‫ﺍﻟــ ﹸﻤ ﹶﺘ ﹶﻤـــ ﱢﺮ ﹾﺩ‬

‫ﺍﳊﻠﹺــﻴﻢ‬
‫ﺍﻥ ﹶﻋ ﹾﺒﺪﹸ ﹾ ﹶ‬ ‫ﻟ ﹺ ﹾﻠﻜﹶﺎﺗﹺ ﹺ‬
‫ﺐ‪ :‬ﹶﺑﺪﹾ ﹶﺭ ﹾ‬

‫~‪~1‬‬
 ‫ﺍﳌﺜﻘﻒ ﻟﻠﻨﴩ ﻭﺍﻟﺘﻮﺯﻳﻊ‬
‫ﻧﻮﻉ ﺍﻟﻌﻤﻞ‪ :‬ﺧﻮﺍﻃﺮ‬
‫ﺍﳌﺘﻤﺮﺩ‬
‫ﹼ‬ ‫ﺍﺳﻢ ﺍﻟﻌﻤﻞ‪:‬‬
‫ﺍﺳﻢ ﺍﳌﺆﻟﻒ‪ :‬ﺑﺪﺭﺍﻥ ﻋﺒﺪ ﺍﳊﻠﻴﻢ‬
‫ﺗﺼﻤﻴﻢ ﺍﻟﻐﻼﻑ‪ :‬ﺑﻮﺣﺎﺩﺓ ﻋﺒﺪ ﺍﻟﺮﲪﺎﻥ‬
‫ﺍﻟﱰﻗﻴﻢ ﺍﻟﺪﻭﱄ )‪978-9931-689-29-4 : (ISBN‬‬
‫ﺍﻟﻨﺎﴍ ‪ /‬ﺍﳌﺜﻘﻒ ﻟﻠﻨﴩ ﻭﺍﻟﺘﻮﺯﻳﻊ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬
‫ﻫﺎﺗﻒ ‪033 85 65 75 /‬‬

‫ﺍﻟﻄﺒﻌﺔ ﺍﻟﺜﺎﻧﻴﺔ ‪ 1439‬ﻫـ ‪ 2018 -‬ﻡ‬

‫ﲨﻴﻊ ﺣﻘﻮﻕ ﺍﻟﻨﴩ ﺍﻟﻮﺭﻗﻲ ﻭ ﺍﻹﻟﻜﱰﻭﲏ ﻭﺍﳌﺮﺋﻲ ﻭﺍﳌﺴﻤﻮﻉ‬
‫ﳏﻔﻮﻇﺔ ﻟﻠﻨﺎﴍ ﻭﻏﲑ ﻣﺴﻤﻮﺡ ﺑﺘﺪﺍﻭﻝ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﺑﺎﻟﻘﺺ ﺃﻭ ﺍﻟﻨﺴﺦ‬
‫ﺃﻭ ﺍﻟﺘﻌﺪﻳﻞ ﺇﻻ ﺑﺈﺫﻥ ﻣﻦ ﺍﻟﻨﺎﴍ‪.‬‬

‫~‪~2‬‬
 ‫ــــــــﺛﺍﺀ "‬
‫َ‬ ‫" ﺇ ْﻊ‬

‫ﺇﹺ ﹶﱃ ﹸﺃ ﱢﻣـــــﻲ ﺍﻟ ﱢﺘﻲ ﹶﻋ ﱠﻠ ﹶﻤ ﹾﺘﻨ ﹺﻲ ﹶﻛ ﹾﻴ ﹶ‬

‫ﻒ ﹶﺃ ﹾﺷ ﹸﻌ ﹸﺮ‬

‫ﱪ ﹶﻋ ﱠﲈ ﹶﺃ ﹾﺷ ﹸﻌ ﹸﺮ ﺑﹺ ﹺﻪ‬ ‫ﺍﻟﺬﻱ ﹶﻋ ﱠﻠ ﹶﻤﻨ ﹺﻲ ﹶﻛ ﹾﻴ ﹶ‬

‫ﻒ ﹸﺃ ﹶﻋ ﱢ ﹸ‬ ‫ﹶﻭ ﹶﺃﺑﹺـــﻲ ﱢ‬
‫ﹺ‬
‫ﻭﻑ‬ ‫ﺇﹺ ﹶﱃ ﹶﺟــﺪﱢ ﻱ‪ ،‬ﹶﻣ ﹾﻦ ﹶﺃ ﹺﻭ ﹶﺭ ﹶﺛﻨـﻲ ﹸ‬
‫ﺍﻟــﺤ ﹸﺮ ﹶ‬

‫ﹸﺃ ﹾﻫ ﹺﺪﻱ ﹶﻫﺎﺗﹺ ﹺﻪ ﺍﻟ ﱠﻠ ﹾﻮ ﹶﺣ ﹶﺔ ﹶﺃ ﹾﻳﻀ ﹰﺎ ﻟ ﹺ ﹸﻜ ﱢﻞ ﹸﻣ ﹶﺘـــ ﹶﻤ ﱢﺮ ﹴﺩ‬

‫~‪~3‬‬
~4~
 ‫ﺍﻟْﻔَﺼْــﻞُ ﺍﻷَﻭﱠﻝُ‬
‫ﹺ‬
‫ﳋ ﹺﺮﻳــ ﹾ‬
‫ﻒ‬ ‫ﺺ ﺇﹺ ﱠﻧ ﹸﻪ ﹺﺯ ﹾﻟ ﹶﺰ ﹲﺍﻝ ﹶﻭﺍ ﹶ‬
‫ﳋ ﹶﺸ ﹶﺒــ ﹸﺔ ﹶﺗ ﹶﺘ ﹶﺤ ﱠﻄ ﹸﻢ‪ ،‬ﹶﺃ ﹾﻋ ﹶﺘﻘﺪﹸ ﹶﺃ ﱠﻧ ﹸﻪ ﺍ ﹶ‬ ‫ﹶﻧ ﹾﺤ ﹸﻦ ﻻﹶ ﹶﻧ ﹾﺮ ﹸﻗ ﹸ‬

‫~‪~5‬‬
‫ﺍﻟﻔَﺼْﻞُ ﺍﻷَﻭﱠﻝُ‪ :‬ﺧَﺮِﻳﻔِﻲ ﻛُﻠﱡﻪُ‪.‬‬

‫~‪~6‬‬
 ‫ﺧ ِﺷ ﺍﻝﻂﱠ ْﻐـــﻀ‬
‫ﺧﺋُ ُﻄ ْﻈ َﺎ َ‬
‫َﺭﺍﺻِ َ‬

‫ﳋ ﹶﺸ ﹶﺒﺔ‪ ،‬ﹶﺗ ﹶﺎﺭ ﹰﺓ ﹶﺗ ﹾﻘ ﹺﻔ ﹸﺰ ﹶﻭ‬ ‫ﹶﻛﺎ ﹶﻧ ﹾﺖ ﺗﹺ ﹾﻠ ﹶﻚ ﺍﻟ ﹶﻔ ﹶﺘﺎ ﹸﺓ ﹶﺗ ﹾﺮ ﹸﻛ ﹸﺾ ﺑﹺ ﹶﺸﻜﹾ ﻞ ﹶﺭ ﹺﺍﻗ ﹴ‬

‫ﺺ ﹶﻓ ﹾﻮ ﹶﻕ ﺍ ﹶ‬

‫ﹶﺗ ﹶﺎﺭ ﹰﺓ ﹸﺃ ﹾﺧ ﹶﺮ￯ ﹶﺗ ﹾﺴ ﹸﻘ ﹸﻂ‪ ،‬ﹶﻭ ﹶﻛ ﹶﺄ ﱠﻥ ﹶﺧ ﹶﺸ ﹶﺒ ﹶﺔ ﺍﳌﹶ ﹾ ﹶ‬

‫ﴪ ﹺﺡ ﹶﻗﺪﹾ ﹸﺣ ﱢﻄ ﹶﻤ ﹾﺖ ﹶﲤ ﹶﺎ ﹰﻣﺎ ﹶﻭﻻﹶ‬

‫ﺍﻑ ﹶﺃ ﹶﺻﺎﺑﹺ ﹺﻌ ﹶﻬﺎ ﹶﻋ ﹶﲆ ﺍﻷﹶ ﹾﺭ ﹺ‬

‫ﺽ ﹶﻛ ﹶﺄ ﱠﻥ‬ ‫ﹶﺗ ﹾﺼ ﹸﻠ ﹸﺢ ﻟ ﹺ ﱠﻠﺮ ﹾﻗ ﹺ‬
‫ﺺ‪ ،‬ﹶﻛﺎ ﹶﻧ ﹾﺖ ﹸ ﹶﲢ ﱢﺮ ﹸﻙ ﹶﺃ ﹾﻃ ﹶﺮ ﹶ‬
‫ﺕ ﹸﻧﻮ ﹶﺗ ﹺ‬
‫ﺎﺕ ﺍﻟﺒ ﹶﻴـــــﺎ ﹸﻧﻮ ‪...‬‬ ‫ﺍﻟﺰﺟﺎﺝ ﻳ ﹶﺘﻨﹶﺎ ﹶﺛﺮ ﹶﻋ ﹶﲆ ﺍﻷﹶﺭ ﹺﺿﻴﺔ‪ ،‬ﹶﻓ ﹶﻘ ﹾﻂ ﹸﳌ ﹺﺤﺎ ﹶﻛﺎ ﹺ‬
‫ﹶ‬ ‫ﹾ ﱠ‬ ‫ﱡ ﹶ ﹶ ﹶ ﹸ‬
‫ﲨــ ﹶﻞ ﺇﹺ ﹾﻃ ﹶ‬
‫ﻼ ﹰﻗﺎ ـ‬ ‫‪ -‬ﹶﻛﺎ ﹶﻧ ﹾﺖ ﺍﻷﹶ ﹾ ﹶ‬

‫ﱪ ﹶﻫ ﹴﺔ ﹶﺗ ﹶﺘ ﹶﺄﻛﱠ ﺪﹸ ﹶﺃ ﱠﳖ ﹸ ﹶﲈ‬ ‫ﹺ ﹺ‬ ‫ﹺ‬ ‫ﹾﺍﺭﺗﹶﺪﹶ ﺕ ﹶﻛﺜﹺﲑ ﹰﺍ ﹺﻣ ﹶﻦ ﺍﻷﹶ ﹾ ﹶ‬

‫ﲪ ﹺﺮ ﹶﻭ ﹶﺷ ﹾﻴﺌ ﹰﺎ ﻣ ﹶﻦ ﺍﻷﹶ ﹾﺳ ﹶﻮﺩ‪ ،‬ﻟ ﹸ ﹾ‬

‫ﺍﻟﻘ ﹾﺴ ﹶﻮ ﹺﺓ ‪ ،‬ﹶﻟﻜﹺﻦ ﹶﺑــﺪﹶ ￯ ﹶﺃ ﱠﳖﺎ ﹶﺗ ﹾﺴ ﹶﺘ ﹾﻤﺘﹺ ﹸﻊ ﹶﻓ ﹶﻘﺪﹾ‬ ‫ﺎﻥ ﹺﻣ ﹶﻦ ﹶ‬ ‫ﺎﻥ ﻣﺴ ﹶﺘ ﹾﺨ ﹶﻠﺼ ﹺ‬

‫ﹶ‬
‫ﹺ‬
‫ﹶﻟ ﹾﻮ ﹶﻧ ﹸ ﹾ‬
‫ﲔ ﻭ ﹶﺃﻳﻀ ﹰﺎ ﹶﻧ ﹺﺴﻴ ﹾﺖ ﻭﺟ ﹺ‬ ‫ﹺ ﹺ‬ ‫ﻮﺭ ﹶ ﹴ‬ ‫ﹶﻧ ﹺﺴ ﹶﻴ ﹾﺖ ﹸﻭ ﹸﺟﻮ ﹶﺩ ﹸ ﹾ‬
‫ﻮﺩﻱ‬ ‫ﱠ ﹸ ﹸ‬ ‫ﻭﳉﻨﹶﺔ‪ ،‬ﹸﻋ ﱠﲈ ﹴﻝ ﺗ ﹶﻘﻨ ﱢﻴ ﹶ ﹶ ﹾ‬
‫ﲨ ﹸﻬ ﹴ ﹾ‬

‫ﹶﺃ ﹶﻧﺎ‬

‫ـ ﹶﻛﺎﺗﹺ ﹸﺒ ﹶﻬﺎ ﺍﳌﹸ ﹶﻔ ﱠﻀﻞ ـ‬

‫ﻳﻞ ﹶﻭﺍ ﹾﻗ ﹶﺴ ﹶﻤ ﹾﺖ ﹶﺃ ﹾﻥ ﻻﹶ ﹸﺗ ﹶﻌ ﹺ‬
‫ﺎﻭ ﹶﺩ ﹾﻩ‬ ‫ﺺ ﹸﻣﻨﹾ ﹸﺬ ﹶﺯ ﹶﻣ ﹴﻦ ﹶﻃ ﹺﻮ ﹴ‬
‫ﺍﻟﺮ ﹾﻗ ﹶ‬
‫ﺍﻋ ﹶﺘ ﹶﺰ ﹶﻟﺖ ﱠ‬
‫ﹾ‬

‫~‪~7‬‬
‫ﹶﺃ ﹾﻗ ﹶﺴ ﹶﻤ ﹾﺖ ﹶﺃ ﱠﳖ ﹶﺎ ﹶﻟ ﹾﻦ ﹶﺗ ﹶﺘ ﹶﲈ ﹶﻳ ﹶﻞ ﹶﻋ ﹶﲆ ﹶﺃ ﹾﻃ ﹶﺮ ﹶﺍ ﹺﻑ ﹶﺃ ﹶﺻﺎﺑﹺ ﹺﻌ ﹶﻬﺎ ﹸﳎ ﹶﺪﱠ ﺩ ﹰﺍ‪ ،‬ﹶﻟ ﹾﻦ ﹸﺗ ﹶﺮ ﹺﺍﻗ ﹶﺼ ﹾﻪ‬
‫ﺍﻋﻴﺪﹶ ﻣﻊ ﺍﳌﹸ ﹺ‬
‫ﻒ ﺍﻟ ﱠﻠﻴ ﹺﻞ‪ ،‬ﹶﻓﺈﹺ ﱠﻥ ﹶﳍﺎ ﻣﻮ ﹺ‬ ‫ﹺ‬
‫ﻮﺳ ﹶﻴﻘﻰ‬ ‫ﹶ ﹶ‬ ‫ﹶ ﹶﹶ‬ ‫ﺇﹺ ﱠﻻ ﺣﻴﻨﹶ ﹶﲈ ﹶﻳﺪﹸ ﱠﻕ ﹸﻣﻨﹾ ﹶﺘ ﹶﺼ ﹸ ﹾ‬
‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹺ ﹺ‬
‫ﴪ ﹺﺡ‪ ،‬ﹶﻭ ﹶﺗ ﹾﺼﻨﹶ ﹸﻊ ﻣ ﹾﻦ ﹶﺃ ﹶﻛﺎﺫ ﹶ‬
‫ﻳﺐ‬ ‫ﹶﺗ ﹾﺮ ﹶﺗﺴ ﹸﻢ ﰲ ﹶﺧ ﹶﻴﺎﳍ ﹶﺎ ﹶﺧ ﹶﺸ ﹶﺒ ﹸﺔ ﺍﳌﹶ ﹾ ﹶ‬
‫ﹶﻛﺜﹺ ﹶﲑ ﹴﺓ… ﹶﺣ ﹺﻘ ﹶﻴﻘﺔ‬

‫ﺎﺡ ﹶﻓ ﹶﺮ ﹺﻭ ﱟﻱ ﹶﺃ ﹾﺳ ﹶﻮ ﹾﺩ‬
‫ﲪ ﹴﺮ ﹶﻭ ﹺﻭ ﹶﺷ ﹴ‬ ‫ﹶﺑ ﹾﻴ ﹶﻀﺎ ﹸﺀ ﺑﹺ ﹶﺜ ﹾﻮ ﹴ‬
‫ﺏ ﹶﺃ ﹾ ﹶ‬
‫ﻮﺳ ﹶﻴﻘﻰ ﻭ ﹸﺗ ﹾﻠ ﹺﻬﺐ ﹺﺩﻣﺎﺀ ﹸﻋﺮ ﹺ‬
‫ﻭﻗ ﹶﻬﺎ ﹶﺣ ﹶﺘﻰ ﹶ ﹾﲡ ﹶﻤﺪﹾ‬ ‫ﹸﺗﻌﺎﻧﹺﺪﹸ ﺍﳌﹸ ﹺ‬
‫ﹸ ﹶ ﹶ ﹸ‬ ‫ﹶ‬ ‫ﹶ‬

‫ﺎﻉ‬ ‫ﺎﺝ ﹶﻭ ﹶﺗ ﹾﺴ ﹶﺘ ﹾﻤﺘﹺ ﹸﻊ ﺑﹺﺎﻷﹶ ﹶﱂﹴ‪ ،‬ﹶﻳﺎﺋﹺ ﹶﺴ ﹶﺔ ﹺ‬

‫ﺍﻹ ﹶﻳﻘ ﹾ‬ ‫ﺍﻟﺰ ﹶﺟ ﹶ‬ ‫ﻭﺱ ﺍﻷﹶ ﹾﺷ ﹶﻮ ﹶ‬
‫ﺍﻙ ﹶﻭ ﱡ‬ ‫ﹶﺗﺪﹸ ﹸ‬
‫ﺍﺧ ﹺﻠ ﹺﻪ ﹶﺃ ﹾﻟ ﹸ ﹺ‬
‫ﺍﻟﺬﻱ ﺑﹺﺪﹶ ﹺ‬
‫ﻼ ﹸﻙ ﱢ‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬
‫ﺍﻉ‬
‫ﴏ ﹾ‬‫ﻒ ﹶ‬ ‫ﹶﺗ ﹾﺒﻜﻲ ﹶﻭ ﹶﺗ ﹾﺒ ﹶﺘﺴ ﹾﻢ‪ ،‬ﹶ ﹾﲢ ﹶﻴﻰ ﹶﻭ ﹶ ﹾﲢ ﹶﺘ ﹾ‬
‫ﴬ‪ ،‬ﺍﳌﹶ ﹶ‬

‫ﺎﺭ ﹶﺩ ﹴﺓ ﹶﻋ ﹶﲆ ﺍﳋﹶ ﹼﹾﺪ‬

‫ﺎﺭ ﹶﺣ ﹰﺔ ﺑﹺ ﹶﺘ ﹾﻔﻜﹺ ﹺﲑ ﹶﻫﺎ ﹶﻭ ﹶﻻ ﹶﺗ ﹾﺴ ﹶﺘ ﹾﻴ ﹺﻘ ﹸﻆ ﺇﹺ ﱠﻻ ﺑﹺﺪﹶ ﹾﻣ ﹶﻌ ﹴﺔ ﹶﺑ ﹺ‬
‫ﹶﺳ ﹺ‬

‫ﺍﻟﻮ ﹶﺳﺎ ﹶﺩ ﹸﺓ ﹶﻓ ﹶﺎﺭ ﹶﻗ ﹾﺘ ﹶﻬﺎ ﹶﺑ ﹺﻌﻴﺪﹰ ﺍ ﹶﻋ ﹾﻦ ﺍﻟ ﹶﻴ ﹺﺪ‬

‫ﹸﺗ ﹶﻌﺎﻧﹺ ﹸﻖ ﹺﻭ ﹶﺳﺎ ﹶﺩ ﹶ ﹶﲥﺎ ﹶﻗ ﹾﺒ ﹶﻞ ﺍﻟﻨﱠ ﹾﻮﻡ ﻟ ﹺ ﹸﺘ ﹺﻔ ﹶﻴﻖ ﹶﻭ ﹺ‬
‫ﹺ ﹺ‬ ‫ﹺ ﹺ ﹺ‬ ‫ﹺ‬
‫ﹶﺗ ﹾﻜ ﹶﺘﻔﻲ ﺑﹺ ﹸﻤ ﹶﻘﺎ ﹶﺗ ﹶﻠﺔ ﻛ ﹾ ﹺﱪ ﹶﻳﺎﺋ ﹶﻬﺎ ﹶﻟ ﹾﻴ ﹰﻼ ﹶﻭ ﹸﳐ ﹶﺎ ﹶﻃ ﹶﺒﺔ ﹶﺿﻤ ﹺﲑ ﹶﻫﺎ ﹶﺻ ﹶﺒ ﹰ‬
‫ﺎﺣﺎ‬
‫ﹺ‬ ‫ﹺ‬
‫ﹶﻭ ﹶﻋﺪﹶ ﹾﺗ ﹸﻪ ﹶﺃ ﱠﳖ ﹶﺎ ﹶﻟ ﹾﻦ ﹶﺗ ﹾﻜ ﹶﺘﻔﻲ ﹶﺣ ﱠﺘﻰ ﹶﺗﻨﹾ ﹶﺘﻘ ﹶﻢ ﹶﻭ ﹶﻟ ﹾﻮ ﹶﺃ ﱠﻥ ﹶﻫ ﹶﺬﺍ ﹶﺳ ﹶﻴ ﹺﺰﻳﺪﹸ ﹶﻫﺎ ﹺﺟ ﹶﺮ ﹰ‬
‫ﺍﺣﺎ‬
‫ﹺ‬ ‫ﹺ‬
‫ﹶﺷ ﹾﻘ ﹶﺮﺍ ﹲﺀ ﹺﰲ ﹸﻣﻨﹾ ﹶﺘ ﹶﺼﻒ ﺍﻟ ﱠﻠ ﹾﻴ ﹴﻞ‪ ،‬ﹶﻋ ﹶﲆ ﹶﺿ ﹾﻮﺀ ﺍﻟ ﹶﺒﺪﹾ ﹺﺭ ﹶﺗ ﹾﺮ ﹸﻗ ﹾ‬
‫ﺺ‬
‫ﺍﻋ ﹶﺘﺎﺩ ﹾﺕ ﺍﳋﻴﺒ ﹺ‬
‫ﺎﺕ ﹶﻭ ﹸﻭ ﹸﺭﻭ ﹸﺩ ﹶﻫﺎ ﹶﺃ ﹾﻭ ﹶﺷ ﹶﻜ ﹾﺖ ﹶﺃ ﹾﻥ ﹶﺗ ﹾﻴ ﹸﺒ ﹾﺲ‬ ‫ﹶﹾﹶ‬ ‫ﹶﺷ ﹾﻘ ﹶﺮﺍ ﹲﺀ ﹾ ﹶ‬

‫~‪~8‬‬
 ‫ﺍﻋﺘﹶﺪﹶ ﹸﺕ ﺍﻟﺴﻬﺮ ﹸﺃﺭ ﹺﺍﻗﺒﻬﺎ ﹺﻣﻦ ﹶﻧﺎﻓﹺ ﹶﺬ ﹺﺓ ﻏﹸ ﺮ ﹶﻓﺘﹺﻬﺎ‪ ،‬ﹺﰲ ﻣﻨﹾ ﹶﺘﺼ ﹺ‬
‫ﻒ ﺍﻟ ﱠﻠ ﹾﻴﻞ‬ ‫ﹾ‬
‫ﹸ ﹶ‬ ‫ﹾ ﹶ‬ ‫ﱠ ﹶﹶ ﹶ ﹸﹶ ﹾ‬
‫ﺍﻥ ﻭ ﹶﺗ ﹾﻜ ﹶﺘ ﹺﻔﻲ ﺑﹺ ﹶﱰ ﹺﺩ ﹺ‬
‫ﻳﺪ " ﹶﻧ ﹶﻌـــ ﹾﻢ ﹶﺃ ﹶﻧﺎ ﺑﹺ ﹶﺨ ﹾﲑ"‬ ‫ﹴ‬
‫ﹾ‬ ‫ﲔ ﹶﺃ ﹾﺭ ﹶﺑ ﹺﻊ ﹸﺟﺪﹾ ﹶﺭ ﹶ‬
‫ﹶﺗ ﹶﺘ ﹶﲈ ﹶﻳ ﹸﻞ ﹶﺑ ﹾ ﹶ‬
‫ﹶ‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹶ ﹺﹺ ﹺ ﹶ‬
‫ﺃ ﹾﺧﱪﳞ ﹾﻢ ﺃ ﱠﻥ ﹶﺭﺍﻗ ﹶﺼ ﹶﺔ ﹸﻣﻨﹾ ﹶﺘ ﹶﺼﻒ ﺍﻟ ﱠﻠ ﹾﻴ ﹺﻞ ﹶﺗ ﹶﺘﺄ ﱠﱂ ﹾ‬
‫ﺍﻥ ﹶﻭ ﹶﻣ ﹶﻊ ﹶﺫﻟﹺ ﹶﻚ ﹶﺗ ﹶﺘ ﹶﺄ ﹾﻗ ﹶﻠ ﹾﻢ‬ ‫ﹶﺃ ﹾﺧ ﹺ ﹺﱪﳞﹺﻢ ﹶﺃﳖﺎ ﹶﻻ ﹶﺗﻨﹾ ﹶﺘ ﹺﻤﻲ ﺇﹺ ﹶﱃ ﹶﻗ ﹾﻠﻌ ﹺﺔ ﺍﻷﹶﺣ ﹶﺰ ﹺ‬
‫ﹾ‬ ‫ﹶ‬ ‫ﹾ ﱠﹶ‬
‫ﲔ ﳌﹶ ﹺﻦ ﻳ ﹾﺆ ﹺﺫ ﹺ‬‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬
‫ﻳﻚ‬ ‫ﹶﻓ ﹶﻘ ﹾﻂ ﹶﺃ ﹾﺧ ﹺ ﹺﱪ ﹾ‬
‫ﳞﻢ ﹶﺷ ﹾﻴﺌ ﹰﺎ ﹶﻣــﺎ‪ ،‬ﹶﻣﻠ ﹾﻠ ﹸﺖ ﹸﻣ ﹶﺮﺍ ﹶﻗ ﹶﺒ ﹶﺘﻚ ﹶﺗﻨﹾ ﹶﺤﻨ ﹶ ﹾ ﹸ‬
‫ﻚ ﺭﺑﲈ ﺁ ﹺﰐ ﹺﻷﹸ ﹶﻋ ﱢﺰ ﹺ‬ ‫ﹺ ﹺ‬ ‫ﹺ‬
‫ﻳﻚ‬ ‫ﳞﻢ ﹶﻭﺇﹺ ﱠﻻ ﹶﻓ ﹶﻌ ﹾﻠ ﹸﺖ ﹶﻭ ﹾﺍﺭ ﹸﻗﴢ ﹺﰲ ﹶﺟﻨﹶ ﹶﺎﺯﺗ ﹸ ﱠ ﹶ‬
‫ﹶﺃ ﹾﺧ ﹺ ﹺﱪ ﹾ‬
‫ﻳﺎ ﺭ ﹺﺍﻗﺼ ﹶﺔ ﻣﻨﹾﺘﹶﺼ ﹺ‬
‫ﻒ ﺍﻟ ﱠﻠ ﹾﻴ ﹾﻞ …‬ ‫ﹶ ﹶ ﹶ ﹸ ﹶ‬

‫~‪~9‬‬
 ‫ﺸَ َﺎﺍ ُﺓ ﺍ�َ َﺔﻂﱠﺋ‬

‫ﺍﺣﺎ‬
‫ﺺ ﹸﻧ ﱠﻮ ﹰ‬ ‫ﹸﻳ ﹶﻘ ﹸﺎﻝ ﹶﺃ ﱠﳖ ﹶﺎ ﹶﻇﻨﱠ ﹾﺖ ﹶﺃ ﱠﳖ ﹶﺎ ﹶ ﹾﲢ ﹸﻠ ﹾﻢ ﹶﻭ ﹶﺭ ﹶﺃ ﹾﺕ ﺍﻟ ﱠﺸ ﹶﻴﺎﻃﹺ ﹶ‬
‫ﲔ ﹶﺗ ﹾﺮ ﹸﻗ ﹸ‬
‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬
‫ﹶﻗﺎ ﹶﻟ ﹾﺖ ﹺﰲ ﹶﻧ ﹾﻔﺴ ﹶﻬﺎ ﹶﺳ ﹶﺄ ﹾﺳ ﹶﺘ ﹾﻤﺘ ﹸﻊ ﹺ ﹶﲠ ﹶﺬﺍ ﹶﻗ ﹾﺒ ﹶﻞ ﹶﺃ ﹾﻥ ﹶﺃ ﹾﺳ ﹶﺘ ﹾﻴﻘ ﹶﻆ ﹶﺻ ﹶﺒ ﹰ‬
‫ﺎﺣﺎ‬

‫ﲣ ﹸﺬ ﹺ ﹼﱄ ﺍﻟﻨﱠ ﹾﺮ ﹺﺟ ﹺﺴ ﱠﻴ ﹶﺔ ﹶ ﹺﳍﻴﺒ ﹰﺎ ﹺﰲ ﹶﺟﻨﱠﺔ‬

‫ﹶﺃ ﹶﻧﺎ ﻭ ﺍﻟ ﹶﻜ ﹺﺎﻣﲑﺍ ﻭﺍﳌﹸﺼﻮﺭ ﻭﺟﺴ ﹺﺪﻱ ﺳ ﹶﺄ ﱠ ﹺ‬
‫ﹶ‬ ‫ﹶ ﹶ ﹶ ﱢﹾ ﹶ ﹶ ﹶ‬ ‫ﹶ‬

‫ﺎﺿ ﹰﺒﺎ ﹺﻣﻨﹾ ﹶﻬﺎ ﹶﻛﺎ ﹶﻧ ﹾﺖ ﹶﻋ ﹶﲆ ﹺﻏ ﹶﻼ ﹺﻑ ﹸﻛ ﱢﻞ ﹶﳎ ﹶ ﱠﻠﺔ‬

‫ﺎﻥ ﻏﹶ ﹺ‬
‫ﺍﻟﺮ ﱡﺏ ﹶﻛ ﹶ‬
‫ﱠ‬
‫ﺍﻟﺸ ﹶﺘ ﹺ‬
‫ﺎﺀ ﺍﳌﹶﺎﻃﹺ ﹾﺮ‬ ‫ﺍﻟﺼ ﹶﺤﺎ ﹶﻓ ﹶﺔ ﹶﺃ ﱠﳖ ﹶﺎ ﹶﺃ ﹶﺣ ﱠﺒﺖ ﹶﺷ ﹾﺨ ﹰﺼﺎ ﹺﰲ ﹶﺃ ﹶﺣ ﱢﺮ ﹶﺃ ﱠﻳﺎ ﹺﻡ ﱢ‬
‫ﱪﺕ ﱠ‬‫ﹶﺃ ﹾﺧ ﹶ ﹶ‬
‫ﹶﱂ ﻳﺒﻜﹺﻲ ﹶﺃﺣﺪﹲ ﹶﱂ ﳞ ﹶﺘﻢ ‪ ،‬ﻭ ﹶﻃﺒﻌ ﹰﺎ ﻫﻠﻢ ﺍﳉ ﹺﻤﻴﻊ ﻣ ﹶﻐ ﹺ‬
‫ﺎﺩ ﹾﺭ ‪..‬‬ ‫ﹶ ﹾ ﹶ ﱠ ﹶ ﹸ ﹸ‬ ‫ﹶ ﹾﹶﹾ‬ ‫ﹾﹶﹾ‬

