Fine Art
158 Burwood Road, Hawthorn 3122.
Ten Cubed T (03) 9818-1656. E info@eastgatejarman.com.au
1489 Malvern Road, Glen Iris 3146. W www.eastgatejarman.com.au H Mon-Fri 9.00 to
T (03) 9822-0833. E info@tencubed.com.au 5.00, Sat 10.00 to 4.00. A Selection of traditional,
W www.tencubed.com.au H Tues-Sat 10.00 to abstract, and contemporary art from leading
4.00. A private collection of contemporary art, open Australian artists past and present. To June 9 Arch
to the general public. To June 16 Peter Atkins – Ten Cuthbertson paintings – an exhibition of works by
Cubed began collecting Atkins in 2016 and have artist Arch Cuthbertson (1924-2001).
continued to collect his work throughout 2017.
Atkins’ practice centres around the appropriation Hawthorn Studio & Gallery
and re-interpretation of ready-made abstract forms
635 Burwood Road, Hawthorn East 3123.
that he documents within the urban environment.
T (03) 9882-5553. E info@hawthornstudiogallery.com.au
This collected material becomes the direct reference
W www.hawthornstudiogallery.com.au H Tues-Sat
source for his work, providing tangible evidence to
11.00 to 5.00. To June 9 Unspoken Language
the viewer of his relationship and experience within
paintings by Lynne Bickhoff. June 16 to July 7
the landscape. The exhibition will revolve around five
(opening Sat June 16, 2-4pm) Aspects Of Nature
of the artist’s projects. Peter Atkins is represented by
group exhibition of paintings – Caroline Calway,
Tolarno Galleries in Melbourne and GAGPROJECTS in
Laurel Foenander, John Graham, Margaret
Adelaide. June 26 to Sept 8 Pat Brassington.
McLoughlin, Annette Smeeton and Wendy Steer
(see ad page 95).
Quadrant Gallery
(map ref Melway 45 A8) 72 Barkers Road, Hawthorn
3122. T (03) 9079-0943.
E contact@quadrantgallery.com.au
W www.quadrantgallery.com.au H Tues-Sat 10.00
to 4.00. May 31 to June 23 BALI – SYDNEY… an
outsider between cultures by Peter Dittmar. Dittmar
is a Sydney-based German-Australian artist who, for
many years, has divided his time between his studios
in Sydney and Bali and his home city of Munich.
Dittmar explores the process of intercultural transition
and moves continually between three countries,
and his works embrace the cultural influences of
the places he lives between. Dittmar’s paintings are
rich, yet peaceful; reflecting the spiritual and textural
elements of Bali with the graphic, and calligraphic,
Peter Atkins, Love Letters, 2016, acrylic on paper, multiple
Courtesy the artist, Tolarno Galleries, Melbourne and Ten Cubed
precision of contemporary life in both Germany
and Australia. Quadrant Gallery is delighted to be
exhibiting his works in Melbourne. See ad page 85.
104 Melbourne
Melbourne 105
Town Hall Gallery Lauraine Diggins Fine Art
360 Burwood Road, Hawthorn 3122. 5 Malakoff Street, North Caulfield 3161.
T (03) 9278-4626. T (03) 9509-9855. E ausart@diggins.com.au
E townhallgallery@boroondara.vic.gov.au W www.diggins.com.au H Tues-Fri 10.00 to 6.00,
W boroondara.vic.gov.au/arts H Tues-Fri 10.00 and during exhibitions Sat 1.00 to 5.00, or by appt.
to 5.00, Sat-Sun 11.00 to 4.00, closed Mon Specialists in Australian colonial, impressionist,
and public hols. To June 3 Community Project modern, contemporary and Indigenous painting,
Wall: Drive by Susan Mountford. To July 1 Main sculpture and decorative art. Sourcing European
Galleries: DEEPER DARKER BRIGHTER – conveying masterworks on request.
the wonder of science through art, Pamela Bain
and Carolyn Lewens explore the universe with
Swinburne University’s Centre for Astrophysics
and Supercomputing, resulting in an odyssey of
aesthetic and sensory experiences. DEEPER DARKER
BRIGHTER – is a creative response to an astrophysics
program that is searching for the fastest explosions in
the universe. The artists, present for real-time space
observations, were stimulated by bombardments
of astronomical imagery, data and technology that
inspired these new bodies of work (see ad page 16).
MADA Gallery
Monash University,
ϐ
Building D, Ground Floor, 900 Dandenong Road,
Caulfield East 3145. E MADA.Gallery@monash.edu
W www.artdes.monash.edu/gallery Free entry.
H Wed-Fri 10.00 to 5.00, Sat 12.00 to 5.00 during
exhibitions. June 6 to 16 ARC10 – this exhibition
celebrates the evolution of the Architecture program
over the past 10 years. Across scales and graduating
Carolyn Lewens, Light Phenomenon 1, 2017, archival digital print classes, content reflects on past achievements,
on cotton rag, dimensions variable highlights the present endeavours of alumni and
Courtesy the artist and Town Hall Gallery
speculates on the expanding future of Architecture at
Monash. The exhibition is designed and produced by
ϐ
current Bachelor and Master students working with
Alumni, and guided by Rosie Norris, Ari Seligmann
and Alex Brown. June 26 to Aug 5 Representation,
Remembrance and the Memorial – this exhibition will
provide insight into the Australian Research Council
Elsternwick research project Representation, Remembrance
and the Memorial, and an opportunity to explore its
research archive. Led by artist Brook Andrew, this
Glen Eira City Council Gallery project addresses the lack of memorials and visibility
in the public sphere to the histories, memories and
Cnr Glen Eira and Hawthorn roads, Caulfield 3162.
legacy of the Frontier Wars in Australia through an
T (03) 9524-3402. W www.gleneira.vic.gov.au
international comparative study. This exhibition
Curator: Diane Soumilas. Free admission. H Mon-
will include artworks by Andrew, and the London-
Fri 10.00 to 5.00, Sat-Sun 1.00 to 5.00, closed
based Mauritius artist Shiraz Bayjoo; and interview
public hols. May 31 to June 17 Desert Resonance,
recordings with Indigenous scholar Professor Marcia
presented by Outback Aboriginal Art, and Paper
Langton, American architect Peter Eisenman and
Round by Justine Kuran. June 21 to July 8 The
scholar of cultural memory, Andreas Huyssen.
Storytelling Machine.
Curated by Brook Andrew and Jessica Neath.
106 Melbourne
ArtSpace at Realm
Moorabbin 179 Maroondah Highway, Ringwood 3134.
T (03) 9298-4545.
E gallery.attendant@maroondah.vic.gov.au
Highett W www.artsinmaroondah.com.au H Mon-Fri 9.00 to
8.00, Sat-Sun and public hols 10.00 to 5.00.
Greater
Melbourne
Art at Linden Gate STUDIO SPACE
899 Healesville-Yarra Glen Road, Yarra Glen 3775.
T (03) 9730-1861. E artatlindengate@gmail.com
W www.artatlindengategallery.com.au H Fri-Mon SURREY HILLS
10.00 to 5.00 (including public hols, except Dec 24
and 25). June 1 to 25 Hunt for the Wilder Pictures MELBOURNE
– Wildlife Art Society of Australasia.
VERY AFFORDABLE
UPSTAIRS WAREHOUSE
ATTIC FEEL
NICE VIBE
CLOSE TO
SURREY HILLS STATION
Melbourne 107
Box Hill Community Arts Centre Deakin University Art Gallery at
470 Station Street, Box Hill 3128. T (03) 9895 8888. Melbourne’s Burwood Campus
E bhcac@whitehorse.vic.gov.au W www.bhcac. 221 Burwood Hwy, Burwood 3125.
com.au H Mon Thurs 9.00 to 7.30, Fri 9.00 to T (03) 9244-5344. E artgallery@deakin.edu.au
5.00. June 5 to 10 (opening Thurs June 7, 6 8pm) W deakin.edu.au/art-collection/ Free admission.
BHCAC Artist-in-Residence Exhibition by Katherine H Tues-Fri 10.00 to 4.00, closed public hols. May 30
Marmaras. June 12 to 17 (opening Tues June to July 13 Boneta-Marie Mabo: Immersed. Immersed
12, 2pm) Box Hill Hand Spinners and Weavers: is a collection of portraits of First Nations women that
Fabulous Fibres. June 18 to 24 (opening Mon celebrates resistance against patriarchal colonialism.
June 18, 7.30pm) Box Hill Art Group – Mid Year Each woman presents herself as she wants you to
Exhibition. June 26 to July 1 Images of Opoula by see her. The portraits offer a glimpse of individual
Noel Counihan. resistance, power and beauty. First Nations women
are over-represented in systems of control. Our lives
Bundoora Homestead are treated as an inconvenience to white society.
Art Centre Our existence unsettles white Australia because it is
a reminder that First Nations people are still here,
7 Prospect Hill Drive, Bundoora 3083. T (03) 9496
that sovereignty was never ceded. Even though we
1060. E bundoorahomestead@darebin.vic.gov.au
are surrounded by ugliness, we immerse ourselves
W www.bundoorahomestead.com Free admission.
in the fight for equality and justice. Unashamed and
H Thurs Sun 10.00 to 5.00. To June 17 Crocodility
unapologetic, this collection invites you to see First
Dord Burrough, Ann Debono, Nicholas Ives, Tomasz
Nations women as we see ourselves. (Artist statement
Kobialka, Dan Moynihan, Aaron Christopher Rees
from email conversation, January 2018).
and Marian Tubbs. Curated by Boe lin Bastian. To
July 29 One-On-One Chris Bahng, Katie Collins,
Anna Davern, Mark Edgoose, Hendrik Forster,
Wanda Gillespie, Annie Gobel, Wendy Korol and
Claire McArdle. Curated by Olivia Polini. Also, Craft
Lab+. If you’re into knitting, macramé, quilting,
embroidery, tapestry, patchwork, felting or any other
textile based craft then come and be part of Craft
Lab+ by taking up residence at Bundoora Homestead
Art Centre and help create a community of crafters. A
10 week program of free facilitated craft classes will
be run by craft specialist Ramona Barry, all works
created will be part of the exhibition at the Homestead
galleries from June 21 to July 29.
Eltham Library
Community Gallery
(map ref Melway 21 J5) 1 Panther Place, Eltham
3095. T (03) 9433-3175.
E artsinfo@nillumbik.vic.gov.au
W nillumbik.vic.gov.au/Living-in/Arts-and-Cultural-
Tomasz Kobialka, Pearl Diving for Wyrms (video still), 2017, HD Development H Mon-Thurs 10.00 to 8.30, Fri-Sat
video and stereo sound 10:12min 10.00 to 5.00, Sun 1.00 to 5.00, closed public
Courtesy the artist and Bundoora Homestead Art Centre
hols. May 31 to July 2 Legacy – Dumnoochin Artist
Collective – Lyn Ashby, Mirranda Burton, Jole Di
Florio, Heja Jung, Nerina Lascelles, Lisa Nolan,
Simon Pierse, Sue Robertson, Jodi Stewart, Matt
Stonehouse and Mark Wotherspoon. Recent artists-
in-residence at Dunmoochin showcase works inspired
by current and recent residencies. Dunmoochin is
historically significant as the home and studio of
the internationally famous artist, Clifton Pugh,
three times Archibald Prize winner and founder of
the Dunmoochin Artist’s Community.
www.dunmoochin.org
Ramona Barry, Darebin Nature Weaving, 2018, found Darebin
branches, wool and cotton yarn, bead, 30 x 50cm
Courtesy the artist and Bundoora Homestead Art Centre
108 Melbourne
Gate 6 Gallery Incinerator Gallery
Gate 6, Cardinia Street, Berwick 3806. (map ref Melway 28 D7) 180 Holmes Road, Moonee
W secan.com.au Free entry. H Sat-Sun 11.00 to Ponds 3039. T (03) 8325-1750.
5.00. June 3 to 24 (opening Sat June 2, 4-5.30pm) E incinerator@mvcc.vic.gov.au
My mind threw a party, I wasn’t invited by W www.incineratorgallery.com.au Free entry.
Graham Dean. H Tues-Sun 11.00 to 4.00. June 2 to July 29
standing still; looking back, looking forward – a
Gee Lee-Wik Doleen Gallery at celebration of First Nations identities today, yesterday
and tomorrow – new works by Dean Cross, Brad
Hume Global Learning Centre, Darkson, Amala Groom & Nicole Monks, Ashley
Craigieburn Perry and Katie West. Atrium: The Patterns of
(map ref Melway 386E-F7) 75-95 Central Park Displacement by Rushdi Anwar. Boadle Hall
Avenue, Craigieburn 3064. T (03) 9356-6117. Community Gallery: Calligraphic Media by Hugh
E gallery@hume.vic.gov.au Davis and Yoko Nakazawa, curated by Jessica Clark.
W www.hume.vic.gov.au/gallery H (refer to website). Artist and Curator talks: Sat June 2, 2pm.
June 1 to Aug 5 Behind the Wire – They Cannot
Take The Sky: Stories From Detention – an award-
winning oral history project documenting stories of
people who have been detained by the Australian
government after seeking asylum in Australia.
110 Melbourne
Melbourne 111
Maroondah Access Gallery
32 Greenwood Avenue, Ringwood 3134.
T (03) 9298-4545.
E gallery.attendant@maroondah.vic.gov.au
W www.artsinmaroondah.com.au H Mon-Fri 9.00
to 5.00. To July 13 Arts from the village: seasons
in our environment – members of the Gifford
Arts Group.
