Professional Documents
Culture Documents
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .
http://www.jstor.org/page/info/about/policies/terms.jsp
.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms
of scholarship. For more information about JSTOR, please contact support@jstor.org.
Wiley and American Anthropological Association are collaborating with JSTOR to digitize, preserve and
extend access to Ethos.
http://www.jstor.org
WAUD H. KRACKE
258
1 When
discussing the issue most specifically, Geertz takes the middle position--but one
still rendering cross-cultural psychoanalysisa highly tenuous enterprise-that "the Ethnog-
rapher does not, and in my opinion, largely cannot, perceive what his informants perceive.
What he perceives- and that uncertainly enough - is what they perceive 'with' or 'by means
of,' or 'through' or whatever word one may choose" (1975:48).
2 Two notable
exceptions are Kenneth Read's account of his poignant communication with
Makisin The High Valley(1965:84-88) and Paul Riesman'sperceptive thoughts on empathic
intuition in his fieldwork with the Fulani (1974:151-153). Intercultural communication has
been a central theme of some noted worksof fiction (Bowen 1954; Forster 1949), but only in
Devereux'sclassic From Anxiety to Method (1967) did it become the subject of a systematic
theoretical discussion in anthropology.
4
Although much has been written about mortuary ritual in anthropology, to my
knowledge there is rather little researchon the mourning experience in non-Westernsocieties.
In a later publication which will focus more specifically on Kagwahiv mourning I will discuss
the literature on this topic more fully, but some brief comments are apposite here. Of special
relevance here is Lewis's(1975) interesting report of a "CulturallyPatterned Depression in a
Mother after Loss of a Child" among the Trio of Surinam. A particularlyimportant contribu-
tion is Pollock's (1972) article discussing mourning ritual as a culturally constituted defense
mechanism that articulates the psychological process of mourning. I am somewhat skeptical
of Goldschmidt's(1973:98) contention that the Sebei do not experience a loss deeply enough
to mourn, but clearly, as among the Kagwahiv, their grief is vigorouslysuppressed. This and
other important contributions (Matchett 1974; Woodward 1968) will be discussed more fully
elsewhere.
ing much greater privacy than would any more secluded, walled spot,
at which the children would indubitably gather to listen.
Jovenil did not mention the deaths of his children for the first
week and a half of the interviews, with the exception of one indirect
allusion: in telling me for the first time, in his fourth interview,
about an incestuous affair he had had in adolescence with a parallel
cousin, a woman of his own (Kwandu) patrimoiety, he observed that
the consequence of such behavior is that "your child dies, or else
your father." Except for that, he made no explicit reference to it un-
til the ninth interview.
In the latent content of his dream, however, allusions to his chil-
dren's death begin to appear much earlier. In the sixth interview,
Jovenil told me a dream that was rather startling in its frankness. At
first sight, it seems to have little to do with his loss, but closer ex-
amination reveals strong allusions implicit in it.
his
Jose Bahut [an older man, of the opposite moiety] was having intercourse with
wife [Camelia]. Everyone saw it. Suddenly his dick was very big. Patricio [Camelia's
younger half-brother] grabbed his dick and pulled it, and it snapped. "Why did
you break my dick?" "Because you were screwing my sister!" Patricio was fixing
Jose's dick, with a vine thong, and it got real thin.-It's funny, my dream! -- Ai,
they said, "Did your dick snap?" Ai, a lot of blood came out, his dick got rotten.
Patricio fixed his dick, it got real thin. Homero [Patricio and Camelia's father]
scolded Patricio, "Why did you snap his dick? He'll die!" "No, he won't die," he
said.
receive a severe scolding: "When you see someone else's dick like
that," his mother told him, "when you get older, you will go blind!"
"She scolded with a stick, a belt," Jovenil recalled, "for me not to ask
him any more."5
Further memories led him to recollections of a childhood phobia
of pigs and cows: "It seemed as if they wanted to eat me." Sometimes
he couldn't sleep at night for fear of ghosts, so he would go to sleep
in his father's hammock.