‫ﻳﺴ ﹶﺘﺎﻟ ﹺ ﱠﻴﺔ‬ ‫ﹺ‬ ‫ﹺ‬

‫ﺍﺕ ﺍﳋﹶ ﹾﻤ ﹶﺮﺓ ﹺﰲ ﹶﻛ ﹾﺄﺳ ﹶﻬﺎ ﺍﻟ ﹾﻜ ﹺﺮ ﹾ‬
‫ﺎﻭ ﹶﺗ ﹾﺖ ﹶﻗ ﹶﻄ ﹶﺮ ﹸ‬
‫ﹶﺗ ﹶﻔ ﹶ‬

‫ﺑﺴﻴ ﹸﻜﻮ ﹶﻓ ﹾﻠ ﹶﺴ ﹺﻔ ﱠﻴﺔ‬

‫ﹶﺗﻨﹶﺤ ﹾﺖ ﺟﺎﻧﹺﺒﺎ ﺍﳌﹸ ﹶﺘ ﹶﻈﺎﻫﺮﺓ ‪ ،‬ﹺﺣﻴﻨﹶﲈ ﹶﺗﻌ ﱠﻠ ﹶﻖ ﺍﻷﹶﻣﺮ ﺑﹺ ﹶﺄ ﹾﺷﻴﺎﺀ ﹺ‬
‫ﹶ ﹶ‬ ‫ﹾﹸ‬ ‫ﹶ ﹶ‬ ‫ﹶﹶ‬ ‫ﱠ ﹶ ﹰ‬
‫ﺍﺳ ﹶﺘ ﹶﻐ ﱠﻠ ﹾﺖ ﹸﺿﻌ ﹶﻔﻬﺎ ﺍﻷﹸ ﹾﻧ ﹶﺜ ﹺﻮﻱ‪ ،‬ﻟ ﹺ ﹸﺘﺼﺒﹺﺢ ﹶﻋ ﹶﲆ ﹺ‬
‫ﺍﻟﻐ ﹶﻼ ﹾ‬
‫ﻑ‬ ‫ﹾ ﹶ‬ ‫ﱠ‬ ‫ﹾ ﹶ‬ ‫ﹾ‬

‫ﺎﻋﺔ ﹶﻋ ﹶﲆ ﹺﺧ ﹶﻼ ﹾ‬
‫ﻑ‬ ‫ﺍﻟﺸ ﹶﺠ ﹶ‬ ‫ﻭ ﹶﻟﻜﹺﻦ ﺩ ﹺ‬
‫ﺍﺧ ﹶﻠ ﹶﻬﺎ ﹶﻋﻠﹺ ﹶﻤ ﹾﺖ ﺑﹺ ﹶﺄ ﱠﳖ ﹶﺎ ﹺﻫ ﱠﻲ ﹶﻭ ﱠ‬ ‫ﹶ ﹾ ﹶ‬

‫~ ‪~ 10‬‬
‫ﳾ ﹴﺀ ﻟ ﹺ ﹶﺘ ﹾﻠ ﹶﻘﻰ‬ ‫ﹺ‬ ‫ﲣﺎﻓﹺ ﹾ‬
‫ﲔ؟ ﺃ ﹾﻧﺖ ﹶﺟ ﹶﺒﺎ ﹶﻧﺔ ﹶﺳ ﹶﺘ ﹾﻔ ﹶﻌ ﹸﻞ ﺃ ﱠﻱ ﹶ ﹾ‬
‫ﹶﺿ ﹺﻤﲑﻫﺎ‪ :‬ﺃ ﹾﻧ ﹺ‬
‫ﺖ ﻻﹶ ﹶ ﹶ‬ ‫ﹸﹶ‬

‫ﺍﻻ ﹾﻫﺘﹺ ﹶﲈ ﹾﻡ ‪..‬‬

‫ﺍﻙ ﺍﻟﺮ ﹺ‬
‫ﺍﺣ ﹾﻞ ﹶﻻ ﹶﺃ ﹶﻧﺎ ﹶﻭ ﹶﻻ ﹶﺃ ﹾﻧ ﹶﺖ‪،‬‬ ‫ﹺ‬
‫ﻫ ﹼﻲ‪ :‬ﹶﻣ ﹶﻌ ﹶﻚ ﹶﺣ ﹾﻖ‪ ،‬ﹶﻟ ﹶﻘﺪﹾ ﺍﻏﹾ ﹶﺘ ﹶﺼ ﹶﺒﻨﹶﺎ ﹶﺫ ﹶ ﹼ‬
‫ﹶﻧ ﹾﺴﺘ ﹺﺤ ﱡﻖ ﺍﻻﺋﹾﺘﹺ ﹶﲈ ﹾﻥ‬

‫ﺎﺟ ﹶﻌﻨ ﹺﻲ ﹸﻣ ﹾﺴ ﹶﺘ ﹾﻌ ﹺﻤ ﹰﻼ ﹶﺃ ﹾﻗ ﹶﺴﻰ ﹺﺣ ﹶﻴ ﹺﲇ‬

‫ﹶﺿ ﹶ‬
‫ﻭ ﹶﺿﺎﺟﻊ ﻛﹺ ﹺﱪﻳﺎﺋﹺﻲ‪ ،‬ﺑﹺ ﹶﻘﺴ ﹺ‬
‫ﻮﺓ ﺍﻷﹶ ﹾﻣ ﹾﺲ‬ ‫ﹾ‬ ‫ﹶ ﹶ ﹶ ﹾ ﹶ‬

‫ﺎﺟ ﹶﻌ ﹾﺖ ﹶﺃ ﹾﺭ ﹶﻗﻰ ﹺﺳ ﹶﻴ ﹺﻤﻲ‬

‫ﻏﹶ ﹴﺮ ﹶﻳﺰ ﹺﰐ ﹶﺿ ﹶ‬

‫ﺍﻟﻘ ﹶﻤ ﹶﺮ ﺑﹺ ﱠ‬
‫ﺎﻟﺸ ﹾﻤ ﹾﺲ ‪..‬‬ ‫ﻭ ﹶﺃ ﹾﺑﺪﹶ ﹾﻟ ﹸﺖ ﹶﺃ ﹶﻧﺎ ﹶ‬

‫~ ‪~ 11‬‬
 ‫ﺍﺀ‬
‫ﻍُ َﺭ َﺏــــــــــــ ْ‬

‫ﹶﺃ ﱠﻭ ﹸﻝ ﹶﻣﺎ ﹶﻗﺪﹾ ﹶﻳ ﹾﺒﺪﹸ ﻭ ﹸﻣ ﹾﻀ ﹺﺤ ﹰﻜﺎ ﻟ ﹺ ﹶﻜﺎﺋﹺ ﹴﻦ ﹶﻓ ﹶﻀﺎﺋﹺ ﱟﻲ ﺑﹺ ﹶﺸ ﹾﺄ ﹺﻥ ﺍﻟ ﹶﺒ ﹶ ﹺ‬

‫ﴩ ﹸﻫ ﱠﻮ ﹶﻃ ﹺﺮ ﹶﻳﻘ ﹸﺘ ﹸﻬ ﹾﻢ‬
‫ﹺﰲ ﹶﺗﺼﻨ ﹺ ﹺ‬
‫ﻴﻒ ﺍﻟ ﹸﻐ ﹶﺮ ﹶﺑﺎ ﹾﺀ‪...‬‬ ‫ﹾ‬

‫ﹶﻛ ﹺﻔ ﹾﻜ ﹶﺮ ﹴﺓ ﹶﺃ ﱠﻭﻟ ﹺ ﱠﻴ ﹴﺔ ﺍﻟ ﹸﻐ ﹶﺮ ﹶﺑﺎ ﹸﺀ ﹸﻫ ﹾﻢ ﹶﻣ ﹾﻦ ﹶﻻ ﹶﻧ ﹾﻌ ﹺﺮ ﹸﻓ ﹸﻬ ﹾﻢ‪...‬‬

‫ﻑ ﺍﻟ ﹶﻜﺜﹺ ﹶﲑ ﹺﻣ ﹶﻦ ﺍﻟ ﹸﻐ ﹶﺮ ﹶﺑﺎ ﹾﺀ؟‬

‫ﺇﹴﺫ ﹰﺍ ﹶﳌ ﹺﺎ ﹶﺫﺍ ﹶﻧ ﹾﻌ ﹺﺮ ﹸ‬

‫ﺐ ﺍﻟﻨﱠ ﹶﻈ ﹶﺮ ﹶﺇﱃ ﺍﻟ ﹸﻐ ﹶﺮ ﹶﺑﺎ ﹾﺀ؟ ﹶﻫ ﹾﻞ ﹺﻷﹶ ﱠﻧﻨﹶﺎ ﹶﻧ ﹾﻌ ﹺﺮ ﹸﻓ ﹸﻬ ﹾﻢ؟‬ ‫ﹺ‬

‫ﹶﻭ ﹶﳌﺎ ﹶﺫﺍ ﹶﻧ ﹶﺘ ﹶﺠﻨﱠ ﹸ‬

‫ﻴﻒ ﹺﺫ ﹾﻛ ﹶﺮ ﹶﻳﺎﺗﹺﻨﹶﺎ ﺍﻟ ﹶﺘ ﹶﻘ ﹾﻴﻨﹶﺎ ﹺﰲ ﹶﻳ ﹾﻮ ﹴﻡ ﹸﳑ ﹾﻄﹺ ﹾﺮ‬

‫ﹺﰲ ﺭ ﹺﺻ ﹺ‬
‫ﹶ‬

‫ﺎﺕ ﹶﻭ ﹶﻟﻜﹺ ﹾﻦ ﺍ ﹾﺧ ﹶﺘ ﹶﻠ ﹶ‬
‫ﻒ‬ ‫ﺍﻟﺬ ﹾﻛﺮﻳ ﹺ‬ ‫ﹺ‬ ‫ﹺ ﹺ‬
‫ﺍﻟﻘ ﱠﻔ ﹶﺎﺯﺍﺕ ﹶﻭﺍﳌ ﹶﻈ ﱠﻼﺕ ﹶﻭ ﱢ ﹶ ﹶ‬
‫ﹶﺗ ﹶﺸﺎ ﹶﺭ ﹾﻛﻨﹶﺎ ﹶﻧ ﹾﻔ ﹶﺲ ﹸ‬
‫ﹺ‬
‫ﺍﻟﻌ ﹾﻄ ﹾﺮ‬
‫ﹶ‬ ‫ﹺ ﹶ‬ ‫ﺎﺻ ﹺ‬ ‫ﹺﰲ ﹶﻟﻴ ﹶﻠ ﹺﺔ ﹶﺃﻣﺲ ﺑﺤ ﹾﺜ ﹸﺖ ﹶﻋﱪ ﹸﻛ ﱢﻞ ﹶﺗ ﹶﻔ ﹺ‬
‫ﻴﻞ ﹶﺟ ﹶﺴﺪ ﹶﻫﺎ ﺃ ﹾﻭ ﹶﻋ ﹶﲆ ﺍﻷ ﹶﻗﻞ ﹶﻣﺎ ﹶﱂ ﹾ‬ ‫ﹾﹶ‬ ‫ﹾ ﹾ ﹶ ﹶ‬

‫ﲣ ﹺﻔ ﹺﻪ ﹶﻳﺪﹶ ﹾ ﹶﳞﺎ‬
‫ﹸﹾ‬

‫~ ‪~ 12‬‬
 ‫ﻭﺏ ﺍﻟ ﹶﻔ ﹺ‬
‫ﺨ ﹶﺬ ﹾﻳﻦ ﹶﺇﱃ ﺍﻟﻨﱠ ﹶﻤ ﹺ‬
‫ﺶ‬ ‫ﺍﻟﺼﺪﹾ ﺭ ﹶﺇﱃ ﹸﻧﺪﹸ ﹺ‬ ‫ﳋ ﹺﻔ ﱠﻴ ﹾﺔ ﹶﺑ ﹾ ﹶ‬ ‫ﹺﻣ ﹶﻦ ﱠ‬
‫ﲔ ﱠ‬ ‫ﺍﻟﺸﺎ ﹶﻣﺔ ﺍ ﹶ‬

‫ﺍﳋﹶ ﹺﻔ ﱢﻲ ﹶ ﹾﲢ ﹶﺖ ﹶﻋ ﹾﻴﻨﹶ ﹾﻴ ﹶﻬﺎ‬

‫ﹺ ﹺ‬ ‫ﺎﻫﻬﺎ ﺇﹺ ﹶﱃ ﹺﺷ ﹶﻔ ﹺ‬
‫ﺎﻫ ﹶﻬﺎ ﺇﹺ ﹶﱃ ﹶﻛ ﹾﺄ ﹺ‬ ‫ﹺﻣﻦ ﹶﺃ ﹾ ﹶ ﹺ ﹺ‬
‫ﺍﻟﺬﻱ ﹶﻗ ﱠﺒ ﹶﻠ ﹶﻬﺎ‬
‫ﺎﳼ ﱢ‬‫ﺱ ﺍﻟﻨﱠﺒﹺﻴﺬ ﺍﳌﹶ ﱢ‬ ‫ﲪ ﹺﺮ ﺷ ﹶﻔ ﹶ‬ ‫ﹾ‬

‫ﺍﻟﺬﻱ ﹾﺍﺭ ﹶﺗﺪﹶ ﹾﻳ ﹸﺘ ﹸﻪ ﹶﺃ ﹶﻧﺎ ﹶﻗ ﹾﺒ ﹶﻠ ﹶﻬﺎ‬

‫ﻴﴢ ﱢ‬‫ﴎ ﹺﻳﺮﻱ ﺍﻟ ﱢﺘﻲ ﹶﻋﺎ ﹶﻧ ﹾﻘﺘﻬﺎ ﺇﹺ ﹶﱃ ﹶﻗ ﹺﻤ ﹺ‬
‫ﹺﻣ ﹾﻦ ﹶﺃ ﹾﻓ ﹺﺮ ﹶﺷ ﹺﺔ ﹶ ﹺ‬
‫ﹶ‬

‫ﻴﺬ ﹶﻓ ﹶﺮ ﹾﻧ ﹺﴘ‬
‫ﺍﻟﻮﺳﺎﺩ ﹶﺓ ﻭﻣﺎ ﺑﻴﻨﹶﻬﲈ ﹺﻣﻦ ﹶﻧﺒﹺ ﹴ‬ ‫ﹺﰲ ﹶﻟ ﹾﻴ ﹶﻠ ﹺﺔ ﹶﺃ ﹾﻣﺲ ﹶﺗ ﹶﺸ ﹶﺎﺭ ﹾﻛﻨﹶﺎ ﱠ ﹺ‬
‫ﺍﻟﴪ ﹶﻳﺮ ﹶﻭ ﹺ ﹶ ﹶ ﹶ ﹶ ﹶ ﹾ ﹸ ﹶ ﹾ‬

‫ﲔ ﹸﻧ ﹶﻘ ﱢﺒ ﹸﻞ ﹶﺑ ﹾﻌ ﹶﻀﻨﹶﺎ ﹺﰲ ﹶﻣ ﹾﻘ ﹶﻌ ﹴﺪ ﹶﺧ ﹾﻠ ﹺﻔ ﱟﻲ ﹺﰲ‬
‫ﹶﺑ ﹾﻌﺪﹶ ﹶﺃ ﹾﻥ ﹸﻋﺪﹾ ﹶﻧﺎ ﹺﻣ ﹾﻦ ﺍﳌﹶ ﹾﻄ ﹶﻌ ﹺﻢ ﹶﺛ ﹾﻤ ﹶﻠ ﹾ ﹺ‬

‫ﺗﹶﺎﻛ ﹺﹾﴘ‬

‫ﲪ ﹶﻠ ﹸﺖ ﺇﹺ ﹾﺣﺪﹶ ﹶﺍﻫﺎ ﹺﻷﹶ ﹺﺟﺪﹶ ﱠﺃ ﱠﻧ ﹸﻪ ﹶﻣ ﹾﻮ ﹺﻋﺪﹸ ﹶﻧﺎ‬

‫ﻴﻒ ﹺﺫ ﹾﻛ ﹶﺮ ﹶﻳﺎﺗﹺﻨﹶﺎ ﹶﺃ ﹾﻭ ﹶﺭ ﹲﺍﻕ ﹶ ﹶ‬
‫ﹺﰲ ﺭ ﹺﺻ ﹺ‬
‫ﹶ‬

‫ﺍﻷﹶ ﱠﻭ ﹾﻝ‬

‫ﳛﺎﻛﹺﻴﻨ ﹺﻲ ﹺﰲ ﺍﻷﹶ ﹶﻧﺎ ﹶﻗ ﹺﺔ‬ ‫ﹺ‬ ‫ﺍﻟﻘ ﹶ ﹺ‬

‫ﺎﻋﺔ ﹶﻭ ﹶﺣ ﹾﺴ ﹸﺒﻚ ﹶﱂ ﹾ ﹸ ﹶ‬ ‫ﲨ ﹶﻞ ﹸﺃ ﹾﻧ ﹶﺜﻰ ﹺﰲ ﹶ‬ ‫ﻳﻮﻡ ﹸﻛﻨﹾ ﹺ‬
‫ﺖ ﹶﺃ ﹾ ﹶ‬ ‫ﹶﹾ ﹶ‬
‫ﹶﺭ ﹸﺟ ﹾﻞ‬

‫ﺎﺕ ﺍﻟ ﱠﻠ ﹺﻌﻴ ﹶﻨ ﹸﺔ ﹶﺳ ﹶﺘ ﹾﺒ ﹶﻘﻰ ﺍﻷﹶ ﹾ ﹶ‬

‫ﲨ ﹶﻞ ﺇﹺ ﹾﻃ ﹶﻼ ﹰﻗﺎ‬ ‫ﹶﻳﺎ ﹶﻟ ﹾﻠ ﹶﻐ ﹶﺮﺍ ﹶﺑ ﹺﺔ‪ ،‬ﺗﹺ ﹾﻠ ﹶﻚ ﺍﻟﺒﹺﺪﹶ ﺍ ﹶﻳ ﹸ‬

‫ﺎﺏ ﹶﺳ ﹶﺘ ﹾﺒ ﹶﻘﻰ ﹶﺃ ﹾﺳ ﹶﲈ ﹸﺅ ﹶﻧﺎ ﹺﰲ ﺍﻟ ﱡﻠ ﹶﻐ ﹺﺔ ﻃﹺ ﹶﺒﺎ ﹰﻗﺎ‬

‫ﳚ ﹲ‬‫ﺐ ﹶﺃ ﹾﻭ ﺇﹺ ﹶ‬
‫ﹺ‬
‫ﹶﻭ ﹶﺃ ﹶﻧﺎ ﹶﻭ ﹶﺃ ﹸﻧﺖ ﹶﺳ ﹾﻠ ﹲ‬

‫~ ‪~ 13‬‬
 ‫ﴎ ﹺﻳﺮﻱ ﻭ ﹶﻗ ﹺﻤ ﹺ‬
‫ﻚ ﹶﻋ ﹶﲆ ﹶﺃ ﹾﻓ ﹺﺮ ﹶﺷ ﹺﺔ ﹶ ﹺ‬
‫ﺖ ﺭ ﹺﺍﺋﺤ ﹶﺘ ﹺ‬
‫ﹺ‬ ‫ﹺ‬
‫ﻴﴢ‬ ‫ﹶ‬ ‫ﹺﰲ ﹶﻟ ﹾﻴ ﹶﻠﺔ ﹶﺃ ﹾﻣﺲ ﹶﺗ ﹶﺮ ﹾﻛ ﹶ ﹶ‬

‫ﻚ ﹶﻋ ﹶﲆ ﹶﻛ ﹾﺄ ﹺﳼ‬
‫ﺎﻫ ﹺ‬
‫ﲪﺮ ﹺﺷ ﹶﻔ ﹺ‬ ‫ﻚ ﹶﻋ ﹶﲆ ﹶﻗﺎﺭ ﹺ ﹺ‬
‫ﻭﺭﺓ ﹶﻧﺒﹺﻴﺬﻱ ﹶﻭ ﹶﺃ ﹾ ﹶ ﹶ‬
‫ﹸ ﹶ‬
‫ﺖ ﺑﺼﲈﺗﹺ ﹺ‬ ‫ﹺ‬
‫ﹶﻭ ﹶﺗ ﹶﺮ ﹾﻛ ﹶ ﹶ ﹶ‬
‫ﱪﺗﹺﻨ ﹺﻲ ﹶﻣ ﹾﻦ‬ ‫ﲪ ﹺﺎﻣﻲ… ﹶﱂ ﻳﻤ ﹺ ﹺ‬
‫ﺾ ﺍﻟ ﹶﻜﺜﲑ ﹶﻫ ﱠﻼ ﹶﺃ ﹾﺧ ﹶ ﹾ‬ ‫ﹾﹶﹾ‬
‫ﻚ ﺍﻟﺪﱠ ﹺ‬
‫ﺍﺧﻠﹺ ﱠﻴﺔ ﹺﰲ ﹶ ﱠ‬ ‫ﻭﺛﹺﻴﺎﺑ ﹺ‬
‫ﹶ ﹶ ﹶ‬

‫ﹶﺭ ﹶﺣ ﹶﻞ ﹶﻭ ﹶﻣ ﹾﻦ ﹶﺟﺎ ﹾﺀ‬

‫ﻒ ﻳ ﹶﻘ ﹸﺎﻝ ﹺﰲ ﺭ ﹺﺻ ﹺ‬ ‫ﹺ‬ ‫ﺍﳌﹸ ﹾﻀ ﹺﺤ ﹸﻚ ﹶﺃ ﱠﻧﻨﹶﺎ ﹶﻧ ﹾﻌ ﹺﺮ ﹸ‬
‫ﻴﻒ‬ ‫ﹶ‬ ‫ﻑ ﹶﺧ ﹶﺒﺎ ﹶﻳﺎ ﹶﺃ ﹾﺟ ﹶﺴﺎﺩ ﹶﻧﺎ ﹶﺟ ﱢﻴﺪﹰ ﺍ‪ ،‬ﹶﻓ ﹶﻜ ﹾﻴ ﹶ ﹸ‬

‫ﹺﺫ ﹾﻛ ﹶﺮ ﹶﻳﺎﺗﹺﻨﹶﺎ ﹶﺃ ﱠﻧﻨﹶﺎ ﻏﹸ ﹶﺮ ﹶﺑﺎﺀ‬

‫~ ‪~ 14‬‬
 ‫ﺝﺱﺛ‬

‫‪ -‬ﹸﻫﻮ‪ :‬ﹸﺃ ﹺﺣ ﱡﺒ ﹺﻚ‬

‫‪ -‬ﹺﻫﻲ‪ :‬ﹶﻳ ﹾﻮﻣ ﹰﺎ ﹶﻣﺎ ﹶﺳ ﹸﺄ ﹺﺣ ﱡﺒ ﹶﻚ‪.‬‬

‫‪-‬ﻫﻮ‪ :‬ﺇﹺﱃ ﺍﻟ ﱢﻠ ﹶﻘ ﹺ‬
‫ﺎﺀ ﺇﹺ ﹰﺫﺍ‪.‬‬ ‫ﹸ‬

‫ﹶﻳ ﹾﺴ ﹶﺘ ﹺﺤ ﱡﻖ ﹸﳎ ﹾ ﹶﺘ ﹶﻤ ﹺﻌﻲ ﹶﺟﺎﺋﹺ ﹶﺰﺓ ﹰ ﹶﻣﺎﻟ ﹺ ﱠﻴ ﹰﺔ‪ ،‬ﹶﻭ ﹶﺗ ﹾﺼﻨ ﹺﻴ ﹰﻔﺎ ﹶﻋﺎﳌﹶ ﹺ ﹼﹰﺎ ﹺﰲ ﺍﻟ ﹶﻌ ﹶﻼ ﹶﻗ ﹾ‬
‫ﺎﺕ‪...‬‬

‫ﺎﺩ‪ ،‬ﹶﻓ ﹶﺄ ﹾﻧ ﹶﺖ ﹸﺗ ﹶﺼﺎﻓﹺ ﹸﺢ‬

‫ﹺﻣﻦ ﺍﻟﺴﻬ ﹺﻞ ﹺﰲ ﹸﳎ ﹾ ﹶﺘﻤ ﹺﻌﻲ ﹶﺃ ﹾﻥ ﹶﺗ ﹾﻘ ﹶ ﹺﱰﺏ ﹺﻣﻦ ﺍﻷﹶﺟﺴ ﹺ‬
‫ﹶ ﹶ ﹾ ﹶ‬ ‫ﹶ‬ ‫ﹶ ﱠ ﹾ‬

‫ﺎﺟ ﹸﻊ ﺍﻟ ﹶﻜﺜﹺﲑ‬
‫ﺍﻟﻘﻠﹺ ﹶﻴﻞ ﹶﻭﺗ ﹶﹸﻀ ﹺ‬ ‫ﺍﻟ ﹶﺒ ﹾﻌ ﹶﺾ ﹶﻭ ﹸﺗ ﹶﻌﺎﻧﹺ ﹸﻖ ﺍﻟ ﹶﺒ ﹾﻌ ﹶﺾ ﹶ‬
‫ﺍﻵﺧ ﹶﺮ ﺗ ﹶﹸﻘ ﱢﺒ ﹸﻞ ﹶ‬
‫ﺎﺩ ﹶﻧﺎ‪ ،‬ﹶﲨﹺﻴ ﹸﻌ ﹸﻬ ﱠﻦ ﳌﹶ ﹾﺴ ﹶﻦ ﹶﺟ ﹶﺴ ﹺﺪﻱ ﹺﰲ ﹺﺣ ﹺ‬
‫ﲔ‬ ‫ﻭ ﹶﻟﻜﹺﻦ ﹶﺃﻳﻦ ﹶﺗﻨﹾ ﹶﺘ ﹺﻬﻲ ﺣﺪﹸ ﻭﺩ ﹶﺃﺟﺴ ﹺ‬
‫ﹸ ﹸ ﹾ ﹶ‬ ‫ﹶ ﹾ ﹾ ﹶ‬
‫ﹶﻋ ﹺﺠ ﹾﺰ ﹶﻥ ﹶﻋ ﹾﻦ ﳌﹶﹾ ﹺ‬
‫ﺲ ﹶﻗ ﹾﻠﺒﹺﻲ‪...‬‬

‫ﻮﲏ‪ ..‬ﹶﺃ ﱠﻥ ﺍﻷﹶ ﹾﺟ ﹶﺴﺎ ﹶﺩ ﹶﻻ ﹶﺗ ﹶﺰ ﹸﺍﻝ ﻃﹺﻴﻨﹰﺎ‬

‫ﹶﺃ ﹾﻗﻨﹺ ﹸﻌ ﹺ‬

‫ﺎﻭ ﹸﻟﻮﺍ ﹶﻓ ﹶﻘﺪﹾ ﹶﺃ ﹾﺯ ﹶﺩﺍ ﹸﺩ ﹶﻳ ﹺﻘﻴ ﹰﻨﺎ‬ ‫ﹶﺃﻭ ﹶﺃ ﹶﺗﺪﹾ ﺭﻭﻥ‪ ..‬ﹶﻻ ﹶﺗ ﹾﻔﻌ ﹸﻠﻮﺍ ؟ ﹶﻻ ﺩ ﹺ‬
‫ﺍﻋﻲ ﹶﺃ ﹾﻥ ﹸ ﹶﲢ ﹺ‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﹾ ﹸ‬
‫ﴩ ﹶﻋ ﹶﲆ ﺍﻷﹶ ﹾﺭ ﹾﺽ‬‫ﹺ‬ ‫ﹺ‬
‫ﹶﺃ ﱢﲏ ﹶﺃ ﹶﺭ￯ ﹶﺃ ﹾﺟ ﹶﺴﺎ ﹰﺩﺍ ﹶﻭ ﹶﺭﻗ ﱠﻴ ﹰﺔ ﹶﺗﻨﹾ ﹶﺘ ﹸ‬

‫~ ‪~ 15‬‬
 ‫ﹶﺿ ﹺﻌﻴ ﹶﻔ ﹰﺔ ﹺﺟﹰﹼ ﺍ ﹶﺗ ﹶﺘ ﹶﻼ ﹶﺷﻰ ﺑﹺﺎﳌﹶ ﹶﻄ ﹾﺮ ﹸﻃ ﹸ‬
‫ﻮﳍ ﹶﺎ ﹶﺷﺎ ﹶﺑ ﹶﻪ ﺍﻟ ﹶﻌ ﹾﺮ ﹾﺽ‬

‫ﺍﺧ ﹶﻠ ﹶﻬﺎ ﹺﻣ ﹾﻦ ﹺﺷﺪﱠ ﹺﺓ ﺍﳍ ﹶ ﹾﺶ‬

‫ﹶﺗ ﹶﻜﺎﺩ ﹶﺗﻨﹾ ﹶﻔ ﹺﺠﺮ ﺗﹺ ﹾﻠ ﹶﻚ ﺍﻟﺪﱢ ﻣﺎﺀ ﺩ ﹺ‬
‫ﹶ ﹸ ﹶ‬ ‫ﹸ‬ ‫ﹸ‬

‫ﹶﺃ ﹾﺟ ﹶﺴﺎ ﹲﺩ ﻻﹶ ﹶﺗ ﹶﺘ ﹶﺤ ﱠﺮ ﹸﻙ‪ ،‬ﹶﺃ ﹾﺟ ﹶﺴﺎ ﹲﺩ ﹶﻣ ﹶﻜ ﹸﺎﳖ ﹶﺎ ﹺﰲ ﺍﻟﻨﱠ ﹾﻌ ﹾﺶ‬

‫ﻒ ﹶﺗ ﹶﺘ ﹶﻐﲑ ﻓﹺ ﹾﻴﺰ ﹸﻳﻮ ﹸﻟ ﹺ‬
‫ﻮﺟ ﱠﻴ ﹸﺔ ﺍﳌﹶ ﹶﻮﺍ ﹾﺩ‬ ‫ﻏﹶ ﹺﺮ ﹲ‬
‫ﻳﺐ ﹶﻛ ﹾﻴ ﹶ ﱠ ﹸ‬
‫ﻮﺭ ﹲﺓ ﹶﺛ ﱠﻢ ﻛﹺ ﹶ‬
‫ﻼﹸﹶ‬
‫ﳘﺎ ﹶﺭ ﹶﻣﺎ ﹾﺩ‬ ‫ﹺ‬
‫ﱠﺃﻭ ﹰﻻ ﺣ ﹶﻜﺎ ﹶﻳ ﹲﺔ ﹸﺛ ﱠﻢ ﹸﺻ ﹶ‬
‫ﹶﺃ ﹾﺟ ﹶﺴﺎ ﹲﺩ ﻃﹺﻴﻨ ﹺ ﱠﻴ ﹲﺔ‪ ،‬ﺑﹺ ﹾﻀ ﹸﻊ ﹸﺩ ﹸﻣﻮ ﹴﻉ ﹶﻛﺎ ﹶﻧ ﹾﺖ ﹶﻛ ﹺﻔﻴ ﹶﻠ ﹰﺔ ﻟ ﹺ ﹶﺘ ﹾﺠ ﹶﻌ ﹶﻠ ﹶﻬﺎ ﹶﻭ ﹾﺣ ﹰﻼ‬