Mornington Peninsula
Regional Gallery (MPRG)
(map ref Melway 145 G4) Civic Reserve, Dunns Charles J. Noke, Talk less. You never know, c.1944, lithograph,
Road, Mornington 3931. T (03) 5975-4395. 49.4 x 36.8cm
E mprg@mornpen.vic.gov.au Issued by the Ministry of Home Secuirty and printed by James
W mprg.mornpen.vic.gov.au H Tues-Sun 10.00 to Hawthorn & Brother Ltd
5.00. To July 8 Propaganda: A selection of posters Courtesy the Australian War Memorial, Australian Capital Territory
from the Australian War Memorial collection – and Mornington Peninsula Regional Gallery
presents posters from across all the major 20th
century conflicts and gives a remarkable insight into TarraWarra Museum of Art
the power of information graphics and the use of (map ref Melway 277 B2) 311 Healesville-Yarra
advertising and communication strategies in eliciting Glen Road, Healesville 3777. T (03) 5957-3100.
fear, loathing and calls to action. An MPRG and W www.twma.com.au Adults $10, seniors $8,
Australian War Memorial Exhibition. Also, Andrew concession $5, free entry for children 12 and under.
Hazewinkel: What the sea never told. An MPRG H Tues-Sun 11.00 to 5.00. Visit website for public
Exhibition. See ad page 18. programs and events. To July 15 Edwin Tanner:
Mathematical Expressionist. Also, James Hullick:
THE ARBOUR and THE ORRERY.
112 Melbourne
Walker Street Gallery Whitehorse Artspace
& Arts Centre Box Hill Town Hall, 1022 Whitehorse Road, Box Hill
(map ref Melway 90 D8, E7) Cnr Walker and 3128. T (03) 9262-6250.
Robinson streets, Dandenong 3175. T (03) 9706- E artspace@whitehorse.vic.gov.au
8441. E walkerstgallery@cgd.vic.gov.au W www.whitehorseartspace.com.au H Tues-Fri 10.00
W www.walkerstgallery.com.au H Tues-Fri 11.00 to to 4.00, Sat 12.00 to 4.00. June 7 to July 28 Home
5.00, Sat 11.00 to 3.00, closed Sun, Mon and public Is Where The Heart Is by Dean Bowen. It is at home,
hols. Walker Street Gallery & Arts Centre is South and more particularly in his studio, that Bowen has
Eastern Melbourne’s premier art centre. To June 23 created an abundance of artworks that resonate with
Odile – 11 artists explore ideas implicit with good love. From small sculptures to gigantic paintings of
and evil, performance and identity while referencing houses and skyscrapers, Bowen demonstrates the
dance, puppetry and the spoken word – Zoë Croggon, importance of ‘home’ to our wellbeing.
Anne Ferran, Juan Ford, Tarryn Gill, Jenny Holzer,
Kyoko Imazu, Hung Lin, Polixeni Papapetrou, Kate
Rhode, Vanessa White and Gosia Wlodarczak. For
more information visit greaterdandenong.com/odile.
From June 28 Paper bark tales works on paper by
Wendy Grace.
Melbourne 113
Victoria
114
Merricks House Art Gallery
Mornington 3460 Frankston – Flinders Road, Merricks 3961.
T (03) 5989-8088. E admin@mgwinestore.com.au
Peninsula W www.mgwinestore.com.au H Daily 8.30 to 5.00.
Merricks House is located adjacent to Merricks
General Wine Store and showcases talent from both
Frankston Arts Centre the local Mornington Peninsula Region as well as
artists from across Australia. Meander through the
and Cube 37 Galleries garden from the café, bistro, cellar door or deck to
27-37 Davey Street, Frankston 3199. T (03) 9784- discover this hidden gem. June 16 to July 8 (opening
1896. W www.thefac.com.au Free Entry. H Tues-Fri Sat June 16, 3-5pm) LUMINIST paintings by Miodrag
9.00 to 5.00, Sat 9.00 to 2.00. Art After Dark Jankovic. The exhibition will be opened by Susan
every evening from dusk. To June 23 FAC Curved McCulloch. All welcome.
Wall Gallery: Jordan Richardson: Fractured. To
June 27 FAC Atrium Gallery: Yannick Bauer: North
to South Passage. Cube Gallery: Chisholm TAFE:
Little landscapes 9x5. From June 7 FAC Mezzanine:
Mangkaja Arts: Works on Paper.
Victoria 115
Southern Buoy Studios – Groundswell. Bass Coast Climate Awareness Art
Exhibition includes Visual, Literary and Performing
1/19 Carbine Way, Mornington 3931.
Arts. Readings and Performances: Sun May 27,
T (03) 5932 4054. E southernbuoystudios@gmail.com
1.30 4pm. June 19 to July 23 (opening Sun June
W southernbuoystudios.com.au H Mon Sat 10.00
24, 2 4pm) Winter Solstice Exhibition Senior and
to 4.00.
Junior sections.
Gippsland
South East
arc Yinnar Gallery
19 Main Street, Yinnar 3869. T (03) 5163 1310.
W www.arcyinnar.org.au H Tues Fri 12.00 to 4.00,
Sat 11.00 to 3.00. June 9 to 30 (opening Sat June
9, 2pm) an exhibition of works by emerging artist
Chris Miller.
ArtSpace Wonthaggi
1 Bent Street, Wonthaggi 3995. T (03) 5672 5767.
E artspacenquiries@gmail.com
W www.artspacewonthaggi.com.au H Daily 10.00 to
4.00. 2D and 3D contemporary and traditional art.
To June 18 Creative Gippsland – ClimArt Exhibition
116 Victoria
Latrobe Regional Gallery
138 Commercial Road, Morwell 3840. T (03) 5128-
5700 F 5128-5706. E lrg@latrobe.vic.gov.au
Geelong
W www.latroberegionalgallery.com H Mon-Fri 10.00
to 5.00, Sat-Sun 11.00 to 4.00. To June 24 Bonjour
Mamacita by Josh Robbins. To July 8 Moving
South West
Histories // Future Projections. Also, Arrangement.
To July 29 Writing in the rain: contemporary Asian
video art from the National Gallery of Victoria. Also,
Industry. June 30 to Aug 26 Paint County with
Great Ocean
County by Dennis Seymour.
Road
Bijou Gallery Petschel House
Petschel House, 107 Petschels Lane, Hamilton 3300.
T 0417-585-102. E jm@jennimitchell.com.au
W www.ElthamSouthFineArt.com.au H Thurs-Sun,
or by appt. Fine Art Gallery, Painting Classes and
Workshops, Framing.
SCOPE Galleries
38 Kelp Street, Warrnambool 3280.
T (03) 5561-4758, 0410-464-330 F 5561-5692.
E mail@scopegalleries.com W www.scopegalleries.com
Director: Liza McCosh. H Sat-Sun 1.00 to 4.00, or by
appt. Through June paintings by Liza McCosh from
the ‘Liminal’ and ‘Aqueous’ series.
Victoria 117
Warrnambool Art Gallery Arts Academy,
26 Liebig Street, Warrnambool 3280. T (03) 5559- ϐ
4949. E gallery@warrnambool.vic.gov.au Federation University Australia, cnr Sturt and Lydiard
W www.thewag.com.au Director: Vanessa Gerrans. streets, Ballarat 3350; PO Box 663, Ballarat 3353.
H Mon-Fri 10.00 to 5.00, Sat-Sun and public hols T (03) 5327-8615. E s.hinton@federation.edu.au
10.00 to 3.00. To June 11, 6600+ by Sam Leach. W federation.edu.au/pogallery Curator: Shelley
Also, A Warm Body to Hold by Jake Preval. To July Hinton. H Wed-Sat 12.00 to 5.00. To June 23
22 Cornucopia – WAG Permanent Collection. Curated Marianne Coutts: DRESS CODE: the first five years.
by Murray Bowes. June 12 to 17 Artist in Residence:
Mona Ruijs of Sound Interventions – Mona Ruijs.
Wishart Gallery
19 Sackville Street, Port Fairy 3284.
T (03) 5568-2423. E hello@wishartgallery.com.au
W www.wishartgallery.com.au Art, Antiques,
Pizza, Bar, Wine and Beer Garden. Through June
Topographical exhibition featuring Greg Mallyon,
Carmel Wallace and Dean Bowen.
Central
Victoria
Ararat Regional Art Gallery
Town Hall, Vincent Street, Ararat 3377.
T (03) 5352-2836. E gallery@ararat.vic.gov.au
Currently closed for redevelopment, reopening mid
2018. For outreach program information visit
www.facebook.com/araratgallery
118 Victoria
Castlemaine Art Museum
14 Lyttleton Street (PO Box 248), Castlemaine 3450.
T (03) 5472-2292. E info@castlemainegallery.com
North
W www.castlemainegallery.com
H Thurs-Sun 12.00 to 5.00.
North East &
ϐ
Old Fire Station, Neil Street, Maryborough 3465.
T (03) 5460-4588. E cgsc.art@cgoldshire.vic.gov.au
North West
W www.visitmaryborough.com.au H Thurs-Sun
10.00 to 4.00. Central Goldfields Art Gallery is Art at Linden Gate
a cultural facility of the Central Goldfields Shire W www.artatlindengategallery.com.au
Council. To June 17 Under the Sky. To June 23 Wal For exhibition details see Melbourne section.
Richards: Wedding Photographer.
Victoria 119
Shepparton Art Museum (SAM) Wangaratta Art Gallery
(map ref Vic Roads map 273 L8 or 32 H8) 70 56 Ovens Street, Wangaratta 3677. T (03) 5722-
Welsford Street, Shepparton 3630. T (03) 5832- 0865. E gallery@wangaratta.vic.gov.au
9861. E art.museum@shepparton.vic.gov.au W www.wangarattaartgallery.com.au Free entry.
W sheppartonartmuseum.com.au Director: Dr H Tues-Sun 10.00 to 4.00, closed Mon. Office hours
Rebecca Coates. Free entry. H Daily 10.00 to 4.00, Mon-Fri 9.00 to 5.00, closed public hols and for
public hols 1.00 to 4.00. Closed Christmas Day, New exhibition installations. Wangaratta Art Gallery is a
Year’s Day and Good Friday. Join SAM on Facebook, Cultural Service of the Rural City of Wangaratta. To
Twitter and Instagram! To Aug 1 Drawing Wall #31: July 8 Gallery 2: Beard and Influence by Clayton
David Harley. To Aug 8 Showcase #18: Alterfact. Tremlett. To July 12 WPAC Foyer Gallery: Should We
To Aug 12 I hope you get this: Raquel Ormella Say Something? by Marise Maas. June 2 to Aug 19
(see ad back cover). Gallery 1: Petite Miniature Textiles.
West
Gippsland
Bradley Hall Antiques
& Art Gallery
Australian Studio of Gary Miles
12 Old Telegraph Road West, Drouin West 3818.
T (03) 5626-8355, 0407-443-606.
E milesartstudios@dcsi.net.au
W www.garymilesart.com.au H Sat-Sun and public
hols 11.00 to 5.00 or by appt. Artist: Gary Miles.
Gallery viewing of available paintings of past series.
Raquel Ormella, All these small intensities (detail), 2017, silk and
cotton embroidery thread on linen, 13 x 8cm
Photograph: David Patterson
© the artist
Courtesy the artist, Milani Gallery, Brisbane and Shepparton Art
Museum
120 Victoria
Sydney
122
Korean Cultural Centre
CBD Australia Gallery
Ground Floor, 255 Elizabeth Street, Sydney 2000.
Sydney 123
S.H. Ervin Gallery
National Trust of Australia (NSW), Watson Road,
Observatory Hill, The Rocks 2000. T (02) 9258-
Chippendale
0173. E shervingallery@nationaltrust.com.au
W www.shervingallery.com.au H Tues-Sun 11.00 to
5.00. To July 29 Salon des Refusés: The ‘alternative’
Central
Archibald & Wynne Prize selection. The Salon
des Refusés was initiated by the S.H. Ervin Gallery The Commercial
in 1992 in response to the large number of works
148 Abercrombie Street, Redfern 2016.
entered into the Archibald Prize which were not
T (02) 8096-3292. E office@thecommercialgallery.com
selected for display in the official exhibition. Each
W www.thecommercialgallery.com Director: Amanda
year our panel is invited to go behind the scenes of
Rowell. H Wed-Sat 11.00 to 6.00. Please visit our
the judging process for the annual Archibald Prize for
website for current exhibition information.
portraiture and Wynne Prize for landscape painting
and figure sculpture to select an exhibition from the
hundreds of works entered in both prizes but not 4A Centre for Contemporary
chosen for the official award exhibition. The criteria Asian Art
for works selected in the ‘Salon’ are quality, diversity, 181-187 Hay Street, Haymarket, Sydney 2000.
humour and innovation. Visitors can vote in the T (02) 9212-0380. W www.4a.com.au Free entry.
Holding Redlich People’s Choice Award. H Tues-Sun from 11.00.
Performance Space
Carriageworks, Level 2, 245 Wilson Street, Eveleigh
2042. T (02) 8571-9111.
E admin@performancespace.com.au
W www.performancespace.com.au Presenting a
program for experimental art practice. Visit website
for more info.
Sheffer Gallery
38 Lander Street, Darlington 2008.
T (02) 9310-5683. E mail@sheffergallery.com
W www.sheffergallery.com H Wed-Sat 11.00 to 6.00.
