Professional Documents
Culture Documents
FEBRUARY/2019
INDEX
1. CASTLE OF EDINBURGH. ..................................................... 2
1.1. LOCATION AND USES. .................................................... 2
1.2. HISTORY. ..................................................................... 2
2.1. MAIN INFORMATION. ....................................................... 3
2.2 GARDENS AND GROUND. ................................................. 3
2.3. BIG ROYAL DIG. ................................................................ 5
2. UNION CANAL. ................................................................... 6
2.1 MAIN INFORMATION. .......................................................... 6
2.2 ARCHAELOGY. .................................................................... 6
3. JUPITER ART LAND. ............................................................ 7
4. PRINCESS STREET GARDENS. .............................................. 8
5. CALTON HILL. ....................................................................... 9
5.1 HISTORY. ....................................................................... 9
6. PALACE OF HOLYROOD. ....................................................... 12
6.1. HISTORY. ..................................................................... 12
6.2. GHOST.......................................................................... 21
7. CATHEDRAL OF ST GILES. .................................................... 22
7.2. THE CHURCH. ................................................................ 23
8. BIBLIOGRAPHY. ................................................................. 25
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1. CASTLE OF EDINBURGH.
1.2. HISTORY.
The castle stands upon the plug of an extinct volcano, which is
estimated to have risen about 350 million years ago during the Lower
Carboniferous period. The Castle Rock is the remains of a volcanic
pipe, which cut through the surrounding sedimentary rock before
cooling to form very hard dolerite, a type of basalt. Subsequent
glacial erosion was resisted by the dolerite, which protected the softer
rock to the east, leaving a crag and tail formation.
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The summit of the Castle Rock is 130 meters above sea level, with
rocky cliffs to the south, west and north, rising to a height of 80
meters above the surrounding landscape. This means that the only
readily accessible route to the castle lies to the east, where the ridge
slopes more gently. The defensive advantage of such a site is self-
evident, but the geology of the rock also presents difficulties, since
basalt is impermeable.
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A small garden building, surviving from the 16th-century, is known as
Queen Mary's Bath House, although it is not thought to have been
used for bathing. John Milne carved the sundial to the north of the
palace in 1633, while the fountain in the forecourt is a 19th-century
replica of the 16th-century fountain at Linlithgow Palace.
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2.3. BIG ROYAL DIG.
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2. UNION CANAL.
2.2 ARCHAELOGY.
In 2004, an archaeological investigation by a team from Headland
Archaeology uncovered the stern of a 21-meter long wooden barge.
The vessel was discovered on the south bank of the canal between
the Lamington Lift Bridge and View forth Bridge in Edinburgh. The
remains represent the final berth of an early to mid-19th century
canal barge or scow, a type of horse drawn vessel that was the main
freight carrier of the time. Typical cargoes included coal and lime
from Lanark shire although there were a number of passenger
carriers too; the actual function of this vessel is unknown. The vessel
was dismantled and removed from the canal in order to record the
techniques used in its construction. Additional work will seek to
identify the species, age and provenance of the timbers.
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3. JUPITER ART LAND.
Jupiter Art land is a contemporary sculpture park and art gallery in
West Lothian, Scotland. Jupiter Artland Foundation is a registered
charity that is subsidized by classes, workshops, events, ticket sales,
and donations.
The grounds of the house have been developed as the sculpture park
and two new wings designed by Benjamin Tindall Architects were
completed in 2015 to provide indoor gallery space.
In April 2016, Jupiter Artland was shortlisted for the 2016 Museum of
the Year award.
In 2018 it was a filming location for BBC 4’s "Magic Numbers: Hannah
Fry's Mysterious World of Maths", presented by mathematician Dr
Hannah Fry.
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4. PRINCESS STREET GARDENS.
Princes Street Gardens are two adjacent public parks in the center of
Edinburgh, Scotland, lying in the shadow of Edinburgh Castle. The
Gardens were created in two phases in the 1770s and 1820s
following the long draining of the Nor Loch and building of the New
Town, beginning in the 1760s.
The loch, situated on the north side of the town, was originally an
artificial creation forming part of its medieval defenses and made
expansion northwards difficult. The water was habitually polluted
from sewage draining downhill from the Old Town.
In 1846, the railway was built in the valley to connect the Edinburgh-
Glasgow line at Haymarket with the new northern terminus of the
North British line from Berwick-upon-Tweed at Waverley Station.