‫ﻳﻦ ﹶﳌ ﹺ ﹶﺼﺎﻟ ﹺ ﹶﺢ ﹶﺷ ﹾﺨ ﹺﺼ ﱠﻴﺔ‪ ،‬ﺍﻟ ﹾﻴ ﹶﺲ ﹶﻫ ﹶﺬﺍ‬

‫ﹶﺃ ﹾﻋ ﹶﺬ ﹲﺍﺭ ﹺﺩﻳﻨ ﹺ ﱠﻴ ﹲﺔ ‪ ..‬ﺍ ﹾﺳﺘﹺ ﹾﻐ ﹶﻼ ﹸﻝ ﺍﻟﺪﱢ ﹺ‬

‫ﹶﺟ ﹾﻬ ﹰﻼ؟‬

‫ﹶﺃ ﹾﻳ ﹶﻦ ﹶﺃ ﹾﺟ ﹶﺴﺎ ﹸﺩ ﹸﻛ ﹾﻢ ﹶﺃ ﹶﻧﺎ ﹶﻻ ﹶﺃ ﹶﺭ ﹶﺍﻫﺎ ﹶﻭ ﹶﻣﺎ ﹶﻫﺎﺗﹺ ﹺﻪ ﺍﻟ ﹶﻌﺪﹾ ﹶﻭ￯‬

‫ﻮﺭ ﹸﻛ ﹾﻢ ﹶﻓ ﹶﻼ ﹶﺃ ﹶﺣﺪﹶ ﹶﻳ ﹾﻌ ﹶﻠ ﹸﻢ ﹶﺃ ﹶﻭ ﹶ‬ ‫ﹺ‬

‫ﺍﻥ ﺍﻟ ﹶﻌ ﹾﻮ ﹶﺩﺓ‬ ‫ﺍ ﹾﺣﻔ ﹸﺮﻭﺍ ﹸﻗ ﹸﺒ ﹸ‬

‫~ ‪~ 16‬‬
 ‫ﻐﻀ‬
‫ﺍﺦ ْ‬
‫ﺕَ َﻑــــــــ ِ‬

‫ﻒ ﻛﹸ ﱢﻞ ﹶﳾﺀ‪ ،‬ﺳ ﹶﺘ ﹶﺘﻌ ﱠﻠ ﹸﻖ ﺑﹺﺎﻟ ﱠﺘ ﹶﻔ ﹺ‬

‫ﺎﺻ ﹾﻴﻞ ‪...‬‬ ‫ﹾ ﹶ ﹶ‬ ‫ﱰ￯ ﺍﳉﹶ ﹶﲈ ﹶﻝ ﹶﺧ ﹾﻠ ﹶ‬ ‫ﹶﻛ ﹶﻜﺎﺗﹺ ﹴ‬
‫ﺐ ﹶﺳ ﹶ ﹶ‬
‫ﴩ‪ ،‬ﹶﺳ ﹶﺘ ﹾﺸ ﹸﻌ ﹸﺮ ﺑﹺ ﹸﻤ ﹶﺨﺪﱢ ﹺﺭ‬ ‫ﹶﺳ ﹶﺘ ﹾﻌ ﹶﺸ ﹸﻖ ﺍﻷﹶ ﹾﺷ ﹶﻴﺎ ﹶﺀ ﺍﻟ ﱢﺘﻲ ﹶﻻ ﹶﻳ ﹶﺮ ﹶﺍﻫﺎ ﹶﺃﻏﹾ ﹶﻠ ﹸ‬
‫ﺐ ﺍﻟ ﹶﺒ ﹶ ﹾ‬
‫ﺍﻟ ﱠﺘ ﹶﻔ ﹺ‬
‫ﺎﺻ ﹾﻴﻞ‬

‫ﻮﺭ ﺍﳋﹶ ﹾﻮ ﹺﻑ ﹶﻭ ﱠ‬
‫ﺍﻟﻀ ﹶﻴﺎ ﹺﻉ ﺑﹺﺎﳉﹶ ﹶﲈ ﹺﻝ‬ ‫ﹺ‬
‫ﲔ ﹸﻛ ﹶﺮ ﱠﻳﺎﺗ ﹶﻚ ﺍﳊﹶ ﹾﻤ ﹶﺮﺍ ﹾﺀ ﹶﺳ ﹶﻴ ﹾﻤ ﹶﺘ ﹺﺰ ﹸﺝ ﹸﺷ ﹸﻌ ﹸ‬
‫ﹶﺑ ﹾ ﹶ‬

‫ﺺ‪ ،‬ﹶﺳ ﹸﻴ ﹾﻌ ﹺﺠ ﹸﺒ ﹶﻚ ﹶﺃ ﱠﻧ ﹶﻚ ﹶﻻ ﹶﺗ ﹾﻔ ﹶﻬ ﹸﻢ ﺍﻷﹶ ﹾﺷ ﹶﻴﺎ ﹶﺀ ﹶﻭ ﹶﺳ ﹸﺘ ﹶﺤﺎﻓﹺ ﹸﻆ ﹶﻋ ﹶﲆ‬ ‫ﹺ‬

‫ﺍﻟﺮﺍﻗ ﹾ‬
‫ﱠ‬

‫ﺚ ﻓﹺ ﹺﻴﻪ ﹶﺃ ﹾﻭ‬
‫ﻮﺽ‪ ،‬ﹶﻟﻦ ﹶﺗﺮ ﹸﻛ ﹶﺾ ﹺﻻ ﹾﻛﺘﹺ ﹶﺸﺎﻓﹺﻪ ﹶﻟﻦ ﹶﺗﺴ ﹶﺘ ﹾﻐ ﹺﺮ ﹶﻕ ﹺﰲ ﺍﻟﺒﺤ ﹺ‬
‫ﹶ ﹾ‬ ‫ﹾ ﹾ ﹾ‬ ‫ﺍﻟ ﹸﻐ ﹸﻤ ﹺ ﹾ ﹾ‬
‫ﹺ‬
‫ﺎﺩﻩ ﺑ ﹾﻞ ﹶﻓ ﹶﻘ ﹾﻂ ﺳ ﹶﺘ ﹶﺘ ﹶﺄﻣ ﹸﻠﻪ ﺑﹺﺠﲈ ﹺﻝ ﹶﺗ ﹶﻔ ﹺ‬
‫ﺎﺻﻴﻠﹺ ﹾﻪ‪.‬‬ ‫ﹶ ﹼ ﹸ ﹶﹶ‬ ‫ﺇﹺ ﹾﻓ ﹶﺴ ﹾ ﹶ‬

‫ﳊ ﹾﺠ ﹺﻢ ﹶﺃ ﹾﻗ ﹺﻔ ﹸﺰ ﹺﻣ ﹾﻦ ﹸﻧﻮ ﹶﺗ ﹴﺔ ﻟ ﹺ ﹸﻨﻮ ﹶﺗ ﹴﺔ ﹶﻭ ﹶﺃ ﹾﺟﻠﹺ ﹾﺲ‬ ‫ﹺ‬ ‫ﹺ‬

‫ﹶﺗ ﹶﻔﺎﺻ ﹲﻴﻞ … ﹶﻛ ﹶﺄ ﹶﻧﺎ ﹶﺻﻐ ﹺﲑ ﺍ ﹶ‬
‫ﱪ ﹺﲏ ﹶﺣ ﹾﺠ ﹰﲈ‬ ‫ﹶﻓ ﹾﻮ ﹶﻕ ﹶﺃ ﹾﻭ ﹶﺗ ﹺ‬
‫ﺎﺭ ﺑ ﹶﻴﺎ ﹸﻧﻮ ﹶﻳ ﹾﻜ ﹸ ﹸ‬
‫ﺎﺻ ﹲﻴﻞ… ﹶﻛ ﹶﺄ ﹶﻧﺎ ﹸﻣ ﹾﺴ ﹶﺘ ﹾﻠ ﹴﻖ ﹶﻋ ﹶﲆ ﹶﺣ ﱠﺒ ﹺﺔ ﹶﺭ ﹺﺣ ﹴﻴﻖ ﹺﰲ ﹶﺯ ﹾﻫ ﹶﺮ ﹺﺓ ﹶﻧ ﹾﺮ ﹺﺟ ﹾﺲ‬
‫ﹶﺗ ﹶﻔ ﹺ‬

‫ﺐ ﹺﰲ ﹶﺗ ﹾﻐ ﹺﻴ ﹺﲑ ﹶﻣ ﹶﻜ ﹺﺎﲏ ﹶﻳ ﹾﻮ ﹰﻣﺎ‬
‫ﹶﻭ ﹶﻻ ﹶﺃ ﹾﺭﻏﹶ ﹸ‬

‫~ ‪~ 17‬‬
 ‫ﳋ ﹾﻤ ﹶﺮﺓ‬ ‫ﺎﺻ ﹲﻴﻞ ﹶﻛﺂ ﹺﺧ ﹺﺮ ﹶﻗ ﹾﻄ ﹶﺮ ﹴﺓ ﹺﰲ ﹶﻛ ﹾﺄ ﹺ‬
‫ﺱﺍ ﹶ‬
‫ﹶﺗ ﹶﻔ ﹺ‬

‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬

‫ﻴﺐ ﹶﻋﺎﺷﻘ ﹰﺎ ﹶﻭﺣﻴﺪﹰ ﺍ ﹺﰲ ﺁﺧ ﹺﺮ ﹼ‬
‫ﺍﻟﺴ ﹾﻬ ﹶﺮﺓ‬ ‫ﻛﺎﻟ ﱠﻠ ﹶﺬﺓ ﺍﻟ ﱢﺘﻲ ﹸﺗﺼ ﹸ‬

‫ﺎﺷ ﹰﻘﺎ ﹺﻷﹸ ﹾﺧ ﹶﺮ￯‬

‫ﺍﺝ ﻣﻌ ﹸﺸﻮ ﹶﻗﺘﹺ ﹺﻪ ﺍﻟ ﱢﺘﻲ ﹶﻋ ﹺﺸ ﹶﻘ ﹾﺖ ﹶﻋ ﹺ‬ ‫ﹺ‬
‫ﹶﺳ ﹾﻬ ﹶﺮﺓ ﹶﺯ ﹶﻭ ﹺ ﹶ ﹾ‬
‫ﱪ ﹾ‬
‫ﻭﻙ ﹶﻳﺎ ﺍﻟ ﹶﻌ ﹾﺬ ﹶﺭﺓ"‬ ‫" ﹶﻣ ﹾ ﹸ‬
‫ﻒ ﹺﺳ ﹶﺘ ﹺ‬
‫ﺎﺭ ﹶﺗ ﹾﻐﻴﹺ ﹺﲑ ﺍﻟﻨﱠ ﹾ ﹶ‬
‫ﱪﺓ‬ ‫ﺎﺷ ﹶﻘ ﹶﻬﺎ ﻟ ﹺ ﹸﻴ ﹾﺨ ﹺﻔﻲ ﹶﺃﳌﹶﹰﺎ ﹶﺧ ﹾﻠ ﹶ‬
‫ﻭ ﹶﺗﺮ ﹶﻛ ﹾﺖ ﹶﻋ ﹺ‬
‫ﹶ ﹶ‬
‫ﺎﺻ ﹸﻴﻞ ﹸﻓﺴ ﹶﺘ ﹴ‬
‫ﹶﺗ ﹶﻔ ﹺ‬
‫ﺾ ﹶﻭ ﹶﺧﺎ ﹶﺗ ﹴﻢ ﹶﺫ ﹶﻫﺒﹺ ﱟﻲ ﹸﻣ ﹶﺮ ﱠﺻ ﹴﻊ ﺑﹺﺎﻷﹶﳌﹾﹶ ﹾ‬
‫ﺎﺱ‬ ‫ﺎﻥ ﹶﺃ ﹾﺑ ﹶﻴ ﹴ‬ ‫ﹾ‬
‫ﹶﺗ ﹶﻔ ﹺ‬
‫ﺎﺻ ﹸﻴﻞ ﹸﺻ ﱠﻮ ﹴﺭ ﹶﺗ ﹶﺄ ﱠﻣ ﹶﻠ ﹶﻬﺎ ﹶﻓ ﹶﺄ ﹾﺣ ﹶﺮ ﹶﻗ ﹶﻬﺎ‪ ،‬ﹶﻻ ﹶﻋ ﹶﻠ ﹾﻴ ﹸﻜ ﹾﻢ ﹶﻋ ﹶﲆ ﺍﻷﹶ ﹶﻗ ﱢﻞ ﹸﻫ ﹼﻮ ﹶﻳ ﹾﻤﻠﹺ ﹸﻚ‬

‫ﺎﺱ‬ ‫ﹶﺭ ﹶﻣﺎ ﹰﺩﺍ ﹶ‬

‫ﺍﻵﻥ ﹶﻳﺎ ﹶﻧ ﹾ‬
‫ﻮﻝ ﹺﺫ ﹾﻛﺮﻳ ﹴ‬
‫ﺎﺕ ﹶﺃ ﹾﺟﻨﹶﺒﹺﻲ‬ ‫ﹺ ﹺ ﹺ ﹺ‬ ‫ﹺ‬
‫ﹶﺗ ﹶﻔﺎﺻ ﹸﻴﻞ ﹶﻣﺪﻳﻨﹶﺔ ﺫ ﹾﻛ ﹶﺮ ﹶﻳﺎﺗﻨﹶﺎ ﹶﻗﺪﹾ ﺍ ﹾﺣ ﹶﺘ ﱠﻠ ﹶﻬﺎ ﹸﺃ ﹾﺳ ﹸﻄ ﹸ ﹶ ﹶ‬
‫ﹺ‬
‫ﺎﻥ ﹸﺗﻮ ﹺ‬
‫ﺍﺻ ﹸﻞ ﺍﻟ ﹶﺒ ﹾﺤ ﹶﺚ ﹶﻋﻨﱢﻲ ﹶﺑ ﹾ ﹶ‬
‫ﲔ ﹸﺭ ﹶﻛﺎ ﹺﻡ ﱠ‬
‫ﺍﻟﺰ ﹶﻣﺎﻥ‬ ‫ﴍ ﹶﻃ ﹸﺔ ﺍﻟﻨﱢ ﹾﺴ ﹶﻴ ﹶ‬
‫ﹶﻭ ﹸ ﹾ‬
‫ﺍﻟﺴ ﹶ ﹺﲈﺀ ﹶﺃ ﹺﺟ ﹾﺒﻨ ﹺﻲ‬ ‫ﹶﺃﻫ ﹶﺬﺍ ﹶﺫ ﹾﻧﺒﹺﻲ؟ ﹶﺃ ﹼﻧﻨ ﹺﻲ ﺭﺟ ﹲﻞ ﹶ ﹺ‬
‫ﴍﻗ ﹼﻲ ﹶﻳﺎ ﹶﻗﺪﹶ ﹾﺭ ﺑﹺ ﹶﺤ ﱢﻖ ﱠ‬‫ﹾ‬ ‫ﹶ ﹸ‬ ‫ﹶ‬
‫ﻒ ﹸﻗ ﹾﻀ ﹶﺒ ﹺ ﹺ‬
‫ﺎﳖ ﹾﻢ ﹸﻣ ﹾﻔ ﹶﻌ ﹰﲈ ﺑﹺﺎﻷﹶ ﹾ‬
‫ﻵﻡ‬ ‫ﻚ ﹶﺿ ﹺﻤ ﹸﲑ ﹾﻙ ﺇﹺ ﹾﻥ ﹺﻣ ﱡﺖ ﹶﺧ ﹾﻠ ﹶ‬
‫ﹶﺃ ﹶﻟﻦ ﻳﻨﱢﺒ ﹺ‬
‫ﹾ ﹶ ﹶ‬
‫ﹺ‬ ‫ﹺ‬
‫ﹶﺃ ﹶﻟ ﹾﻦ ﹸﺗ ﹾﺸﻔ ﹾﻖ ‪ ..‬ﹶﺃ ﹶﻟ ﹾﻦ ﹸﺗ ﹾﺸﻔ ﹾﻖ ﺇﹺ ﹾﻥ ﹶﺭ ﹶﻓ ﹾﻀ ﹸﺖ ﺍﻷﹶ ﹾﻛ ﹶﻞ ﹶﺃ ﹾﻭ ﹶﺭ ﹶﻓ ﹾﻀ ﹸﺖ ﹶﺃ ﹾﻥ ﹶﺃ ﹶﻧ ﹾ‬
‫ﺎﻡ‬

‫~ ‪~ 18‬‬
 ‫ﻮﺭ ﹶﺯﺍﺋﹺ ﹾ‬
‫ﻒ ﹶﻭ ﹶﻟ ﱢﻘ ﹾﺒ ﹸﻪ‬ ‫ﻮﻙ ‪ ..‬ﹶﺃ ﹾﺷ ﹺﻔ ﹾﻖ ﹶﻋ ﹶﲇ ﹶﻓ ﹶﻘ ﹾﻂ ﺑﹺ ﹸﺸ ﹸﻌ ﹴ‬
‫ﹼ‬ ‫ﹶﺃ ﹶﻟ ﹾﻦ ﹸﺗ ﹾﺸ ﹺﻔ ﹾﻖ ‪ ..‬ﹶﺃ ﹾﺭ ﹸﺟ ﹾ‬

‫ﺑﹺﺎﻷﹶ ﹶﻣ ﹾ‬
‫ﺎﻥ‬

‫~ ‪~ 19‬‬
 ‫َﺻ ْﻐﻂُــــــــــﻌﻝَﺋ‬

‫ﺍﻟﻘ ﹺ‬
‫ﺎﺭ ﹾﺉ ‪..‬‬ ‫ﹶﺣ ﱠﺘﻰ ﹶﺃ ﹾﺣ ﹶﻼ ﹸﻡ ﺍﻟ ﹶﻜﺎﺗﹺ ﹺ‬
‫ﺐ ﹶﻟ ﹾﻴ ﹶﺴ ﹶﺖ ﻛﹶ ﹶﺄ ﹾﺣ ﹶﻼ ﹺﻡ ﹶ‬

‫ﻴﺐ ‪..‬‬ ‫ﹺ‬ ‫ﻏﹸ ﹸﻤ ﹲ‬

‫ﻮﺽ ﹶﺭﻫ ﹾ‬

‫ﹺﰲ ﹶﻗ ﹾﻴ ﹸﻠﻮ ﹶﻟﺘﹺﻲ ﹶﺭ ﹶﺃ ﹾﻳ ﹸﺘﻨﹶﺎ ﹺﰲ ﹶﻣﻨﹾ ﹺﺰﻟ ﹺﻨﹶﺎ‬

‫ﻚ ﹺﺣﻨﱠﺔ‬
‫ﲬﺎﺭﺍ ﻭ ﹶﺛﻮﺑﺎ ﻭﻭ ﹶﺿﻌ ﹸﺖ ﹶﻟ ﹺ‬
‫ﹺ ﹺ‬ ‫ﹺ‬
‫ﹺﰲ ﹶﻗ ﹾﻴ ﹸﻠﻮ ﹶﻟﺘﻲ ﹶﺃ ﹾﻟ ﹶﺒ ﹾﺴ ﹸﺘﻚ ﹶ ﹰ ﹾ ﹰ ﹶ ﹶ ﹾ‬

‫ﹶﻭ ﹶﺗ ﹶﺰ ﹼﻭ ﹾﺟﻨﹶﺎ ‪ ..‬ﹺﰲ ﹶﻗ ﹾﻴ ﹸﻠﻮ ﹶﻟﺘﹺﻲ ﹶﺗ ﹶﺰ ﱠﻭ ﹾﺟﻨﹶﺎ‬

‫ﺑﹺ ﹶﺨﺎ ﹶﺗ ﹴﻢ ﹶﻭ ﹶﺧ ﹾﺘ ﹴﻢ ﹶﻭ ﹺﺧ ﹶﺘﺎ ﹴﻡ ﹶﺗ ﹶﺰ ﹼﻭ ﹾﺟﻨﹶﺎ‬

‫ﺍ ﹾﺑﻨ ﹺﻲ ﹸﻳ ﹾﺸﺒﹺ ﹸﻬﻨ ﹺﻲ ﹶﻭ ﹶﻗﻠﹺ ﹰﻴﻼ ﹸﻳ ﹾﺸﺒﹺ ﹸﻬ ﹾﻚ ﹶﻟﻜﹺ ﹾﻦ ﺍ ﹾﺑﻨﹺﻲ ﹶﻻ ﹶﺃ ﹶﺣﺪﹾ‬

‫ﻚ ﹶﱂ ﹾ ﹶﺗ ﹶﺮ ﹾﻳ ﹺﻪ ﹶﺑ ﹾﻌﺪﹾ‬
‫ﹶﻟﻴﺲ ﹺﻷﹶ ﱠﻧﻨ ﹺﻲ ﹶﻻ ﹶﺃﻣ ﹺﻠ ﹸﻚ ﺍﺑﻨﹰﺎ ﻭ ﹶﻟﻜﹺﻦ ﹶﻓ ﹶﻘ ﹾﻂ ﹺﻷﹶ ﱠﻧ ﹺ‬
‫ﹾ ﹶ‬ ‫ﹾ‬ ‫ﹾ ﹶ‬
‫ﹺﰲ ﹶﻗﻴ ﹸﻠﻮ ﹶﻟﺘﹺﻲ ﹶﺃ ﹶﻧﺎ ﻭ ﹺﻫﻲ ﹶﻧ ﹾﺨﺮﺝ ﺑﻌﺪﹶ ﻣ ﹾﻨ ﹶﺘﺼ ﹺ‬
‫ﻒ ﺍﻟ ﱠﻠ ﹾﻴ ﹾﻞ‬ ‫ﹶ ﱠ ﹸ ﹸ ﹶﹾ ﹸ ﹶ‬ ‫ﹾ‬

‫ﹶﻧ ﹾﻌ ﹶﺘ ﹺﻤ ﹸﺮ ﹶﻗ ﱠﺒ ﹶﻌﺎﺗﹺﻨﹶﺎ ﹶﻭ ﹸﻗ ﱠﻔ ﹶﺎﺯﺍﺗﹺﻨﹶﺎ ﹶﻭ ﹶﻧ ﹾﺨ ﹸﺮﺝ ﻟ ﹺﻨﹶ ﹾﻤ ﹺﴚ‬

‫ﺺ ﻏﹶ ﹺﺮﻳﺐ ﹶﻟﺪﹶ ﹾﻳ ﹺﻪ ﹶﺫ ﹾﻳ ﹾﻞ‬

‫ﹶﺃ ﹾﺫ ﹸﻛ ﹸﺮ ﹶﻣ ﱠﺮﺓ ﹶﻇ ﹶﻬ ﹶﺮ ﹶﺷ ﹾﺨ ﹲ‬

‫~ ‪~ 20‬‬
 ‫ﳘ ﹶﺴ ﹾﺖ ﹺﰲ ﹸﺃ ﹸﺫﻧﹺ ﹺﻪ ﹸﺗ ﹾﻔ ﹺﴚ‬
‫ﹶﻓ ﹶﺬ ﹶﻫ ﹶﺒ ﹾﺖ ﺇﹺ ﹶﻟ ﹾﻴﻪ ﹶﺗ ﹾﺮ ﹸﻛﺾ ﹶﻭ ﹶ ﹶ‬
‫ﹶﻋﺎ ﹶﺩ ﹾﺕ ﺇﹺ ﹼﱄ ﹶﻭ ﹶﻗﺎ ﹶﻟ ﹾﺖ ﹶﺃ ﱠﻧﻪ ﹶﺃ ﹶﺣﺪﹸ ﹶﺃ ﹾﺻ ﹺﺪ ﹶﻗﺎﺋﹺ ﹶﻬﺎ ﹸ‬
‫ﺍﻟﻘﺪﹶ ﺍ ﹶﻣﻰ‬
‫ﹺ‬ ‫ﴬ ﹾﺑ ﹸﺘ ﹶﻬﺎ ﹶﺃ ﹶﻧﺎ ﹶﻓ ﹶﺒﻜﹺ ﹸ‬ ‫ﹺ‬
‫ﻴﺖ ﹶﺃ ﹶﻧﺎ‪ ،‬ﹶﻳﺎ ﹶﳍ ﹶﺎ ﻣ ﹾﻦ ﹶ‬
‫ﺩﺭﺍ ﹶﻣﺎ‬ ‫ﻏﹶ ﻀ ﹾﺒ ﹸﺖ ﹶﺃ ﹶﻧﺎ ﹶﻓ ﹶ ﹶ‬
‫ﺎﻥ ﹺﰲ ﹶﻗ ﹾﻴ ﹸﻠﻮ ﹶﻟﺘﹺﻲ‪ ،‬ﹶﻳﺎ ﹶﻟ ﹸـﻤ ﹶﺨ ﱢﻴ ﹶﻠﺘﹺﻲ ﺍﻟ ﱠﻠ ﹺﻌﻴﻨﹶﺔ ﹶﻛ ﹾﻴ ﹶ‬
‫ﻒ ﺍﻟ ﹶﺘ ﹶﻘ ﹾﻴﻨﹶﺎ‬ ‫ﹸﻛ ﱡﻞ ﹶﻫ ﹶﺬﺍ ﹶﻛ ﹶ‬

‫ﹾﺍﺳ ﹶﺘ ﹾﻴ ﹶﻘ ﹾﻈ ﹸﺖ ﹶﻓ ﹶﻮ ﹶﺟﺪﹾ ﹸﺕ ﹶﺃ ﹼﲏ ﹶﺃ ﹾﺻ ﹰﻼ ﹶﻻ ﹶﺃ ﹾﻋ ﹺﺮ ﹸﻓ ﹶﻬﺎ ﹶﻭ ﹶﻟﻜﹺ ﹾﻦ ﹶﺗ ﹶﺰ ﱠﻭ ﹾﺟﻨﹶﺎ ﹶﻳ ﹺﻘﻴﻨﹰﺎ‬

‫~ ‪~ 21‬‬
 ‫ﺃﺣﻐﺍﺀ ﺝﻡﻐﻂﺋ‬

‫ﺗﺪﺍﺧﻞ ﻋﺎﳌﲔ ﰲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪ ،‬ﺍﻣﺘﺰﺍﺝ ﺍﳌﺎﴈ ﻭﺍﳊﺎﴐ‬

‫ﻭﺍﳌﺴﺘﻘﺒﻞ ﰲ ﺛﻮﺍﲏ ﻭﺍﺣﺪﺓ‪ ،‬ﺍﺧﺘﻼﻕ ﺫﻛﺮﻳﺎﺕ ﻣﺴﺘﻘﺒﻠﻴﺔ ﻟﺘﺤﺪﺙ‬

‫ﺍﻵﻥ‪...‬‬

‫ﹶ‬
‫ﺣﺪﺙ ﻏﺪﺍ ﻳﻮﻡ ﺃﻣﺲ‪ ،‬ﺗﻨﺎﻗﺾ ﺍﻟﺰﻣﺎﻥ ﻭﺍﳌﻜﺎﻥ‪ ،‬ﻭﻋﺼﻴﺎﻥ‬ ‫ﺿﻴﺎﻉ‬
‫ﹲ‬

‫ﺭﻗﺎﺹ ﺍﻟﺴﺎﻋﺔ ﻟﻠﻮﻗﺖ ﻭﲨﺎﺩ‪.‬‬

‫ﺃﺷﻴﺎﺀ ﲨﻴﻠﺔ ﻛﺮﺍﺋﺤﺘﻬﺎ ﺃﻣﺲ‪ ،‬ﻻ ﺗﺰﺍﻝ ﺍﻵﻥ ﻋﲆ ﺛﻴﺎﰊ‬

‫ﻛﺘﻠﻚ ﺍﻟﻘﻠﻮﺏ ﺍﻟﻮﺭﻗﻴﺔ ﺍﻟﺘﻲ ﺻﻨﻌﺘﻬﺎ ﺑﻴﺪﳞﺎ ﻷﺿﻌﻬﺎ ﺃﻧﺎ ﺍﻟﻴﻮﻡ ﰲ‬

‫ﻛﺘﺎﰊ‬

‫ﻛﻠﻐﺔ ﻃﺮﻳﻔﺔ ﺍﺧﺘﻠﻘﻨﺎﻫﺎ ﻟﻨﻤﺰﺡ‪ ،‬ﻓﺄﺻﺒﺤﺖ ﺟﺰﺀﺍ ﻣﻦ ﻟﻐﺘﻨﺎ ﺍﻟﻴﻮﻣﻴﺔ‬

‫ﺃﺷﻴﺎﺀ ﲨﻴﻠﺔ ﻛﺄﻧﺖ ﻭﺃﻧﺎ ﻋﱪ ﺷﻬﻮﺭ ﻣﻀﺖ ﺍﻵﻥ ﺑﻄﺮﻳﻘﺔ ﻣﺴﺘﻘﺒﻠﻴﺔ‬

‫ﻛﻘﺒﻼﺕ ﺃﺧﲑﺓ ﺣﺪﺛﺖ ﺍﻷﺳﺒﻮﻉ ﺍﳌﺎﴈ ﻭﻻ ﺃﺯﺍﻝ ﺃﺗﺬﻭﻗﻬﺎ‬

‫~ ‪~ 22‬‬
 ‫ﺃﺷﻴﺎﺀ ﲨﻴﻠﺔ ﻛﻠﻤﺴﺎﺕ ﻗﺪﻳﻤﺔ ﻻ ﻧﺰﺍﻝ ﻧﺸﻌﺮ ﺑﺪﻑﺀ ﺣﺮﻭﻗﻬﺎ‬

‫ﰲ ﺃﻱ ﺯﻣﻦ ﺃﻧﺎ ﻭﰲ ﺃﻱ ﺯﻣﻦ ﺃﻧﺖ ﳌﺎﺫﺍ ﺗﺒﺪﻭ ﺍﻷﻣﻮﺭ ﻋﺘﻴﻘﺔ‬

‫ﻫﻼ ﺍﺗﻔﻘﻨﺎ ﻋﲆ ﻧﻔﺲ ﺍﻟﻴﻮﻡ ﺳﺄﻗﺒﻞ ﺣﺘﻰ ﺑﻨﻔﺲ ﺍﻟﺪﻗﻴﻘﺔ‬

‫ﻫﻞ ﻣﺎ ﺃﺳﻤﻌﻪ ﻣﻮﺳﻴﻘﻰ؟ ﻻ ﺃﻧﺎ ﻓﻘﻂ ﻣﻨﺘﴚ ﻟﻜﻦ ﺑﲈﺫﺍ؟‬

‫ﺑﺠﲈﻝ ﺍﻷﺣﻼﻡ ﺍﻟﺘﻲ ﺃﺭﺍﻙ ﻓﻴﻬﺎ‪ ،‬ﻛﻄﻔﻞ ﺑﺮﻱﺀ ﺃﻧﺎ ﺃﺧﻔﻴﻬﺎ ﲢﺖ‬

‫ﺍﻟﻮﺳﺎﺩﺓ‬

‫ﻛﴚﺀ ﻣﴣ ﰲ ﺍﻟﻘﺪﻳﻢ ﺍﻟﺬﻱ ﺳﺄﺷﻬﺪﻩ ﺍﻵﻥ‬

‫ﻣﺎﺫﺍ ﻋﻦ ﻛﻞ ﳾﺀ ﺍﻟﺬﻱ ﻳﺬﻛﺮﲏ ﺑﻚ ﻛﻴﻒ ﺳﺄﲡﻨﺒﻪ ﺃﻭ ﺃﻧﻪ ﻓﺎﺕ‬

‫ﺍﻷﻭﺍﻥ‬
‫ﹺ‬
‫ﺃﻣﺎﻣﻚ‬ ‫ﺗﺎﺋﻪ ﰲ ﻋﻮﺍﱂ ﻛﺜﲑﺓ ﻭﺃﻧﺎ ﻫﻨﺎ‬
‫ﹺ‬
‫ﻋﺎﳌﻚ‬ ‫ﻻ ﺃﺩﺭﻱ‪ ،‬ﻣﺎ ﻋﲇ ﻓﻌﻠﻪ ﻷﺳﺘﻮﻃﻦ ﳎﺪﹼ ﺩﺍ‬

‫ﻳﺒﺪﻭ ﻛﻞ ﳾﺀ ﲨﻴﻼ ﻭﻏﺎﻣﻀﺎ ﻣﻦ ﻫﻨﺎ ﻟﻜﻦ‬

‫ﺃﺷﺘﺎﻕ ﻷﻛﺜﺮ ﻣﻦ ﺟﺴﺪﻙ‪ ،‬ﻭﻻ ﻳﺮﻭﻗﻨﻲ ﻫﺬﺍ ﺍﻟﻀﻴﺎﻉ ﺍﻟﺪﺍﻛﻦ‬

‫~ ‪~ 23‬‬
 ‫ﻇَ ْﻌ َﺏــــــﺋٌ َﺻﻂِْﺊ ﱠﻐـــــﺋ‬

‫ﴫ ﹸﺥ " ﹺﻭﻳﻦ ﹶﺭﺍﻩ؟ ﹺﻭﻳﻦ‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬

‫ﹶﺭ ﹶﺃ ﹾﻳ ﹸﺘ ﹶﻬﺎ ﹶﺗ ﹾﺮ ﹸﻛ ﹸﺾ ﰲ ﺍﳌﹶ ﹾﺸ ﹶﻔﻰ ﹶﺧﺎﺋ ﹶﺮ ﹶﺓ ﺍﻟﻘ ﹶﻮ￯ ﹶﻭ ﹶﺗ ﹾ ﹸ‬
‫ﺎﻋﺪﹶ ﹺ ﹶﲥﺎ ﹶﻭ ﹶﻟﻜﹺﻨﹼﻨ ﹺﻲ ﹶﻓ ﹶﻌ ﹾﻠ ﹾﺖ ‪...‬‬
‫ﹶﺭﺍﻩ؟ " ﻻﹶ ﹶﺃ ﹾﻋ ﹶﻠ ﹸﻢ ﹶﻣﺎ ﹶﺷﺪﱠ ﹺﲏ ﹸﳌ ﹺ ﹶﺴ ﹶ‬