June 6 to 16 Nicholas Osmond, Vanessa Stockard,
Jordan Richardson, Claire Johnson, Alison Mackay,
Guy Morgan, Matthew Kentmann, Christina Zimpel
and Stacey Rees. June 20 to 30 Bernadette Trela.
UTS Gallery
University of Technology Sydney, Level 4,
702 Harris Street, Ultimo 2007. T (02) 9514-1652.
E utsgallery@uts.edu.au W art.uts.edu.au
Senior Curator: Tania Creighton. H Mon-Fri 12.00
to 6.00, Sat 12.00 to 4.00. To June 22 Clanger by
Andrew Sullivan, Omar Abidin (musician/social worker), oil on Baden Pailthorpe.
board, 97 x 37cm
Courtesy the artist and S.H. Ervin Gallery
Verge Gallery
Vermilion Contemporary Jane Foss Russell Plaza, (off City Road), Darlington,
University of Sydney 2006. T (02) 9563-6218.
Chinese Art E vergegallery@usu.edu.au W verge-gallery.net
5/16 Hickson Road, Walsh Bay 2000. H Tue-Fri 10.00 to 5.00, Sat 11.00 to 4.00. To June
T (02) 9241-3323. E info@vermilionart.com.au 30 Gallery 1: Parting Words by Elena Papanikolakis.
W www.vermilionart.com.au H Tues-Sat 11.00 to 7.00. Gallery 2: Model Home by Christine Ko.
124 Sydney
White Rabbit Gallery Artspace
30 Balfour Street (near Central Station), Chippendale 43-51 Cowper Wharf Road, Woolloomooloo 2011.
2008. T (02) 8399-2867. T (02) 9356-0555. E artspace@artspace.org.au
W www.whiterabbitcollection.org H Wed-Sun 10.00 W www.artspace.org.au H Mon-Fri 11.00 to 5.00,
to 5.00. Through June The Sleeper Awakes, in which Sat-Sun 11.00 to 6.00. Visit website for exhibition
contemporary artists explore the relationship between program.
the individual and the state and the influence of the
Maoist past on today’s China. Featuring works by Australian Centre
Sun Xun, Xu Bing, Feng Mengbo, Wang Ningde and
Liu Xiaodong. for Photography
Project Space Gallery
72 Oxford Street, Darlinghurst 2010. T (02) 9332-
126 Sydney
7LPRWK\&RRNJaparra, Wai-ai, Jinani and PurukapaliSDQHOV²QDWXUDORFKUHVDQGFKDUFRDORQFDQYDV[FP
Timothy Cook
Yingarti Japara: (All the Moons)
1/24 Wellington Street, Waterloo NSW 2017
telephone 612 9699 2211 Tues-Sat 11.00-5.00
email info@aboriginalpacificart.com.au
²-XQH
web www.aboriginalpacificart.com.au
info@paddingtonartprize.com.au www.paddingtonartprize.com.au
Sydney 127
Gallery 9 NAS Gallery
9 Darley Street, Darlinghurst 2010. Forbes Street, Darlinghurst 2010. T (02) 9339-8686.
T (02) 9380-9909. E info@gallery9.com.au E nasgallery@nas.edu.au W www.nas.edu.au/place/
W www.gallery9.com.au Director: Allan Cooley. gallery Free entry. H Mon-Sat 11.00 to 5.00.
Manager: Octavia Knox. H Wed-Sat 11.00 to 6.00,
Sun-Tue by appt. To June 9 Naomi Eller. June 13 to National Association
July 7 (opening Wed June 13, 6-8pm) David Ralph,
and Mark Titmarsh (see ad page 7). for the Visual Arts (NAVA)
T (02) 9368-1900. E nava@visualarts.net.au
W www.nava.net.au NAVA is the peak body
representing and advancing the professional interests
of the Australian visual arts, craft and design sector.
STACKS Projects
191 Victoria Street, Potts Point 2011.
E stacksprojectsinc@gmail.com
W www.stacksprojects.com Directors: Chloe Gunn,
Zachary Harold, Annelies Jahn, Jane Lush and
Joanne Makas. H Thurs-Sat 11.00 to 6.00, Sun
11.00 to 4.00. To June 10 Site Gesture by Meg
Driver. June 11 to 17 Project Space: Web of Time by
David Ralph, Strange Stairs, 2014, oil on canvas
Courtesy the artist and Gallery 9 Jeffrey Wood and Lisa Sharp – an experimental and
collaborative work, an attempted synthesis of different
ways of looking and thinking about time. June 21
King Street Gallery on William to July 8 (opening Wed June 20, 6-8pm) RELIC by
177 William Street, Darlinghurst 2010. Deborah Burdett and Annelies Jahn – a body of work
T (02) 9360-9727. E art@kingstreetgallery.com constructed from objects saved from destruction and
W www.kingstreetgallery.com.au H Tues-Sat 10.00 to given new lives, new uses. RELIC will bring together
6.00. To June 16 John Bokor and James Jones. the rural and urban discarded, to create a new place
June 19 to July 14 Andrew Christofides. and dialogue of materiality and relationship.
128 Sydney
Stanley Street Gallery
1/52-54 Stanley Street, Darlinghurst 2010.
T (02) 9368-1142. E mail@stanleystreetgallery.com.au
Redfern
W www.stanleystreetgallery.com.au Directors: Merilyn
Bailey and Liza Feeney. H Wed-Sat 11.00 to 6.00.
To June 16 The River new work by David Collins.
Surry Hills
June 20 to July 14 Virtual Relics by Tor Larsen.
Green Square
Ƭ
ϐ
1/24 Wellington Street, Waterloo 2017.
T (02) 9699-2211. E info@aboriginalpacificart.com.au
W www.aboriginalpacificart.com.au Director: Gabriella
Roy (member of ACGA). H Tues-Sat 11.00 to 5.00.
June 7 to 30 Yongarti Japara: (All the Moons) by
Timothy Cook. In association with Jilamara Arts,
Melville Island, NT. See ad page 127.
Artbank, Sydney
222 Young Street, Waterloo 2011. T (02) 9697-6000.
E enquiries@artbank.gov.au W www.artbank.gov.au
H Mon-Fri 9.00 to 5.00.
David Collins, Light Pool, 2018, oil on canvas, 71 x 75cm Brett Whiteley Studio
Courtesy the artist and Stanley Street Gallery
2 Raper Street, Surry Hills 2010. T (02) 9225-1881.
E brettwhiteleystudio@ag.nsw.gov.au
TAP Art Gallery W www.brettwhiteley.org Free admission made
T 0400-610-440. E info@tapgallery.org.au possible by J.P. Morgan. H The Studio is open to
W www.tapgallery.org.au H Daily 12.00 to 6.00. the public Fri-Sun 10.00 to 4.00. The Brett
Please see website for exhibition details. Whiteley Studio is managed by the Art Gallery of
New South Wales.
UNSW Galleries
UNSW Art & Design, Oxford Street (cnr of Greens Flinders Street Gallery
Road), Paddington 2021. T (02) 8936-0888. 61 Flinders Street, Surry Hills 2010.
E unswgalleries@unsw.edu.au T (02) 9380-5663. E info@flindersstreetgallery.com
W www.artdesign.unsw.edu.au/unsw-galleries W www.flindersstreetgallery.com H Wed-Sat 11.00 to
H Tues-Sat 10.00 to 5.00. To July 14 Khalas! – an 6.00, or by appt.
exploration of the contemporary Australian Muslim
experience in work by 15 Muslim artists. Also,
Christian Thompson: Ritual Intimacy – a survey
exhibition of this leading Indigenous Australian artist,
presented in association with Monash University
Museum of Art (MUMA).
Watters Gallery
109 Riley Street, East Sydney 2010.
T (02) 9331-2556. E info@wattersgallery.com
W www.wattersgallery.com H Tues and Sat 10.00
to 5.00, Wed-Fri 10.00 to 7.00. To June 9 Building
Babel paintings and drawings by Ken Searle.
June 12 to 30 Leo Loomans sculpture, and Peter
Poulet paintings.
Sydney 129
MAY SPACE
2016 winner Mark
k Titmarsh 409b George Street, Waterloo 2017.
T (02) 9318-1122. E info@mayspace.com.au
W www.mayspace.com.au H Tues-Sat 10.00 to
5.00. June 6 to 23 Matt Chun. Also, MUGGED!
and Alex Karaconji. From June 27 Janet Tavener,
and Daniel O’Toole.
art award
Soho Waterloo
Grace Cossington Smith Waterloo Design Centre, 105/197 Young Street,
Waterloo 2017. T (02) 9326-9066 F 9358-2939.
art award 2018 E art@sohogalleries.net W www.sohogalleries.net
H Daily trading, closed public holidays. June 1 to 30
Mezzanine Level: Peter Griffen contemporary abstract
CALL FOR ENTRIES paintings, and contemporary sculpture by Donal Molly
Drum. Also, Showroom Group Exhibition – paintings
Closes 31 August 2018 and sculpture. ArtPark sculpture – exhibiting at
D’Arenberg Cube and Winery, McLaren Vale SA.
Biennial award for
f r two dimensional artworks ArtPark Sydney at Hunters Hill venues and Hunter
inspired by the theme Making Connections. Valley Dalwood Estate. Visit www.artpark.com.au
130 Sydney
Stella Downer Fine Art
1/24 Wellington Street, Waterloo 2017.
T 0402-018-283. E info@stelladownerfineart.com.au
Inner West
W www.stelladownerfineart.com.au H Tues-Fri
10.00 to 5.00, Sat 11.00 to 5.00. June 12 to July 7
(opening Sat June 16, 3-5pm) Deirdre Bean, Tanya
Marrickville
Chaitow, Rod Holdaway and Di Holdsworth.
Balmain
AIRspace Projects
10 Junction Street, Marrickville 2204.
T 0438-020-661. E sally@airspaceprojects.com
W www.airspaceprojects.com Directors: Sally Clarke
and Brenda Factor. H Thurs-Fri 11.00 to 6.00, Sat
11.00 to 5.00 first three weeks each month. June
1 to 16 Gallery One: DRAG OBJECTS! by Yiorgos
Zafiriou. Gallery Two: Möbius Dick – Caoife Power,
Nikolaus Dolman and Jackson Falrey, curated by
Alanna Irwin. The Cranny: Fashist: Winter wardrobe
and accessories 2018 by Sarah Newall. Deep Space:
Lavender Hill by Lily Golightly. AIRSEUM: Human/
Nature, curated by Catherine Polcz.
Annandale Galleries
110 Trafalgar Street, Annandale 2038. T (02) 9552-
1699. E info@annandalegalleries.com.au
W www.annandalegalleries.com.au Directors: Bill
Gregory and Anne Gregory (members of ACGA).
H Tues-Sat 11.00 to 5.00. To June 16 Koralle new
paintings by Tanya Stubbles.
Artereal Gallery
747 Darling Street, Rozelle 2039. T (02) 9818-7473.
Di Holdsworth, Fly Me to the Moon, 2018, music box assemblage,
13 x 12 x 9cm E info@artereal.com.au W www.artereal.com.au
Courtesy the artist and Stella Downer Fine Art Director: Luisa Catanzaro. H Wed-Sat 11.00 to 5.00.
June 6 to 30 PAINT18 – a group exhibition featuring
Terrence Combos, Sam Holt, Ryan McGennisken and
Sullivan+Strumpf Laura Skerlj.
799 Elizabeth Street, Zetland 2017.
T (02) 9698-4696. E art@sullivanstrumpf.com
W www.sullivanstrumpf.com Directors: Ursula Sullivan Articulate project space
and Joanna Strumpf. H Tues-Sat 10.00 to 5.00, or by 497 Parramatta Road (opposite Cass Bros),
appt. June 7 to 23 (opening Thurs June 7, 6-8pm) Leichhardt 2040. W articulate497.blogspot.com.au
imayimightimust by Glenn Barkley (see ad page 3). articulateupstairs.blogspot.com.au. H Fri-Sun 11.00
June 30 to July 28 (opening Sat June 30, 3-5pm) to 5.00 (or as listed). June 2 to 17 (opening Fri June
Michael Lindeman, and Darren Sylvester. 1, 6-8pm) Changing Place: Hangover by Joe Wilson
and Chanelle Collier. Supported by Grant from Inner
West Council. June 19 to 24 PLATFORM 2018 –
Utopia Art Sydney DeQuincy Co – a collection of short performances,
72 Henderson Rd, Alexandria 2015. installations, artworks and extraordinary music.
T (02) 9699-2900. E art@utopiaartsydney.com.au dequinceyco.net. June 30 to July 18 (opening Sat
W www.utopiaartsydney.com.au Director: Christopher June 30, 3-5pm) PUSH – Genevieve Carroll, Steven
Hodges. H Tue-Sat 10.00 to 5.00. June 2 to 23 Cavanagh, Parris Dewhurst and Bill Moseley.
(opening Sat June 2, 3-5pm) David Aspden: Journey ARTICULATEUPSTAIRS: June 2 to 17 (opening Fri
To The Field. David Aspden’s solo exhibition Journey June 1, 6-8pm) Annelise Jahn and Oliver. June 30 to
To The Field will include a number of the Aspden’s July 8 (opening Sat June 30, 3-5pm) Molly Wagner.
paintings from the 1960s which were influenced
by colour field and hard edge painting that emerged
in the mid 20th century. Coinciding with this solo
exhibition Aspden is exhibiting in The Field Revisited
at the National Gallery of Victoria.