The gardens run along the south side of Princes Street and are
divided by The Mound, on which the National Gallery of Scotland and
the Royal Scottish Academy are located. East Princes Street Gardens
run from The Mound to Waverley Bridge, and cover 8.5 acres (3.4
ha). The larger West Princes Street Gardens cover 29 acres (12 ha)
and extend to the adjacent churches of St. John's and St. Cuthbert's,
near Lothian Road in the west.
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5. CALTON HILL.
Is a hill in central Edinburgh, Scotland, situated beyond the east end
of Princes Street and included in the city's UNESCO World Heritage
Site. Views of, and from, the hill are often used in photographs and
paintings of the city.
5.1 HISTORY.
There was possibly a prehistoric hillfort on Calton Hill and an area
used for quarrying (the Quarry Holes at the eastern end). By his
charter of 1456, James II granted the community of Edinburgh the
valley and the low ground between Calton Hill and Greenside for
performing tournaments, sports and other warlike deeds.[1] This was
part of his policy of military preparedness that saw the Act of 1457
banning golf and football and ordering archery practice every Sunday.
This natural amphitheater was also used for open-air theatre and saw
performances of the early Scots play "Anne Pleasant Satyre of the
Thrie Estaitis" by Sir David Lyndsay. In May 1518 the Carmelite Friars
(also known as White Friars and locally based at South Queens ferry),
were granted lands by charter from the city at Greenside and built a
small monastery there.
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escape, or even the opening of the gate of the hospital between
sunset and sunrise, would incur the penalty of death carried out on
the gallows erected at the gate. The monastery would appear to have
been located at the northeast end of Greenside Row and its site is
shown there on the 1931 Ordnance Survey maps. Ten skeletons
found in July 2009 during roadworks to create a new tramway in
Leith Walk (later cancelled but currently undergoing public
consultation) are believed to have been connected with the hospital.
The Logan family of Restalrig owned the Calton area but their lands
were forfeited in 1609 following the posthumous sentence of treason
on Robert Logan. The lands of Restalrig and Calton, otherwise known
as Easter and Wester Restalrig, passed to the Elphinstone family. Sir
James Elphinstone was made Lord BAL merino in 1604 and in 1673;
the lands of Restalrig and Calton were erected into a single barony.
In 1725, the western side of Calton Hill was disjoined and sold to the
royal burgh of Edinburgh. The charitable institution of Heriot’s Trust
owned the eastern end. Calton remained a burgh of barony (although
it was not administered as such) until it was formally incorporated
into Edinburgh by the Municipality Extension Act of 1856.
In 1631, the then Lord Bal merino granted a charter to The Society of
the Incorporated Trades of Calton forming a society or corporation.
This also gave the Society the exclusive right to trade within Calton
and the right to tax others who wished to do so. Normally the trades
of burghs were separately incorporated, for example in the
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The village of Calton was situated at the bottom of the ravine at the
western end of Calton Hill (hence its earlier name of Craig end), on
the road from Leith Wind in Edinburgh and North Back of Canongate
to Leith Walk and also to Broughton and thence the Western Road to
Leith. In the village, the street was variously known as St. Nanina’s
Row or Low Calton. Many of the old buildings here were demolished
at the time of the Waterloo Place and Regent Bridge development,
which bridged the ravine, from 1816. The remaining old village
houses of the Low Calton were removed in the 1970s.
Calton was in South Leith Parish and Calton people went to church in
Leith. The churchyard there was inconveniently situated for burials
from Calton and, in 1718; the Society bought a half acre of land at a
cost of £1013 from Lord Bal merino for use as a burial ground. This
became known as Old Calton Burial Ground. Permission was granted
for an access road, originally known as High Calton and now the
street called Calton Hill, up the steep hill from the village to the burial
ground.
The group of 1760s houses near the top of this street are all that
remain of the old village.
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6. PALACE OF HOLYROOD.
The Palace of Holyrood house, commonly referred to as Holyrood
Palace, is the official residence of the British monarch in Scotland,
Queen Elizabeth II. Located at the bottom of the Royal Mile in
Edinburgh, at the opposite end to Edinburgh Castle, Holyrood Palace
has served as the principal residence of the Kings and Queens of
Scots since the 16th century, and is a setting for state occasions and
official entertaining.
6.1. HISTORY.
12th–15th centuries
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that he was crowned, married and laid to rest. James III and
Margaret of Denmark were married at Holyrood in 1469. The early
royal residence was in the abbey guesthouse, which most likely stood
on the site of the present north range of the palace, west of the
abbey cloister and by the later 15th century already had dedicated
royal apartments.