‫ﹶﺳ ﹶﻘ ﹾﻴ ﹸﺘ ﹶﻬﺎ ﹶﻗﻠﹺ ﹰﻴﻼ ﹺﻣ ﹶﻦ ﺍﳌﹶﺎ ﹾﺀ ‪..‬‬

‫ﹶﺑﺪﹶ ﹶﻻ ﹲﺕ ﹶﺯ ﹾﺭ ﹶﻗﺎ ﹸﺀ ﹶﻋ ﹶﻠ ﹾﻴ ﹶﻬﺎ ﹺﺩ ﹶﻣﺎ ﹾﺀ‬

‫ﹶﻟ ﹶﻘﺪﹾ ﹶﺃﺣﺼﻨﹸﻮﺍ ﹶﺃ ﹾﻧ ﹸﻔﺴﻬﻢ ﺑﹺ ﹸﻘ ﱠﻔ ﹶﺎﺯ ﹴ‬
‫ﺍﺕ ﹶﻭ ﹺﺭ ﹶﺩﺍ ﹾﺀ‬ ‫ﹶ ﹸ ﹾ‬ ‫ﹾ ﹶ‬

‫ﹶﺭ ﹶﺃ ﹾﺗﻪ ﻛﲈ ﱂ ﺗﺮﻩ ﻗﺒﻼ ﻛﺎﻥ ﻧﺎﺋﲈ‬

‫ﻋﱪ ﺯﺟﺎﺝ ﺑﺎﺭﺩ ﻭﺿﻌﺖ ﻋﻠﻴﻪ ﺃﻧﺎﻣﻠﻬﺎ ﺃﻣﻼ‬

‫ﺻﺪﺭﻩ ﹸﺷﻖ ﻭﺻﺪﺭﻫﺎ ﻳﺸﻖ ﺃﻣﺎﻣﻲ ﻓﻮﺭﺍ‬

‫ﺣﺒﻴﺒﻬﺎ ﺫﺍﻙ ﺍﻟﺬﻱ ﻏﺮﺯﻭﺍ ﰲ ﺟﺴﺪﻩ ﺇﺑﺮﺍ ﻭﺇﺑﺮﺍ‬

‫ﺳﺄﻟﺘﻨﻲ ﻛﻴﻒ ﻟﻠﻮﺍﻭ ﻭ ﺍﻟﺘﺎﺀ ﺑﻌﺪ ﺍﳌﻴﻢ‬

‫ﺃﻥ ﺗﻘﱰﺏ ﻣﻨﻪ ﻟﺘﺄﺧﺬﻩ ﻣﻨﻲ‬

‫~ ‪~ 24‬‬
 ‫ﱂ ﹲ‬
‫ﺗﻚ ﺗﺒﻜﻲ ﻓﻘﺪ ﺗﺸ ﹼﺒﻬﺖ ﺑﻔﻠﺴﻄﲔ ﻛﺎﻧﺖ ﺻﺎﻣﺪﺓ‬

‫ﻭﻟﻜﻦ ﺃﺳﻔﺎ ﱂ ﻳﻄﻞ ﺍﻷﻣﺮ ﺣﺘﻰ ﺃﺻﺒﺤﺖ ﻛﻞ ﺍﻷﺟﻬﺰﺓ ﺍﳌﻮﺻﻮﻟﺔ‬

‫ﺑﺤﺒﻴﺒﻬﺎ ﺻﺎﻣﺘﺔ‬

‫ﺧﺮﺝ ﺭﺋﻴﺴﻬﻢ‪ ،‬ﻫﻢ ﻣﻦ ﻗﺘﻠﻮﺍ ﺣﺒﻴﺒﻬﺎ ﻭﻫﻲ ﺗﺮﺩﺩ "ﻭﺍﻟﻮ ﻳﱪﺍ ﻳﱪﺍ‪"..‬‬

‫ﻗﺎﻟﻮﺍ ﻫﻮ ﻋﻨﺪ ﺍﷲ ﺍﻵﻥ ﻋﲆ ﺟﺴﺪﻩ ﻓﻘﻂ ﻳﻤﻜﻨﻚ ﺃﻥ ﺗﻠﻘﻲ ﻧﻈﺮﺓ‬

‫ﻛﻞ ﻣﺎ ﺧ ﹼﻄﻄﺎ ﻟﻪ‪ ،‬ﺭﺣﻞ ﻭﻣﺎﺕ‬

‫ﺍﻟﺰﻭﺍﺝ ﺃﺻﺒﺤﺖ ﺍﻵﻥ ﺷﻬﺎﺩﺓ ﻭﻓﺎﺓ‬

‫ﻭﺷﻬﺎﺩﺓ ﹼ‬

‫ﺳﺒﺐ ﺍﳌﻮﺕ؟ ﺃﺑﻮﻫﺎ ﻇﻦ ﺃﳖﺎ ﺗﺴﺘﺤﻖ ﺃﻓﻀﻞ ﺭﺟﻞ‬

‫ﻭﻻ ﺃﺣﺪ ﻏﲑﻫﺎ ﺍﻵﻥ ﻳﻌﻠﻢ ﺃﻥ ﺃﻓﻀﻞ ﺭﺟﻞ ﻗﺪ ﺃﺗﺎﻩ ﺍﻷﺟﻞ‬

‫ﻭﻣﺎﺕ ‪ ...‬ﺑﻨﻮﺑﺔ ﻗﻠﺒﻴﺔ‪ ،‬ﻭﻣﺎﺕ‬

‫~ ‪~ 25‬‬
 ‫ﻭﺲﻌﺩ ﺏﺭﻏﺆﺋ‬

‫ﺣﻴﻨﲈ ﻛﻨﺖ ﳎﺮﺩ ﻓﺘﻰ ﻻ ﻳﺪﺭﻱ‪ ،‬ﻛﻨﺖ ﺃﻃﻠﺐ ﻣﻦ ﻭﺍﻟﺪﻱ ﺃﺷﻴﺎﺀ‬

‫ﻛﺜﲑﺓ‬

‫ﻭﱂ ﻳﻘﻞ ﻳﻮﻣﺎ ﱄ ﺃﻧﻪ ﻟﻦ ﻳﻔﻌﻞ ﺭﻏﻢ ﺃﻧﻪ ﱂ ﳛﴬ ﺍﻟﻜﺜﲑ ﻣﻦ ﺍﻷﻟﻌﺎﺏ‬

‫ﺍﻟﺘﻲ ﻃﻠﺒﺘﻬﺎ‬

‫ﺇﻻ ﺃﻧﻪ ﻛﺎﻥ ﻳﻌﺪ ﺑﺄﻧﻪ ﺳﻴﻔﻌﻞ ﻛﺎﻥ ﺍﻷﻣﺮ ﻣﻮﺣﺸﺎ ﻛﻴﻒ ﺃﻧﻪ ﻳﻌﻄﻴﻨﻲ‬

‫ﺫﻟﻚ ﺍﻷﻣﻞ ﻷﲤﺴﻚ ﺑﺎﻟﻼﳾﺀ‪ ،‬ﺣﺘﻰ ﻓﻘﺪﺕ ﺛﻘﺘﻲ ﺑﻮﻋﻮﺩﻩ ﻭﱂ‬

‫ﺃﻋﺪ ﺃﻃﻠﺐ ﺷﻴﺌﺎ ‪.‬‬

‫ﻟﻜﻦ ﺍﷲ ﱂ ﻳﻨﺘﻈﺮ ﺣﺘﻰ ﺃﺭﺯﻕ ﺑﺎﺑﻦ ﻷﻓﻬﻢ‪...‬‬

‫ﺗﻌﻮﺩﺕ ﺃﻥ ﺃﺷﱰﻱ‬
‫ﻓﻔﻲ ﺟﻮﻟﺔ ﰲ ﺍﳋﺎﺭﺝ ﻗﺎﺑﻠﺖ ﺃﻃﻔﺎﻻ ﺻﻐﺎﺭﺍ ﹼ‬

‫ﳍﻢ ﺍﳊﻠﻮ￯ ‪..‬‬

‫~ ‪~ 26‬‬
‫ﰲ ﻣﺮﺣﻠﺔ ﻻ ﺃﻣﻠﻚ ﻓﻴﻬﺎ ﻏﲑ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ‪ ،‬ﻭﻋﺪﲥﻢ ﺃﻥ ﺃﺷﱰﻱ ﳍﻢ‬

‫"ﻗﻠﺐ ﺍﻟﻠﻮﺯ"‬

‫ﺇﻥ ﱂ ﻳﺘﻌﺎﺭﻛﻮﺍ‪ ..‬ﺭ ﹼﺩﺓ ﻓﻌﻠﻬﻢ ﻛﺎﻧﺖ ﻛﻌﺎﺻﻔﺔ ﰲ ﺻﺪﺭﻱ ﻛﻴﺎﲏ‬

‫ﺧﺮﺝ ﻟﱪﻫﺔ ﻋﻦ ﺟﺴﺪﻱ ﺛﻢ ﻋﺎﺩ‪ ..‬ﻫﻨﺎ ﻓﻬﻤﺖ؛‬

‫ﺃﻥ ﺑﻌﺾ ﺍﻟﻮﻋﻮﺩ ﱂ ﲣﻠﻖ ﻟﻴﻮﰲ ﲠﺎ‬

‫ﺑﻞ ﻓﻘﻂ ﻟﺘﻜﻮﻥ ﺧﻴﻂ ﺃﻣﻞ ﺭﻓﻴﻊ‬

‫ﻓﻘﻂ ﻟﺘﻜﻮﻥ ﺟﴪﺍ ﺁﻣﻦ ﻣﺰﻳﻒ ﻟﻨﺤﺘﻤﻲ ﲠﺎ‬

‫ﺭﺑﲈ ﺍﻟﻮﻓﺎﺀ ﺑﺎﻟﻮﻋﻮﺩ ﺃﻣﺮ ﻳﺼﻌﺐ ﻋﲆ ﺍﳉﻤﻴﻊ‬

‫ﻟﻜﻦ ﻣﺎﺫﺍ ﻋﻦ ﺍﻟﻮﻋﻮﺩ ﺍﻟﺘﻲ ﻭﺟﺐ ﺗﻨﻔﻴﺬﻫﺎ‬

‫ﻣﺜﻼ ﻭﻋﺪﻫﺎ ﻫﻲ ﻋﲆ ﺃﻥ ﺗﺒﻘﻰ ﺑﺠﺎﻧﺒﻲ ﳌﺎﺫﺍ ﺃﺭﺍﻫﺎ ﻭﺑﺎﺀ‬

‫ﻻ ﺃﻋﻠﻢ ﺭﺑﲈ ﺣﺘﻰ ﻫﻲ ﻭﻋﺪﺗﻨﻲ ﺑﺄﺷﻴﺎﺀ ﻻ ﲤﻠﻜﻬﺎ‬

‫ﺭﺑﲈ ﻋﲇ ﺃﻥ ﺃﻓﻬﻢ ﻣﻦ ﻫﺬﺍ ﺃﻥ ﺍﻹﻳﻔﺎﺀ ﺑﺎﻟﻮﻋﻮﺩ ﺃﻣﺮ ﻳﺘﻄﻠﺐ ﺍﻟﻜﺜﲑ‬

‫ﻣﻦ ﺍﻟﻮﻻﺀ‬

‫~ ‪~ 27‬‬
 ‫ﺍ�ﺱﺭﺖﻐﺋ‬

‫‪ -‬ﺍﺭﻓﻌﻮﺍ ﺍﻟﺴﺘﺎﺭ ﻳﺎ ﺳﺎﺩﺓ‬

‫‪ -‬ﻣﻦ ﺫﺍﻙ ؟‬

‫‪ -‬ﺇﻧﻪ ﻫﻮ ﺃﻟﻴﺲ ﻛﺬﻟﻚ ؟‬

‫‪ -‬ﻧﻌﻢ ﺇﻧﻪ ﻫﻮ ‪..‬‬

‫ﺍﻋﺘﻘﺪﻭﺍ ﺃ ﹼﻧﻪ ﻳﻤﺜﻞ ﰲ ﺣﲔ ﺃ ﹼﻧﻪ ﱂ ﳚﺪ ﻃﺮﻳﻘﺔ‬

‫ﻹﺧﺮﺍﺝ ﻣﻜﻨﻮﻧﺎﺗﻪ ﺃﻣﺎﻡ ﺍﻟﺒﴩ ﺑﺪﻭﻥ ﺃﻥ ﻳﺰﻋﺠﻮﻩ‬

‫ﻛﺎﻥ ﻳﴫﺥ ﺑﺸﺪﹼ ﺓ ﻭﻳﺘﺤﺪﹼ ﺙ ﻟﻐﺔ ﻃﻠﻴﻘﺔ‬

‫ﺑﺎﻟﻄﺒﻊ ﺇﻥ ﻓﻌﻞ ﻫﺬﺍ ﰲ ﺍﳋﺎﺭﺝ ﺳﺠﻨﺎ ﺳﻴﺰﺟﻮﻧﻪ‬

‫ﺃﺫﻛﺮ ‪ ..‬ﺑﻌﺪﺩ ﺍﳉﻤﻬﻮﺭ ﺍﻟﻜﺒﲑ ﺫﺭﻑ ﺩﻣﻮﻋﺎ‬

‫ﻣﺰﻕ ﻗﻤﻴﺼﻪ ﻭﺭﺍﺡ ﻳﺮﻛﺾ ﻓﻮﻕ ﺍﳋﺸﺒﺔ ﺫﻫﺎﺑﺎ ﻭﺭﺟﻮﻋﺎ‬

‫ﹼ‬

‫ﺟﻦ ﺟﻨﻮﻧﻪ ﻋﲆ ﺧﺸﺒﺔ ﺍﳌﴪﺡ ﻳﺎ ﺭﺟﺎﻝ‬

‫ﹼ‬

‫~ ‪~ 28‬‬
 ‫ﻛﺎﺗﺐ ﺍﻟﺴﻴﻨﺎﺭﻳﻮ ﳞﻤﺲ ﰲ ﺃﺫﻥ ﻣﴪﺣﻲ ﺁﺧﺮ ﻫﺬﺍ ﺍﻟﻔﺘﻰ ﳚﻴﺪ‬

‫ﺍﻻﺳﱰﺟﺎﻝ‬

‫ﻻ ﺯﺍﻝ ﻳﺘﺤﺪﺙ ﻋﻦ ﺍﻷﱂ ﻭﺍﻻﻧﺘﻘﺎﻡ‬

‫ﻭﺍﻟﺼﺪﻣﺔ ﻭﺍﻟﻈﻠﻢ ﻭﺍﻟﻈﻼﻡ‬

‫ﻋﻦ ﺍﻟﺪﻫﺸﺔ ﹼ‬
‫ﲢﺪﹼ ﹶ‬
‫ﺙ ﻓﺄﺣﺪﺙ ﺣﺪﻳﺜﺎ ﺑﲔ ﺍﳌﺘﺤﺪﺛﲔ‬

‫ﻋﺎﻣﻞ ﺍﻟﺼﻴﺎﻧﺔ ﻳﻘﻮﻝ‪ :‬ﻟﻘﺪ ﻭﻗﻊ ﺣﺎﺩﺙ‪ ..‬ﺃﻳﻦ؟ ﻓﻮﻕ ﺍﳋﺸﺒﺔ ﻣﻊ‬

‫ﺫﻟﻚ ﺍﳌﺴﻜﲔ‬

‫ﻟﻘﺪ ﺟﺮﺡ ﻧﻔﺴﻪ ﻭﺍﻟﺪﻣﺎﺀ ﲤﻠﺊ ﺍﳌﻜﺎﻥ ﺇﻧﻪ ﻣﻘﻬﻮﺭ‬

‫ﻻ ﻋﻠﻴﻚ ﺃﺗﺮﻛﻪ ﻳﻔﻌﻞ ﻣﺎ ﻳﺸﺎﺀ ﻣﺎﺩﺍﻡ ﻳﻤﺘﻊ ﺍﳉﻤﻬﻮﺭ‬

‫ﻭﻳﻨﺰﻝ ﺍﻟﺴﺘﺎﺭ ﻟﻴﺼ ﹼﻔﻘﻮﺍ ﻟﻸﱂ ﻭﺍﻟﺪﻣﺎﺭ ﺑﺤﺠﺔ ﺃﻥ ﻫﺬﺍ ﺍﻟﺸﺎﺏ‬

‫ﻣﻮﻫﻮﺏ‬

‫ﺃﺧﺮﺝ ﻷﺗﻠﻘﻰ ﻛﺄﺱ ﲬﺮ ﻭﺑﺎﻗﺔ ﻭﺭﻭﺩ‪ ،‬ﻫﻨﻴﺌﺎ ﱄ ﻓﻜﻞ ﻣﺎ ﺗﺒﻘﻰ ﻫﻮ‬

‫ﺗﻠﻚ ﺍﻟﻨﺪﻭﺏ‬

‫~ ‪~ 29‬‬
 ‫‪ 10‬ﺩﺻﺍﺉﺺ ﻝﻂﺚﻂﺷ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺍﻥ ﲣﻮﻧﻚ ﻫﻲ ﻣﻌﻪ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﺗﺘﻼﻣﺲ ﺍﳉﻠﺪﺓ ﺑﺎﳉﻠﺪﺓ‬

‫ﻗﺒﻞ ﺃﻥ ﺗﺴﻘﻂ ﺩﻣﻌﺔ ﻭﻋﴩﺓ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﺗﻘﻊ ﰲ ﺍﳊﺐ‬

‫ﻣﺎﺫﺍ ﻟﻮ ﻋﻠﻤﺖ ﻗﺒﻞ ﻋﴩ ﺃﻥ ﺍﻟﻠﻌﻴﻨﺔ ﰲ ﻣﻮﻋﺪ ﻣﻌﻪ ﰲ ﺍﳌﻄﻌﻢ ﺍﻟﺬﻱ‬

‫ﺗﻌﻤﻞ ﻓﻴﻪ‬

‫ﺃﻻ ﺗﻌﺘﻘﺪ ﺍﻧﻚ ﻛﻨﺖ ﻟﺘﱰﻙ ﺍﻟﻌﻤﻞ ﺁﻧﺬﺍﻙ ﻏﺎﻟﺒﺎ ﻟﺘﺴﺘﺒﺪﻟﻪ ﺑﴚﺀ ﺭﺑﲈ‬

‫ﳌﺰﺍﺟﻚ ﻛﺎﻥ ﺳﻴﻔﻴﺪ‬

‫ﻣﺎﺫﺍ ﻟﻮ ﺭﺃﻳﺖ ﻗﺒﻞ ﻋﴩ ﺩﻗﺎﺋﻖ ﻏﺮﻓﺔ ﰲ ﻣﻨﺰﻟﻚ ﻓﻴﻬﺎ ﺷﺨﺺ‬

‫ﻏﺮﻳﺐ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻓﻘﻂ ﻛﺎﻧﺖ ﻛﻔﻴﻠﺔ ﻟﺘﺠﻨﺒﻚ ﺍﳉﻨﻮﻥ ﻓﻼ ﻳﻠﻘﺒﻚ ﺃﺣﺪ‬

‫ﺑﺎﳌﺮﻳﺾ‬

‫~ ‪~ 30‬‬
 ‫ﻳﺎ ﻟﻠﻬﻮﻝ ﻋﴩ ﺩﻗﺎﺋﻖ ﻟﻠﺨﻠﻒ ﻗﺒﻞ ﺃﻥ ﺗﻜ ﹼﻠﻤﻚ ﻣﻦ ﻫﺎﺗﻔﻪ ﺗﺒﻜﻲ‬

‫ﻗﺒﻞ ﺃﻥ ﲣﱪﻙ ﺍﳖﺎ ﻣ ﹼﻠﺖ ﻣﺸﺎﻋﺮﻙ ﺍﻟﺮﻣﺎﺩﻳﺔ ﺍﺳﻤﻌﺖ ﻫﺬﺍ ﻛﺎﻥ ﻣﻌﻬﺎ‬
‫ﹺ‬
‫ﺍﺣﺒﻚ‬ ‫ﺿﺤﻜﺖ ﺣﻴﻨﲈ ﳘﺲ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺍﻥ ﺗﺼﻄﺪﻡ ﺑﻚ ﺍﻟﺸﻴﻄﺎﻧﺔ ﰲ ﺫﺍﻙ ﺍﻟﺮﺻﻴﻒ‬

‫ﻭﺗﻌﺘﺬﺭ ﻣﻦ ﺳﻴﺎﺩﺗﻚ‬

‫ﺗﺘﻌﻤﺪ ﰲ ﺣﲔ ﺍﻥ ﺧﻄﺘﻬﺎ ﺩﺭﺳﺖ ﻃﻮﺍﻝ ﻓﱰﺓ ﺍﺑﺘﺴﺎﻣﻚ‬

‫ﺇﳖﺎ ﱂ ﹼ‬

‫ﻛﺎﻧﺖ ﲣ ﹼﻄﻂ ﳊﻴﺎﺯﺗﻚ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﲢﻴﻚ ﺍﳌﺸﻌﻮﺫﺓ ﻗﺒﻌﺔ ﺻﻮﻓﻴﺔ ﻇﻨﻨﺖ ﺍﳖﺎ ﻫﺪﻳﺔ‬

‫ﻟﻚ ﺍﻧﺖ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﺗﻘﺼﺪ ﺍﳌﻘﻬﻰ ﻟﺘﺠﺪ ﺷﺨﺼﺎ ﺃﺧﺮ ﻳﺮﺗﺪﳞﺎ ﻫﻞ‬

‫ﻫﻲ ﻣﻦ ﺃﻫﺎﻧﺘﻚ ﺃﻡ ﻧﻔﺴﻚ ﻣﻦ ﺃﻫﻨﺖ‬

‫ﻋﻮﺩﺓ ﻟﻠﻮﺭﺍﺀ ﺑﻌﴩ ﺩﻗﺎﺋﻖ ﻛﺎﻧﺖ ﻛﻔﻴﻠﺔ ﺑﺎﻥ ﻻ ﺗﺪﻣﺮ ﺍﻟﻌﺎﱂ ﺣﻮﻟﻚ‬

‫ﻋﻴﺪ ﻣﻴﻼﺩ ﺳﻌﻴﺪ‪ ،‬ﻗﺒﻞ ﻋﴩ ﺩﻗﺎﺋﻖ ﺭﺃﻳﺘﻨﻲ ﺍﻵﻥ ﻓﺘﻤﻨﹼﻴﺖ ﻟﻮ ﺍﻥ ﺫﺍﻙ‬

‫ﺍﻟﺸﺨﺺ ﻫﻠﻚ‬

‫~ ‪~ 31‬‬
‫"ﴎﺍﻗﺔ ﺍﻟﻘﻤﺮﺓ " ﻫﻮﻟﻴﻮﺩﻳﺔ ﺑﺎﻣﺘﻴﺎﺯ ﳐﺮﺟﺔ ﻛﺘﺒﺖ ﺍﻟﺴﻴﻨﺎﺭﻳﻮ ﻭﻣ ﹼﺜﻠﺘﻪ‬

‫ﺑﻨﺠﺎﺡ‬

‫ﻇﻨﻨﺖ ﺃﻥ ﺍﻟﺼﺪﻑ ﺃﲨﻞ ﻣﻦ ﺍﻟﻒ ﻣﻴﻌﺎﺩ ﻭﺗﻨﺎﺳﻴﺖ ﺃﻥ ﺑﻌﺾ‬

‫ﺍﻟﺼﺪﻑ ﻻ ﲢﺘﻮﻱ ﳐﺎﺭﺝ ﻧﺠﺎﺓ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺍﻏﺘﻴﺎﻝ ﺻﺎﺣﺐ ﺍﻟﺴﻤﻮ‬

‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﻳﺼﺒﺢ ﺣﺼﺎﻥ ﻃﺮﻭﺍﺩﺓ ﺳﺒﺐ ﻧﺤﺮ ﺍﳉﻨﻮﺩ‬

‫ﻋﴩ ﻓﻘﻂ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺃﺗﻨﺎﻭﻝ ﺃﻧﺎ ﺗﻠﻚ ﺍﻟﺴﻤﻮﻡ‬

‫ﻟﻮ ﻋﺪﺕ ﻋﴩﺍ ﻓﻘﻂ ﻣﺎ ﻛﻨﺖ ﻷﻣﻮﺕ‬

‫ﺣﺪﹼ ﻕ ﰲ ﻋﲔ ﻗﺎﺗﻠﺘﻚ ﻏﺪﺍ ﺻﺒﺎﺣﺎ ﻭﺃﺧﱪﻫﺎ ﺃﳖﺎ ﻓﻘﺪﺕ ﲨﺎﳍﺎ‬

‫ﺃﻣﺲ‬

‫ﻭﺃﻥ ﺍﻟﺴﲈﺀ ﲢ ﹼﺒﻚ ﺃﻧﺖ ﻭﺍﻻﺭﺽ ﺗﺒﻜﻲ ﻣﻦ ﻛﺜﺮﺓ ﺍﳍﻤﺲ‬

‫ﺭﺍﻗﺒﻬﺎ ﺗﻠﻔﻆ ﺃﻧﻔﺎﺳﻬﺎ ﺍﻷﺧﲑﺓ ﺃﻣﺎﻣﻚ‪ ،‬ﻷﻧﻪ ﱂ ﻳﻔﱰﺽ ﺃﻥ ﲣﺮﺝ‬

‫ﺃﻧﺖ ﻋﻦ ﺍﻟﻨﹼﺺ ﱂ ﻳﻔﱰﺽ ﺃﻥ ﺗﻜﻮﻥ ﻛﻌﺎﺋﻖ‬

‫~ ‪~ 32‬‬
‫ﺭﺍﻗﺒﻬﺎ ﺗﺘﻘﺪﻡ ﰲ ﺍﻟﺴﻦ ﻛﻞ ﺛﺎﻧﻴﺔ ﻭﺍﻓﻌﻞ ﻣﺎ ﻻ ﺗﺘﻮ ﹼﻗﻊ ﺍﻟﺸﻴﻄﺎﻧﺔ ﻣﻨﻚ‬

‫ﰲ ﻋﴩ ﺩﻗﺎﺋﻖ‬

‫ﻭﺍﻟﺮﻣﺎﺩﻳﺎﺕ‬
‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﺗﺼﺎﺏ ﺑﺎﻟﴪﻃﺎﻥ‪ ،‬ﻋﻤﻰ ﺍﻷﻟﻮﺍﻥ ﹼ‬
‫ﻋﴩ ﺩﻗﺎﺋﻖ ﻗﺒﻞ ﺃﻥ ﺗﺼﺒﺢ ﻋﺒﺪﺍ ﻟﻠﺸﻴﻄﺎﻥ‪ ،‬ﻣﺜﻠﻬﻢ ﳐﻠﻮﻗﺎﺕ‬

‫ﺍﳌﺎﺩﻳﺎﺕ‬

‫ﺍﺭﲤﻲ ﺑﲔ ﺍﺣﻀﺎﻥ ﺍﳌﻮﺕ ﻟﺘﻄﻠﺐ ﺑﻌﺾ ﺍﻟﺮﺍﺣﺔ ﻫﺬﺍ ﻣﻘﺒﻮﻝ‬

‫ﻟﻜﻦ ﻣﺎﺫﺍ ﻋﻦ ﻛﻞ ﻣﺎ ﺩﺍﺧﻠﻚ ﻣﻦ ﻣﺴﺎﺣﺔ ﺍﻟﻌﺎﱂ ﺿﺨﻢ ﻣﺎ ﺍﻟﺬﻱ‬

‫ﻳﻤﻜﻦ ﺃﻥ ﺗﻘﻮﻝ‬

‫ﺗﺴﻊ ﻟﻠﺘﻔﻜﲑ ﻭﺩﻗﻴﻘﺔ ﻭﺍﺣﺪﺓ ﻟﻠﺘﻄﺒﻴﻖ ﻻ ﺗﺘﻌﻮﺩ ﻋﲆ ﺍﻟﱰﺩﺩ‬

‫ﹲ‬

‫ﺍﳉﺒﻨﺎﺀ ﱂ ﳜﻠﻘﻮﺍ ﻟﻠﻌﻴﺶ‪ ،‬ﻫﻢ ﻓﻘﻂ ﺑﺎﺭﻋﻮﻥ ﰲ ﺍﻟﺒﻜﺎﺀ ﻭﺍﻟﺘﻮ ﹼﺩﺩ‬

‫ﻻ ﺗﻨﺎﺩﻱ ﻭﺍﻟﺪﻙ ﺃﻳﻀﺎ ﻭﺳﻂ ﺍﳌﻌﺮﻛﺔ ‪..‬‬

‫ﻳﴩﻓﻪ ﺃﻥ ﻳﺮ￯ ﺍﳉﻤﻴﻊ ﻳﻘﺎﺗﻞ ﻭﺷﺒﻠﻪ ﰲ ﻣﺮﺣﻠﺔ‬

‫ﺍﳊﺮﺏ ﻗﺎﺋﻤﺔ ﻟﻦ ﹼ‬
‫ﺍﻟﺘﻤﺪﺩ‬

‫~ ‪~ 33‬‬
 ‫ﺍﻗﺘﻞ ﺍﻟﻠﻌﻴﻨﺔ ﺩﺍﺧﻠﻚ ﻭﺍﺳﺠﻦ ﻧﻔﺴﻚ ﻻﺣﻘﺎ‬

‫ﺻﺪﹼ ﻕ ﰲ ﺍﳖﺎ ﻣﺎﺗﺖ‪ ،‬ﻭﻛ ﹼﻠﲈ ﺭﺃﻳﺘﻬﺎ ﻗﻞ ﺧﻴﺎﻝ ﻧﺎﻓﻘﺎ‬

‫ﺃﺧﱪﻙ ﻗﺒﻞ ﻋﴩ ﺩﻗﺎﺋﻖ ﻣﻦ ﺃﻥ ﺗﺴﻘﻂ ﻛﻮﺍﻛﺒﻚ ﹶﻃ ﹼﻬﺮ ﻧﺠﺎﺳﺘﻚ‬

‫ﻋﲇ ﺍﻟﺬﻫﺎﺏ ﺗﻠﻘﻴﺖ ﺩﻋﻮﺓ‬

‫ﻗﺒﻞ ﻋﴩ ﺩﻗﺎﺋﻖ ﺣﺪﺛﺘﻪ ﱂ ﻳﺴﺘﻤﻊ‪ ،‬ﹼ‬
‫ﻣﺴﺘﻘﺒﻠﻴﺔ ﳊﻀﻮﺭ ﺟﻨﺎﺯﺗﻚ‬

‫~ ‪~ 34‬‬
 ‫ﺃﺻﻈﺳﺋ ﺍﻝﺗﺞﻥ‬

‫ﻻ ﺗﺴﺄﻝ ﺷﺨﺼﺎ ﺃﺑﺪﺍ ﻋﻦ ﺳﺒﺐ ﺣﺰﻧﻪ‪ ،‬ﻷﻧﻪ ﺇﻥ ﻛﺎﻥ ﺣﺰﻳﻨﺎ ﻓﻠﻦ‬

‫ﲡﺮﺃ ﻋﲆ ﺃﻥ ﺗﺴﺄﻝ ﺧﻮﻓﺎ ﻋﲆ ﺩﻣﻮﻋﻚ‪ ،‬ﻓﻘﻂ ﺗﺄﻣﻞ ﻋﻴﻨﺎﻩ‪ ،‬ﺍﻟﻌﻴﻮﻥ‬

‫ﻭﺍﺷﻴﻪ ﳏﱰﻓﺔ‬

‫‪ -‬ﺍﳊﺰﻳﻦ ﺃﻭﱃ ﺑﺎﳊﺰﻥ ﻣﻨﻜﻢ ﻳﺎ ﺳﺎﺩﺓ ‪...‬‬

‫ﰲ ﻃﺮﺍﺋﻒ ﺍﻟﺒﴩ ﻛﺮﺓ ﺍﻷﺭﺽ ﺣﺰﻳﻨﺔ‬

‫ﻟﻜﻦ ﳌﺎﺫﺍ؟ ﺃﻋﺪﻙ ﺃﻧﻜﻢ ﻟﻦ ﲡﺪﻭﺍ ﺃﺳﺒﺎﺏ ﻣﻘﻨﻌﺔ ﻟﻮ ﻓﺘﺤﺘﻢ ﺍﳋﺰﻳﻨﺔ‬

‫ﱰﻫﺎﺕ‬
‫ﻋﺎﺭ ﺃﻥ ﳛﺰﻧﻚ ﺍﳊﺐ ﻭﺍﳋﻴﺎﻧﺔ ﻭﻣﺎ ﺷﺎﲠﻬﲈ ﰲ ﺍﻟ ﹼ‬
‫ﻋﺎﺭ ﺃﻥ ﺗﺸﻌﺮ ﺑﺄﻧﻚ ﻧﺎﻗﺺ ﻓﻘﻂ ﻷﻧﻚ ﻓﻘﲑ ﺍﳌﺎﻝ ﻭﺗﻠﻚ‬