All of this shows a remarkable access to memories of his own
childhood phobias and conflicts; but so far we see little connection
with his mourning of his children. A hint of some dream thoughts
related to this mourning appears, however, when we note that the
woman Jose Bahut was making love with in the dream-Jos('s cur-
rent young wife at the time of the dream, not his wife of the time of
Jovenil's five-year-old memory-was the very same parallel cousin of
Jovenil's with whom Jovenil had had an incestuous affair in adoles-
cence. In Kagwahiv terminology, she was his "sister." If we put
Jovenil himself, the dreamer, in the place of Jose Bahut in his
dream, then some of the comments in the dream take on new sig-
nificance: "Because you were screwing my sister!" may be an echo of
Jovenil's own self-accusatory guilty conscience; and Homero's ex-
clamation: "Why did you do that? Now he'll die!" may refer to the
punishment for such incestuous activity, the death of a close
relative-perhaps that of his child. The dream, then, is a self-
accusation, saying that he himself was responsible for his young
(five-year-old) son's death, represented in the dream as a castration.
In the imagery of the dream, it was his own incestuous desires that
brought about his "castration."
This guess is confirmed by the somewhat more open expression of
the idea in a dream he reported in his interview the next day. Daniel
Aguarajuv (a neighbor and close friend of Jovenil's) and his older
Brazilian wife had a pet monkey which, since they were childless,
was like a child to them. In the dream, Daniel went out hunting and
shot what he thought was a wild monkey - but it turned out to be his
own pet monkey, which had run away. Daniel's wife was furious
when she found out, and chased him out of the house. Jovenil, this
dream seems vicariously to aver, had inadvertantly killed his own
He went to the Festa with me. "Ah, Alonzo, there you are, after so much time!"
Alonzo said, "I died at first, now I came alive again."
The Brazilians [Jovenilwent on] say it is God who gives the orders. If you scold
your child too much, He kills him. If you scold your child too much, God is watch-
ing and says, "He doesn't like his son. I'm going to kill him, to see if he will be sad."
(Did you feel you scolded him too much?) I scolded him a lot. Afterwards, Papa
said to me: "One doesn't scold one's son."
First I thought one's children didn't die. That's why I married, to have children.
A single woman doesn't have children. It happens a lot when you are married: If
your wife doesn't die, your child dies.
Here, he remarked on a plane passing over: "Puxa! One after
another, the airplanesl" and a moment later, returning to this
theme, observed: "From Porto Velho, you took a plane to Rio." This
referred to my movements after I left his settlement in February; so,
his train of thought went from Alonzo's death to my departure a
couple of months prior to it. If I had not left, he may have been
thinking, I might have been able to save his children's lives with my
medicines. By leaving, I let them die. In addition, a week hence I
was to go to a neighboring settlement where I was doing other inter-
views - the first interruption since I had started these interviews with
Jovenil-and there awaited a small SIL float plane that would take
me out for a two-week sojourn in Porto Velho. It would be just a
three-week interruption (after three intense weeks of interviews), but
it no doubt reminded him of my permanent departure planned for
two months later, as well as of my previous absence that had been so
disastrous for him. He felt he was about to be deserted.
In casual conversation later that morning, he mentioned that
Maria, a Kagwahiv girl who had flirted with me in earlier field trips
and was jokingly regarded as my amour and bride-to-be, had gotten
married. Opohi he nde-hugui, he said: "She discarded you." But
this husband of hers was very jealous, and she left him to go to Porto
Velho, at which he cried piteously. "He was old and crippled, that's
why she didn't like him." These spontaneous remarks, though not in
the interview itself, may be taken as further free associations. They
again express the theme of abandonment and anger--perhaps a
fear that his anger, like the husband's jealousy, might drive me
away, as it had led to Alonzo's being taken away.
All these feelings Jovenil had to work through as part of the emo-
tional process of mourning the loss of his children. The sense that
one might in some way have caused the death of someone with
whom one is close, even in our culture which does not have concepts
of supernatural retribution rationalizing such ideas, is a normal part
of the reaction to bereavement (Pollock 1961). So is anger at others
for not preventing it. We tend to rationalize these ideas in medical
terms -one should have called the doctor sooner, or recognized the
symptoms earlier, or the doctor was not competent; Jovenil rational-
ized them in terms of breach of taboo.
These interviews, a situation decidedly out of the ordinary in
Kagwahiv society (as it would be in ours), seem to have given Jovenil
significant help in carrying through the mourning process (although
that was not their intent, nor was I fully aware to what degree
Jovenil was using the interviews in this way until I reviewed the inter-
views in the perspective of later psychoanalytic training). That his
uncompleted mourning had been affecting his life was suggested by
hood that were stirred up by the loss of his child, as well as the adult
guilt feelings about having caused his child's death that were closer
to consciousness, before he could really begin to experience the grief
he felt over his children's deaths. It was only after recalling these
conflict-laden childhood experiences that he had the first dream
directly expressing his sense of being to blame for his children's
death, the dream of shooting the monkey. It would seem, then, that
his childhood conflicts interfered with his mourning process; articu-
lating them helped him to sort them out, separating past fantasy
from current reality, and freed him to face the present mourning
task. It was his needs in mourning, then, that prompted his relating
to me these deep childhood conflicts; this is why his interviews are so
rich in childhood memories.