16th century
The gatehouse built by James IV, with the north-west tower of the
palace behind, in a 1746 drawing by Thomas Sandby.
The west range contained the King's lodgings and the entrance to the
palace. James IV also oversaw construction of a two-story gatehouse,
fragments of which survive in the Abbey Courthouse. In 1512, a lion
house was constructed to house the king's menagerie, which included
a lion and a civet among other exotic beasts. James V added to the
palace between 1528 and 1536, beginning with the present north-
west tower to provide new royal apartments. This was followed by
reconstruction of the south and west ranges of the palace in the
Renaissance style, with a new chapel in the south range. The former
chapel in the north range was converted into the Council Chamber,
where ceremonial events normally took place. The west range
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contained the royal library and a suite of rooms, extending the royal
apartments in the tower. The symmetrical composition of the west
façade suggested that a second tower at the south-west was planned,
though this was never executed at the time. Around a series of lesser
courts were ranged the Governor's Tower, the armory, the mint, a
forge, kitchens and other service quarters.
In 1544, during the War of the Rough Wooing, the Earl of Hertford
sacked Edinburgh, and Holyrood was looted and burned. Repairs were
made, but the altars were destroyed by a Reforming mob in 1559.
After the Scottish Reformation was formalized, the abbey buildings
were neglected, and the choir and transepts of the abbey church
were pulled down in 1570. The nave was retained as the parish
church of the Canongate.
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During the subsequent Marian civil war, on 25 July 1571, William
Kirkcaldy of Grange bombarded the Palace with cannon placed in the
Black Friar Yard, near the Pleasance. James VI took up residence at
Holyrood in 1579 at the age of 13 years. His wife, Anne of Denmark,
was crowned in the diminished abbey church in 1590, at which time
the royal household at the palace numbered around 600 persons.
17th century
The west range of the palace drawn around 1649 by James Gordon of
Rothiemay, prior to reconstruction in the 1670s.
Sir William Bruce, the Surveyor of the King’s Works, and Robert
Milne, the King’s Master Mason, drew up plans for complete
reconstruction. The design included a south-west tower to mirror the
existing tower, a plan that had existed since at least Charles I's time.
Following criticism from Charles II, Bruce redesigned the interior
layout to provide suites of royal apartments on the first floor: the
Queen's apartment on the west side; and the King's apartment on the
south and east sides. The two were linked by a gallery to the north,
and a council chamber occupied the south-west tower.
Work began in July 1671, starting at the north-west, which was ready
for use by Lauderdale the following year. In 1675 Lord Hatton
became the first of many nobles to take up a grace-and-favor
apartment in the palace. The following year the decision was taken to
rebuild the west range of the palace, and to construct a kitchen block
to the southeast of the quadrangle. Bruce's appointment as architect
of the project was cancelled in 1678, with the remaining work being
overseen by Hatton. By 1679 the palace had been re-constructed,
largely in its present form. Artisans employed included the Dutch
carpenters Alexander Eliza and Jan van Sandwort, and their
compatriot Jacob de Wet who painted several ceilings. John Hulbert
and George Dunsterfield did the elaborate plasterwork.
Interior work was still in progress when the James, Duke of Albany,
the future James VII and II, and his wife Mary of Modena visited that
year. They returned to live at Holyrood between 1680 and 1682, in
the aftermath of the Exclusion crisis, which had severely impacted
James' popularity in England. When he acceded to the throne in
1685, the Catholic king set up a Jesuit college in the Chancellor's
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Lodging to the south of the palace. The abbey was adapted as a
chapel for the Order of the Thistle in 1687–88. The architect was
James Smith, and Grilling Gibbons and William Morgan did carvings.
The interiors of this chapel, and the Jesuit College, were subsequently
destroyed by an anti-Catholic mob, following the beginning of the
Glorious Revolution in late 1688. In 1691 the Kirk of the Canongate
was completed, to replace the abbey as the local parish church, and it
is at the Kirk of the Canongate that the Queen today attends services
when in residence at Holyrood Palace.
18th century
After the Union of Scotland and England in 1707, the palace lost its
principal functions, although it was used for the elections of Scottish
representative peers. The nobles who had been granted apartments
in the palace continued to use them: the Duke of Hamilton had
already taken over the Queen's Apartments in 1684. The King's
Apartments were meanwhile neglected.
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The precincts of Holyrood Abbey, extending to the whole of Holyrood
Park, had been designated as a debtors' sanctuary since the 16th
century. Those in debt could escape their creditors, and
imprisonment, by taking up residence within the sanctuary, and a
small community grew up to the west of the palace. The residents,
known colloquially as "Abbey Lairds", were able to leave the
sanctuary on Sundays, when no arrests were permitted. The area
was controlled by a Baillie, and by several constables, appointed by
the Keeper of Holyroodhouse. The constables now form a ceremonial
guard at the palace.