‫ﺍﳋﺰﻋﺒﻼﺕ‬

‫ﺻﺤﺘﻚ ﺃﻣﺎﻣﻚ‬
‫ﺳﺄﺣﺰﻥ ﻣﻌﻚ ﺇﻥ ﺗﻼﺷﺖ ﹼ‬

‫ﺳﺄﺑﻜﻲ ﺇﻥ ﱂ ﲡﺪ ﻣﻦ ﻳﻌﻄﻴﻚ ﻛﺪﻣﺎﺋﻚ‬

‫~ ‪~ 35‬‬
 ‫ﺳﺄﴏﺥ ﺇﻥ ﻓﻘﺪﺕ ﻣﻴﺘﺎ ﺭﺣﻞ‬

‫ﻭﺳﺄﻛﺘﺐ ﺇﻥ ﺃﻋﺪﻣﻚ ﺍﻟﺒﴩ ﻇﻠﲈ ﻟﻦ ﺃﺧﺠﻞ‬

‫ﺟﺮﺏ ﺍﳉﻮﻉ ﰲ ﺑﻠﺪ ﻏﺮﻳﺐ‬

‫ﺟﺮﺏ ﺍﳌﺒﻴﺖ ﺧﺎﺭﺟﺎ ﻋﲆ ﺩﻓﺊ ﺍﳉﻠﻴﺪ‬

‫ﺟﺮﺏ ﺃﻥ ﺗﺮﻣﻲ ﺍﻟﱰﺍﺏ ﻋﲆ ﻗﱪ ﺣﺒﻴﺐ‬

‫ﹼ‬
‫ﺟﺮﺏ ﺃﻥ ﺗﻌﺎﲏ ﻣﺮﺿﺎ ﻗﺎﺗﻼ ﻭﺍﻟﺪﻋﺎﺀ ﺩﻭﺍﺋﻚ ﺍﻟﻮﺣﻴﺪ‬
‫ﹼ‬
‫ﺟﺮﺏ ﺃﻥ ﲤﻮﺕ ﺣﻴﺎ‪ ،‬ﻻ ﺗﺪﹶ ﻋﻮﺍ ﺍﳊﺰﻥ ﻳﺎ ﻧﺎﺱ‬
‫ﻓﻘﻂ ﹼ‬
‫ﺍﺧﺠﻠﻮﺍ ﻣﻦ ﺃﻧﻔﺴﻜﻢ ﻓﺄﺿﻠﻊ ﺍﳊﺰﻳﻦ ﱂ ﻳﺸﻔﻖ ﻋﻠﻴﻬﺎ ﺍﻟﻔﺄﺱ‬

‫ﻳﺮﺗﺴﻢ‬
‫ﹸ‬ ‫ﻧﻌﻢ ﺍﳊﺰﻥ ﺑﺸﻊ ﻭﻟﻜﻨﹼﻪ ﲨﻴﻞ ﺣﻴﻨﲈ‬

‫ﻋﲆ ﺍﻷﻗﻞ ﺍﺳﺘﺤﻘﻮﺍ ﺍﳊﺰﻥ ﺃﻭﻻ‪ ،‬ﺛﻢ ﺑﻌﺪﻫﺎ ﺍﺣﺰﻧﻮﺍ‬

‫~ ‪~ 36‬‬
 ‫ﺍ�ﺗﺍﺾﻡﺋ ‪1‬‬

‫ﺃﻏﻼﻝ ﻓﻮﻻﺫﻳﺔ‪ ،‬ﻗﻀﺒﺎﻥ ﺣﺪﻳﺪﻳﺔ‪ ،‬ﻣﻠﻒ ﻗﻀﻴﺔ ﻭﻣﻴﺰﺍﻥ ﻋﺪﺍﻟﺔ‬

‫ﺫﻫﺒﻲ ﺻﺪﺉ ‪..‬‬

‫ﻧﺎﺩﻭﺍ ﺑﺈﺳﻤﻲ ﻭﻗﻔﺖ ﻓﺮﻓﻌﺖ ﺭﺃﳼ ﻓﻤﺸﻴﺖ‬

‫ﺍﻟﺘﺤﻘﺖ ﺑﻘﺴﻤﻲ ﻭﺍﻟﻜﻼﺏ ﺧﻠﻔﻲ ﻧﺒﺤﻮﺍ ﻓﲈ ﺧﺸﻴﺖ‬

‫ﺩﺧﻠﺖ ﻓﺮﺃﻳﺖ ﻣﻦ ﺩﻭﻥ ﻛﻞ ﺍﻟﺒﴩ ﺃﻣﻲ‬

‫ﺃﻣﻲ‬
‫ﲢﺪﹼ ﺛﻮﺍ ﺑﻤﺼﻄﻠﺤﺎﺕ ﻏﺮﻳﺒﺔ ﺃﻧﺎ ﺍﻟﱪﻱﺀ ﺷﻌﺮﺕ ﺃﻧﻨﻲ ﹾ‬
‫ﹺ‬
‫ﻗﺎﺽ ﻳﴫﺥ ﻫﺪﻭﺀ ﰲ ﺍﳌﺤﻜﻤﺔ ﺗﻜ ﹼﻠﻢ ﻳﺎ ﳏﺎﻣﻲ‬

‫ﺃﻳﻦ ﺍﻟﻌﺪﻝ ﺃﻻ ﻳﻤﻜﻦ ﺃﻥ ﺃﺩﺍﻓﻊ ﻋﻦ ﻧﻔﴘ ﻓﺄﻧﺎ ﺃﻣﻠﻚ ﺃﻗﻼﻣﻲ‬

‫ﻗﺎﻝ ﺃﺻﻤﺖ ﻋﻠﻴﻚ ﺍﻟﻠﻌﻨﺔ ﻳﺎ ﻣﺘﻬﻢ ﳌﺎﺫﺍ ﻗﺘﻠﺘﻪ؟‬

‫ﳌﺎﺫﺍ ﻗﺘﻠﺘﹸﻪ؟ ﺃﺟﺒﻨﻲ ﺃﻧﺖ ﺃﻭﻻ ﺳﻴﺎﺩﺗﻚ ﻣﺎ ﺷﺄﻧﻚ ﳌﺎﺫﺍ ﺗﺪﺧﻠﺖ‬

‫ﻗﺎﻝ ﺃﻏﻠﻖ ﻓﻤﻚ ﺃﻧﺎ ﻫﻨﺎ ﻣﻦ ﻳﻄﺮﺡ ﺍﻷﺳﺌﻠﺔ ﻻ ﺃﻧﺖ‬

‫~ ‪~ 37‬‬
 ‫ﺣﺴﻨﺎ ﺳﻴﺪﻱ ﺇﺫﺍ ﺍﺳﺄﻟﻨﻲ ﻋﻦ ﻣﻦ ﻗﺘﻠﺖ ﻻ ﳌﺎ ﻗﺘﻠﺖ‬

‫ﻗﺎﻝ ﻣﻦ؟ ﻗﻠﺖ ﻧﻔﴘ ﻓﲈ ﺷﺄﻧﻜﻢ ﰲ ﻣﺎ ﺃﺣﺮﻗﺖ ﻭﻣﺎ ﺗﺮﻛﺖ‬

‫ﺃﻧﺎ ﺃﻋﱰﻑ ﺑﺠﺮﻳﻤﺘﻲ ﻗﺘﻠﺖ ﻧﻔﴘ ﻷﻧﻨﻲ ﺍﺳﺘﺤﻘﻘﺖ ﺍﳌﻮﺕ‬

‫ﻓﻠﺘﻘﻮﻣﻮﺍ ﺑﺎﻟﻘﺼﺎﺹ ﻭﺗﻌﺪﻣﻮﺍ ﺟﺴﺪﻱ ﺃﻧﺎ ﻟﻦ ﹺ‬
‫ﺃﻟﻘﻲ ﻋﻠﻴﻜﻢ ﺍﻟﻠﻮﻡ‬

‫ﻣﺎ ﻫﺬﻩ ﺍﳌﻬﺰﻟﺔ ﺍﻟﺘﻲ ﺗﺪﻋﻮﳖﺎ ﻋﺪﻻ ﻳﺎ ﻗﻮﻡ؟‬

‫ﺃﻧﺘﻢ ﻣﺜﲑﻭﻥ ﻟﻠﺸﻔﻘﺔ ﻻ ﺃﻇﻦ ﺃﻥ ﺃﺣﺪﺍ ﻓﻴﻜﻢ ﻳﺴﺘﻄﻴﻊ ﺍﻟﻨﻮﻡ‬

‫ﹲ‬
‫ﻋﺪﺍﻟﺔ ﺍﻟﻴﻮﻡ ؟‬ ‫ﺃﻫﺬﺍ ﻣﺎ ﲣﱪﻭﻥ ﺑﻪ ﺿﻤﲑﻛﻢ ﻟﻴﻐﺾ ﺑﴫﻩ ﺃﻧﻜﻢ‬

‫‪ -‬ﺗﻢ ﺗﺄﺟﻴﻞ ﺍﳉﻠﺴﺔ –‬

‫~ ‪~ 38‬‬
 ‫ﺍ�ﺗﺍﺾﻡﺋ ‪2‬‬

‫‪-‬ﺍﺳﺘﺌﻨﺎﻑ ﺍﳉﻠﺴﺔ‪-‬‬

‫ﴎﺍ‬
‫ﺍﲤﺘﻢ ﺣﺮﻭﻓﺎ ﻭﺃﺫﻛﺮ ﳏﺎﺳﻨﻲ ﺃﻧﺎ ﺍﻟﻘﺎﺗﻞ ﻭﺍﳌﻘﺘﻮﻝ ﹰ‬
‫ﺍﻟﻘﺎﴈ ﴏﺥ ﺍﺭﻓﻊ ﺭﺃﺳﻚ ﻳﺎ ﺣﴩﺓ ﺍﻋﱰﻑ ﻭﺍﻓﺮﻍ ﻋﻨﻚ ﲪﻼ‬

‫ﻛﻢ ﺩﻓﻌﻮﺍ ﻟﻚ ﺳﻴﺪﻱ‪ ،‬ﺃﻧﺎ ﻟﻦ ﺃﺩﻓﻊ ﺃﻛﺜﺮ‬

‫ﺃﻧﺎ ﻓﻘﻂ ﺃﺗﺴﺎﺀﻝ ﻛﻢ ﺗﻄﻠﺐ ﺍﻷﻣﺮ ﻟﺘﺒﻴﻊ ﺍﻟﻌﺪﺍﻟﺔ ﻟﻠﺒﴩ؟‬

‫ﺍﻟﺴﺠﻨﺔ ﻳﻘﺘﺎﺩﲏ ﻟﺰﻧﺰﺍﻧﺔ ﺍﻧﻔﺮﺍﺩﻳﺔ ﺍﻟﻌﻔﻦ‬

‫ﻫﺎ ﻫﻮ ﺣﺎﺭﺱ ﹼ‬
‫ﺗﺒﺎ ﻟﻚ ﺍﻋﺘﺪﺕ ﺍﻻﻣﺮ ﰲ ﻏﺮﻓﺘﻲ‪ .‬ﺃﻧﺎ ﻟﺴﺖ ﺧﺎﺋﻔﺎ‬

‫ﺍﳌﺘﻤﺮﺩ ﰲ ﺟﺪﺭﺍﻧﻜﻢ ﻭﻟﻜﻨﹼﻲ ﻟﻦ ﺃﺧﻠﻖ ﻣﻦ ﺑﻌﺪﻱ ﻗﻮﻣﺎ‬

‫ﹼ‬ ‫ﺳﺄﻛﺘﺐ‬

‫ﺍﳌﺘﻤﺮﺩ ﻳﻌﻮﺩ ﻳﻮﻣﺎ‬

‫ﹼ‬ ‫ﻳﺘﻤﺮﺩﻭﺍ ﻭﻟﻜﻨﻬﻢ ﺳﻴﻘﻮﻟﻮﻥ ﻳﺎ ﻟﻴﺖ‬
‫ﻟﻦ ﹼ‬
‫ﺍﻟﻴﻮﻡ ﺍﻷﻭﻝ ﰲ ﺯﻧﺰﺍﻧﺘﻲ ﺃﺻﻮﺍﺕ ﺍﻟﻠﻌﻨﺔ ﳌﺎ ﻗﺘﻠﺖ ﻧﻔﺴﻚ ﺃﺻﻼ‬

‫~ ‪~ 39‬‬
‫ﺃﻗﻮﻡ ﻛﻤﺠﻨﻮﻥ ﻭﺃﴏﺥ ﻛﻨﺘﻢ ﺳﺘﻘﺘﻠﻮﻧﻨﻲ ﻋﲆ ﺃﻳﺔ ﺣﺎﻝ ﺭﺑﲈ ﻗﺘﻞ‬

‫ﻧﻔﴘ ﻛﺎﻥ ﻣﺼﻼ‬

‫ﺍﻟﻴﻮﻡ ﺍﻟﺜﺎﲏ ﱂ ﺃﻋﺸﻖ ﺗﺎﺀ ﺍﻟﺘﺄﻧﻴﺚ ﻳﻮﻣﺎ ﻫﻜﺬﺍ ﻻ ﺗﻈﻠﻤﻮﲏ ﳎﺪﺩﺍ‬

‫ﺃﲢﺪﺙ ﻋﻦ ﺍﳊﺮﻳﺔ ﺍﻟﻠﻌﻴﻨﺔ ﻫﻪ ﺃﺭﺃﻳﺖ ﺃﻣﻲ ﺃﺧﱪﺗﻚ ﺃﲏ ﻟﻦ ﺃﺗﺰﻭﺝ‬

‫ﻟﻦ ﺃﺟﻌﻞ ﺃﰊ ﺟﺪﺍ‬

‫ﺍﻟﻴﻮﻡ ﺍﻟﺜﺎﻟﺚ ‪ ..‬ﺗﺰﻭﺭﲏ ﺃﻣﻲ ‪ ..‬ﻳﺎ ﻣﺎ ﺭﺍﲏ ﳎﺮﻭﺡ؟‬

‫ﺃﻣﻲ ﻣﺎ ﲡﺎﻭﺑﺶ ﻣﺎ ﲢﺒﺶ ﲢﺪﺛﻨﻲ ﻓﺎﻟﻮﺍﻗﻊ ﻭﺗﺮﻭﺡ‪..‬‬

‫ﺣﺮﺏ ﺍﳌﺠﺎﻧﲔ ﺃﺻﺎﺑﻨﻲ ﺑﲔ ‪ 4‬ﺟﺪﺭﺍﻥ ﺗﻀﻴﻖ ﰊ ﻻ ﳐﺮﺝ ﺑﻞ ﻓﻘﻂ‬

‫ﻣﺪﺧﻞ‬

‫ﺭﺏ ﰲ ﺫﺍﻙ ﺍﳌﻜﺎﻥ ﺃﻭ ﺃﻧﻪ ﻣﻮﺟﻮﺩ ﻭ ﻟﻜﻨﻪ ﻓﻘﻂ ﻻ ﻳﺘﺪﺧﻞ‬

‫ﻻ ﹼ‬

‫ﲬﺲ ﺳﻨﲔ ﻻﺣﻘﺎ ‪ ..‬ﺗﻌ ﹼﻠﻤﺖ ﺷﻴﺌﺎ ﻣﺎ ﺍﳌﻮﺕ ﺟﺮﻳﻤﺔ ﻗﺬﺭﺓ‬

‫ﻻ ﲤﺖ ﺻﺪﻳﻘﻲ ﺣﺎﺭﺏ ﻟﺘﺒﻘﻰ ﺣﻴﺎ ‪ ..‬ﻷﺟﻞ ﺃ ﹼﻣﻚ ﻛﻦ ﺣﺬﺭﺍ‬

‫‪ 20‬ﺳﻨﺔ ﻻﺣﻘﺎ ﻭﱂ ﻳﻄﻠﻖ ﴎﺍﺣﻲ ﺑﻌﺪ ‪ ..‬ﺃﺣﺎﻭﻝ ﺍﻟﻮﺻﻮﻝ ﻟﻠﺮﺏ‬

‫~ ‪~ 40‬‬
‫ﻭﻟﻜﻦ ﻳﺒﺪﻭ ﺃﻥ ﺍﻟﻨﻬﺎﻳﺔ ﺍﻗﱰﺑﺖ ﻓﻬﺬﺍ ﺍﻟﺴﺠﻦ ﺍﻟﺬﻱ ﻳﺴﺠﻨﻨﻲ ﺃﻧﺎ‬

‫ﻓﻘﻂ ﻗﺪ ﺍﻣﺘﻸ ﻣﻨﻲ‬

‫~ ‪~ 41‬‬
 ‫ﺽﻐﺍﻉ‬

‫ﺑﲔ ﲨﻴﻞ ﻭﺑﺸﻊ‪ ،‬ﺑﲔ ﺳﻴﺊ ﻭﺟﻴﺪ ﺿﺎﺋﻊ‬

‫ﻳﻠﺘﻬﻢ ﻛﻞ ﻣﺎ ﺗﺮﻏﺐ ﺑﻪ ﻧﻔﺴﻪ‪ ،‬ﻭﻻ ﻳﺰﺍﻝ ﺟﺎﺋﻊ‬

‫ﻟﻴﺴﺖ ﻧﲑﺍﻧﻪ ﻫﻲ ﺍﻟﺴﺒﺐ ﻓﻬﻮ ﱂ ﻳﻌﺘﺪ ﺃﻥ ﳛﻄﺐ‬

‫ﻫﻮﺍﺓ ﺍﻻﺣﱰﺍﻕ‪ ،‬ﻳﻌﻠﻢ ﺍﻧﻪ ﻳﻠﺘﻬﺐ ﺃﴎﻉ ﻣﻦ ﺍﳊﻄﺐ‬

‫ﻭﻟﻴﺲ ﻣﻦ ﹼ‬

‫ﻓﻠﺴﻔﺘﻪ ﰲ ﺍﳊﻴﺎﺓ ﺗﻌﺎﻧﺪ ﺍﳌﻨﻄﻖ ﻭﲢﺎﻛﻲ ﺍﻟﻼﻣﻨﻄﻘﻴﺔ‬

‫ﻻ ﻳﺪﺭﻙ ﺑﻌﻘﻠﻪ ﻭﻻ ﺑﺤﻮﺍﺳﻪ ﻳﻤﻘﺖ ﺍﻷﺷﻜﺎﻝ‪ ،‬ﻭﺍﳌﻮﺿﻮﻋﻴﺔ‬

‫ﺍﻟﻀﻴﺎﻉ ﺑﲔ ﺳﻄﻮﺭ ﻏﺮﻳﺒﺔ ﲢﴬ ﻫﻲ ﻓﻴﻔﻘﺪ ﻭﻋﻴﻪ‬

‫ﻭﺍﻟﺘﻼﳾ ﺭﻓﻘﺔ ﺣﺮﻭﻑ ﺗﺼﺒﺢ ﺣﺒﻴﺒﺘﻪ ﺗﺴﻬﺮ ﻣﻌﻪ ﻟﻴﻠﻪ‬

‫ﻫﻞ ﻳﻮﺻﻒ ﺍﻟﻀﻴﺎﻉ؟ ﺃﻧﺎ ﻻ ﺃﻓﻜﺮ ﻳﺎ ﺭﻭﻧﻴﻪ ﻓﻬﻞ ﺃﻧﺎ ﻣﻮﺟﻮﺩ ﺣﻘﺎ ﺃﻡ‬

‫ﺃﳖﺎ ﺇﺷﺎﻋﺔ‬

‫ﺃﻛﺘﺐ ﻷﻗﻨﻊ ﻣﺎ ﺑﺪﺍﺧﲇ‪ ،‬ﻭﻣﺎ ﺑﺪﺍﺧﲇ ﺑﺎﺭﻉ ﺑﺈﻗﻨﺎﻋﻲ ﺑﻄﺒﺎﻋﻪ‬

‫~ ‪~ 42‬‬
 ‫ﺃﺟﻬﻞ‪ ،‬ﻭﻻ ﺃﺩﺭﻱ‪ ،‬ﻭﻻ ﺃﻋﻠﻢ ﻭﻻ ﻓﻜﺮﺓ ﻟﺪﻱ‬

‫ﺿﺎﺋﻊ ﻭﻻ ﺣﻴﻠﺔ ﱄ ﻻ ﰲ ﺭﺃﳼ ﻭﻻ ﺑﲔ ﻳﺪﻱ‬

‫ﻗﺎﺋﺪ ﺃﻧﺎ‪ ،‬ﻭﺍﻟﻨﺎﺱ ﺃﺻﺒﺤﺖ ﺳﺨﻴﻔﺔ ﺑﻌﻀﻬﻢ‬

‫ﺿﺎﺋﻊ ﺃﻧﺎ ﻭﻟﻜﻦ ﺃﺑﺪﺍ ﻟﻦ ﺃﻛﻮﻥ ﻣﺜﻠﻬﻢ‬

‫ﺍﻟﻘﺎﻉ ﻟﻜﻢ‪ ،‬ﻭﺍﻟﻘﻤﺔ ﳍﻢ ﻭﺃﻧﺎ ﺧﺎﺭﺝ ﻣﺮﺑﻌﻜﻢ‬

‫ﺃﻟﻐﻮﲏ‪ ..‬ﻓﺄﻧﺎ ﻻ ﺃﻫﻮ￯ ﻣﻦ ﻣﻌﺎﺭﰲ ﺇﻻ ﺭﺑﻌﻜﻢ‬

‫ﺃﺭﺍﻛﻢ ﻛﻼﺏ ﰲ ﻣﻨﺎﻣﻲ ﺗﻨﺒﺤﻮﻥ ﻳﺎ ﻣﻦ ﲢﺪﹼ ﺛﻮﻥ ﺑﻌﻀﻜﻢ ﻋﻨﹼﻲ‬

‫ﺿﺎﺋﻊ ﻋﻦ ﻧﻔﴘ ﻭﺃﺩﺭﻱ ﺃﻛﻴﺪﺍ ﺃﲏ ﻟﻦ ﺃﻛﻮﻥ ﰲ ﺃﺣﻼﻣﻜﻢ ﺇﻻ ﻓﻨﺎ‬

‫ﻭﺃﺩﺭﻛﻮﺍ ﺃﲏ ﻻ ﺃﲢﺪﹼ ﺙ ﺇﻻ ﻋﻨﻲ ﻭﺃﻧﺎ ﻣﻨﻲ‬

‫ﻓﺎﺳﺄﻟﻮﺍ ﻋﻠﲈﺀﻛﻢ‪ ،‬ﻛﻴﻒ ﻟﻀﺎﺋﻊ ﺃﻥ ﻳﱪﻉ ﻋﻨﹼﺎ‬

‫ﻳﻈﻦ ﻧﻔﺴﻪ ﺑﴩ ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ‬

‫ﻭ ﻟﻴﻘﻮﻟﻮﺍ ﻣﺎ ﹼ‬

‫ﻓﻌﲇ ﺍﻟﻠﻌﻨﺔ ‪ ..‬ﻭﻋﲇ ﺍﻟﻠﻌﻨﺔ ‪ ..‬ﻭﻟﺘﺪﺧﻠﻮﺍ ﺃﻧﺘﻢ ﺇﻥ ﺍﺳﺘﻄﻌﺘﻢ ﺍﳉﻨﺔ‬

‫ﹼ‬

‫~ ‪~ 43‬‬
 ‫ﺍ�ﺛﻄﻈﺋ‬

‫ﻟﻜﻞ ﺷﺨﺺ ﺇﺩﻣﺎﻧﻪ‪ ،‬ﻭ ﻟﻜﻞ ﺇﺩﻣﺎﻥ ﺷﺨﺼﻪ ‪..‬‬

‫ﻓﻠﻢ ﺃﺩﻣﻨﺘﻨﻲ؟‬
‫ﺍﻟﻔﺮﺍﻍ ‪ ..‬ﻻ ﻳﺪﻣﻦ ﹶ‬
‫ﻭﺃﺫﻛﺮ ﺃﳖﺎ ﺗﻌﺎﻃﺘﻨﻲ ﻛﺜﲑﺍ‪ ،‬ﺭﻏﺒﺖ ﰲ ﻧﺸﻮﰐ ﹼ‬
‫ﻛﻞ ﺳﺎﻋﺔ‬