Sydney 131
Artsite Galleries Delmar Gallery
165 Salisbury Road, Camperdown 2050. 144 Victoria Street, Ashfield 2131. T (02) 9581-
T (02) 8095-9678. E enquiries@artsite.com.au 6070. E delmargallery@trinity.nsw.edu.au
W www.artsite.com.au H Wed-Sun 11.00 to 5.00. W trinity.nsw.edu.au/delmar-gallery Free entry.
June 2 to 24 David Asher Brook. What’s on H Wed-Sun 12.00 to 5.00. From June 24 (opening
www.artsite.com.au/whats-on-now-calendar.php. Sat June 23, 3-5pm) RAW Wedderburn paintings
by Suzanne Archer, Elisabeth Cummings, Robert
Boomalli Aboriginal Artists Hirschmann, Roy Jackson, Ildiko Kovacs and John
Peart. The exhibition explores the artists’ shared
Co-operative interest in raw, primal mark-making combined with
55-59 Flood Street, Leichhardt 2040. an intuitive and experimental approach to painting,
T (02) 9560-2541. E boomalliartgallery@gmail.com developed in their bush studios in Wedderburn
W www.boomalli.com.au outside Sydney. Guest curator Sioux Garside.
www.facebook.com/boomalligallery,
www.instagram.com/boomalliartgallery.
H Wed-Sun 11.00 to 4.00. June 6 to July 15 Born
Factory 49
Into Existence: Women’s Exhibition – celebrates 49 Shepherd Street, Marrickville 2204.
everything about Aboriginal Women. Through T (02) 9572-9863. E factory49@optusnet.com.au
continuing to build our bloodlines and traditional W factory49.blogspot.com H Thurs-Sat 1.00 to 6.00.
knowledge of cultural understanding, Born Into To June 2 The Field Revisited in Sydney.
Existence pays tribute to the strength of Aboriginal June 7 to 16 Angus Callander.
Women in Australia. June 21 to 30 Annual group Show.
ϐ
47 Enmore Road, Newtown 2042.
T (02) 9557-8483. E lauren@defiancegallery.com
W www.defiancegallery.com Directors: Campbell
Robertson-Swann and Lauren Harvey. H Wed-Sat
11.00 to 5.00. To June 21 Abstract Landscape –
Peter Godwin, Joe Furlonger, Ann Thomson, Roy Ochre Lawson, Beyond the sea wall, oil on poly canvas, 90 x 90cm
Jackson, Peter Powditch, Tim Allen, Charmaine Pike, Photograph: Felicity Jenkins
Dan Kyle, Ross Laurie, Elisabeth Cummings and © ochrelawsonart 2018
Peter Stevens. June 27 to July 26 Jan King. Courtesy the artist
132 Sydney
the three brothers
9 j u n e - 1 j u l y
134 Sydney
Sydney 135
Grace Cossington Smith Gallery Harvey Galleries
Gate 7, 1666 Pacific Highway, Wahroonga 2076. Seaforth
T (02) 9473-7878. W www.gcsgallery.com.au 515 Sydney Road, Seaforth 2092. T (02) 9907-0595,
facebook.com/gcsgallery Free entry. H Mon-Fri 0408-359-199. F 9907-0657.
10.00 to 5.00, Sat 9.00 to 4.00. May 30 to June E service@harveygalleries.com.au
30 ANZAC Illustrated – an exhibition honouring the W www.harveygalleries.com.au H Wed-Sat 11.00
Anzac centenary, from Books Illustrated in Melbourne, to 6.00, Sun 12.00 to 5.00. Curated monthly
presenting a range of Australian picture books exhibitions, see website.
capturing the theme of war and the ANZAC spirit.
Artworks by: Michael Camilleri, Belinda Elliott, Greg
Holfeld, Frane Lessac, Andrew McLean, Andrew Headland Artists and
Plant, Brian Simmonds, Craig Smith, Owen Swan, Sculpture Park
Shaun Tan, Jane Tanner, Annie White and Mark Read Place, Headland Park at Georges Heights
Wilson. The exhibition accompanies the Abbotsleigh entrance off Middle Head Road (opposite Cobittee
Literary Festival, June 5 to 7. Street), Mosman 2088. T 0409-653-222.
E info@headlandartists.com
W www.headlandartists.com In beautiful Headland
Park 20+ artists working and selling from their
studios, three art schools, art restoration and
Frenchy’s Cafe.
Harvey Galleries
Mosman
842 Military Road, Mosman 2088. T (02) 9968-2153.
E mosman@harveygalleries.com.au
W www.harveygalleries.com.au H Tues-Sat 11.00 Eubena Nampitjin, Untitled, 1995, acrylic on canvas, 80 x 120cm
to 6.00, Sun 12.00 to 5.00. Select key works from © the artist, licenced by Viscopy, 2017
important artists. June 8 to 17 Terrain by Christopher Courtesy Manly Art Gallery & Museum
Lees. See ad page 125.
136 Sydney
Platform 72 Art Gallery
62 Atchison Street, St Leonards 2065.
T (02) 8003-7247. E central@platform72.com.au
W www.twtstleonards.com.au/platform72 H Fri-Sat
12.00 to 4.00, or by appt. Specialising in connecting
home owners to the joy of living with art.
PROJECT [504]
657 Pacific Highway, St Leonards 2065.
T 0450-468-387. E hello@project504.com.au
W www.project504.com.au H Mon-Fri 12.00 to 4.30.
Paddington
Woollahra
Khaled Sabsabi, Organised confusion (still), 2014, 8 channel HD
Annette Larkin Fine Art
video installation, audio, wax dye on hand-made wood mask Suite 4, 8 Soudan Lane, Paddington 2021.
Photograph: Zan Wimberley, courtesy of Carriageworks, Sydney T (02) 9332-4614. E annette@annettelarkin.com
Courtesy the artist, Milani Gallery, Brisbane and Mosman Art Gallery W www.annettelarkin.com Director: Annette Larkin.
H Wed-Fri 11.00 to 5.00, Sat 12.00 to 5.00, or by
Mu Studio Gallery appt. Deals in post-war and contemporary art and
Headland Park Artist Precinct, 8 Read Place (cnr provides tailored advice in all aspects of purchasing,
Middle Head Road), Mosman 2088. valuing and collection management.
T (02) 9960-1777. E mulan@studiomu.com.au
W www.studiomu.com.au H Tues-Sat 10.00 to 4.00. Art Atrium
June 2 to 23 Mutabilis – Zoe Slee, Sue Hewat, Linda 181 Old South Head Road, Bondi Junction 2022.
Davey, Fran Romano and Anne Masters. T 0411-138-308. E info@artatrium.com.au
W www.artatrium.com.au Director: Simon Chan.
H Wed-Fri 12.00 to 6.00, Sat 12.00 to 4.00, or by
appt. To June 9 Lockhart River Art – Patrick Butcher,
Samantha Hobson, Silas Hobson, Irene Namok,
Rosella Namok, Fiona Omeenyo and
Josiah Omeenyo.
Sydney 137
Australian Galleries
15 Roylston Street, Paddington 2021.
T (02) 9360-5177 F 9360-2361.
E sydney@australiangalleries.com.au
W www.australiangalleries.com.au Director: Stuart
Purves AM. H Daily 10.00 to 6.00. To June 3 Living
the dream by Bob Marchant. June 14 to July 1
Landscape lines by Belynda Henry. Also, War and
Peace: paintings and drawings from St Albans and
Western front by Michelle Hiscock.
BAROMETER Gallery
13 Gurner Street, Paddington 2021.
T (02) 9358-4968. E look@barometer.net.au
W www.barometer.net.au H Wed-Sat 12.00 to 5.00.
To June 16 The Square textiles by Barbara Rogers.
Blender Gallery
16 Elizabeth Street, Paddington 2021.
T (02) 9380-7080. E info@blendergallery.com.au
W blender.com.au www.facebook.com/BlenderGallery
H Wed-Sat 11.00 to 5.00, Tues by appt.
Tony Irving, Yellow Gesture, oil on canvas, 76 x 62cm
Courtesy the artist and Fellia Melas Gallery
Cement Fondu
36 Gosbell Street, Paddington 2021.
T (02) 9331-7775. E hello@cementfondu.org Fox Jensen Gallery
W www.cementfondu.org H Thurs-Sun 11.00 to Cnr Hampden Street & Cecil Lane23a Roylston Street,
5.00. To July 8 Sense: Emily Parsons-Lord X Laure Paddington 2021. T (02) 8084-4298.
Prouvost – a sensory invitation to experience Turner E gallery@jensengallery.com.au
Prize Winner Laure Prouvost’s video work in tandem W www.jensengallery.com H Wed-Sat 12.00 to 5.00.
with newly commissioned installation and live work
by Sydney-based artist Emily Parsons-Lord. Prouvost Janet Clayton Gallery
and Parsons-Lord create a playful and seductive 406 Oxford Street, Paddington 2021. T (02) 8540-
pairing where they intersect human sensuality, 5066. E info@janetclaytongallery.com.au
technology and nature. In different ways they bring W www.janetclaytongallery.com.au H Wed-Fri 10.30
viewers into an experience of their bodies, highlighting to 4.30, Sat 10.00 to 6.00, Sun 11.00 to 4.00.
how we perceive and understand through our senses. June 2 to 24 CONTINUUM 6: hum with me the
Project Space: to June 10 Tully Arnot. lullaby of stone by Heather Ellyard. Upstairs:
Equilibrium 2 by Hanna Kay. These are the final
ϐ
exhibitions for Janet Clayton Gallery. We wish to thank
12 Mary Place, Paddington 2021. T (02) 9557-8483. all our friends and patrons for their support
W www.defiancegallery.com Directors: Campbell over the years.
Robertson-Swann & Lauren Harvey. H Wed-Sun
11.00 to 5.00. To June 23 Abstract Landscape – Martin Browne Contemporary
Tony Tuckson, Peter Godwin, David Aspden, 15 Hampden Street, Paddington 2021.
Joe Furlonger, John Peart, Ann Thomson, Roy T (02) 9331-7997.
Jackson, Peter Powditch, Ross Laurie and E info@martinbrownecontemporary.com
Elisabeth Cummings. W www.martinbrownecontemporary.com
Director: Martin Browne (member of ACGA). H Tues-
Fellia Melas Gallery Sun 10.30 to 6.00. May 31 to June 24 Reflective by
2 Moncur Street, Woollahra 2025. Tim Maguire. June 28 to July 22 Group Show.
T (02) 9363-5616. E art@fmelasgallery.com.au
W www.fmelasgallery.com.au H Open daily. Through Maunsell Wickes Gallery
June Modern Art – Tim Storrier, Donald Friend, 19 Glenmore Road, Paddington 2021. T (02) 9331-
Robert Dickerson, Cressida Campbell, Ray Crooke, 4676 F 9380-8485. E mw_art@bigpond.net.au
John Coburn, James Gleeson, Sydney Nolan, Garry W www.maunsellwickes.com H Tues-Sat 11.00
Shead, Gria Shead, Euan Macleod, Brett Whiteley, to 5.30, Sun 12.00 to 5.00. June 1 to 15 Gerard
Ross Harvey, Tony Irving, Marco Luccio, Margaret Manion. June 16 to 30 Linton Meagher.
Woodward, David Hart, Sally Paxton, Sally West and
many others.
138 Sydney
Olsen Gallery Saint Cloche
63 Jersey Road, Woollahra 2025. T (02) 9327-3922. 37 MacDonald Street, Paddington 2021.
E info@olsengallery.com W www.olsengallery.com E info@saintcloche.com W www.saintcloche.com
H Tues-Fri 10.00 to 6.00, Sat 10.00 to 5.00, Sun Director: Kitty Wong. H Wed-Sat 10.00 to 5.00, Sun
11.00 to 5.00. May 30 to June 24 John Young. 11.00 to 4.00, Mon-Tues by appt. Visit website for
June 20 to July 15 Jens Einhorn. June 27 to July 15 exhibition program.
Julia Colavita. Olsen Annexe: at 74 Queen Street,
Woollahra 2025. T (02) 9327-3922. H Tues-Sun Thienny Lee Gallery
11.00 to 5.00.
176 New South Head Road (opp Edgecliff Train
Station), Edgecliff 2027. T (02) 8057-1769.
Roslyn Oxley9 Gallery E thienny@thiennyleegallery.com
8 Soudan Lane (off Hampden Street), Paddington W www.thiennyleegallery.com H Tues-Fri 10.00 to
2021. T (02) 9331-1919. 4.00, Sat 11.00 to 4.00. To June 5 Beyond Skin by
E oxley9@roslynoxley9.com.au Tony Belobrajdic. June 7 to 26 Pelagic Journey by
W www.roslynoxley9.com.au Director: Roslyn Oxley Kim Smith.
(member of ACGA). H Tues-Fri 10.00 to 6.00, Sat
11.00 to 6.00. To June 2 Peripheral Vision by
Jenny Watson. Also, Architects! Terracotta! by Linda
Marrinon. June 7 to 30 (opening Thurs June 7,
6-8pm) Hany Armanious. Also, Julie Rrap.
Sabbia Gallery
120 Glenmore Road, Paddington 2021.
T (02) 9361-6448. E gallery@sabbiagallery.com
W www.sabbiagallery.com Directors: Anna Grigson
and Maria Grimaldi. H Tues-Fri 11.00 to 6.00, Sat
11.00 to 4.00. To June 16 Vignette new works in
glass by Lisa Cahill. June 27 to July 21 Iconoplastic
new works in ceramics by Simone Fraser.