19th century
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Commissioner to the General Assembly of the Church of Scotland
could make use of the palace during the sitting of the assembly, and
this tradition continues today.
20th century
21st century
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displayed. During the Queen's visits, the Royal Company of Archers
form her ceremonial bodyguard. The Ceremony of the Keys, in which
the Lord Provost formally presents her with the keys of Edinburgh, is
held on her arrival. At the Palace the Queen meets and appoints the
First Minister of Scotland. Prince Charles also stays at Holyrood for
one week a year, carrying out official duties as the Duke of Rothesay,
while other members of the royal family, including the Princess Royal,
visit in a less official capacity.
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6.2. GHOST.
The naked ghost of one Bald Agnes, stripped and tortured in 1592
after being accused of witchcraft, is said to roam the palace.
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7. CATHEDRAL OF ST GILES.
St Giles' Cathedral, also known as the High Kirk of Edinburgh, is the
principal place of worship of the Church of Scotland in Edinburgh. Its
distinctive crown steeple is a prominent feature of the city skyline, at
about a third of the way down the Royal Mile, which runs from the
Castle to Holyrood Palace. The church has been one of Edinburgh's
religious focal points for approximately 900 years. The present church
dates from the late 14th century, though it was extensively restored
in the 19th century, and is protected as a category a listed building.
Today it is sometimes regarded as the "Mother Church of
Presbyterianism". The cathedral is dedicated to Saint Giles, who is the
patron saint of Edinburgh, as well as of cripples and lepers, and was a
very popular saint in the middle Ages. It is the Church of Scotland
parish church for part of Edinburgh's Old Town.
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7.2. THE CHURCH.
The Thistle Chapel is the chapel of The Most Ancient and Most Noble
Order of the Thistle, Scotland's foremost Order of Chivalry. The
chapel was conceived in 1909 and built in 1911 to designs by Robert
Lorimer, at the southeast corner of the church. It is small, but
exquisite, with carved and painted fittings of extraordinary detail.
One figure depicts an angel playing bagpipes. The Order, which was
founded by King James VII in 1687, consists of the Scottish monarch
and 16 knights. The knights are the personal appointment of the
monarch, and are normally Scots who have made a significant
contribution to national or international affairs. Knights have included
Sir Alec Douglas-Home, Lord Mackay of Clash fern and Sir Fitzroy
Maclean.
Along the chapel's sides are the knights’ stalls. These stalls, which
feature the knight's coat of arms on stall plates, are capped by
elaborately carved canopies atop which are the knight's heraldic helm
and crest. Unlike most other British orders of chivalry, the heraldic
banners of knights do not hang inside the chapel itself but in a
dedicated section within the cathedral.
Stained glass
In the later 19th century, stained glass began to be put into the
windows, which had been largely clear or plain since the Reformation.
This was a radical move in a Presbyterian church where such
decorations were regarded with great suspicion. They were finally
allowed on the basis that they illustrated Bible stories and were as
such an aid to teaching, and not flippant decoration, or worse still
perceived idolatry. Only a small number of windows were completed
as part of the 19th-century restoration, but this began a process that
resulted in the vast majority of windows containing stained glass by
the middle of the 20th century. The windows were planned to form a
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continuous narrative starting in the northeast corner and finishing on
the north-west side. One of the last windows of this plan depicts Saint
Andrew, the patron saint of Scotland, holding his cross with, on either
side of him, Saint Columba and King David I (accorded the status of a
popular saint). The depiction of saints, rather than Bible stories alone,
by the mid-20th century shows how much attitudes to decoration had
changed in the intervening period. Saint Andrew wears a flowing
peacock-blue cassock and his features are modelled after prominent
Edinburgh physician James Jamieson. Unusually, a grateful patient
who insisted that Saint Andrew bear the features of the doctor funded
this window. Below Saint Andrew are depicted Saint Giles, with his
hind (a traditional association), and Saint Cuthbert. The dedication
beneath the Saint Andrew window states: "James Jamieson Fellow of
the Royal College of Surgeons Edinburgh and Elder of the Kirk, born
1841, in Bowden, and died 1905"
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8. BIBLIOGRAPHY.
I ONLY USED WIKIPEDIA AND GOOGLE PHOTOS FOR ALL THE PARTS
OF THE WORK.
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