‫ﱂ ﺗﻔ ﹼﻜﺮ ﻟﻠﺤﻈﺔ ﺃﻧﻨﻲ ﺳﺄﻗﺘﻠﻬﺎ ﻳﻮﻣﺎ ﱂ ﺃﺩﻣﻨﺖ ﺷﻴﺌﺎ ﺳﻴﻨﺴﺎﻫﺎ‬

‫ﺍﻟﻔﺮﺍﻍ ﻻ ﻳﺪﻣﻦ ﻓﻠﲈ ﺃﺩﻣﻨﺘﻨﻲ‪ ...‬ﺍﳌﺨﺪﹼ ﺭ ﺍﻷﺯﺭﻕ ﻳﺄﺧﺬ ﻣﻜﺎﻥ‬

‫ﺩﻣﺎﺋﻚ‬
‫ﻫﻞ ﻓ ﹼﻜﺮﺕ ﻟﻮﻫﻠﺔ ﹺ‬
‫ﺃﻧﻚ ﺳﺘﻤﻮﺗﲔ؟‬

‫~ ‪~ 44‬‬
 ‫"ﺕﻡﺭﺩ"‬
‫ّ‬

‫ﱂ ﺃﻋﺘﺪ ﺃﻥ ﺃﺿﻊ ﺣﺬﺍﺋﻲ ﰲ ﺍﳌﻜﺎﻥ ﺍﳌﺨﺼﺺ‪ ،‬ﱂ ﺃﻋﺘﺪ ﺃﻥ ﺃﻟﺒﺲ ﻣﺎ‬

‫ﳚﺐ ﺃﻭ ﺃﻥ ﺃﺧﻠﻊ ﻣﺎﻻ ﳚﺐ ﻟﺒﺴﻪ‪ ،‬ﲤﺮ ﹼﺩﺕ ﻃﻮﺍﻝ ﺣﻴﺎﰐ ﻋﲆ ﻛﻞ‬

‫ﳾﺀ ‪ ..‬ﻣﻦ ﺃﺗﻔﻪ ﺍﻟﻘﻮﺍﻧﲔ ﺍﳌﻨﺰﻟﻴﺔ ﺍﻟﺼﻐﲑﺓ ﺇﱃ ﺃﻛﱪ ﺍﳌﺨﺎﻟﻔﺎﺕ ﺍﻟﺘﻲ‬

‫ﻳﻌﺎﻗﺐ ﻋﻠﻴﻬﺎ ﺍﻟﻘﺎﻧﻮﻥ‬

‫ﻓﻌﻠﺘﻬﺎ ﻛﻠﻬﺎ ﺳﺄﲤﺮﺩ‪ ،‬ﻭﺍﻧﺘﻬﻰ ﺍﻷﻣﺮ‬

‫ﺳﺄﲤﺮﺩ ﻋﲆ ﹼ‬
‫ﻛﻞ ﻗﻮﺍﻧﻴﻨﻜﻢ ﻟﻦ ﺃﺭﺿﺦ‬

‫ﻻ ﻟﻠﺤﺐ ﻟﻠﺤﺪﻭﺩ ﻻ ﻟﻠﺼﻤﺖ ﻻ ﻟﻦ ﺃﺭﴇ‬

‫ﺳﺄﲤﺮﺩ ﺛﻢ ﺳﺄﺳﺠﻦ ﺛﻢ ﺳﺄﺟﻦ ﻭﻻ ﻟﻦ ﺃﺣﻔﻞ‬

‫ﹼ‬
‫ﺳﺄﻭﺍﺻﻞ ﺍﻧﺘﻬﺎﻙ ﻗﻮﺍﻧﻴﻨﻜﻢ ﻭﻛﻠﲈ ﻋﺎﻗﺒﺘﻤﻮﲏ ﺳﺄﺷﻌﺮ ﺑﺤﺎﻝ ﺃﻓﻀﻞ‬

‫ﺃﺗﻔﻀﻞ‬
‫ﻟﻦ ﺃﻗﺒﻞ ‪ ..‬ﻻ ﺷﻜﺮﺍ ﻟﻦ ﹼ‬

‫ﱂ ﺃﺳﻤﻊ ﺃﻗﻠﺖ ﺃﻧﻚ ﺗﺮﻳﺪ ﺍﺳﺘﻌﺒﺎﺩﻱ ﻓﻀﻼ؟‬

‫~ ‪~ 45‬‬
 ‫ﻏﺮﻳﺐ ﻇﻨﻨﺖ ﺃ ﹼﻧﻚ ﻟﻦ ﺗﺴﺄﻝ‬

‫ﺗﻔﻀﻞ ﺃﻭ ﻫﻞ ﺃﻣﻠﻚ ﺧﻴﺎﺭﺍ ﻫﻨﺎ ﺃﺻﻼ ؟‬

‫ﺃﻛﻴﺪ ﹼ‬

‫ﺿﻊ ﺃﻏﻼﻟﻚ ﻋﲇ‪ ..‬ﺍﺟﻌﻠﻨﻲ ﻣﺜﻠﻬﻢ ﺇﻥ ﺍﺳﺘﻄﻌﺖ‬

‫ﻋ ﹼﻠﻤﻨﻲ ﻣﺎ ﺗﻌﻠﻤﻬﻢ ﻭﺳﺄﺣﺎﻭﻝ ﺃﻥ ﺃﺷﺒﻬﻬﻢ ﺃﻋﺘﻘﺪ ﺫﻟﻚ ﻓﻘﺪ‬

‫ﺍﺳﺘﻄﻠﻌﺖ‬

‫ﻓﺘﻤﺮﺩﻱ ﻫﺬﺍ ﻻ ﺩﻳﻦ ﻟﻪ "ﻣﺎ ﻓﻴﻬﺶ ﺍﻟﻨﻴﺔ"‬

‫ﻻ ﺃﻋﺪﻙ ﺑﴚﺀ ﹼ‬
‫ﻫﻮ ﻓﻘﻂ ﻟﻦ ﻳﻔﺮﻕ ﺑﲔ ﺍﻟﺒﴩ ﻭﺍﻟﻮﺣﻮﺵ ﺍﻷﺧﺮ￯ ﺇﻥ ﺗﻌﻠﻖ ﺍﻷﻣﺮ‬

‫ﺑﺎﳊﺮﻳﺔ‬

‫ﰲ ﻧﺎﺣﻴﺔ ﻣﻦ ﻧﻮﺍﺣﻲ ﻋﻘﲇ ﺍﻟﺒﴩ ﺷﺨﺺ ﻭﺍﺣﺪ‬

‫ﻟﺴﺖ ﺃﻧﻔﻲ ﻭﺟﻮﺩ ﺍﻟﻄﻴﺒﲔ ﻭﻟﻜﻦ ﰲ ﺍﻟﻄﻴﺒﺔ ﻣﺮﺍﺣﻞ‬

‫ﺍﻟﻴﺄﺱ ﻟﻴﺲ ﺣﻠﻴﻔﺎ ﱂ ﻳﻜﻦ ﻗﻂ‬

‫ﺍﻻﺳﺘﻌﺒﺎﺩ ﻟﻴﺲ ﻃﺮﻳﻔﺎ‪ ..‬ﻳﺎ ﺑﴩ ﺍﻟﺮﺏ ﻟﻴﺲ ﻏﻨﻴﺎ ﻓﻘﻂ‬

‫~ ‪~ 46‬‬
 ‫ﺃ‪ .‬ﻡ ‪.‬ﺡ‬

‫ﺃﻧﺎ ﻣﻴﺖ ﺣﻲ‬

‫ﻳﻮﻣﺎ ﻣﺎ ﺳﺘﻜﻮﻥ ﳎﺮﺩ ﺷﺒﺢ ﻳﻄﻮﻑ ﺣﻮﻝ ﺍﻟﺒﴩ‬

‫ﺳﻴﻘﻌﻮﻥ ﰲ ﺣﺒﻚ ﻷﻧﻚ ﻛﻨﺖ ﻃﻴﻨﺎ ﻭﺍﻵﻥ ﺃﻧﺖ ﳎﺮﺩ ﺣﺠﺮ‬

‫ﺳﺘﻌﺸﻘﻬﻢ ﲨﻴﻌﺎ ﻓﻘﻂ ﻷﻥ ﺍﻟﺒﻌﺪ ﺃﲨﻞ‬

‫ﻓﻘﻂ ﻷﻧﻚ ﻣﻬﲈ ﺍﻗﱰﺑﺖ ﺳﺘﻜﻮﻥ ﺑﻌﻴﺪﺍ ﻓﻼ ﺩﺍﻋﻲ ﻷﻥ ﺗﺴﺄﻝ‬

‫ﻟﻦ ﺗﻜﻮﻥ ﰲ ﻭﻋﻴﻚ ﺍﻟﺘﺎﻡ‬

‫ﺳﺘﺘﺜﺎﻗﻞ ﺧﻄﺎﻙ ﻭﺳﺘﺸﻌﺮ ﺑﺎﻟﱪﺩ‬

‫ﻟﻦ ﺃﺿﻤﻦ ﻟﻚ ﺃﻧﻚ ﺳﺘﺸﻌﺮ ﺑﺎﻷﻣﺎﻥ‬

‫ﻭ ﻟﻜﻨﻲ ﺳﺄﺿﻤﻦ ﺃﻧﻚ ﺇﻥ ﴏﺧﺖ ﻟﻦ ﺗﺘﻠﻘﻰ ﺃﻱ ﺭﺩ‬

‫ﺳﺘﻤﴚ ﺑﻴﻨﻬﻢ ﺷﻔﺎﻓﺎ ﻏﲑ ﻣﻨﻈﻮﺭ‬

‫ﺳﺘﺨﱰﻕ ﺃﺟﺴﺎﺩﻫﻢ ﻭ ﻗﻠﻮﲠﻢ ﻭ ﻟﻜﻦ ﺑﻼ ﺃﻱ ﺷﻌﻮﺭ‬

‫~ ‪~ 47‬‬
 ‫ﺃﻧﺖ ﻓﻘﻂ ﺷﺒﺢ ﳎﺮﺩ ﺷﺒﺢ ﻓﻘﲑ ﺍﳊﻴﺎﺓ‬

‫ﻻ ﻫﺪﻑ ﻻ ﺃﻣﻞ ﻻ ﺃﱂ ﻻ ﺣﻴﺎﺀ‬

‫ﺳﺘﺤﻜﻲ ﻓﺘﻨﻜﺮ ﻟﻦ ﺗﺸﻜﻲ ﺳﺘﺒﴫ‬

‫ﺃﻧﺖ ﺷﺒﺢ ﻓﻬﻞ ﺗﺬﻧﺐ ﺍﻷﺷﺒﺎﺡ ﺃﺻﻼ ﻟﺘﺴﺘﻐﻔﺮ؟‬

‫ﺳﻴﻬﻤﻚ ﻫﻮ ﻧﺸﻮﺓ ﹼ‬
‫ﻭﻟﺬﺓ ﻭﻣﺎ ﺑﻴﻨﻬﲈ ﺻﻮﺕ‬ ‫ﹼ‬ ‫ﻛﻞ ﻣﺎ‬

‫ﺳﺘﻀﺎﺟﻊ ﺍﻟﺪﻧﻴﺎ ﻋﲆ ﻓﺮﺍﺷﻚ‪ ،‬ﻓﺮﺍﺵ ﺍﳌﻮﺕ‬

‫~ ‪~ 48‬‬
 ‫ﻭﺕﺭ ﻄﻡﺞﻕ‬

‫ﻫﻞ ﻳﻤﻜﻦ ﻟﻶﻻﺕ ﺍﳌﻮﺳﻴﻘﻴﺔ ﺃﻥ ﺗﺘﻜﻠﻢ ﻓﻌﻼ‪ ،‬ﻋﲆ ﺳﺒﻴﻞ ﺍﳌﺜﺎﻝ‬

‫ﻛﻴﻒ ﻳﻤﻜﻦ ﺃﻥ ﻳﱰﺟﻢ ﺍﻟﻜﲈﻥ ﲡﺮﺑﺔ ﻣﺆﳌﺔ ﺇﱃ ﻣﻘﻄﻮﻋﺔ ﻣﻮﺳﻴﻘﻴﺔ‪،‬‬

‫ﻛﻴﻒ ﳛﻤﻞ ﺍﳋﻮﻑ ﻭﺍﻟﻴﺄﺱ ﻭﺍﻷﱂ ﺑﲔ ﺃﻭﺗﺎﺭﻩ ‪...‬‬

‫ﻳﻔﴪ ﺍﳌﻨﻄﻖ ﺃﻥ ﺍﻟﻨﹼﺎﻱ ﻫﻮ ﺁﻟﺔ ﺍﻷﻓﻌﻰ ﺍﳌﻔﻀﻠﺔ ﻓﻬﻲ‬

‫ﻛﻴﻒ ﻳﻤﻜﻦ ﺃﻥ ﹼ‬

‫ﺗﺮﻓﺾ ﺍﻟﺘﲈﻳﻞ ﻋﲆ ﺃﻧﻐﺎﻡ ﺁﻟﺔ ﺃﺧﺮ￯‬

‫ﰲ ﺭﻗﺼﺘﻨﺎ ﺍﻷﺧﲑﺓ ﻣﻌﺎ ﳘﺴﺖ ﺑﺄﺫﲏ ﻗﺎﺋﻠﺔ‬

‫ﺍﻋﺘﻨﻲ ﺑﻨﻔﺴﻚ ﺳﻴﴘﺀ ﺍﻟﻘﺪﺭ ﻣﻌﺎﻣﻠﺘﻚ ﻛﺜﲑﺍ‬

‫ﻭﺃﺗﺒﻌﺖ ﻛﻠﲈﲥﺎ ﺳﺎﺋﻠﺔ‬

‫ﻫﻞ ﺃﻧﺖ ﻣﺴﺘﻌﺪﹼ ﻟﱰﺗﺸﻒ ﻛﺆﻭﺱ ﺍﻟﻨﺒﻴﺬ ﻃﻮﻳﻼ‬

‫ﺗﻌ ﹼﺜﺮﺕ ﻛﻠﲈﰐ ﻗﺒﻞ ﺃﻥ ﲣﺮﺝ ﻣﻦ ﺑﲔ ﺷﻔﺎﻫﻲ‬

‫ﻗﺒﻞ ﺃﻥ ﺃﺳﺄﳍﺎ ﺇﱃ ﺃﻳﻦ؟ ﺃﻧﺖ ﻟﻦ ﺗﺮﺣﲇ ﻗﺒﻞ ﺷﻔﺎﺋﻲ‬

‫~ ‪~ 49‬‬
 ‫ﺍﻋﺰﰲ ﻳﺎ ﻓﺮﻗﺔ ﻓﺄﻧﺎ ﺃﻣﻠﻜﻚ ﺃﻧﺎ ﻣﻦ ﺍﺳﺘﺄﺟﺮﺗﻚ‬
‫ﻭﻫﺎﺕ ﱄ ﻛﺆﻭﺱ ﺍﻟﻨﺒﻴﺬ ﺍﻟﺘﻲ ﲢﺪﹼ ﺛﺖ ﻋﻨﻬﺎ ﹺ‬
‫ﻫﺎﲥﺎ ﺃﻭ ﻗﺘﻠﺘﻚ‬

‫ﻓﻜﻜﺖ ﺃﺯﺭﺍﺭ ﻗﻤﻴﴢ ﻭﺣﺪﹼ ﻗﺖ ﻃﻮﻳﻼ ﻟﻠﻔﺮﻗﺔ‬

‫ﺣﺘﻰ ﺃﻥ ﻛﺄﺱ ﺍﳋﻤﺮ ﻛﺎﻧﺖ ﺑﺎﺭﺩﺓ ﺑﺪﻗﺔ‬

‫ﻧﻈﺮﺕ ﺇﱃ ﻋﺎﺯﻑ ﺍﻟﻜﻤﻨﺠﺔ ﻭﻛﺎﻧﺖ ﺃﻭﺗﺎﺭﻩ ﳑﺰﻗﺔ‬

‫ﺃﻟـﻬﺬﺍ ﺭﺣﻠﺖ؟ ﺃﱂ ﺗﺮﻗﻬﺎ ﺍﳌﻮﺳﻴﻘﻰ‬

‫ﻃﺮﺩﺗﻪ ﻭﴏﺧﺖ ﻋﻠﻴﻪ ﻳﺎ ﻣﻔﺴﺪ ﺍﳌﺘﻌﺔ‬

‫ﺑﺴﺒﺒﻚ ﺭﺣﻠﺖ ﻣﺎﺫﺍ ﺗﻘﱰﺡ ﺃﻥ ﺃﻓﻌﻞ‬

‫ﻗﺎﻝ ﺣﺘﻰ ﺃﻧﺎ ﺗﺬﻛﺮﲥﺎ‪ ،‬ﻓﻌﲇ ﺃﻥ ﺃﺧﺠﻞ‬

‫ﺍﻋﺬﺭﲏ ﺇﻥ ﻣﺰﻗﺖ ﺍﻟﻮﺗﺮ ﺃﳌﺎ ﻭﺿﻌﻔﺎ ﻓﲈ ﻋﺪﺕ ﺃﺟﻔﻞ‬

‫~ ‪~ 50‬‬
 ‫ﻝﻌﺖﺋ ﺸﻈﻐﺋ ﺲﺍﺭﻏﺋ‬

‫ﰲ ﺫﺍﻙ ﺍﳌﴪﺡ ﺍﻟﺬﻱ ﺯﺭﺗﻪ ﻷﻭﻝ ﻣﺮﺓ ﺑﺤﺠﺔ ﺃﻥ ﺍﻟﻄﺒﻘﺔ ﺍﻟﻔﻨﺎﻧﺔ ﻣﻦ‬

‫ﺯﺍﻳﺪﺕ ﻋﲆ ﻟﻮﺣﺔ ‪..‬‬

‫ﹸ‬ ‫ﳎﺘﻤﻌﻲ ﺗﺰﻭﺭﻩ ﺩﻭﻣﺎ ‪..‬‬

‫ﻋﺎﺭﻳﺔ ﻛﺎﻧﺖ ﻭﺳﻂ ﳎﺘﻤﻌﺎﰐ ﺍﻟﺮﺍﻗﻴﺔ ﺍﻟﻔﻨﺎﻧﺔ ﺍﻟﻔﺎﻧﻴﺔ‬

‫ﻛﺎﻥ ﺍﳉﻤﻴﻊ ﻳﺘﺄﻣﻠﻬﺎ ﻣﻦ ﺍﻷﺳﻔﻞ ﻟﻸﻋﲆ ﻛﻠﻮﺣﺔ ﻓﻨﻴﺔ‬

‫ﻋﺠﺰﺕ ﻋﻦ ﺗﻐﻄﻴﺔ ﻧﻔﺴﻬﺎ ﻷﳖﺎ ﻛﺎﻧﺖ ﻣﻌﺮﻭﺿﺔ ﻟﻠﺰﺑﺎﺋﻦ‬

‫ﻷﻥ ﺃﺣﺪﺍ ﻳﻤﻠﻜﻬﺎ ﻗﺪ ﻋ ﹼﻠﻘﻬﺎ ﰲ ﺟﺪﺍﺭ ﺍﻟﻔﻦ ﺍﳍﺎﺋﻢ‬

‫ﻣﺮﺓ ﺃﺧﺮ￯‬
‫ﻟﺘﺒﺎﻉ ﻓﺘﺸﱰ￯ ﻓﺘﺒﺎﻉ ﹼ‬
‫ﻟﺘﻜﻮﻥ ﻟﻮﺣﺔ ﲨﻴﻠﺔ ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ ﻣﻦ ﲢﻔﺔ‬

‫ﳌﺴﻬﺎ ﺍﻟﻜﺜﲑ ﻭﺍﺳﺘﻤﺘﻊ ﺍﻟﻜﺜﲑ ﺍﻷﺧﺮ ﺑﺄﺟﺰﺍﺋﻬﺎ‬

‫ﺗﻔﺎﺻﻴﻠﻬﺎ ﻛﺎﻧﺖ ﻭﺍﺿﺤﺔ ﻟﻜﻦ ﻣﺎﺫﺍ ﻓﻌﻠﺖ ﻟﻴﻜﻮﻥ ﻫﺬﺍ ﺟﺰﺍﺋﻬﺎ‬

‫ﻫﻞ ﻣﻦ ﺟﻮﺍﺏ ﻳﺎ ﺳﺎﺩﺓ ؟‬

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 ‫ﳌﺎﺫﺍ ﻛﺎﻧﺖ ﺗﻠﻚ ﺍﻟﻠﻮﺣﺔ ﺍﳌﺴﻜﻴﻨﺔ ﻣﻮﺿﻮﻋﺔ ﻟﻠﻤﺰﺍﻳﺪﺓ‬

‫ﳌﺎﺫﺍ ﺳﺎﻝ ﻟﻌﺎﺑﻜﻢ ﺃﱂ ﹸ‬

‫ﺗﻚ ﻭﺣﺪﻫﺎ ﻭﺃﻧﺘﻢ ﻛﻨﺘﻢ ﰲ ﺟﻴﻮﺵ‬

‫ﺣﺴﻨﺎ‪ ،‬ﺳﺄﺩﺭﺝ ﰲ ﻗﺎﺋﻤﺘﻲ ﺃﻥ ﺍﻟﺒﴩ ﻫﻢ ﺃﺑﺸﻊ ﺃﻧﻮﺍﻉ ﺍﻟﻮﺣﻮﺵ‬

‫ﻭﺗﺴﱰﻱ‬
‫ﹼ‬ ‫ﺃ ﹼﻳﺘﻬﺎ ﺍﻟﻠﻮﺣﺔ ﺍﻟﺒﴘ ﺛﻮﺑﻚ‬

‫ﺍﻟﺒــﴩ‬
‫ﻭﺍﺳﺤﺒﻲ ﺃﺳﻤﻲ ﻣﻦ ﻗﺎﺋﻤﺔ ﹶ ﹾ‬
‫ﺣﺮﺓ ﻓﺴﲑﻱ‬
‫ﺃ ﹼﻳﺘﻬﺎ ﺍﻟﻠﻮﺣﺔ ﺃﻥ ﺍﻟﻴﻮﻡ ﺍﺷﱰﻳﺘﻚ ﺃﻧﺖ ﹼ‬
‫ﻭﺍﻋﺬﺭﻳﻨﻲ ﺳ ﹼﻴﺪﰐ ﻋﲈ ﻓﻌﻠﻪ ﺑﻚ ﺑﻨﻮ ﺍﻟﺒﴩ‬

‫~ ‪~ 52‬‬
 ‫ﻄﻆ ﺃﻇﺍ؟‬

‫ﺃﻧﺎ ﺍﻟﺒﻘﻌﺔ ﺍﳌﻘﺪﹼ ﺳﺔ ﺍﻟﺘﻲ ﱂ ﺗﻄﺄﻫﺎ ﻗﺪﻡ‬

‫ﺃﻧﺎ ﺍﻟﻘﻄﺮﺓ ﺍﻷﺧﲑﺓ ﰲ ﻛﺄﺱ ﺍﻟﻘﺪﻡ‬
‫ﺃﻧﺎ ‪ ..‬ﺃﻧﺎ ﻭﺍﺣﺪ ﻣﻦ ﺳﺒﻌﺔ ﻣﻼﻳﲑ‬
‫ﺃﻧﺎ ﻓﻠﺴﻔﺔ ﲢﻮﻱ ﺃﻏﻠﺐ ﺍﳌﻌﺎﻳﲑ‬
‫ﺃﻧﺎ ﺃﻧﺖ ’ ﺃﻧﺎ ﻗﻠﺒﻚ ‪،‬ﺃﻧﺎ ﻛﻠﻚ !! ﻣﻦ ﺃﻧﺖ؟‬
‫ﺃﻧﺎ ﺍﻹﻧﺴﺎﻥ ﺃﻧﺎ ﺍﻟﻜﻼﻡ ﺍﳌﺪﻋﻮ ﺑﺎﻟﺼﻤﺖ‬
‫ﺃﻧﺎ ﺍﳊﺮﻑ ﺍﻟﺬﻱ ﻻ ﻳﻜﺘﺐ‬
‫ﺃﻧﺎ ﺍﻟﻜﻠﻤﺔ ﺍﻟﺘﻲ ﻻ ﺗﹲﻜﺬﺏ‬
‫ﺃﻧﺎ ﺍﻟﺮﻳﺸﺔ ﺍﻟﺘﻲ ﻳﻤﻨﻊ ﺍﻟﺮﺳﻢ ﲠﺎ‬
‫ﺃﻧﺎ ﺍﻟﻠﻮﺣﺔ ﺍﻟﻔﻨﻴﺔ ﺍﻟﺘﻲ ﻳﻤﻨﻊ ﻧﻘﺪﻫﺎ‬
‫ﺃﻧﺎ ﺍﻟﺴﺠﲔ ﺍﻟﺬﻱ ﻻ ﺃﺣﺎﻛﻢ ﻋﻦ ﺟﺮﻡ ﺍﳉﺮﻳﻢ‬
‫ﻭ ﺃﻧﺎ ﺍﳉﺮﻡ ﺍﻟﺬﻱ ﱂ ﻳﺮﺗﻜﺒﻨﻲ ﺫﺍﻙ ﺍﻟﺴﺠﲔ‬

‫~ ‪~ 53‬‬
 ‫ﺃﻧﺎ ﺍﻟﻀﻮﺀ ﺍﳌﻈﻠﻢ ﺃﻧﺎ ﺍﻟﻈﻠﻢ ﺍﳌﺆﱂ‬
‫ﺃﻧﺎ ﺍﻟﻌﺪﻝ ﺍﳌﺴﺎﻭﻱ ﻭﺃﻧﺎ ﺍﻟﻌﻘﻞ ﺍﳌﺆﻣﻦ‬
‫ﺃﻧﺎ ﺃﺻﺒﻊ ﺑﻴﺎﻧﻮ ﱂ ﻳﺴﻤﻊ ﺑﻪ ﻋﺎﺯﻑ ﺃﻭ ﻋﺎﺯﻓﺔ‬
‫ﺃﻧﺎ ﺳﻄﺮ ﰲ ﻧﺺ ﺳﻴﻨﺎﺭﻳﻮ ﰲ ﻇﻬﻮﺭ ﺻﻮﺍﺭﻳﺦ ﻧﺎﺳﻔﺔ‬
‫ﺃﻧﺎ ﻧﻮﺗﺔ ﱂ ﺗﺴﺘﺨﺪﻡ ﰲ ﺃﳊﺎﳖﻢ ﺍﻟﺮﻧﺎﻧﺔ‬
‫ﺃﻧﺎ ﻓﻮﺑﻴﺎ ﺍﻟﺘﻌﺒﲑ ﰲ ﺗﻠﻚ ﺍﻟﺸﻌﻮﺏ ﺍﳉﺒﺎﻧﺔ‬
‫ﺃﻧﺎ ﴏﻳﺮ ﺍﳋﺰﺍﻧﺔ ﺍﻟﻘﺪﻳﻤﺔ ﺃﻧﺎ ﺣﱪ ﺍﻟﻘﻠﻢ‬
‫ﺃﻧﺎ ﺻﻨﺪﻭﻕ ﺫﻛﺮﻳﺎﲥﻢ ﺍﻷﻟﻴﻤﺔ ﺇﺳﻤﻲ ﺍﻷﱂ‬
‫ﺃﻧﺎ ﺧﻮﻓﻬﻢ‪ ..‬ﻛﺎﺑﻮﺱ ﻟﻴﻠﺔ ﻧﺎﻣﻮﺍ ﻇﺎﳌﲔ‬
‫ﺃﻧﺎ ﺭﻋﺒﻬﻢ‪ ..‬ﺃﻧﺎ ﺍﻟﻮﺍﻭ ﻭﺍﻟﺘﺎﺀ ﺑﻌﺪ ﺍﳌﻴﻢ‬
‫ﺑﺎﺧﺘﺼﺎﺭ ﺃﻧﺎ ﺗﻔﺎﺻﻴﻞ ﻭﺍﻧﺘﻘﺎﺩﺍﺕ ﻓﻴﺰﻳﻮﻟﻮﺟﻴﺔ ﺍﻟﻠﺴﺎﻥ‬
‫ﺃﻧﺎ ﺍﻟﺪﻟﻴﻞ ﺃﻧﺎ ﺍﻟﻜﺎﺗﺐ ﻭﰲ ﻛﻴﻨﻮﻧﺘﻲ ﺃﻧﺎ ﺍﻟﻴﻮﻡ ﻋﻨﻮﺍﻥ‬
‫"ﺃﻋﻮﺫ ﺑﺎﷲ ﻣﻦ ﻛﻠﻤﺔ ﺃﻧﺎ "‬

‫~ ‪~ 54‬‬
 ‫ﺭﺅﻏـﺋ‬

‫ﺳﺌﻤﺖ ﺍﻟﺘﻈﺎﻫﺮ ﺃﻥ ﻋﺎﳌﻜﻢ ﺑﺨﲑ‬

‫ﻋﺎﳌﻜﻢ ﻳﺄﰐ ﺑﺎﻟﻘﺬﺍﺭﺓ ﻣﻦ ﻛﻞ ﺯﺍﻭﻳﺔ‬

‫ﺳﺌﻤﺖ ﺍﻟﺘﻈﺎﻫﺮ ﺃﻥ ﻛﻞ ﺭﻭﺡ ﻓﻴﻬﺎ ﺧﲑ‬

‫ﻭﺃﻧﺖ ﻛﻠﻚ ﻓﺎﻧﻴﺔ‬

‫ﹶ‬ ‫ﻋﺪﻭﻙ ﺃﻧﺎ ﻳﺎ ﺩﻧﻴﺎ ﺃﻓﻨﻰ ﻳﻮﻣﺎ‬

‫ﺃﺣﺘﻘﺮ ﻓﻀﻼﺗﻚ ﻻ ﻟﻦ ﺗﺸﱰﻳﻨﻲ ﺑﺄﻭﺭﺍﻕ ﻣﻨﻬﺎ ﻛﺜﲑ‬

‫ﻭﻟﻦ ﲡﺮﺋﻲ ﻋﲆ ﺑﻴﻌﻲ ﺍﻧﺎ ﺳ ﹼﻴﺪﻙ ﻻ ﺃﺗﺎﺟﺮ‬

‫ﹺ‬
‫ﳜﺪﻋﻨﻚ ﺟﺴﺪﻱ ﺑﻄﺒﻌﻪ ﺧﻠﻖ ﺻﻐﲑ‬ ‫ﻻ‬

‫ﻓﲈ ﲪﻞ ﻣﻦ ﺃﺛﻘﺎﻟﻚ ﺟﻌﻠﻪ ﺿﺨﲈ ﻻ ﻳﺘﺼﺎﻏﺮ‬

‫ﻏﻨﻲ ﺃﻧﺎ ﻣﻠﻜﺖ ﰲ ﺣﺮﻭﰲ ﻛﻠﲈﺕ ﻭﰲ ﻛﻠﲈﰐ ﲨﻞ‬

‫ﻭﰲ ﺍﳉﻤﻞ ﺣﻜﺎﻳﺎﺕ ﺑﺎﻟﻘﺎﻓﻴﺔ ﺍﳌﻘ ﹼﻔﺎﺓ ﺗﴪﺩ‬

‫ﺃﺫﻛﺮﻳﻨﻲ ﻳﻮﻣﺎ ﻭﻻ ﺗﻨﺎﻗﴤ ﻛﺘﺎﺑﺎﰐ ﻣﺎ ﻓﻴﻬﺎ ﻣﻦ ﻋﻠﻞ‬

‫~ ‪~ 55‬‬
 ‫ﻋﺴﻰ ﺃﻥ ﺗﺒﻘﻰ ﺣﻴﺔ ﺑﻌﺪ ﺃﻥ ﺗﺘﻮﺏ ﻧﻔﴘ ﻭﺗﺮﻗﺪ‬

‫ﻻ ﻭﺟﻮﺩ ﻟﻀﻮﺀ ﺃﺧﴬ ﻳﻘﻮﻟﻮﻥ‪ ..‬ﻛﻞ ﺑﺎﺏ ﻣﻮﺻﺪ‬

‫ﺃﻭ ﲣﻠﻖ ﺃﺿﻮﺍﺀ ﰲ ﻃﺮﻳﻘﻚ ﺧﲑ ﺃﻡ ﺍﻟﻼﳾﺀ ﺗﻨﺘﻈﺮ‬

‫ﻻ ﺃﺧﱪﻭﻫﻢ ﹼ‬
‫ﺃﻥ ﺍﻟﻨﺎﺭ ﺇﻥ ﱂ ﺗﺴﻘﻬﺎ ﺣﻄﺒﺎ ﲣﻤﺪ‬

‫ﻭﻓﻀﻼ ﺃﺧﱪﻭﻫﻢ ﺃﻥ ﺍﳊﻴﺎﺓ ﻓﺮﺹ ﻻ ﰲ ﻓﺮﺻﺔ ﺗﻨﺤﴫ‬

‫ﻻ ﺍﳊﺰﻥ ﻳﺪﻭﻡ ﻭﻻ ﻳﺄﺱ ﻣﻊ ﺍﳊﻴﺎﺓ ﻭﻟﻮ ﲠﺎ ﺃﱂ‬

‫ﺃﻭﺭﺍﻕ ﺑﻴﻀﺎﺀ ﻭﻗﻠﻴﻞ ﻣﻦ ﺍﳊﱪ ﺃﺳﻮﺩ ﻳﻨﺜﺮﻩ ﺍﻟﻘﻠﻢ‬

‫ﻗﺎﻟﻮ ﻳﻜﺘﺐ ﹼ‬
‫ﺍﻟﺸﻌﺮ ﺃﻧﺎ ﻻ ﺍﻛﺘﺐ ﺍﻟﺸﻌﺮ ﺑﻞ ﻳﻜﺘﺒﻨﻲ ﺍﻟﺸﻌﺮ ﻭ ﹸﻳﺴﻄﺮ‬

‫ﻫﻮ ﻳﻠﻘﻴﻨﻲ ﺃﻧﺎ ﰲ‬

‫ﻳﻜﻮﻧﻨﻲ ﴎﺍ‪ ،‬ﻳﻘﺮﺅﲏ ﺟﻬﺮﺍ‪ ،‬ﻳﺮﺳﻤﻨﻲ ﻓﻨﺎ‪ ،‬ﻭ ﻫﺎ ﹸ‬

‫ﺳﻄﺮ‬

‫‪-‬ﺃﺭﺷﻴﻒ ‪-2015‬‬

‫~ ‪~ 56‬‬
 ‫ﺲﻂﻯ ﺥﺤﺊﺋ‬

‫ﻳﻘﺎﻝ ﻭﻳﺸﺎﻉ ‪ ..‬ﹼﺃﲏ ﺭﺣﺖ ﺿﺤﻴﺔ ﺍﻻﻛﺘﺌﺎﺏ‬

‫ﻛﺘﺎﺏ‬
‫ﺑﺘﺴﺎﻡ ﻭﱄ ﰲ ﺍﻟﺘﺸﺎﺅﻡ ﺃﻟﻒ ﹸ‬
‫ﺃﲏ ﻻ ﺃﺣﺒﺬ ﺍﻻ ﹸ‬ ‫ﹸ‬
‫ﻳﻘﺎﻝ ﹸ‬
‫ﻟﻴﻠﺔ ﻭﺃﻟﻒ ﺃﺧﺮ￯ ﲡﺎﻭﺭﻫﺎ ﻣﻌﺎﺫ ﺍﷲ ﻣﻨﻜﻢ ﻳﺎ ﺑﴩ‬

‫ﻻ ﺃﺩﺭﻱ‪ ،‬ﺑﻌﻀﻜﻢ ﻻ ﻳﻔﺮﻕ ﺑﲔ ﻗﻠﺒﻪ ﻭﻗﻄﻌﺔ ﺣﺠﺮ‬

‫ﺃﻛﺘﺐ ﺍﻟﺸﻌﺮ‪ ،‬ﺑﻞ ﺍﻟﺸﻌﺮ ﻳﺮﺷﻨﻲ ﺑﺤﱪ ﺃﺳﻮﺩ‬

‫ﹸ‬ ‫ﺃﻧﺎ ﻻ‬

‫ﻟﺴﺖ ﺣﺰﻳﻨ ﹸﺎ ‪ ..‬ﺃﻧﺎ ﻟﺴﺖ ﻛﺬﻟﻚ ﺃﻧﺎ ﻓﻘﻂ ﻧﺴﻴﺖ ﻛﻴﻒ ﺃﺳﻌﺪﹸ‬

‫ﻻ ﻋﻠﻴﻜﻢ ﺃﲬﺪﺕ ﺑﺮﺍﻛﻴﻨﻲ ﻭﺃﻭﻗﻔﺖ ﻋﻮﺍﺻﻔﻲ ﻣﻨﺬ ﺯﻣﻦ‬

‫ﻣﺎ ﻣﻦ ﻛﺎﺭﺛﺔ ﺳﺘﺠﺮﺉ ﺃﻥ ﲢﺪﺙ ﺩﺍﺧﲇ ﳎﺪﺩﺍ‬

‫ﻳﺎ ﻋﺎﱂ ‪ ..‬ﺇﲏ ﺃﻛﱰﺙ‬

‫ﻳﺎ ﻋﺎﱂ ‪ ..‬ﺇﲏ ﺃﻛﱰﺙ ﻏﺎﻟﺒﺎ‬

‫ﻳﺎ ﻋﺎﱂ ‪ ..‬ﻗﻠﻴﻼ ﻣﺎ ﺃﻛﱰﺙ‬

‫~ ‪~ 57‬‬
 ‫ﻳﺎ ﻋﺎﱂ ‪ ..‬ﺃﻧﺎ ﻻ ﺃﻛﱰﺙ ﺃﺑﺪﺍ ﻓﻠﻦ ﺃﻛﻮﻥ ﻛﺎﺫﺑﺎ ‪..‬‬

‫ﺃﻳﻦ ﺍﳍﺪﻭﺀ ﻳﺎ ﺃﻣﻲ؟ ﺳﲑﻙ ﰲ ﺭﺃﳼ ﻭﺍﳉﻤﻴﻊ ﻳﻀﺤﻜﻮﻥ‬

‫ﺍﳌﻬﺮﺝ ﺍﳌﺠﻨﻮﻥ ‪..‬‬

‫ﺇﻻ ﺃﻧﺎ ﻳﺎ ﺃ ﹼﻣﻲ ‪ ..‬ﻳﺒﺪﻭ ﺃﲏ ﺫﻟﻚ ﹼ‬
‫ﺃ ﹼﻣﺎﻩ ﺃﻏﺪﺭ ﺑﻌﻘﲇ ﻏﺎﻟﺒﺎ ﻷﲏ ﺃﺧﺸﻰ ﺃﻥ ﻳﻐﺪﺭ ﻫﻮ ﰊ ‪..‬‬