Kim Smith, Sage of the Sea, mixed media on canvas, 130 x 90cm
Courtesy the artist and Thienny Lee Gallery
Wagner Contemporary
2 Hampden Street, Paddington 2021.
T (02) 9360-6069, 0419-251-013.
E nadinewagner@wagnercontemporary.com.au
W www.wagnercontemporary.com.au H Tues-Sun
10.30 to 6.00, Mon by appt. To June 12 Highland
by Min-Woo Bang.
140 Sydney
Casula Powerhouse Arts Centre
Greater A cultural facility of
Liverpool City Council
Sydney 1 Powerhouse Road, Casula 2170 (access via
Shepherd Street, Liverpool). T (02) 9824-1121.
E reception@casulapowerhouse.com
Blacktown Arts Centre W www.casulapowerhouse.com Free entry. Ample
78 Flushcombe Road, Blacktown 2148. T (02) 9839- parking available or alight at Casula Train Station.
6558. E artscentre@blacktown.nsw.gov.au H Mon-Fri 9.00 to 5.00, Sat-Sun 9.00 to 4.30,
W www.blacktownaustralia.com.au/3057/blacktown- closed public hols. To July 1 The 65th Blake Prize.
arts-centre H Tues-Sat 10.00 to 5.00, closed See ad page 141.
public hols.
Hazelhurst Regional Gallery
Bundeena Maianbar Art Trail & Arts Centre
Royal National Park 782 Kingsway, Gymea 2227. T (02) 8536-5700
W www.arttrail.com.au H 10.00 to 4.00 – 1st Sun F 8536-5750. E hazelhurst@ssc.nsw.gov.au
every month. Open Studios. The Bundeena Maianbar W www.hazelhurst.com.au Free admission.
Art Trail are a collective of over 20 artists who open H Daily 10.00 to 5.00, closed Christmas Day, Boxing
their studios to the public. Day, New Year’s Day and Good Friday. To June 11
Vanishing Point – five artists explore the island as a
Campbelltown Arts Centre concept where opposing ideas meet. Artists featured:
1 Art Gallery Road, Campbelltown 2560. Consuelo Cavaniglia, Ellen Dahl, Yvette Hamilton,
T (02) 4645-4100. Taloi Havini and Salote Tawale. June 23 to Aug
E artscentre@campbelltown.nsw.gov.au 19 Marion Hall Best: Interiors – a major survey
W www.c-a-c.com.au Free entry. H Daily 10.00 to exhibition that colourfully charts the work of Marion
4.00. June 17 to July 29 Looking In: A Survey of Hall Best, one of Australia’s first and most influential
David Hawkes from 1989 to Now – an intimate look independent interior designers.
into Hawkes’ life and eminent career over the past
three decades.
142 Sydney
Macquarie University Margot Hardy Gallery
Art Gallery Western Sydney University
Building E11A, Eastern Road, North Ryde 2109. (Bankstown)
T (02) 9850-7437. E rhonda.davis@mq.edu.au Foyer, Building 23, Bankstown Campus, Bullecourt
W www.artgallery.mq.edu.au Senior Curator: Rhonda Avenue, Milperra 2214. T (02) 4620-3450.
Davis. H Tues-Fri 10.00 to 5.00. W virtualtours.westernsydney.edu.au/home H Mon-Fri
9.00 to 5.00. Parking $7 per day. June 7 to 27
Margaret Whitlam Galleries, Rohingya: Refugee Crisis in Colour – an exhibition by
Female Orphan School photographer Ali MC.
Western Sydney University
(Parramatta) Parramatta Artists Studios
Level 1 & 2, 68 Macquarie Street, Parramatta 2150.
First Level, West Wing, EZ Building, Parramatta T (02) 9687-6090.
Campus, cnr of James Ruse Drive and Victoria Road, E studios@cityofparramatta.nsw.gov.au
Rydalmere 2116. T (02) 9685-9210. W www.parramattastudios.com.au H Open during
W virtualtours.westernsydney.edu.au/home events and by appt.
H Thurs-Fri 10.00 to 4.00. Parking $9 per day.
To July 27 Blaze: Working Women, Public Leaders
– an exhibition exploring the stories of a selection of
NSW women who were leaders and trailblazers in
the public work sector. Curated and produced by
State Archives and Records NSW, presented by
Whitlam Institute.
Sydney 143
Peacock Gallery and Penrith Regional Gallery
Auburn Arts Studio & The Lewers Bequest
Auburn Botanic Gardens, cnr Chisholm and Chiswick 86 River Road, Emu Plains 2750. T (02) 4735-1100.
streets, Auburn 2144. T (02) 8745-9794. W www.penrithregionalgallery.org Free entry.
E peacockgallery@cumberland.nsw.gov.au H Daily 9.00 to 5.00. Visit website for exhibitions.
W cumberland.nsw.gov.au/arts H Tues-Sun 11.00
to 4.00. To June 17 The annual Cumberland Art Western Sydney University
and Photography Awards – showcasing talented
local artists from across the Cumberland area. The Art Gallery
exhibition showcases the work of entrants from (Penrith, Werrington North)
across Cumberland – showing a variety of art and AD Building, Penrith (Werrington North) Campus,
photographic works of the Cumberland Council area, Great Western Highway, Werrington 2747.
in nine different categories, all sharing entrants’ T (02) 4620-3450. W virtualtours.westernsydney.
perspectives and painting a picture of what makes up edu.au/home H Mon-Fri 9.00 to 5.00. Parking $7 per
this part of Sydney. The works submitted serve as a day. To June 21 Drawn from Nature – an exhibition
snapshot of this diverse eclectic area. Visitors to the featuring the photography of Geoffrey Scott and
gallery are invited to cast their vote for the ‘People’s paintings by Diana Bell.
Choice Award’ winner that will be announced at the
end of the exhibition.
Lux Eterna, BIRCH TREE STUDY, pigment ink, pen and foil on paper
2018 Cumberland Art Prize winner
Courtesy the artist and Peacock Gallery and Auburn Arts Studio
144 Sydney
New South
Wales
146
The Lock Up
Newcastle 90 Hunter Street, Newcastle 2300.
T (02) 4925-2265. W www.thelockup.org.au
H Wed-Sat 10.00 to 4.00, Sun 11.00 to 3.00.
Central Coast To July 1 Hunter Red: //Seeing Red – this exhibition
takes activism and protest as its cue.
Watt Space
Northumberland House, cnr King and Auckland
streets, Newcastle 2300. T Office (02) 4921-5188.
Gallery 4921-8733. E wattspace@newcastle.edu.au
W www.newcastle.edu.au/community-and-alumni/
arts-and-culture/watt-space-gallery H Wed-Sun 11.00
to 5.00. June 6 to 24 (opening Fri June 8, 6.30pm)
Celebration – in partnership with Interrelate, curated
Elizabeth Tinker, Trig Point, 2017, oil on canvas, 30 x 30cm
by Leanne Schubert. Also, Hidden Remains. Human Courtesy the artist and Coffs Harbour Regional Gallery
stains by Donna Jorna, and Naturally Unnatural by
Phoebe Teal-Spicer & Natalee Katarina.
Glasshouse Regional Gallery
Cnr Clarence and Hay streets, Port Macquarie 2444.
T (02) 6581-8888. W www.glasshouse.org.au
Out of Bounds
Courtesy the artists and Blue Mountains City Art Gallery
Greater NSW
Bathurst Regional Art Gallery
70-78 Keppel Street, Bathurst 2795. T (02) 6333-
6555. W www.bathurstart.com.au Free entry.
H Tues-Sat 10.00 to 5.00, Sun and public hols
11.00 to 2.00. June 8 to Aug 5 Sustaining Light
by Rachel Ellis. A Bathurst Regional Art Gallery
exhibition. Also, STEEL: art design architecture.
A JamFactory touring exhibition.
Brian Robinson, Sowing the Crops and Reading the Stars, 2018,
enamel spray paint, Liquitex paint marker, 152 x 122cm
Winner of the 2018 Calleen Art Award
Courtesy the artist and Cowra Regional Art Gallery
Rachel Ellis, Bentinck Street, Bathurst, 2017, oil on board,
40 x 30cm
NSW Parliament Collection
Goulburn Regional Art Gallery
Courtesy the artist and Bathurst Regional Art Gallery Goulburn Mulwaree Council, Civic Centre, Cnr Bourke
and Church streets, Goulburn 2580.
T (02) 4823-4494.
Broken Hill Regional Art Gallery E artgallery@goulburn.nsw.gov.au
404-408 Argent Street, Broken Hill 2880. W www.grag.com.au Free entry. H Mon-Fri 10.00 to
T (08) 8080-3440. E artgallery@brokenhill.nsw.gov.au 5.00, Sat 1.00 to 4.00. To June 23 Deep Revolt by
W www.bhartgallery.com.au Entry by gold coin Arlo Mountford. June 29 to Aug 19, 2017 Archibald
donation. H Open daily. June 8 to July 30 (opening Prize.
Fri June 8, 6pm) Desert Landscapes: Broken Hill
and Beyond by Steffie Wallace. See ad page 149.
ϐ
167 Banna Avenue, Griffith 2680.
Ceramic Break Sculpture Park T (02) 6962-8444. E gallery@griffith.nsw.gov.au
‘Bondi’, Warialda 2402. T (02) 6729-4147. W www.griffithregionalartgallery.com.au H Wed-Fri
E kerry@cbreaksculpturepark.com.au 10.00 to 5.00, Sat-Sun 11.00 to 2.00. May 30 to
W www.cbreaksculpturepark.com.au H Thurs-Sun June 10 Expose. June 16 to July 22 For Country, For
10.00 to 5.00, or by appt. Mon June 11 brings Nation. A touring exhibition from the Australian War
the opening of our annual Myall Creek Memorial Memorial, Canberra.
Exhibition – showcasing artworks by Indigenous
artists Colin Isaacs, Brian Irvine and Elenore
Harrison. Exhibition continues through June.
154
Canberra Museum and Gallery
Civic Cnr London Circuit and Civic Square, Canberra City
2600. T (02) 6207-3968. W www.cmag.com.au
H Mon-Fri 10.00 to 5.00, Sat-Sun 12.00 to 4.00.
Inner North To June 17 Celebration: 20 years of collecting visual
art at CMAG.
Acton
NewActon
ANU Drill Hall Gallery
Kingsley Street (off Barry Drive), Acton 2601.
T (02) 6125-5832. E dhg@anu.edu.au
W dhg.anu.edu.au Director: Terence Maloon.
Free admission. H Wed-Sun 10.00 to 5.00.
To June 3 MIA by Peter Maloney. June 9 to July 29
S.A. Adair, Locus (detail), 2017, dimensions variable Hilarie Mais, John Nixon and Gail Nichols.
Photograph: Sarah Walker
Courtesy the artist and ANCA Gallery
ANU School of Art Gallery
105 Childers Street, Acton 2602. T (02) 6125-5841.
Canberra Contemporary Art E sofagallery@anu.edu.au W soa.anu.edu.au
Space, Gorman Arts Centre H During Main Gallery exhibitions Tues-Fri 10.30
55 Ainslie Avenue, Braddon 2612. T (02) 6247- to 5.00. Closed Sat-Mon and public hols, unless
0188. E info@ccas.com.au W www.ccas.com.au advertised.
H Tues-Sat 11.00 to 5.00. To June 23 Obsessive
Impulsion – Jodie Cunningham, Michele England,
U.K Frederick, Ann McMahon and Suzanne Moss,
curated by David Broker.
Canberra Glassworks
11 Wentworth Avenue, Kingston 2604.
T (02) 6260-7005.
E contactus@canberraglassworks.com
W www.canberraglassworks.com Free entry.
H Wed-Sun 10.00 to 4.00. June 14 to Aug 12
(opening Wed June 13, 6pm) Confluence – a group
show highlighting the broad reach and appeal of glass
as a contemporary medium. Many successful artists
have forged their reputations with the assistance
of other artists. This exhibition will showcase the
fanciful, exotic and wildly realised dreams of some
highly successful artists who have worked with well-
known glass artists.
Foreshore
Southside
Beaver Galleries
81 Denison Street, Deakin, Canberra 2600.
T (02) 6282-5294. E mail@beavergalleries.com.au 不 NOT, assisted by Luna Ryan, mid-Korea (installation), 2018, lead
W www.beavergalleries.com.au Directors: Martin crystal, 144 x 60 x 36cm
& Susie Beaver (member of ACGA). H Tues-Fri Photograph: Dominic Lorimer
10.00 to 5.00, Sat-Sun 9.00 to 5.00. Canberra’s Courtesy the artist, Kronenberg Wright Artists Projects, Sydney and
Canberra Glassworks
largest private gallery featuring regular exhibitions of
contemporary paintings, prints, sculpture, glass and
ceramics by established and emerging Australian
artists. To June 10 land trace paintings and sculpture
by Wendy Teakel. Also, currents ceramics by Ulrica
Trulsson.
Tim Brook, Kalgoorlie WA, 2014, archival dye print, 29.7 x 42cm
Courtesy the artist and M16 Artspace
158
Hadley’s Orient Hotel
Hobart 34 Murray Street, Hobart 7000. T (03) 6237-2999.