I have presented in great detail what was going on in the inter-
views with one informant, down to the infantile conflicts that were
engaged in the interviews, in order to suggest the depth and com-
plexity of the motives an informant may have for participating in in-
terviews. The interviews were of course not carried out for thera-
peutic purposes. Yet every informant who engaged in them-not
just Jovenil-used them to express and sort out conflicting feelings,
and to work out (and seek some help with) personal problems.
I should make it clear that I was not aware of all of these themes
and conflicts during the interviews. Some of the connections only
became clear to me as I went over the materials after coming back
from the field (as is of course the case with other more straight-
forward anthropological data), and some of the important themes
only became evident to me during my subsequent training in
psychoanalysis. In particular, it was not until much later that I real-
was all for going out to hunt the aiang family and kill the father; Jovenil tried to dissuade
him, but he went ahead and did it.
This dream is a blatant portrayal of a childhood fantasy which, to judge by the age of the
-
onlooking child, Jovenil must have had at the age of five the same age as the earlier reported
childhood memory, which also involved watching and learning about sex. The fantasy was a
little too openly expressed for Jovenil's comfort; even the last-ditch distancing mechanism of
presenting the action, as it were, "on the stage" (Jovenil was watching the scene take place
before him) was not enough to allay his anxiety. Not only was he afraid in the dream, but he
did not at first want to tell it to me.
If we regard this as a second edition of the first dream that referred to memories at the
same age, the child's intent in pulling off Jose Bahut's penis becomes clearer. If the two
dreams are parallel, then Jovenil'sfantasy was of borrowingJosh'spenis (or his father's)for his
own use, just as in the second dream he learned from his father how to use it.
The theme of learning in the aiiang dream also has a reference to me, for I had, just two
days earlier, suggested in casual conversation, that he learn to give injections (note possible
analogies) so that he could continue the tuberculosis treatment I was giving to his wife.
ized how much Jovenil was dealing with the mourning of his son
throughout these interviews, although in retrospect it seems obvious
that he was skirting the issue through several interviews before he
finally explicitly brought it up.
Various circumstances make Jovenil's case a special one -as any
single case is. Mourning a loss, particularly the loss of one's own
child (Pollock 1961), is an emotional task which calls for much sup-
port from others. While Kagwahiv beliefs facilitate the articulation
of certain frequent emotional conflicts surrounding mourn-
ing-such as blaming oneself for the death, or someone else - Kag-
wahiv norms do not give much opportunity or communal support
for recalling and working through grief and the attendant conflicts,
although they do provide support for separation and forgetting.
For these reasons, the interviews came at an especially opportune
time for Jovenil's needs.7 Yet all the other informants I interviewed
had some personal crisis they were facing or had recently undergone
and were working through, or some adaptation they had to make,
which provided a motive for talking to someone willing to listen. For
Jovenil, and for all informants, a strong motive to participate is the
opportunity to talk to a sympathetic listener about things that are
disturbing them.
The nature of the crisis or adaptation facing each informant as
they came to the interviews must have made some difference as to
what aspects of their personality came to the fore, which childhood
memories surfaced, or generally what they talked about and how
they saw it. Awareness of an informant's personal motives for par-
ticipating must help anthropologists evaluate the information they
get from the informant, not only when the information is of such a
personal nature as what I was looking for, but even when it is more
abstract social and cultural data.
There are other preconditions for such interviews as these,
however, besides motivation. The subject of the interview must have
7 It is an
interesting but perhaps unanswerable question whether Jovenil would have re-
solved his conflicts in the same way without having these interviewswith me, or whether my
interviewsoffered him a support for his mourning process that would have been unavailable
in his own culture. This raises further questions about the part that anthropologists play in
the lives of the people they study, and how their contributions to their lives affect the data and
image of their culture, as well as about the question of the degree to which any culture pro-
vides satisfactorily for all the needs of people in it. In any case, though, Jovenil was quite
ready to use the interviewswith me to his own benefit in workingout his conflicts over mourn-
ing, and it seems not unlikely that he might have worked out some, though perhaps not all, of
these problems in conversations with some other person.
REFERENCES