‫ﺃﻣﺎ ﹸﻩ ﻻ ﺃﺷﻌﺮ ﺑﴚﺀ ﺃﻧﺎ ﺗﺎﺋﻪ ﺃﺧﱪﻳﻨﻲ ﺃﻣﻲ ﺃﻳﻦ ﻣﻜﺎﻥ ﻗﻠﺒﻲ؟‬

‫ﻛﻨﺖ ﺳﻜﲑﺍ ﻭﻭﺿﻌﺖ ﻣﺴﺪﹼ ﺳﺎ ﻋﲆ ﺭﺃﳼ‬

‫ﳛﻜﻰ ﺃﲏ ﰲ ﳊﻈﺔ ﹸ‬

‫ﳛﻜﻰ ﺃﲏ ﺿﻐﻄﺖ ﺍﻟﺰﻧﺎﺩ ﻭﺍﻧﺘﴩﺕ ﺩﻣﺎﺋﻲ ﻋﲆ ﺯﺟﺎﺝ ﻛﺄﳼ‬

‫ﻛﻨﺖ ﹸ‬
‫ﺃﻣﺜﻞ‪ ،‬ﺃﻧﺎ ﺃﺫﻛﺮ ﻛﻨﺖ ﰲ ﻣﴪﺣﻴﺔ ﻗﺒﻞ ﻛﺜﲑ ﻣﻦ ﺍﻟﺸﻬﻮﺭ‬ ‫ﹸ‬

‫ﺭﻏﻢ ﺃﲏ ﺃﺟﺪﺕ ﺍﻟﺘﻤﺜﻴﻞ ﺇﻻ ﺃﻥ ﺍﳉﺎﺋﺰﺓ ﻛﺎﻧﺖ ﻣﻦ ﻧﺼﻴﺐ ﺍﳉﻤﻬﻮﺭ‬

‫ﻛﻴﻒ ﺫﻟﻚ ‪ ..‬ﻛﻴﻒ ﻳﺼﺪﻑ ﺃﲏ ﰲ ﲤﺜﻴﻠﻴﺔ‬

‫ﻣﻊ ﺃﲏ ﺃﻧﺎ ﺍﻟﺬﻱ ﺃﻗﻒ ﻋﲆ ﺧﺸﺒﺔ ﺍﳌﴪﺡ‬

‫ﻛﻴﻒ ﻟﻜﻢ ﺃﻥ ﺗﻠﻌﺒﻮﺍ ﺃﺩﻭﺍﺭ ﺍﻟﻨﻔﺎﻕ ﺑﻤﺜﺎﻟﻴﺔ‪..‬‬

‫ﺳﺄﻣﺰﻕ ﺃﻭﺭﺍﻕ ﺍﻟﺴﻴﻨﺎﺭﻳﻮ‪ ،‬ﻣ ﹼﺜﻠﻮ ﺃﻧﺘﻢ ﺍﻷﺩﻭﺍﺭ ﺍﻟﺘﻲ ﹸ‬

‫ﲡﺮﺡ‬

‫~ ‪~ 58‬‬
 ‫ﻗ ﺃﺖﻑـﻀ‬

‫ﺣﺎﺭﺍ‬
‫ﻗﺪ ﻳﺴﻮﺩ ﻳﻮﻣـﻲ ﺍﳌﻠﻞ‪ ،‬ﻭﻗﺪ ﻳﺼﺒﺢ ﺍﳉﻮ ﻓﺠﺄﺓ ﹰ‬
‫ﳏﺮﻣﺔ ﻭﻻ ﺃﺳﻤﻊ ﺃﺑﺪﺍ ﺧﱪﺍ ﺳﺎﺭﺍ‬
‫ﻗﺪ ﺗﺼﺒﺢ ﺃﻏﻨﻴﺘﻲ ﺍﳌﻔﻀﻠﺔ ﹼ‬
‫ﻗﺪ ﳜﺘﻔﻲ ﻛﻞ ﳾﺀ ﻭﻳﻌﻮﺩ ﺑﻌﺪ ﻓﻮﺍﺕ ﺍﻷﻭﺍﻥ‬

‫ﻛﺄﲏ ﻣﺎ ﺑﺈﻧﺴﺎﻥ‬
‫ﻗﺪ ﺃﺻﺪﻡ ﻭﺃﺻﺪﻡ ﺣﺘﻰ ﺗﺮﻛﻊ ﱄ ﺍﻟﺼﺪﻣﺎﺕ ﹼ‬

‫ﻭﻟﻦ ﺃﺣﻔﻞ ‪..‬‬

‫ﺃﻧﺎ ﺍﺣﻔــﻞ ﺑﻘﻬﻮﺗـﻲ ﺇﻥ ﺑﺮﺩﺕ‪ ،‬ﺃﻫﺘﻢ ﺑﺮﺍﺋﺤﺘﻲ ﺑﻤﻼﺑﺴـﻲ ﺑﻨﻔﴘ‬

‫ﹸ‬
‫ﺃﺣﻔﻞ ﺑﻀﺒﻂ ﺳﺎﻋﺘــﻲ ﻭﺑﺨﻠﻔﻴﺔ ﻫﺎﺗﻔﻲ ﻋﲆ ﺷﻜﻞ ﻗﻮﺍﺭﺏ ﺗﺮﺳﻮ‬

‫ﺃﺣﻔـﻞ ﺑﻜﻠﲈﰐ ﻛﻴﻒ ﺃﻛﺘﺒﻬﺎ ﻛﻴﻒ ﺃﻧﻄﻘﻬـﺎ ﻭﻛﻴﻒ ﺗﺸﻌﺮﲏ ﺑﺤﺎﻝ‬

‫ﺃﻓﻀﻞ‬

‫ﻓﺎﻥ ﱂ ﺗﻜﻦ ﺟﺰﺀﺍ ﻣﻦ ﺫﺍﻙ ﻓـــﺄﻧﺎ ﺣﻘـﺎ ﻻ ﺃﺣﻔﻞ ﺃﻗﺴﻢ ﺃﻧـﻲ ﻻ‬

‫ﺃﺣﻔﻞ‪..‬‬

‫~ ‪~ 59‬‬
 ‫ﻭﻟﻦ ﺃﺣﻔﻞ ‪..‬‬

‫ﻭﺫﻛﻲ‬
‫ﹸ‬ ‫ﺃﻧﻴﻖ ﺑﺴﻴﻂ ﻭﺍﺛﻖ ﻣﻦ ﻧﻔﺴﻚ‬
‫ﻗﺎﻟﺖ ﱄ ﻻﺑﺄﺱ ﺑﻚ؛ ﺃﻧﺖ ﹲ‬

‫ﺃﺣﻴﺎﻧﺎ‬

‫ﺤﺮﻛﻚ‪ ،‬ﻳﻤﻜﻦ ﺃﻥ ﻧﻜﻮﻥ‬ ‫ﹸ‬

‫ﻃﺮﻳﻘﺔ ﺗـ ﹼ‬ ‫ﻗﺎﻟﺖ ﱄ ﺃﻋﺠﺒﺘـﻨﻲ ﺗﺮﻭﻗﻨﻲ‬

‫ﻣﻌـﺎ‬

‫ﰲ ﻣﻮﻋﺪ ﺃﻭ ﺣﺘﻰ ﻧﻠﺘﻘـﻲ ﺻﺪﻓﺔ ﹸ‬

‫ﻭﻛﻞ ﻣﺎ ﻋﻠﻴﻚ ﺃﻥ ﲡﻴﺐ ﺑﻌﺪ ﺃﻥ‬

‫ﺃﺳﺄﻝ‬

‫ﺃﻧـﻴﻖ ﻓﻤﻦ ﻓﻀﻠﻚ‪ .‬ﺍﺳﺘﺪﻳﺮﻱ ﻭﺍﺭﺣﲇ ﻓﻮﺭﺍ ﻓﺄﻧﺎ ﻻ‬

‫ﻻ ﻻ ﺃﻇﻦ ﺃﲏ ﹸ‬

‫ﺃﺣﻔﻞ‬

‫ﻭﻟﻦ ﺃﺣﻔـﻞ ‪..‬‬

‫ﻗﻠﺖ ﻧﻌﻢ ﻗﺎﻝ ﺃﻧﺎ ﻫﻨــﺎ ﺻﺪﻳﻘﻚ ﺩﻭﻣﺎ‬

‫ﺳﺄﻟـﻨﻲ‪ ،‬ﺃﲢﺘــﺎﺝ ﺷﻴﺌﺎ ﹸ‬

‫ﻗﻠﺖ ﻧﻌﻢ ﻗﺎﻝ ﻟﻦ ﺃﺧﺬﻟــﻚ ﺳﺄﻛﻮﻥ ﺫﺭﺍﻋﻚ ﻭﺇﻥ ﺍﺣﺘﺠﺖ ﺃﻫﺪﻳﻚ‬

‫ﹸ‬

‫ﺩﻣـﺎ‬

‫ﻗﻠﺖ ﺷﻜﺮﺍ ﻗــﺎﻝ ﻻ ﲣﺠﻞ ﺃﺧﱪﻧــﻲ ﺑﲈ ﲢﺘﺎﺟﻪ ﻗﻠﺖ ﺳﺄﻓﻌﻞ‬

‫ﹸ‬

‫~ ‪~ 60‬‬
‫ﻗﻠﺖ ﻻ ﺃﻫﻮ￯ ﻓﺠﻮﺍﺕ ﺍﻟﻨﻔﺎﻕ ﺃﻏﺮﺏ ﻋﻦ ﻭﺟﻬﻲ‬
‫ﲢﺘﺎﺝ ﹸ‬
‫ﹸ‬ ‫ﻗﺎﻝ‪ :‬ﻣﺎ‬

‫ﺃﻧﺎ ﻻ ﺃﺣﻔﻞ‬

‫ﻭﻟﻦ ﹸ‬
‫ﺃﺣﻔﻞ ‪..‬‬ ‫ﹸ‬

‫ﻧﻔﴘ ﺗﻜﻠـﹼـﻤﻨـﻲ ﺁﺧﺮ ﺍﻟﻠﻴﻞ ﺗﻮ ﹼﺑﺨﻨﻲ ﺩﻭﻣﺎ ﺃﺗﺪﺭﻱ ﻣﺎ ﹶﺃﺻﺒﺤﺖ ﻳﺎ‬

‫ﻫﺬﺍ؟‬

‫ﱂ ﺃﺟﺐ ﺃﻛ ﹼﻠﻤـــﻚ ﻻ ﺗﺪﹼ ﻋـﻲ ﺍﻻﺭﻫﺎﻕ ﻭﺍﺟﻬﻨﻲ ﻻ ﲣﻔﻲ ﻭﺟﻬﻚ‬

‫ﲢﺖ ﺍﻟﻮﺳﺎﺩﺓ‬

‫ﻏﺮﻗﺖ ﰲ ﺃﺣﻼﻣــﻲ ﺍﻟﺴﺎﺑﻌﺔ ﻭﻻ ﺗﺰﺍﻝ ﺗﻜﻠﻤﻨﻲ ﻭﺗﺘﺬﻣﺮ ﻭﺗﺮﻓﺾ‬

‫ﹸ‬

‫ﺍﻥ ﺗﺘﻘﺒﻞ ﻭﺃﻧـﺎ ﻛﻌﺎﺩﺗــﻲ ﻭﺑﻌﻨﻮﺍﻥ ﻗﺼﻴﺪﰐ ﻭﺑﻌﺪﺩ ﺻﻔﺎﰐ ﻻ‬

‫ﺃﺣﻔــــﻞ‪..‬‬

‫ﻭﻟﻦ ﺃﺣﻔـﻞ‪..‬‬

‫~ ‪~ 61‬‬
 ‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﻧﻲ‪:‬‬

‫ﺍﻧﺘﺸﻴﺖ ﻓﺴﻤﻌﺖ ﺻﻮﺕ ﺍﻟﺸﻴﻄﺎﻥ ﰲ ﺃﻏﻨﻴﺘﻲ ﻛﺎﻥ ﻳﺘﻤﻢ ‪ ..‬ﳊﻨﺎ ‪..‬‬

‫ﻫﻞ ﻫﻲ ﺃﻋﺮﺍﺽ ﺍﻻﻧﻔﺼﺎﻡ ؟‬

‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﲏ ﺷﺘﻮﻱ‬

‫ﺃﺑﴩ‪ ،‬ﺍﻟﺴﲈﺀ ﺳﺘﺒﻜﻲ‬

‫ﻻ ﺗﻐﺮﻕ‬

‫~ ‪~ 62‬‬
 ‫ﻄﻁﺭ ﺃﻡ ﺬِﺭﻇﺍ؟‬

‫ﻭﻷ ﹼﳖﺎ ﺃﻣﻄﺮﺕ ﻛﺘﺒﺖ‬

‫ﻭﺃﻋﻠﻢ ﺃﲏ ﻭﻋﺪﺕ ﻧﻔﴘ ﺃﻥ ﺃﲣﺬﻙ ﻛﻜﺒﺖ‬

‫ﺍﳌﺘﻤﺮﺩ ﻋﻨﻚ ﻗﺪ ﴎﺩ‪،‬‬

‫ﹼ‬ ‫ﻛﻞ ﻳﻨﻔﺼﻢ ﻟﺴﺒﺐ‪ ،‬ﻭﻗﻴﻞ ﺃﻥ‬

‫ﻭﻗﻴﻞ ﺃﻳﻀﺎ ﺃﻥ ﺍﳌﻄﺮ ﻳﻌﻜﺲ ﺻﻮﺭﺗﻚ ﺣﺘﻰ ﻭ ﺇﻥ ﱂ ﺗﻜﻮﲏ ﻫﻨﺎﻙ‪،‬‬

‫ﻫﺮﺍﺀ ‪ " ...‬ﹾﺳ ﹶﺘﻨ ﹺﻴ ﹾﺘ ﹶﻬﺎ ﻭ ﹶﻣﺎ ﹶﺟ ﹾ‬

‫ﺎﺕ"‬

‫ﺗﺘﴪﺏ ﻣﻦ ﺑﲔ ﺷﻘﻮﻕ ﺟﺴﺪﻱ‬

‫ﺃﻣﻄﺮﺕ ﻳﺎ ﻛﻴﺎﲏ‪ ،‬ﻭﺍﳌﻴﺎﻩ ﹼ‬
‫ﺃﻣﻄﺮﺕ ﻣﺎﺫﺍ ﻳﻌﻨﻲ‪ ،‬ﺃﻥ ﺩﺍﺧﲇ ﳎﺮﺓ ﻭﺧﺎﺭﺟﻲ ﻛﻮﻛﺐ ﳜﺘﻠﻄﺎﻥ‬

‫ﻛﻠﲈ ﺃﺧﺮﺟﺖ ﺍﻟﻨﻴﻜﻮﺗﲔ ﻳﺎ ﺟﺴﺪﻱ‬

‫ﺭﺑﲈ ﺍﺧﻄﺄﻧﺎ ﰲ ﺍﻟﺘﻌ ﹼﻠﻖ ﺑﺎﳌﻄﺮ‬

‫ﺭﺑﲈ ﺍﻟﺘﺒ ﹼﻠﻞ ﻛﺎﻥ ﻓﻜﺮﺓ ﺳﻴﺌﺔ ﺟﺪﺍ‬

‫ﺃﻧﺎ ﻣﺮﻳﺾ ﺍﻵﻥ ﻭﺃﻧﺖ ﻗﻠﺒﻚ ﺍﻧﻔﻄﺮ‬

‫~ ‪~ 63‬‬
 ‫ﻭ ﻻ ﺃﻋﺘﻘﺪ ﺃﻧﻨﺎ ﻧﺮﻳﺪ ﺇﻋﺎﺩﺓ ﺍﻟﻜﺮﺓ ﳎﺪﺩﺍ‬

‫ﺍﳌﻔﻀﻠﺔ‬
‫ﻭﺃﺫﻛﺮ ﰲ ﻟﻴﻠﺔ‪ ،‬ﲢﺖ ﺍﳌﻄﺮ ﻋﺰﻓﻨﺎ ﺃﻏﻨﻴﺘﻚ ﹼ‬

‫ﻭﻗﻔﻨﺎ ﻃﻮﻝ ﺍﻟﻠﻴﻞ ﻋﲆ ﺣﺎ ﹼﻓﺔ ﺭﺻﻴﻒ ﻭﱂ ﺗﺘﺬﻣﺮﻱ ﻻ ﺑﻞ ﱂ ﺗﺴﺘﻌﻤﲇ‬

‫ﺣﺘﻰ ﺍﳌﻀ ﹼﻠﺔ‬

‫ﺃﺣﻘﺎ ﻳﺰﻋﺠﻚ ﺍﳌﻄﺮ ﺍﻵﻥ؟ ﺃﻭ ﻫﻞ ﺃﺻﺒﺤﺖ ﺃﻧﻀﺞ ﻣﻦ ﺃﻥ‬

‫ﺗﺮﻗﴢ؟‬

‫ﺃﻡ ﺃﻥ ﺳﲈﺋﻪ ﺃﺻﻔﻰ ﻣﻦ ﺳﲈﺋﻲ ﻭﻗﺪ ﺃﺧﱪﻙ ﺃﻧﻚ ﻧﺠﻤﺔ ﻻ ﳚﺐ ﺃﻥ‬

‫ﺗﻨﻘﺼﻴﻪ؟‬

‫ﻛﺒﻨﺎﺀ ﺗﺒ ﹼﻠﻠﺖ ﺃﻧﺎ ﻓﻈﻬﺮﺕ ﻋﻴﻮﺏ ﺟﺴﺪﻱ ﻭﺃﺻﺒﺤﺖ ﺃﻫﻠﻮﺱ‬

‫ﻓﻠﻢ ﺗﻠﻮﻡ‬
‫ﳏﺮﻛﺎ ﺻﺪﺋﺎ ﻻ ﺗﺴﺄﻝ ﺃﻧﺖ ﺧﻄﺄﻱ ﺃﻧﺎ ﹶ‬
‫ﻳﺎ ﻗﻠﺐ ‪ ...‬ﻳﺎ ﹼ‬
‫ﺍﳌﻬﻨﺪﺱ‬

‫ﺍﻟﺰﻓﺎﻑ ﻳﻔﺴﺪﻫﺎ ﺍﳌﻄﺮ‬

‫ﺣﻔﻼﺕ ﹼ‬

‫ﻭﺃﻧﺖ ﻟﻦ ﺗﺸﻌﺮﻱ ﺑﺠﻨﺎﺯﰐ ﺇﻻ ﺇﻥ ﻫﻮ ﻣﺎ ﻫﻄﻞ‬

‫ﺍﳌﴩﺩﻭﻥ ﻳﻔﻘﺪﻭﻥ ﺍﻟﺸﻌﻮﺭ ﺑﺄﺟﺴﺎﺩﻫﻢ ‪ ..‬ﺭﻋﺸﺔ‬

‫ﹼ‬

‫~ ‪~ 64‬‬
 ‫ﻣﴩﺩ ﺳﺄﻗﻒ ﲢﺘﻪ ﺣﺘﻰ ﺗﻘﻮﻝ ﺃﻣﻲ ﺃﺩﺧﻠﻮﻩ ﻧﻌﺸﻪ‬ ‫ﹼ‬
‫ﻛﻜﻞ ﹼ‬
‫ﺳ ﹼﻜﲑ ﺃ ﹼﻟﻮﺡ ﺑﺴﻴﺠﺎﺭﰐ ﲢﺖ ﺍﳌﻄﺮ‬