E curator@hadleysartprize.com.au
W www.hadleysartprize.com.au July 21 to Aug 25
Sullivans Cove Hadley’s Art Prize Finalists’ Exhibition. For prize-
related events and accommodation packages visit
hadleyshotel.com.au
Mona
Museum of Old and New Art
655 Main Road, Berriedale, Hobart 7011.
T (03) 6277-9900. E info@mona.net.au
W www.mona.net.au Visit website for details.
June 13 to 24 (opening: Sat June 9, 6pm) Dark
Mofo. Prelude: June 7 to 10. June 9 to April 22,
2019 ZERO.
Milan Milojevic, Into the deep wide open (detail), 2018, digital print
with woodblock overlays, 4 panels 80 x 60cm James Turrell, Event Horizon, 2017
Courtesy the artist and Colville Gallery © James Turrell
Photograph: Mona/Jesse Hunniford
Courtesy the artist and Mona Museum of Old and New Art
Despard Gallery
Level 1, 15 Castray Esplanade, Hobart 7000.
T (03) 6223-8266. E hobart@despard-gallery.com.au
W www.despard-gallery.com.au H Mon-Fri 11.00 to
6.00, Sat 10.00 to 4.00, Sun 11.00 to 4.00. June 1
to 24 Jenny Orchard and Dale Richards. June 27 to
July 22 The Crossings by Anne Morrison.
Tasmania 159
Plimsoll Gallery Tasmanian Museum
School of Creative Arts, and Art Gallery
University of Tasmania Dunn Place (enter via the Watergate), Hobart 7000.
Hunter Street, Hobart 7000. T (03) 6226-4353. T (03) 6165-7000. E tmagmail@tmag.tas.gov.au
E Jane.Barlow@utas.edu.au W www.utas.edu.au/ W www.tmag.tas.gov.au H Tues-Sun 10.00 to 4.00
creative-arts/events/plimsoll-gallery H June 9-10, closed Mon, Good Friday, Anzac Day and Christmas
13-14 and 18-20, 12 to 5pm. June 15-17 and Day. To July 1 Horizon – Australian art from the
21-24, 5 to 10pm. Closed Tues and public hols. Dark late 20th and early 21st century including works
(Other) Times – Wayne Brookes, Glen Clarke, Ella by William Robinson, Euan Mcleod, Rick Amor,
Condon, Lisa Garland, Linsey Gosper, Brent Harris, Jock Clutterbuck, James Gleeson, Clifton Pugh and
Louise Hearman, Sam Leach, Jennifer Marshall, Stephen Lees.
Milan Milojevic, Robert O’Connor, Louise Paramor,
Patrick Pound, Nicola Smith and Michael Vale. Wagner Framemakers
Is our present moment one of rupture, rapture, or 72 Brisbane Street, Hobart 7000. T (03) 6234-8599.
revulsion? Curated by Maria Kunda and Paul Zika, E info@wagnerframemakers.com.au
Dark [Other] Times is a group exhibition of works W www.wagnerframemakers.com.au Wagner
by Australian artists, organised around the polarised Framemakers offers a fresh and contemporary
moods that characterise living in ‘interesting times’: approach to fine art picture framing.
on one hand expansive and ecstatic, psychedelic and
transcendental; on the other hand, seemingly stalled
– time endured, languidly, with a sense of torpor,
ennui or petrification. Presented by Dark Mofo and the
School of Creative Arts, University of Tasmania.
160 Tasmania
North Hobart North West
Bett Gallery Hobart Coast
BETT GALLERY IS MOVING to Level 1, 65 Murray
Street, Hobart 7000. T (03) 6231-6511. Burnie Regional Art Gallery
E info@bettgallery.com.au W www.bettgallery.com.au
Burnie Arts & Function Centre, Wilmot Street, Burnie
Director: Emma Bett (member of ACGA).
7320. T (03) 6430-5875. E gallery@burnie.net
H Mon-Sat 11.00 to 6.00. Please check our website
W www.burniearts.net H Mon-Fri 10.00 to 4.30,
for more information.
Sat-Sun and public hols 1.30 to 4.00.
Sawtooth ARI
Level 1, 160 Cimitiere Street, Launceston 7250.
T (03) 6331-2777. E sawtoothari@gmail.com
W www.sawtooth.org.au Director: Paul Eggins Free
entry. H Wed-Fri 12.00 to 5.00, Sat 10.00 to 2.00.
Through June, Manifesting Monsters by Jess Taylor.
Also, Plane Crash Video by Matte Rochford. Also, a
collection of complete works by Paul Murphy, and
Nothing Solid – Caoife Power, Douglas Schofield and
Bradlee Wiseman.
Brenda Haas, Dianella Tasmanica, Forest Flaxlily, 2017, watercolour
Courtesy the artist and Devonport Regional Gallery
Tasmania 161
South
Australia
162
Anne & Gordon Samstag
Adelaide Museum of Art
University of South Australia
ACE Open 55 North Terrace, Adelaide 5000. T (08) 8302-0870.
E samstagmuseum@unisa.edu.au
Lion Arts Centre, North Terrace (West End), Kaurna
W www.unisa.edu.au/samstagmuseum
Yarta 5000. T (08) 8211-7505.
Free admission, all welcome. H Tues-Fri 10.00 to
E admin@aceopen.art W www.aceopen.art
5.00, Sat 12.00 to 5.00. Closed public hols and
Free admission. H Tues-Sat 11.00 to 4.00. South
during exhibition changeovers. June 15 to Aug 31
Australia’s leading organisation for contemporary
Aldo Iacobelli: A Conversation With Jheronimus.
visual art and artists. To June 7 Into My Arms –
Also, Tracey Moffatt & Gary Hillberg: Montages: The
Amira.h., Kat Botten, Eugene Choi, Matt Huppatz,
Full Cut 1999-2015.
Lonelyspeck, Grace Marlow, Sione Monu, Kate
Power & Susie Fraser and Athena Thebus. Curated
by Toby Chapman and Frances Barrett. Uncover the Art Gallery of South Australia
complexities and micro politics of a seemingly simple North Terrace, Adelaide 5000. T (08) 8207-7000.
act – the embrace. W www.artgallery.sa.gov.au Free entry. H Daily 10.00
to 5.00. Guided tours daily at 11.00 and 2.00. To
Adelaide Central Gallery July 29 Colours Of Impressionism: Masterpieces
From The Musée d’Orsay – charts the revolution of
7 Mulberry Road, Glenside 5065. T (08) 8299-7300.
colour that lies at the very heart of Impressionism
E info@acsa.sa.edu.au W www.acsa.sa.edu.au
and includes master works by Monet, Renoir, Manet,
H Mon, Tues Thurs-Fri 9.00 to 5.00, Wed 9.00 to
Morisot, Pissarro and Cézanne, among many others.
6.45. After hours by appt. June 4 to 29 Warps and
Set against the backdrop of the Art Gallery of South
Wefts – Nerida Bell, Nicole Clift, Lucia Dohrmann
Australia’s 19th century Elder Wing, this major
and Helen Fuller – contemplative and richly textured,
exhibition includes more than 65 Impressionist
this exhibition offers a range of lateral approaches
masterpieces from the renowned collection of the
to fabric and textile art from four exceptional artists
Musée d’Orsay in Paris. Book tickets online at
working in a variety of mediums.
artgallery.sa.gov.au See ad inside front cover.
SASA Gallery
University of South Australia, Level 2 Kaurna
Building, cnr Hindley Street and Fenn Place, Adelaide
5000. T (08) 8302-9274. E sasagallery@unisa.edu.au
W www.unisa.edu.au/sasa-gallery H Mon-Fri 11.00
to 5.00. Closed public hols and during exhibition
changeovers.
Matt Huppatz, Test Pattern (Emotional Landscape 2), 2018, oil
pastel on 300gsm art paper, 43.5 x 70cm Sister Gallery
Photograph: Grant Hancock 26 Sixth Street, Bowden 5007.
Courtesy the artist and GAGPROJECTS | Greenaway Art Gallery
E sister.gallery.sister@gmail.com
W www.sistergallery.com.au
Heartland Studio www.facebook.com/sistergallerysister Artist-run gallery
558 Marion Road, Plympton Park 5038. and project space Sister Gallery is a Fontanelle Gallery
T 0458-742-715. W www.facebook.com/Jungle- and Studios supported project. June 22 to July 20
Phillips-84033841545/ H Wed-Sun 10.00 to 3.00. Gallery 1: Army of Me by India Kenning.
Jungle Phillips and Frantastic Fran.
166
Fremantle
Artitja Fine Art
South Fremantle, 6162. T (08) 9336-7787,
0418-900-954. E info@artitja.com.au
W www.artitja.com.au Directors: Anna Kanaris and
Arthur Clarke. H By appt. Call or email to view art
in a relaxed environment. Artitja Fine Art holds up to
four external exhibitions a year, details of which can
be found on their website. Recipients: Outstanding
Cultural Enterprise award 2017 Fremantle Business
Awards. Check website for exhibition details.
Wanneroo Gallery
Wanneroo Library and Cultural Centre, 3 Rocca Way,
Wanneroo 6065.
W wanneroo.wa.gov.au/wanneroogallery Free entry.
H Mon-Sat 10.00 to 4.00, closed Sun and public hols.
171
Godinymayin Yijard Rivers Arts Museum and Art Gallery of the
and Cultural Centre Northern Territory (MAGNT)
Stuart Highway, Katherine East 0850. 19 Conacher Street, The Gardens, Darwin 0820.
T (08) 8972-3751. E director@gyracc.org.au T (08) 8999-8264. E info@magnt.net.au
W www.gyracc.org.au H Tues-Fri 10.00 to 5.00, W www.magnt.net.au Free entry. H Daily 10.00
Sat 10.00 to 3.00. To July 21 Fecund Fertile Worlds. to 5.00 closed Christmas day, Boxing day, New
Year’s day, and Good Friday. To July 1 a thousand
miles from everywhere by Franck Gohier. To July
15 Defying Empire: 3rd National Indigenous
Darwin Art Triennial. Through June A Frontier Journey
photographs by Otto Tschirn 1915-18.
See ad inside back cover.
ANKAAA
The Association of Northern, Northern Centre for
Kimberley and Arnhem Contemporary Art (NCCA)
Aboriginal Artists Vimy Lane, Parap 0820. T (08) 8981-5368.
W nccart.com.au H Mon-Fri 10.00 to 4.00, Sat
Frog Hollow Centre for the Arts, 56 McMinn Street,
10.00 to 2.00, or by appt. Closed public hols. The
Darwin 0801. T (08) 8981-6134.
Northern Centre for Contemporary Art delivers leading
E info@ankaaa.org.au W www.ankaaa.org.au
local, national and international contemporary art
Working together to keep art, country and culture
to Darwin. June 8 to 30 (opening Fri June 8, 6pm)
strong since 1987. Association of Northern, Kimberley
George Raftopoulos. Raftopoulos’ desire is to ‘debase
and Arnhem Aboriginal Artists (ANKAAA).
this belief system’ that surrounds us – our historical
and contemporary narratives. He visually rejects
Charles Darwin University these icons, consciously dealing with his raw canvas
Art Gallery and bare materials with the aim to excavate and
Ground Floor, Building Orange 12, Casuarina rebuild. Yet his approach is not simply iconoclastic
Campus, Darwin 0909. T (08) 8946-6621. and a return to basics, but rather a challenge to
W cdu.edu.au/artgallery H Wed-Fri 10.00 to 4.00, what we know. Gestural brushwork and naturalistic
Sat 10.00 to 2.00. Visit our website for programs and layers establish the human at the centre of his work,
events. May 31 to July 21 Yidumduma Bill Harney – enabling him to use it as a platform to question
Bush Professor. both himself and the wider human experience.
The rawness of his aesthetic functions as a form of
confrontation in which historical myths are challenged
by the recognisable yet intangible, which combine in
his works. Artist talk: Sat June 9, 12pm.
174
Jan Manton Art
Brisbane Contemporary Australian
+ International Art
Andrew Baker Art Dealer 1/93 Fortescue Street, Spring Hill 4000.
T (07) 3831-3060, 0419-657-768.
26 Brookes Street, Bowen Hills 4006.
E info@janmantonart.com W www.janmantonart.com
T (07) 3252-2292, 0412-990-356.
Director: Jan Manton. H Wed-Fri by appt, Sat
E info@andrew-baker.com W www.andrew-baker.com
10.00 to 4.00 no appt required. Jan Manton Art
H Wed-Sat 10.00 to 5.00, or by appt. Paintings,
has a changing program of leading and emerging
photographs, prints and sculptures by leading
contemporary artists. May 30 to June 23 Affirmative
contemporary Australian, Melanesian and Polynesian
by Jane James.
artists, including: Lincoln Austin, Leonard Brown,
Michael Cook, Karla Dickens, Ruki Famé (PNG),
Fiona Foley, Simon Gende (PNG), Taloi Havini
(Bougainville), Dennis Nona (Torres Strait), ÖMIE
Artists (PNG), Michel Tuffery (New Zealand/
Polynesia), Katarina Vesterberg and William Yang.
To June 16, Glas bilong lukluk long Wol (Mirror
to the world) by Simon Gende. June 20 to July 21
Novus florilegium (New gathering of flowers) by
Katarina Vesterberg.
FireWorks Gallery
52a Doggett Street, Newstead 4006. Jane James, I, 2018, synthetic polymer on linen, 101 x 91cm
T (07) 3216-1250. E info@fireworksgallery.com.au Courtesy the artist and Jan Manton Art
W www.fireworksgallery.com.au H Tues-Fri 10.00 to
6.00, Sat 10.00 to 4.00. To June 16 The Call from Jan Murphy Gallery
Papunya by Michael Nelson Jagamara and Imants
486 Brunswick Street, Fortitude Valley 4006.
Tillers. June 22 to Aug 4 Anniversary Group Show.
T (07) 3254-1855.
E enquiries@janmurphygallery.com.au
Graydon Gallery W www.janmurphygallery.com.au
29 Merthyr Road, New Farm 4005. Director: Jan Murphy. H Tues-Sat 10.00 to 5.00 or by
T 0418-740-467. E graydongallery@gmail.com appt. May 29 to June 23 Tjala Arts.
W www.graydongallery.com.au A modern rental June 26 to July 21 Fred Fowler.
art gallery space ideal for short term exhibitions
showcasing all art mediums from established,
emerging and group artists.
Queensland 175
Mitchell Fine Art Philip Bacon Galleries
86 Arthur Street, Fortitude Valley 4006. 2 Arthur Street, Fortitude Valley 4006. T (07) 3358-
T (07) 3254-2297. 3555. E info@philipbacongalleries.com.au
E admin@mitchellfineartgallery.com W www.philipbacongalleries.com.au H Tues-Sat
W www.mitchellfineartgallery.com H Mon-Fri 10.00 10.00 to 5.00. Philip Bacon Galleries is the largest
to 5.30, Sat 10.00 to 5.00. May 30 to June 23 Dirty and most established dealing gallery in Brisbane.
Deeds by Franck Gohier. June 27 to July 21 Women We have a large selection of important 19th-century,
of Utopia. 20th-century and contemporary paintings and
sculptures in stock. June 5 to 30 Fred Williams.
Museum of Brisbane
Level 3, Brisbane City Hall, Adelaide and Ann streets, Queensland Art Gallery | Gallery
King George Square, Brisbane 4000. of Modern Art (QAGOMA)
T (07) 3339-0800. E info@museumofbrisbane.com.au Stanley Place, Cultural Precinct, South Bank Brisbane
W www.museumofbrisbane.com.au Free entry. 4101. T (07) 3840-7303 F 3844-8865.
H Daily 10.00 to 5.00, Fri 10.00 to 7.00. W www.qagoma.qld.gov.au Free entry, unless
To Oct 14 BRISTOPIA. To Oct 28 Life in Irons: otherwise stated. H Daily 10.00 to 5.00. QAG: to
Brisbane’s Convict Stories. Aug 12 Problem-Wisdom: Thai Art in the 1990s.
To Sept 2 Judith Wright: In the Garden of Good and
Petrie Terrace Gallery Evil. Ongoing Australian Collection Reimagined.
home of the RQAS June 2 to Oct 7 Tony Albert: Visible. GOMA: to July
29 Measures of Distance, and Time and Tides:
Unit 3, 162 Petrie Terrace, Brisbane 4000.
Art in the Torres. To Aug 5 Patricia Piccinini:
T (07) 3367-1977. E entries@rqas.com.au
Curious Affection (see ad page 15). Ticketed. Also,
W www.rqas.com.au Welcomes membership from
Patricia Piccinini: Curious Creatures’ Children’s Art
professional and hobby artists, open and members
Centre Project. To Sept 23 The Long Story. GOMA
exhibitions, workshops, private gallery hire, corporate
Children’s Art Centre: to July 29 Creative Generation
and event hire.
Excellence Awards in Visual Art 2018. To Oct 7 Tony
Albert: We Can Be Heroes.
176 Queensland
QUT Art Museum The University of Queensland
2 George Street, QUT Gardens Point Campus (next to Art Museum
the City Botanic Gardens), Brisbane 4000. James and Mary Emelia Mayne Centre (Building 11),
T (07) 3138-5370. E artmuseum@qut.edu.au University Drive, The University of Queensland,
W www.artmuseum.qut.edu.au Free entry. St Lucia 4067. T (07) 3365-3046.
H Tues-Fri 10.00 to 5.00, Sat-Sun 12.00 to 4.00. E artmuseum@uq.edu.au
Visit website for programs and events. June 16 to W www.artmuseum.uq.edu.au H Daily 10.00 to
Aug 26 Abstraction: Celebrating Australian Women 4.00. To July 8 Robert Smithson: Time Crystals
Abstract Artists – examines ways that Australian presents sculpture, photography, film, drawings and
women artists have championed abstraction in texts borrowed from major Australian and international
the 21st century. A National Gallery of Australia collections. To Aug 5 in site: process, performance,
exhibition. Also, Salon de Fleurus – a contemporary documentation – juxtaposes Australian experimental
reconstruction of Gertrude Stein’s Parisian salon that art practice from the 1960s and 1970s with more
existed from 1904-34. recent artworks that explore related ideas.
Gallery at HOTA
Home of the Arts
Home of the Arts, 135 Bundall Road, Surfers Paradise
4217. T (07) 5588-4067. E gallery@hota.com.au
W www.hota.com.au Free entry. H Mon-Sun 10.00 to
5.00. To July 15 We are Gold Coast: works from the
Gallery at HOTA collection.
Queensland 177
Lorraine Pilgrim Gallery Stevens Street Gallery
Studio 87, 87 Ridgeway Avenue, Southport 4215. 2 Stevens Street, Yandina 4561. T 0448-051-720.
T (07) 5532-7170, 0418-767-495. E contact@stevensstreetgallery.com.au
E lorraine@lorrainepilgrim.com W www.stevensstreetgallery.com.au
W www.lorrainepilgrim.com H Mon-Fri 10.00 to H Wed-Sat 9.00 to 1.00, or by appt.
5.00, weekends by appt. June 2 to July 30 (opening
Sat June 2, 4-6pm) Broome Sketchbook: An artist Yandina Historic House
in residency at Roebuck Bay sketches, paintings and
3 Pioneer Road, Yandina 4561. T (07) 5472-7181.
drawings by Deb Mostert.
E art@yandinahistorichouse.com.au
W www.yandinahistorichouse.com.au Art Gallery
Co-ordinator: Fiona Groom croakin@bigpond.net.
au. H Daily 9.30 to 2.30. Gallery, craft shop, local
history, local art and artists.
South East
Region
Davson Gallery
Lockyer Valley Cultural Centre, 34 Lake Apex Drive,
Gatton 4343. T 0416-026-426.
E sharon@davsonart.com W www.davsonarts.com
Deb Mostert, Godwits resting, sketch, watercolour, 25 x 30cm
Courtesy the artist and Lorraine Pilgrim Gallery
H Mon-Fri 9.00 to 5.00, Sat 9.00 to 12.00, or by
appt. Through June Celebrations by Sharon Davson.
See ad page 181.
Coast E info@gallery107dalby.com.au
W www.gallery107dalby.com.au H Mon-Fri 10.00 to
4.00, Sat 10.00 to 2.00.
Montville Art Gallery
138 Main Street, Montville 4560.
Gympie Regional Gallery
T (07) 5442-9211. E montart@montart.com.au 39 Nash Street, Gympie 4570. T (07) 5481-0733
W www.montvilleartgallery.com.au F 5483-8904. E gallery@gympie.qld.gov.au
H Daily 10.00 to 5.00. W www.gympie.qld.gov.au/gallery H Tues-Sat 10.00
to 4.00. The gallery promotes the development of the
arts as an integral part of the lives and industry of the
Noosa Regional Gallery local community.
Ground floor, 9 Pelican Street (PO Box 141),
Riverside, Tewantin 4565. T (07) 5329-6145.
E gallery@noosa.qld.gov.au
Ipswich Art Gallery
W www.noosaregionalgallery.com H Tue-Fri 10.00 to d’Arcy Doyle Place , Nicholas Street (between
4.00, Sat-Sun 10.00 to 3.00 closed Mondays, public Brisbane and Limestone streets, Ipswich 4305.
holidays and during exhibition changeovers. T (07) 3810-7222.
To June 17 Paris-Noosa: Art, Environment & Realism E info@ipswichartgallery.qld.gov.au
by Phil Rolton. Also, Have you ever wondered? by W www.ipswichartgallery.qld.gov.au
Miles Allen, and Naked Beauty Displayed by Glenise Free entry unless stated otherwise. H Daily 10.00 to
Clelland. June 21 to July 15 Imaginate. 5.00 (unless stated otherwise). To Oct 14, 19th &
20th Century Works.
178 Queensland
Lapunyah Art Gallery
80-86 Heeney Street, Chinchilla 4413.
T (07) 4668-9908. E lapunyah@outlook.com
Far North
W www.facebook.com/pages/Chinchilla-White-Gums-
Art-Gallery/156011694574906 H Mon-Fri 10.00 Artspace Mackay
to 4.00, Sat 9.00 to 12.00. Closed Sun and public Civic Precinct, cnr Gordon and Macalister streets,
hols. A community-run art gallery in rural Queensland Mackay 4740. T (07) 4961-9722.
hosting several exhibitions and competitions each E artspace@mackay.qld.gov.au
year. Managed by the Lapunyah Art Gallery Inc. W www.artspacemackay.com.au Free admission.
Committee, maintained by volunteers. H Tues-Fri 10.00 to 5.00, Sat-Sun 10.00 to 3.00.
To Aug 5 Hold this closely: John Honeywill.
Logan Art Gallery To Aug 19, 2018 Libris Awards: The Australian
Artists’ Book Prize. Also, The Wall: Luke Mallie.
Cnr Wembley Road and Jacaranda Avenue, Logan
Central 4114. T (07) 3412-5519.
W www.logan.qld.gov.au/artgallery H Tues-Sat 10.00 Atherton Chinatown
to 5.00. June 15 to July 21 (opening Fri June 15, 86 Herberton Road, Atherton 4883.
6-8pm) Envisage-unseen rhythms by Rachael Lee. T (07) 4091-6945. E info@houwang.org.au
Artist talk: Fri June 15, 5.30pm. See ad page 176. W www.houwang.org.au H Tue-Sat 9.00 to 1.00,
During Low Season October to March we advise that
Toowoomba Regional you call ahead, Closed Public Hols.
Art Gallery
531 Ruthven Street, Toowoomba 4350.
Bundaberg Regional Galleries
T (07) 4688-6652 F 4688-6895. E art@tr.qld.gov.au 1 Barolin Street, Bundaberg 4670. T (07) 4130-4750.
W www.tr.qld.gov.au/trag Free admission. H Tues-Sat E bragadmin@bundaberg.qld.gov.au
10.00 to 4.00, Sun 1.00 to 4.00, closed Mon and W www.bundabergregionalgalleries.com.au
public hols. To July 1 Interlocked. To June 24 The H Mon-Fri 10.00 to 5.00, Sat-Sun and public hols
Lady & The Unicorn. 9.00 to 1.00. To July 8 Gallery Two: Remember Me:
The Lost Diggers of Vignacourt. June 8 to Aug 5
Gallery One: The Last Decade by Hobie Porter.
The Vault: Cut Together by Simon Degroot.
Arthur Boyd, Merric Boyd jug and unicorn, 1979, oil on canvas
Reproduced with the permission of Bundanon Trust
Courtesy Toowoomba Regional Art Gallery and the Bundanon Trust
Collection
Queensland 179
Cairns Indigenous Art Fair Tableland Regional Gallery
Cairns Cruise Liner Terminal 16 Robert Street, Atherton 4883. T (07) 4091-5261.
W ciaf.com.au July 13 to 15 CIAF: Cairns Indigenous E trcartgallery@trc.qld.gov.au
Art Fair is Australia’s premier Indigenous art fair. W www.tablelandgallery.trc.qld.gov.au The TRG
Presenting art, dance, music, fashion. exhibition schedule provides a regularly changing
Free and ticketed events. See ad page 26. program of local artists work and travelling exhibitions
across three gallery spaces June 5 to July 8 Village
Visions by Yungaburra Village Artists.
Canopy Art Centre Cairns
124 Grafton Street, Cairns 4870. T (07) 4041-4678.
E info@canopyartcentre.com
UMI Art Shop and Galleries
W www.facebook.com/canopy.artcentre H Tues-Sat 335 Sheridan Street, North Cairns 4870.
10.00 to 5.00, or by appt. Showcasing contemporary T (07) 4041-6152. E marketing@umiarts.com.au
indigenous art from Far North Qld, specialising in W www.umiarts.com.au www.facebook.com/umi
handmade limited edition prints produced on site. H Mon-Fri, 10.00 to 4.00 closed public holidays.
Regular exhibition program. UMI Arts is the peak Indigenous arts and cultural
organisation for Far North Queensland. UMI Arts also
operates as the Cairns Indigenous Art Centre in order
Cooktown School of Arts to provide support for Indigenous artists who live and
Society Inc work in Cairns.
125 Charlotte Street (PO Box 385), Cooktown 4895.
T (07) 4069-5322. W www.facebook.com/pg/
cooktown.art/events Formed in 1978, Cooktown
School of Arts Society Inc is dedicated to the
promotion of fine arts in Cooktown and its surrounds.
180 Queensland
Artist Index
182
(((20hz))) RMIT Gallery MEL Bridle, Celia Tacit Galleries MEL Culprit, Chelsea ACCA MEL
Abernethy, Brendon Goat Gallery VIC Brontë, Hannah Koorie Heritage Trust MEL Cummings, Elisabeth Defiance Gallery SYD
Adams, Patricia Wilson Newcastle Art Gallery NSW Brook, David Asher Artsite Galleries SYD Cummings, Elisabeth Delmar Gallery SYD
Adeney, Ally Kerrie Lowe Gallery SYD Brook, Tim M16 Artspace ACT Cunningham, Jodie CCAS - Gorman Arts ACT
Afshar, Hoda Nishi Gallery ACT Brookes, Wayne Plimsoll Gallery TAS Curran, Tony Gallery @ Bayside Arts MEL
Agnew, Rose RMIT Gallery MEL Brown, Ashley Collingwood Gallery MEL Currie, Bridget Greenaway Gallery SA
Akindiya, Olaniyi Rasheed RMIT Project Space MEL Brown, Leonard Andrew Baker Art Dealer QLD Curry, Sally Handmark Gallery TAS
Alavi, Elyas Chapter House Lane MEL Brown, Stu BlackCat Gallery MEL Cuthbertson, Arch Eastgate Gallery MEL
Albert, Tony QAG/GOMA QLD Browne, Andrew Geelong Gallery VIC Cuthbertson, Mark Montalto Sculpture Prize VIC
Alder, Alison Counihan Gallery MEL Browne, Andrew Tolarno Galleries MEL Dadfar, Farnaz Flinders Lane Gallery MEL
Alexander, Jane RMIT Gallery MEL Bruce, Gina Robin Gibson Gallery SYD Dagg, Patrick Gallery @ Bayside Arts MEL
Ali MC Margot Hardy Gallery SYD Buchanan, Susan Queen Victoria Museum TAS Dahl, Ellen Hazelhurst Regional SYD
Allen, Miles Noosa Regional QLD Buen, Isabel Nuño de ACCA MEL Daniels, Craig Tacit Galleries MEL
Allen, Tim Defiance Gallery SYD Burdett, Deborah STACKS Projects SYD Darkson, Brad Incinerator Gallery MEL
Alÿs, Francis ACCA MEL Burger, Eddy Collingwood Gallery MEL Darling, James Hugo Michell Gallery SA
Amira.h. ACE Open SA Burrough, Dord Bundoora Homestead MEL Davern, Anna Bundoora Homestead MEL
Amor, Rick Niagara Galleries MEL Burton, Mirranda Eltham Library MEL Davey, Linda Mu Studio Gallery SYD
Amor, Rick Tasmanian Museum TAS Butcher, Patrick Art Atrium SYD Davis, Hugh Incinerator Gallery MEL
Andrew, Brook Geelong Gallery VIC Cahill, Lisa Sabbia Gallery SYD Davis, Penelope Queen Victoria Museum TAS
Andrew, Brook MADA MEL Callander, Angus Factory 49 SYD Davson, Sharon Davson Gallery QLD
Andrew, Brook Mosman Art Gallery SYD Calway, Caroline Hawthorn Studio MEL Daw, Kate Margaret Lawrence MEL
Andrew, Robert Fox Galleries MEL Camilleri, Michael Grace Cossington Smith SYD de Vlaminck, Maurice Blue Mountains City NSW
Anon (Don Dale artist) Counihan Gallery MEL Campbell, Cressida Fellia Melas Gallery SYD Dean, Graham Gate 6 Gallery MEL
Anwar, Rushdi Incinerator Gallery MEL Campbell, Jon Geelong Gallery VIC Dease, Rachael Fremantle Arts Centre WA
Arbus, Diane Heide Museum MEL Caravaggio Art Gallery of WA WA Debono, Ann Bundoora Homestead MEL
Archer, Suzanne Delmar Gallery SYD Carmody, Chris Blue Mountains City NSW Debono, Ann Geelong Gallery VIC
Armanious, Hany Roslyn Oxley9 Gallery SYD Carroll, Ben Montalto Sculpture Prize VIC Degroot, Simon Bundaberg Regional QLD
Arnot, Tully Cement Fondu SYD Carroll, Genevieve Articulate Project Space SYD deVille, Julia MAMA NSW
Ashby, Lyn Eltham Library MEL Cattapan, Jon Station MEL deVille, Julia RMIT Gallery MEL
Aspden, David Defiance Gallery SYD Cattoni, Victoria Westend Art Space MEL Devlin, Nick Gallery @ Bayside Arts MEL
Aspden, David Utopia Art Sydney SYD Cavanagh, Steven Articulate Project Space SYD Dewhurst, Parris Articulate Project Space SYD
Atkins, Peter Ten Cubed MEL Cavaniglia, Consuelo Hazelhurst Regional SYD Di Martino, Julian Yarra Sculpture Gallery MEL
Austin, Lincoln Andrew Baker Art Dealer QLD Cescon, Carla MAMA NSW Dickens, Karla Andrew Baker Art Dealer QLD
Avila, Marynes Montalto Sculpture Prize VIC Cézanne, Paul Art Gallery of SA SA Dickerson, Robert Fellia Melas Gallery SYD
Axelsen, Heidi Blue Mountains City NSW Chaitow, Tanya Stella Downer Fine Art SYD Dickman, Lesley Tacit Galleries MEL
Bahng, Chris Bundoora Homestead MEL Chalmers-Robinson, Ellie CCAS - Manuka ACT Dittmar, Peter Quadrant Gallery MEL
Bain, Pamela Town Hall Gallery MEL Chan, Xin Xiao Margaret Lawrence MEL Dodd, James Gallery @ Bayside Arts MEL
Baker, Ali Gumillya Koorie Heritage Trust MEL Chandler, Celeste Nicholas Thompson MEL Dohrmann, Lucia Adelaide Central Gallery SA
Baker, Benjamin Red Gallery MEL Charlie, Miriam Counihan Gallery MEL Dolman, Nikolaus AIRspace Projects SYD
Bakhoff, Hellen Burra Regional SA Charlie, Miriam Koorie Heritage Trust MEL Done, Ken Ken Done SYD
Balla, Paola Koorie Heritage Trust MEL Chatfield, Tammy Alternating Current MEL Donegan, Michele BlackCat Gallery MEL
Bang, Min-Woo Wagner Contemporary SYD Chaves, Ramiro ACCA MEL Dono, Heri RMIT Gallery MEL
Barberis, Irene Langford 120 MEL Chen, Zhong Metro Gallery MEL Donovan, Scott MAMA NSW
Barkley, Glenn Niagara Galleries MEL Chia, Chien-Ju RMIT Project Space MEL Dowling, Julia Niagara Galleries MEL
Barkley, Glenn Sullivan+Strumpf SYD Choi, Eugene ACE Open SA Dowling, Julie Art Gallery of WA WA
Barrett, Anita Metropolis Gallery VIC Christmann, Gunter Niagara Galleries MEL Driessen, Ralf Montalto Sculpture Prize VIC
Barry, Archie Flinders Lane Gallery MEL Christofides, Andrew King Street Gallery SYD Driver, Meg STACKS Projects SYD
Bateson, TJ Tacit Galleries MEL Chun, Matt MAY SPACE SYD Drum, Donal Molly Soho Waterloo SYD
Bath, Hannah Blue Mountains City NSW Ciccarone, Julie Niagara Galleries MEL Dunn, Amy ANCA ACT
Batt, Terry Niagara Galleries MEL Cininas, Jazmina RMIT Gallery MEL Dyring, Moya Blue Mountains City NSW
Bauer, Yannick Frankston Arts Centre VIC Clark, Kate RMIT Gallery MEL Eather, Stephanie Cambridge Studio MEL
Bayjoo, Shiraz MADA MEL Clarke, Glen Plimsoll Gallery TAS Edgoose, Mark Bundoora Homestead MEL
Bean, Deirdre Stella Downer Fine Art SYD Clelland, Glenise Noosa Regional QLD Edward, Siegi Brightspace MEL
Beard, Georgie Falkner Gallery VIC Clift, Nicole Adelaide Central Gallery SA Eggleton, Alison Goat Gallery VIC
Bechervaise, Lynne Brightspace MEL Climent, Martin Soto ACCA MEL Einhorn, Jens Olsen Gallery SYD
Beckhouse, Janet RMIT Gallery MEL Clover, Catherine RMIT Gallery MEL El Rayes, Leila Nishi Gallery ACT
Bell, Diana Western Sydney SYD Clutterbuck, Jock Tasmanian Museum TAS Elkington, Kylie Colville Gallery TAS
Bell, Nerida Adelaide Central Gallery SA Coburn, John Blue Mountains City NSW Eller, Naomi Gallery 9 SYD
Belobrajdic, Tony Thienny Lee Gallery SYD Coburn, John Fellia Melas Gallery SYD Elliott, Belinda Grace Cossington Smith SYD
Benwell, Stephen Niagara Galleries MEL Coburn, Stephen Mosman Art Gallery SYD Elliott, Jenny Goat Gallery VIC
Berndt, Corinna FELTspace SA Colavita, Julia Olsen Gallery SYD Ellis, Peter RMIT Gallery MEL
Best, Marion Hall Hazelhurst Regional SYD Cole, Tiffany Flinders Lane Gallery MEL Ellis, Rachel Bathurst Regional NSW
Bevan, Tony Niagara Galleries MEL Collard, Emma Watch This Space NT Ellison, John Nolan on Lovel Gallery NSW
Bickhoff, Lynne Hawthorn Studio MEL Collier, Chanelle Articulate Project Space SYD Ellyard, Heather Janet Clayton Gallery SYD
Bieniek, Natasha Geelong Gallery VIC Collins, David Stanley Street Gallery SYD Emery, Troy Gallery @ Bayside Arts MEL
Biljabu, Owen Vivien Anderson Gallery MEL Collins, Katie Bundoora Homestead MEL Emery, Troy Geelong Gallery VIC
Bing, Xu White Rabbit Gallery SYD Collins, Laurie Red Tree Gallery VIC Encel, Marcus Yarra Sculpture Gallery MEL
Birchall, Seth Geelong Gallery VIC Combes, Janine Queen Victoria Museum TAS England, Michele CCAS - Gorman Arts ACT
Birk, Andrew ACCA MEL Combos, Terrence Artereal Gallery SYD Erlich, Esther Fox Galleries MEL
Black, Stuart Tacit Galleries MEL Condon, Ella Plimsoll Gallery TAS Esparza, Camilo Urban Cow Studio SA
Blake, Jenny M16 Artspace ACT Consalvo, Lottie Heide Museum MEL Ettelson, James Art House Gallery SYD
Bland, Nick Counihan Gallery MEL Constandelia, Nancy Geelong Gallery VIC Evans, Megan Art Gallery of Ballarat VIC
Bliek, Giacinta in.cube8r MEL Cook, Michael Andrew Baker Art Dealer QLD Evatt, Mary Alice Blue Mountains City NSW
Boardman, Amber Geelong Gallery VIC Cook, Michael Araluen Arts Centre NT Everton, Samantha Anthea Polson Art QLD
Boko, Margaret Counihan Gallery MEL Cook, Michael Western Plains Centre NSW Fairhall, Caspar Fremantle Arts Centre WA
Bokor, John King Street Gallery SYD Cook, Timothy Aboriginal & Pacific Art SYD Falrey, Jackson AIRspace Projects SYD
Bonson, Samson Vivien Anderson Gallery MEL Cooke, Mela Montalto Sculpture Prize VIC Famé, Ruki Andrew Baker Art Dealer QLD
Booth, Anastasia BLINDSIDE MEL Coppersmith, Yvette Geelong Gallery VIC Fantin-Latour Art Gallery of Ballarat VIC
Booth, Peter RMIT Gallery MEL Corot Art Gallery of Ballarat VIC Featherston, Grant Heide Museum MEL
Borgas, Tom FELTspace SA Counihan, Noel Box Hill Community Arts MEL Featherston, Mary Heide Museum MEL
Bossell, Kassandra Chrissie Cotter Gallery SYD Courbet Art Gallery of Ballarat VIC Ferran, Anne Heritage Hill MEL
Boston, Paul Niagara Galleries MEL Coutts, Maryanne Arts Academy VIC Ferran, Anne Walker Street Gallery MEL
Botten, Kat ACE Open SA Cranstoun, Sam Gallery @ Bayside Arts MEL Ferretti, Emily Geelong Gallery VIC
Botticelli, Sandro Art Gallery of WA WA Crewdson, Gerard BLINDSIDE MEL Ferry, Brett Flinders Lane Gallery MEL
Bowen, Dean Montalto Sculpture Prize VIC Croce, Beth RMIT Gallery MEL Finucane, Moira RMIT Gallery MEL
Bowen, Dean Whitehorse Art Space MEL Croft, Brenda L Counihan Gallery MEL Fitzmaurice, John Montalto Sculpture Prize VIC
Bowen, Dean Wishart Gallery VIC Croft, Brenda L. Niagara Galleries MEL Florio, Jole Di Eltham Library MEL
Bradley, Clinton Western Plains Centre NSW Croggon, Zoë Heritage Hill MEL Floyd, Emily Australian Tapestry MEL
Brassington, Pat Arc One MEL Croggon, Zoë Walker Street Gallery MEL Floyd, Emily MCA SYD
Brassington, Pat Ten Cubed MEL Crooke, Ray Fellia Melas Gallery SYD Foenander, Laurel Hawthorn Studio MEL
Breckon, Katie Fox Galleries MEL Cross, Dean Incinerator Gallery MEL Foley, Fiona Andrew Baker Art Dealer QLD
Brennan, Angela Niagara Galleries MEL Cruzvillegas, Abraham ACCA MEL Foley, Fiona Niagara Galleries MEL
Bridgewater, Robert Niagara Galleries MEL Cullen, Adam Cullen MEL Ford, Juan Heritage Hill MEL