‫ﻛﺄ ﹼﻧﻨﻲ ﺃﻗﻮﺩ ﺃﻭﺭﻛﺴﱰﺍ ﻟﻌﻴﻨﺔ‬

‫ﺃﺳﻤﻌﻚ ﻛ ﹼﻠ ﹺ‬
‫ﻚ ﻻ ﺩﺍﻋﻲ ﻟﻠﴫﺍﺥ‬ ‫ﹺ‬

‫ﺿﺠﺔ ﻏﻴﺎﺑﻚ ﻓﻘﻂ ﺩﻋﻴﻨﺎ‬

‫ﺃﺧﻔﴤ ﹼ‬

‫ﻣﺮﺓ ﻓﺎﺛﻨﺘﺎﻥ ﻓﺜﺎﻟﺜﺔ ﻳﺎ ﻻﻋﺒﺔ ﺍﳋ ﹼﻔﺔ‬

‫ﻧﻨﻔﺼﻢ ﹼ‬
‫ﺗﻔﺎﺻﻴﻠﻚ ﺃﺷﻴﺎﺀ ﲨﻴﻠﺔ ﻛﻨﻮﺑﺔ ﻗﻠﺒﻴﺔ ﻫﻮ ﺃﺣﺎﻛﻬﺎ‬

‫ﻟﺘﺼﻴﺐ ﺭﺍﻗﺼﺔ ﻣﻨﺘﺼﻒ ﺍﻟﻠﻴﻞ ﰲ ﻣﴪﺣﻴﺔ‬

‫ﺑﻌﻨﻮﺍﻥ ﻟﻮﺣﺔ ﻓﻨﻴﺔ ﻋﺎﺭﻳﺔ ﻭﺃﻳﻦ ﺃﻧﺎ… ﺃﻧﺎ ﰲ ﳏﺎﻛﻤﺔ‬

‫ﺣﺘﻰ ﺍﻟﺴﲈﺀ ﺍﻧﻔﺼﻤﺖ ﺟﺰﺀ ﺗﺮﻭﻗﻴﻨﻪ ﻓﺘﺒﺎ ﳉﲈﻟﻚ ﻭﻗﺖ ﻧﺴﻴﺎﻧﻪ ﻗﺪ‬

‫ﺣﺎﻥ‬

‫ﻭ ﺟﺰﺀ ﻳﺸﻔﻖ ﻋﲇ ﻓﺘﻤﻄﺮ ﻓﻮﺭ ﺧﺮﻭﺟﻲ ﺳﻜﲑﺍ ﻣﻦ ﺗﻠﻚ ﺍﳊﺎﻧﺔ‬

‫ﺍﻟﺴﲈﺀ ﺍﻧﻔﺼﻤﺖ ﺗﺬﺭﻑ ﺛﻢ ﲣﺠﻞ ﺛﻢ ﺗﺬﺭﻑ ﻓﺄﻳﻦ ﺫﺍﻙ‬

‫ﺣﺘﻰ ﹼ‬

‫ﺍﻟﻘﻤﺮ‬

‫~ ‪~ 65‬‬
 ‫ﻳﺸﺎﻉ ﹼ‬
‫ﺃﻥ ﰲ ﺍﺧﺘﻔﺎﺋﻪ ﻳﺼﺒﺢ ﺷﺨﺼﺎ ﻣﻦ ﺑﲔ ﺍﻟﺒﴩ‬

‫ﻓﻠﻴﻌ ﹼﻠﻘﻮﺍ ﺃﻗﻔﺎﻝ ﺧﺮﺍﻓﺎﲥﻢ ﻋﲆ ﻛﻞ ﺟﺴﻮﺭ ﺍﻟﻌﺎﱂ‬

‫ﺍﳌﻄﺮ ﺳﻴﻔﺘﻚ ﲠﺎ ﺳﺘﺼﺪﺃ ﺻﺪﹼ ﻗﻮﲏ ﰲ ﹴ‬
‫ﺛﻮﺍﻥ ﺳﻴﺘﻼﺷﻰ ﻣﺎ ﺍﺳﺘﻐﺮﻕ‬

‫ﻋﺎﻣﺎ‬

‫ﺍﺑﻜﻲ ﻳﺎ ﺳﲈﺀ ﺭﻣﺎﺩﻳﺔ ﺍﺛﻮﺍﺑﻚ ﻛﻠﻬﺎ ﻭﰲ ﺍﻷﺯﺭﻕ ﻛﺂﻳﺐ ﺗﺮﺍﲏ‬

‫ﻭﺳﺄﺑﻘﻰ ﲢﺖ ﺍﳌﻄﺮ ﺍﱃ ﺃﻥ ﺗﺄﰐ ـﻌﻠﻢ ﺃﻧﻚ ﻟﻦ ﺗﺄﺕ ﺇﺫﺍ ﺩﻋﻴﻨﻲ ﺃﻧﺎ‬

‫ﻭﺍﳌﻄﺮ ﻧﺪﻧﺪﻥ ﺍﻟﱰﺍﻧﻴﻢ‬

‫ﻭ ﻧﻠﺘﻘﻲ ﺍﻥ ﺍﻟﺘﻘﺖ ﺍﻟﺴﲈﺀ ﳎﺪﺩﺍ ﻭ ﺇﻥ ﺍﻟﺘﻘﻰ ﺍﳌﻄﺮ ﳎﺪﺩﺍ‬

‫~ ‪~ 66‬‬
 ‫ﺠﻐﺔﺍﺭﺓ ﺃﺸﺪﻀ ﻄﻆ ﻭﺝﻋﻙ‬

‫ﺿﺎﺟﻌﺖ ﺍﻟﺪﺧﺎﻥ‪ ،‬ﱂ ﻳﺆﺫﲏ ﻗﻂ‬

‫ﺍﻟﺴﻴﺠﺎﺭﺓ ﺃﻓﻀﻞ ﺍﻟﻌﺎﺷﻘﲔ‬

‫ﺍﺧﺘﺎﺭﲏ ﺍﻟﻘﺪﺭ ﻷﻛﻮﻥ ﹼ‬

‫ﻣﺪﺧﻨﺎ ﻳﻮﻡ ﺗﺮﺣﻠﲔ‬

‫ﺍﻟﴪﻃﺎﻥ ﺇﻻ ﳎﺘﻤﻊ ﳛﺎﻭﻝ ﺗﻔﺮﻳﻘﻨﺎ‬

‫ﻣﺎ ﹼ‬
‫ﻳﻤﺮﻭﻥ ﻋﱪﻱ ﻭﻃﺒﻌﺎ ﺃﻧﺎ ﻻ ﺃﺷﻌﺮ‬
‫ﻭﻛﺄﳖﻢ ﹼ‬
‫ﻫﻨﻴﻬﺔ ﻭﺭﻋﺸﺔ ‪ ..‬ﹼ‬

‫ﺑﺎﻟﺪﻫﺸﺔ‬

‫ﻳﺸﺎﻉ ﰲ ﳎﺘﻤﻌﻲ ﺃﻧﻨﻲ ﺳ ﹼﻜﲑ ﻭﻻ ﺃﻋﻲ ﻣﺎ ﺃﻗﻮﻝ ﻓﻘﻂ ﺃﻧﺘﻢ ﺗﻌﻠﻤﻮﻥ‬

‫ﺃﲏ ﻭﺿﻌﺖ ﻗﻠﺒﻲ ﺃﻣﺎﻣﻜﻢ ﻭﺑﺎﴍﺕ ﳖﺸﻪ‬

‫ﻟﻦ ﺃﻛﺬﺏ ﺃﻧﺎ ﻻ ﺃﺷﻌﺮ ﺑﲈ ﺗﺸﻌﺮﻭﻥ‪ ،‬ﺍﻷﻣﺮ ﻳﺒﺪﻭ ﺃﺳﻬﻞ ﻣﻦ ﻫﻨﺎ‬

‫ﻗﻤﺖ ﺑﺎﻟﻌﺪﻝ ﺑﲔ ﺭﺋﺘ ﹼﻲ‪ ،‬ﺳﻴﺠﺎﺭﺓ ﻟﻜﻞ ﻣﻨﻬﲈ‬

‫~ ‪~ 67‬‬
 ‫ﺃﺭﺃﻳﺘﻤﻮﲏ ﻣﻠ ﹼﻄﺨﺎ ﺑﺪﻣﻲ‪ ،‬ﻻ ﺑﻞ ﻛﻞ ﻣﺎ ﺭﺃﻳﺘﻤﻮﻩ ﻧﺪﺑﺎﺕ‬

‫ﺃﺧﺎﻃﺘﻬﺎ ﻋﺠﻮﺯ ﺗﺒﻴﻊ ﺍﻟﻮﺭﻭﺩ ﰲ ﻣﻜﺎﻥ ﺍﻋﺘﺪﺕ ﹼ‬

‫ﺍﻟﺬﻫﺎﺏ ﻟﻪ ﺣﻴﻨﲈ ﱂ‬

‫ﺃﺟﺪ ﻣﺒﺎﺕ‬

‫ﻋﺪﻭﺍﲏ ﺃﻧﺎ ﻛ ﹼﻠﲈ ﺗﻌ ﹼﻠﻖ ﺍﻷﻣﺮ ﺑﺴﺠﺎﺋﺮﻱ ﺍﳌﻬﻠﻮﺳﺔ‬

‫ﱂ ﻳﺴﺒﻖ ﺇﻥ ﺑﻜﻴﺖ ﻧﺪﻣﺎ ﻛﻞ ﺩﻣﻮﻋﻲ ﺳﺒﺒﻬﺎ ﺍﺷﺘﻴﺎﻗﻲ ﻟﺘﻠﻚ ﺍﳉﻬﺔ‬

‫ﺍﻷﺧﺮ￯ ﻣﻦ ﺍﻟﻴﺎﺑﺴﺔ‬
‫ﺍﺳﺘﻘﻞ ﺣﺎﻓﻠﺘﻚ ﻭ ﹺ‬
‫ﺍﺷﱰ ﺳﺠﺎﺋﺮ ﺛﻢ ﺍﺑﺘﻊ ﺗﺬﺍﻛﺮ ﺳﻔﻴﻨﺔ‬

‫ﺃﻭ ﺍﺣﺠﺰ ﻣﻘﻌﺪﺍ ﰲ ﻃﺎﺋﺮﺓ ﻟﻌﻴﻨﺔ‬

‫ﺍﻟﺒﻘﺎﺀ ﻫﻨﺎ ﻟﻐﲑ ﹼ‬

‫ﺍﳌﺪﺧﻨﲔ ﺃﻱ ﻟﻸﺳﻮﺃ‬

‫ﺑﻘﻮﺓ ﴏﺧﺘﻚ ﻻ ﺃﺣﺪ ﺳﻴﺴﻤﻊ‬

‫ﻻ ﺃﺣﺪ ﳞﺘﻢ ﹼ‬

‫ﻣﺮ ﺟﺤﻴﻢ‬
‫ﻟﻦ ﺃﺧﻔﻲ ﻋﻨﻜﻢ ﺍﻟﻴﻮﻡ ﹼ‬
‫ﻭﺍﻟﻐﺪ ﻻ ﻳﺄﰐ ﰲ ﻣﻌﻈﻢ ﺍﻷﺣﻴﺎﻥ‬

‫ﺃﺭﺍﲏ ﺍﷲ ﰲ ﺻﻼﺓ ﺃﲏ ﺳﺄﻛﻮﻥ ﻣﻦ ﺍﻟﻨﺎﺟﺤﲔ‬

‫ﻭﻟﻜﻨﹼﻪ ﱂ ﳜﱪﲏ ﻋﻦ ﺍﻟﺴﺠﻦ ﺍﻟﺬﻱ ﺳﺄﺣﻴﺎﻩ‬

‫~ ‪~ 68‬‬
 ‫ﻛﺪﻣﻴﺔ ﺑﻴﻨﻴﺎﺗﺎ ﻣﻌ ﹼﻠﻘﺔ ﺍﻟﺸﻴﺎﻃﲔ ﺗﴬﺑﻨﻲ ﻣﻦ ﻛﻞ ﺍﳉﻬﺎﺕ‬

‫ﻭﺃﻧﺎ؟ ﺃﻧﺎ ﺃﺑﺮﻉ ﰲ ﺍﻟﻔﻨﺎﺀ ﻛﻞ ﻳﻮﻡ ﻳﺎ ﻟﻪ ﻣﻦ ﺟﻬﺎﺩ‬

‫"ﻧﺴﺘﻨﻰ ﻳﺎ ﺍﷲ ﻭﻻ ﻧﺤﺒﺲ"؟ ﻻ ﺗﻘﻠﻘﻮﺍ ﺃﻧﺎ ﻟﺴﺖ ﺣﺰﻳﻨﺎ ﺍﻵﻥ ﺃﻗﺴﻢ‬

‫ﺃﲏ ﻻ ﺃﻛﺬﺏ‬

‫ﻓﺤﻴﻨﲈ ﻳﺼﺒﺢ ﺍﳉﺮﺡ ﺃﻋﻤﻖ ﺃﻃﻔﺊ ﻓﻴﻪ ﺳﺠﺎﺋﺮﻱ ﻭﺃﺻﻤﺖ ﻓﻼ‬

‫ﺃﻛﺘﺐ‬

‫ﻓﻮﻕ ﺯﻭﺭﻕ ﻣﻬﱰﺉ ﻟﻌﲔ ﻭﻋﺎﺻﻔﺔ ﺭﻣﺎﺩﻳﺔ ﺃﻣﻮﺍﺟﻬﺎ ﺗﻐﺮﻗﻨﻲ‬

‫ﺗﺒﺘﻞ ﻭﺃﺣﺎﻭﻝ ﺍﻟﻮﺻﻮﻝ ﻟﻠ ﹼﻄﺮﻑ ﺍﻵﺧﺮ‪،‬‬

‫ﺃﻋﺎﻧﻖ ﺳﻴﺠﺎﺭﺓ ﻟﻜﻲ ﻻ ﹼ‬

‫ﹼ‬
‫ﻭﻻﻋﺘﻲ ﺗﺒﻌﺪﲏ‬

‫ﰲ ﺣﺮﻳﻖ ﻳﺎﺋﺲ ﺳﻴﻠﺘﻬﻢ ﺍﳉﺜﺚ ﻛ ﹼﻠﻬﺎ ﺃﻧﺎ ﻋﲆ ﺳﻄﺢ ﺍﻟﺒﻨﺎﺀ ﺑﻘﻴﺖ‬

‫ﹴ‬
‫ﺛﻮﺍﻥ ﺃﺣﻴﺎ‬

‫ﺃﺷﻌﻞ ﺑﻠﻬﻴﺒﻪ ﺳﻴﺠﺎﺭﰐ ﻭﺃﺿﻴﻒ ﺣﺮﻳﻘﺎ ﺩﺍﺧﲇ ﻗﺒﻞ ﺃﻥ ﺃﺅﻛﹶ ﻞ ﺣ ﹰﻴﺎ‬

‫ﻣﻦ ﺃﻧﺖ ﻟﺘﻜﺮﻫﻲ ﻋﺸﻴﻘﺎﰐ ‪ ...‬ﻣﻦ ﺃﻧﺖ ﻟﺘﻜﺮﻫﻲ ﻣﻦ ﺃﺧﻮﻧﻚ‬

‫ﻣﻌﻬﻦ‬

‫~ ‪~ 69‬‬
 ‫ﻭﻳﻮﻡ ﺍﻟﺮﻗﺼﺔ ﺍﻷﺧﲑﺓ‪ ،‬ﺳﺄﺩﺧﻞ ﺍﳊﺎﻧﺔ ﻭﺃﻗ ﹼﺒﻞ ﺍﻟﻌﴩﻳﻦ ﻛﻠﻬﻦ‬

‫ﻣﻦ ﺃﻧﺖ ﻟﺘﺘﺪﺧﲇ‪ ،‬ﻫﻦ ﻋﺎﻫﺮﺍﺕ ﺳﻴﻨﻘﻠﻦ ﱄ ﺍﳌﺮﺽ ﺭﺍﻗﺖ ﱄ‬

‫ﺳﺄﻣﻮﺕ؟ ﻻ ﺑﺄﺱ ﻋﲆ ﺍﻷﻗﻞ ﻫﻲ ﻟﻦ ﺗﺒﻘﻴﻨﻲ ﺣﻴﺎ ﺑﻌﺪ ﻗﺘﲇ‬

‫ﳞﻢ ﺇﻥ ﻛﺎﻧﺖ ﻛﻨﻴﺴﺔ ﺃﻭ ﻣﺴﺠﺪ ﺃﻭ ﻣﻌﺒﺪ‬

‫ﻧﺎﺩﻭﻩ‪ ،‬ﻻ ﹼ‬
‫ﻓﻘﻂ ﻧﺎﺩﻭﺍ ﺭﺏ ﻭﺍﺣﺪﺍ ‪ ..‬ﻓﻼ ﺗﺼﺒﺤﻮﻥ ﻣﺜﲇ ﻛﻞ ﻣﺎ ﻧﻮﻳﺖ‬

‫ﺍﻻﻗﱰﺍﺏ ﺃﺻﺒﺤﺖ ﺃﺑﻌﺪ‬

‫ﻣﺮﺓ ﺳﺄﺑﺘﻌﺪ ﺇﻟﻴﻚ‬

‫ﻷﻭﻝ ﹼ‬
‫ﺳﺄﺑﺘﻌﺪ ﺇﻟﻴﻚ ﻳﺎ ﺭﺏ‪ ،‬ﹼ‬

‫ﺳﺄﻋﻮﺽ ﻛﻞ ﻣﻦ ﺃﺫﻳﺖ‬
‫ﹼ‬ ‫ﻳﺎ ﻣﺎ ﺃﺧﱪﳞﻢ‪ ،‬ﹼﺃﲏ‬

‫ﺃﻧﺎ ﺣﻘﻴﻘﻲ‪ ،‬ﻭﺻﺪﹼ ﻗﻮﲏ ﺁﺧﺮ ﺍﻫﺘﲈﻣﺎﰐ ﻫﻮ ﺧﺰﻋﺒﻼﺗﻜﻢ ﻳﺎ ﻧﺎﺱ‬

‫ﺧﲑ ﺃﻣﺔ؟‪،‬ﻛﻨﹼﺎ ﻳﺎ ﺳ ﹼﻴﺪﻱ ﻛﻨﺎ ‪ ..‬ﺃﻣﺎ ﺍﻵﻥ ﻓﻨﺤﻦ ﻓﺤﻢ ﳛﺮﺹ ﻋﲆ‬

‫ﻣﻨﻊ ﺑﻌﻀﻪ ﻣﻦ ﺃﻥ ﻳﺼﺒﺢ ﺃﳌﺎﺱ‬

‫ﺑﻌﺾ ﺍﻟﺒﴩ ﺑﺨﲑ‪ ،‬ﺑﻌﺾ ﺍﻟﺒﴩ ﺗﻨﻌﻢ ﺑﺎﻟﺴﻼﻡ ﻳﺎ ﻟﻸﻣﺎﻧﺔ‬

‫ﱂ ﺃﻓﻬﻢ ﻳﺎ ﺭﺏ ﻫﺆﻻﺀ ﺍﻟﺒﻌﺾ ﺃﻣﻀﻮﺍ ﻣﻌﻈﻢ ﺣﻴﺎﲥﻢ ﰲ ﺍﳊﺎﻧﺔ‬

‫~ ‪~ 70‬‬
 ‫ﺃﻧﺎ ﺍﳌﺒﺘﲆ ﺣﺴﻨﺎ ﺃﻓﻬﻢ ﻻ ﺣﻖ ﱄ ﺃﺻﻼ ﰲ ﺃﻥ ﺃﻟﻘﻲ ﺍﻟ ﹼﻠﻮﻡ‬

‫ﺭﺏ ﻫﻞ‬
‫ﻟﻜﻨﻲ ﻓﻌﻠﺖ ﺍﻷﻣﻮﺭ ﺑﺸﻜﻞ ﺻﺤﻴﺢ‪ ،‬ﺃ ﻛﻞ ﻫﺬﺍ ﺣﺐ ﻳﺎ ﹼ‬

‫ﺍﻟﺮﻣﺎﺩ ﻟﻮﻥ؟‬

‫~ ‪~ 71‬‬
 ‫ﺸ�ﺍﻏﺭ‬

‫ﻓﱪﺍﻳﺮ ﻻ ﺗﻘﻊ ﰲ ﺍﳊﺐ‬

‫ﻓﱪﺍﻳﺮ ﻟﻌﻨﺘﻲ‬

‫ﻓﱪﺍﻳﺮ ‪ ..‬ﺍﳌﻠﺘﻘﻰ ﻭﺍﻟﻔﺮﺍﻕ‬

‫ﺍﺣﺘﻔﺎﻻ ﺑﻤﻮﻟﺪﻱ ﻳﺎ ﺳﺎﺩﺓ ﺳﻨﻠﻌﺐ ﻟﻌﺒﺔ‬

‫ﺳﺄﺷﺎﺭﻛﻜﻢ ﺫﻛﺮﻳﺎﰐ ﻭﻟﻨﺮ￯ ﻣﻦ ﻳﻀﺤﻚ ﺃﻛﺜﺮ ﻋﲆ ﺃﻧﺎ ﺍﻟﻜﺬﺑﺔ‬

‫ﺃﺫﻛﺮﲏ‪ ،‬ﺑﺤﻘﻴﺒﺔ ﻧﺤﻠﺔ ﻣﺮﻗﻄﺔ ﺑﺴﻮﺍﺩ ﻟﻴﲇ‬

‫ﺗﻠﻚ ﺍﻟﻨﺤﻠﺔ ﺍﻟ ﹼﻠﻌﻴﻨﺔ ﺃﺻﺒﺤﺖ ﺗﻌﻨﻲ ﺷﺒﺤﺎ ﱄ‬

‫ﺍﻋﺘﺪﺕ ﻭﺿﻊ ﹼ‬
‫ﻣﺼﲆ ﺻﻐﲑ ﰲ ﺍﳊﺪﻳﻘﺔ ﺍﳋﻠﻔﻴﺔ‬

‫ﺯﺭﺕ ﻣﻨﺰﱄ ﺍﻟﻘﺪﻳﻢ ﺍﻟﻴﻮﻡ ﻭﱂ ﺃﺟﺪﻫﺎ ﺃﻋﺘﻘﺪ ﺃﳖﺎ ﳐﻔﻴﺔ‬

‫ﻛﻨﺖ ﺃﺗﺴﻠﻖ ﺷﺠﺮﺓ ﻛﻲ ﺃﺭﺍﻗﺐ ﺟﺎﺭﰐ ﺗﻌﺎﻧﻖ ﺩﻣﻴﺘﻬﺎ‬

‫~ ‪~ 72‬‬
‫ﻭﺍﻵﻥ ﺟﺎﺭﰐ ﻳﻌﺎﻧﻘﻬﺎ ﺍﳉﻤﻴﻊ ﻣﻨﺬ ﺗﻴ ﹼﺘﻤﺖ ﺃﺗﺴﺎﺀﻝ ﺃﻳﻦ ﲤﴤ ﺍﻵﻥ‬

‫ﻟﻴﻠﺘﻬﺎ‬

‫ﺍﻋﺘﺪﺕ ﺃﻳﻀﺎ ﺇﺷﻌﺎﻝ ﻧﺎﺭ ﺧﻔﻴﻔﺔ ﺃﻗﺮﺃ ﲢﺘﻬﺎ ﻗﺼﺔ‪ ،‬ﻗﺼﺔ ﺍﻟﺬﺋﺐ‬

‫ﻭﺍﻟﻘﺒﻌﺔ ﺍﳊﻤﺮﺍﺀ‬

‫ﺍﻟﻠﻌﻨﺔ‪ ،‬ﻗﺒﻌﺎﺕ ﰲ ﻛﻞ ﻣﻜﺎﻥ ﺍﻧﺎ ﺍﻟﺬﺋﺐ ﻫﻨﺎ ﺳﺄﺷﱰﻱ ﻗﺮﻳﺒﺎ ﺗﻠﻚ‬

‫ﺍﳊﻤﻘﺎﺀ‬

‫ﺍﻟﻠﻴﻠﺔ ﺍﻟﺘﻲ ﻗﺎﻣﻮﺍ ﺑﺘﻜﺮﻳﻤﻲ ﰲ ﺍﻟﺜﺎﻧﻮﻳﺔ ﺃﻋﻄﻮﲏ ﺷﻬﺎﺩﺓ‬

‫ﻭﻟﻜﻦ ﻣﺎ ﻣﻦ ﺷﺨﺺ ﺷﺎﻫﺪ ﻫﻨﺎ ﻛﻠﻬﻢ ﱂ ﻳﺮﻭﺍ ﺃﻥ ﻏﺮﺍﰊ ﺷﺎﺏ‬

‫ﻧ ﹶﻈﻤﺖ ﺍﻟﻜﻠﲈﺕ ﰲ ﻓﱪﺍﻳﺮ ﳏﻈﻮﻇﺔ ﻣﻦ ﻛﺘﺒﺖ ﳍﺎ ﺃﻭﻝ ﻣﺮﺓ‬

‫ﺍﻟﻜﺮﺓ‬
‫ﱂ ﺃﻛﻦ ﺃﻫﲔ ﺑﺎﻟﻘﺪﺭ ﺍﻟﻜﺎﰲ ﺁﻩ ﻳﺎ ﻟﻴﺘﻨﺎ ﻧﻌﻴﺪ ﹼ‬
‫ﻋﺮﻓﻨﻲ ﰲ ﺣﻔﻠﺔ ﻋﲆ ﺍﳌﻮﺳﻴﻘﻰ‬
‫ﻓﱪﺍﻳﺮ ﺟﻌﻠﻨﻲ ﻭﺗﺮﺍ ﺳﺎﺑﻌﺎ‪ ،‬ﹼ‬
‫ﺳﺎﺑﻊ ﹼ‬
‫ﺍﻟﺬﻧﻮﺏ ﺃﺻﺒﺤﻨﺎ ﺃﺣﺴﻨﺖ ﲢ ﹼﻴﺎﰐ ﺑﺮﺍﻓﻮ ﺃﳞﺎ ﺍﳌﻮﺳﻴﻘﺎﺭ‬

‫ﺃﺭﺑﻌﺔ ﻋﴩ ﻓﱪﺍﻳﺮ ﻭﺣﻴﺪﺍ ﻭﺛﲈﻧﻴﺔ ﰲ ﺣﻀﻦ ﺃﻣﻲ‬

‫ﻭﻫﺬﺍ ﺍﳉﻮﻟﺔ ﺍﻻﺧﲑﺓ‪ ،‬ﻓﻘﻂ ﺃﻧﺎ ﻭﺃﻧﺘﻢ ﻭﻓﻨﹼﻲ‬

‫~ ‪~ 73‬‬
‫ﺍﻟﺮﺏ‬
‫ﺃﻥ ﹼ‬‫ﺁﻣﻨﺖ ﺑﺎﳌﻌﺠﺰﺍﺕ‪ ،‬ﻛﺪﺕ ﺃﻥ ﺃﻗﻔﺰ ﻣﻦ ﺍﻟﺴﻄﺢ ﻣﺘﺄ ﹼﻛﺪﺍ ﹼ‬

‫ﺳﻴﺠﻌﻠﻨﻲ ﺃﻃﲑ‬

‫ﻓﻌﻼ ﺃﻧﺎ ﺃﻃﲑ‪ ..‬ﻭﻟﻜﻨﻲ ﻗﻔﺰﺕ ﻣﻦ ﺟﺴﺪﻱ ﻭﺗﺮﻛﺘﻪ ﻋﲆ ﺍﻟﺴﻄﺢ‬

‫ﺫﻟﻚ ﺍﻟﺼﻐﲑ‬

‫ﻓﱪﺍﻳﺮ ﻻ ﺗﻘﻊ ﰲ ﺍﳊﺐ‬

‫~ ‪~ 74‬‬
 ‫ﺍﻝﻈﺔﺛﺓ ‪911‬‬

‫ﺃﻫﻼ‪ ،‬ﻣﺮﺣﺒﺎ ﻫﻞ ﻣﻦ ﺃﺣﺪ ﻫﻨﺎ‪ ..‬؟‬

‫ﻳﺎ ﺳﺎﻗﻲ ﺍﳋﻤﺮ ﺃﻧﺖ ﻫﻨﺎ؟‬
‫ﻣﺮﺣﺒﺎ‪ ..‬ﻫﻞ ﻫﺬﻩ ﺍﳊﺎﻧﺔ ﺗﻌﻤﻞ ﺍﻵﻥ‪ ..‬؟‬
‫ﺃﺭﻳﺪ ﺃﻥ‪ ،‬ﺍﻟﻌﺐ ﺩﻭﺭ ﺳ ﹼﻜﲑ‪ ،‬ﺍﻟﺬﻱ ﻳﻌﺒﺚ ﺣﺘﻰ ﺳﺎﻋﺔ ﻣﺘﺄﺧﺮﺓ ﻣﻦ‬
‫ﺍﻟﻠﻴﻞ‪ ،‬ﺃﺭﻳﺪ ﺃﻥ ﺃﲢﺪﹼ ﺙ ﺣﺘﻰ ﺗﻄﺮﺩﻭﻥ‪..‬‬
‫ﻣﺎ ﻫﺎﺗﻪ ﺍﻟﺮﻗﺼﺔ؟‬
‫ﺗﺮﲤﻲ ﻋﻴﻨﺎﻱ ﻧﺤﻮﻫﺎ ﻫﻲ‬
‫ﺃﻳﻦ ﺭﺃﻳﺘﻬﺎ ﻗﺒﻼ‪ ،‬ﻻ ﺃﻋﻠﻢ‪ ،‬ﻫﺬﺍ ﺍﻟﺪﻭﺍﺭ ﺍﻟﺬﻱ ﳚﻮﺏ ﻋﻘﲇ‪ ،‬ﻳﻤﻨﻌﻨﻲ‬
‫ﻣﻦ ﺍﻟﺘﺬ ﹼﻛﺮ‪ ..‬ﺃﻭ ﺃﻧﻨﻲ ﺃﺗﻨﺎﺳﻰ ﻋﻤﺪﺍ؟‬
‫ﳘﻢ ﻻ ﳞﻢ ﺃﺷﻴﺎﺀ ﻣﻴﺘﺎﻓﺰﻳﻘﻴﺔ ‪..‬‬
‫ﺭﺍﻗﺼﺘﻜﻢ ﺍﻟﻌﺎﺭﻳﺔ ﻻ ﺗﺒﲇ ﺟ ﹼﻴﺪﺍ‪ ،‬ﺃﻳﻦ ﺍﳌﺪﻳﺮ ﺃﺭﻳﺪ‪ ،‬ﺃﻥ ﺃﲢﺪﹼ ﺙ ﻟﻪ‬
‫ﺧﺎﺻﺘﻜﻢ ﳑﺘﻠﺌﺔ‬
‫ﺍﻟﺮﻗﺺ ﹼ‬
‫ﻳﺎ ﺳﺎﻗﻲ‪ ،‬ﺃﺭ￯ ﺃﻥ ﺻﺎﻟﺔ ﹼ‬
‫ﻳﺒﺪﻭ ﺃﻥ ﺃﻋﲈﻟﻜﻢ ﺗﺰﺩﻫﺮ؟‬

‫~ ‪~ 75‬‬
‫ﻻ ﺑﺪﹼ ﺃﻥ ﺗﻠﻚ ﺍﻟﺮﺍﻗﺼﺔ ﺍﻟﺘﻲ ﺗﻌﺒﺚ ﻣﻊ ﺍﳉﻤﻴﻊ‪ ،‬ﻫﻲ ﺍﻟﺴﺒﺐ‬
‫ﺗﺴﺘﻤﺮ ﺑﺎﻟﻘﻔﺰ ﻣﻦ ﺷﺨﺺ ﻵﺧﺮ‪ ..‬؟‬
‫ﹼ‬ ‫ﻳﺒﺪﻭ ﺃﳖﺎ‬
‫ﻣﺎﺫﺍ‪ ،‬ﻋﻦ‪ ..‬ﺍﻟﻨﺒﻴﺬ ﻫﻨﺎ ﺃﻫﻮ ﺟﻴﺪ ﻛﻔﺎﻳﺔ !‬
‫ﺃﻳﺪﻣﻴﻨﻲ ﺷﺒﻘﺎ‪ ،‬ﺃﻳﺸﺒﻊ ﺑﺴﻴﻜﻮ ﻓﻠﺴﻔﺘﻲ؟‬
‫ﺃﻫﺘﺰ ﺃﻧﺎ ﻣﻜﺎﲏ‪ ،‬ﻷﻋﻮﺩ ﻟﻮﻋﻴﻲ ﻗﻠﻴﻼ‬
‫ﺛﻢ ‪ ..‬ﺛﻢ‪ .‬ﻣﺎﺫﺍ !‬
‫ﺛﻢ ﺗﺴﻘﻂ ﻋﻴﻨﻲ ﰲ ﻋﻴﻨﻴﻬﺎ‪ ،‬ﺛﻢ ‪..‬‬
‫ﻳﺎ ﺳﺎﻗﻲ‪ ..‬ﻳﺎ ﺳﺎﻗﻲ‪ ..‬ﺗﺬ ﹼﻛﺮﺕ ﺃﻳﻦ ﺭﺃﻳﺘﻬﺎ‬
‫ﺗﻌﺎﻝ‪ ،‬ﺍﻗﱰﺏ‪ ..‬ﺗﻠﻚ ﻛﺎﻧﺖ ﺧﻄﻴﺒﺘﻲ ‪..‬‬
‫ﺃﻳﻦ ﺍﳌﺪﻳﺮ‪ ،‬ﺃﺭﻳﺪ ﺃﻥ ﻳﻄﺮﺩﻫﺎ ﻣﻦ ﻫﻨﺎ‪ ..‬ﻓﻮﺭﺍ‬
‫ﻭﻟﻜﻦ ﺍﻟﺴﺎﻗﻲ ﻳﻮﺍﺻﻞ ﺍﻟﻨﻈﺮ ﺇ ﹼﱄ‪ ،‬ﲣﱪﲏ ﻓﺘﺎﺓ ﻣﻦ ﺧﻠﻔﻲ ﺃﻥ‬
‫ﺍﻟﺴﺎﻗﻲ ﺃﺻﻢ !‬
‫ﺍﻟﺴﺎﻗﻲ‪ ،‬ﺃﺻﻢ‪ ..‬؟ ﱂ ﻳ ﹺﻊ ﻣﺎ ﻗﻠﺖ ﻟﻪ ﻣﻨﺬ ﺍﻟﺒﺪﺍﻳﺔ؟‬
‫ﹼ‬
‫ﺃﺗﺮ ﹼﻧﺢ ﰲ ﺗﻠﻚ ﺍﳊﺎﻧﺔ‪ ،‬ﺃﺧﻲ ﺃﻳﻦ ﺍﳌﺪﻳﺮ؟ ﺃﺧﺘﻲ ﺃﻳﻦ‪ ..‬؟‬
‫ﻳﺎ ﻧﺎﺱ ﺃﻳﻦ ﻣﺪﻳﺮ ﻫﺬﺍ ﺍﳌﻜﺎﻥ ﺑﺤﻖ ﺍﻟﺴﲈﺀ‬
‫ﹼ‬
‫ﺍﻟﻜﻞ ﻳﻜﺘﻔﻲ ﺑﺎﻟﻨﻈﺮ ﺇﱃ ﺍﻷﻋﲆ‪ ،‬ﺃﻭ ﻳﺸﲑ ﻟﻠﺴﲈﺀ‬

‫~ ‪~ 76‬‬
 ‫ﻣﺎ ﻫﺬﺍ ﻳﺎ ﻗﻮﻡ‪ ،‬ﻫﻼ ﲢﺪﺙ ﺃﺣﺪﻛﻢ ﻟﻠﻤﺪﻳﺮ‪ ..‬ﻫﻨﺎ‬
‫ﺃﺭﻳﺪ ﺃﻥ ﺃﺧﱪﻩ‪ ،‬ﺃﻥ ﻫﺬﻩ ﺍﳊﺎﻧﺔ ﺍﻟﻠﻌﻴﻨﺔ ﻻ ﺗﺴﲑ ﻛﲈ ﳚﺐ‬
‫ﺃﻗﱰﺏ ﻣﻦ ﺍﻟﺮﺍﻗﺼﺔ ﺍﳌﺘﻌﺮﻳﺔ‪ ،‬ﻭﺃﻣﺴﻜﻬﺎ ﻣﻦ ﺷﻌﺮﻫﺎ‪" ،‬ﻳﺎ ﻟﻌﻴﻨﺔ ﺃﻳﻦ‬
‫ﻣﺪﻳﺮﻙ"‪ ،‬ﻗﺎﻟﺖ ﺃﳖﺎ ﻻ ﲣﺸﺎﻩ‪ ..‬ﻟﻦ ﻳﻔﻌﻞ ﺷﻴﺌﺎ ‪..‬‬
‫ﺣﺮﺍﺱ ﺍﻷﻣﻦ ﻳﺼﺤﺒﻮﻧﻨﻲ ﻟﻠﺨﺎﺭﺝ ﻭﻳﺮﻣﻮﻧﻨﻲ‪ ..‬ﻋﲆ ﺍﻟﺮﺻﻴﻒ‬
‫"ﺍﺭﺣﻞ ﻣﻦ ﻫﻨﺎ ﺃﳞﺎ ﺍﻟﺴﻜﲑ ﺍﻷﺧﺮﻕ"‬
‫ﺃﺭ￯ ﻣﻼﻙ ﺍﻟﻨﻮﺭ ﺗﻘﱰﺏ‪ ،‬ﻣﻼﻙ ﺍﻟﻨﻮﺭ ﺗﻌﺮﻑ ﻣﻠﻬﻰ ﺁﺧﺮ‪،‬‬
‫ﺗﺼﺤﺒﻨﻲ ﺇﻟﻴﻪ‪ ..‬ﻭﻧﺜﻤﻞ ﻣﻌﺎ‬
‫ﻳﻘﺎﻝ ﺃﻥ ﻧﻔﺲ ﺍﳌﺪﻳﺮ‪ ..‬ﻳﻤﻠﻚ ﻛ ﹼﻞ ﻫﺎﺗﻪ ﺍﳌﻼﻫﻲ‬
‫ﱂ ﺍﻟﺘﻘﻪ ﻳﻮﻣﺎ‪ ،‬ﻭﻟﻜﻨﹼﻲ ﺃﺭﻳﺪ ﻓﻘﻂ ﺃﻥ ﺃﺳﺄﻟﻪ ﺳﺆﺍﻻ ﻭﺍﺣﺪﺍ‬
‫"ﺇﱃ ﻣﺘﻰ ﺃﳞﺎ ﺍﳌﺪﻳﺮ‪ ،‬ﺇﱃ ﻣﺘﻰ ﻭ ﺃﻧﺖ ﺗﺮﻓﺾ ﻟﻘﺎﺋﻲ ﺃﻭ ﺍﻟﻨﻈﺮ ﱄ؟ "‬

‫~ ‪~ 77‬‬
 ‫ﺍﻇﻑﺧﺍﻡ ‪1‬‬

‫ﺍﻷﺑﻴﺾ ﻭ ﺍﻷﺳﻮﺩ ﻟﻴﺴﺎ ﻣﺘﻨﺎﻗﻀﺎﻥ ﻓﻬﲈ ﻳﺸﱰﻛﺎﻥ ﰲ ﺍﻟﺮﻣﺎﺩﻱ‬

‫ﺃﻟﻴﺲ ﻛﺬﻟﻚ؟‬

‫ﺍﻟﺜﻠﺞ ﻭﺍﻟﻨﺎﺭ ﺃﻳﻀﺎ ﻟﻴﺴﺎ ﻣﺘﻨﺎﻗﻀﲔ ﻛﻼﳘﺎ ﻳﺸﱰﻛﺎﻥ ﰲ ﺻﻔﺔ ﻗﺘﻞ‬

‫ﺑﻌﻀﻬﲈ ﺃﻟﻴﺲ ﻛﺬﻟﻚ؟‪.‬‬

‫ﹺ‬
‫ﻭﺃﻧﺖ‬ ‫ﺍﻷﺣﻖ ﻫﻮ ﺃﻧﺎ‬
‫ﹼ‬ ‫ﺍﻟ ﹼﺘﻨﺎﻗﺾ‬

‫ﺣﺘﲈ ﺳﺘﺒﻘﻰ ﺃﺳﲈﺅﻧﺎ ﰲ ﺍﻟﻠﻐﺔ ﻃﺒﺎﻗﺎ‬

‫ﺃﻧﺖ ﲨﻴﻠﺔ ﺟﺪﺍ‬

‫ﻻ ﺑﻞ ﺃﻧﺖ ﺷﻴﻄﺎﻧﺔ ﻟﻌﻴﻨﺔ ﺳﺘﻌﻮﺩﻳﻦ ﻟﻠﺠﺤﻴﻢ ﺍﻟﻠﻴﻠﺔ‬

‫ﻻ‪ ..‬ﻻ ‪ ..‬ﺃﻗﺼﺪ ﻓﻠﺘﻌﻮﺩﻱ ﺇﻟﻴﻨﺎ‬

‫ﻻ ﺗﺴﻤﻌﻲ ﻟﻪ ﺑﻞ ﺍﺳﺘﻤﻌﻲ ﱄ ﺃﻧﺎ ﺍﳌﺘ ﹼﻴﻢ‬

‫ﺃﻳﺘﻬﺎ ﺍﻟﻌﺎﻫﺮﺓ ﺳﺄﻧﺘﻘﻢ ﳊﺒﻴﺒﺘﻲ ‪ ..‬ﻻ ﺑﺄﺱ ﺍﻷﻣﺮ ﻫﲔ‬

‫~ ‪~ 78‬‬
 ‫ﴎﺍ ﺃﻧﺖ ﻗﺎﺗﻠﺔ ﺳﺄﺟﻌﻠﻚ ﺗﻨﺪﻣﲔ‬
‫ﺃﺗﺪﺭﻳﻦ ﻣﺎﺫﺍ ﺳﺄﺧﱪﻙ ﹰ‬
‫ﺍﻟﺴﻜﺎﻛﺮ ﺛﻢ ﺃﻋﺪﻣﻚ ﻗﺼﺎﺻﺎ‪ ..‬ﻟﻘﻠﺒﻲ ﺍﳌﺴﻜﲔ‬
‫ﺛﻢ ﺳﻨﺸﱰﻱ ﹼ‬
‫ﺗﻮ ﹼﻗﻒ ﻋﻦ ﻫﺬﺍ ﻓﺄﻧﺖ ﲣﻴﻔﻬﺎ‪ ..‬ﺳﺄﻓﻌﻞ ﺃﻛﺜﺮ ﺇﻥ ﱂ ﺗﺼﻤﺖ‬

‫ﻟﻜﻨﹼﻚ ﺃﻧﺎ ﻭﺃﻧﺎ ﺃﺣﺒﻬﺎ ‪ ..‬ﺃﻧﺎ ﻟﺴﺖ ﺃﻧﺖ ﺃﻧﺎ ﻻ ﺃﺩﻉ ﻛﻮﺍﻛﺒﻲ ﺗﺴﻘﻂ‬

‫ﻷﺟﻞ ﻋﺎﻫﺮﺓ ﺃﳞﺎ ﺍﳉﺒﺎﻥ؟‬

‫ﺗﺪﻋﻬﺎ ﻫﻜﺬﺍ ﻫﻲ ﻓﻘﻂ ﻻ ﺗﻌﻠﻢ‪ ..‬ﺇﺫﺍ ﺍﺧﻔﻲ ﻋﻨﻲ ﻭﺟﻬﻚ ﺍﻟﻠﻌﲔ‬

‫ﻻ ﹸ‬

‫ﺑﲔ ﺭﻛﺒﺘﻴﻚ‪ ،‬ﺍﻧﺘﻬﻰ ﺍﻟﻜﻼﻡ‬

‫ﻻ ﺑﺄﺱ ﻻ ﲣﺎﰲ‪ ،‬ﺃﻧﺎ ﻻ ﺃﺯﺍﻝ ﺃﺣﺒﻚ ﻓﻌﻼ ‪..‬‬

‫ﻋﲆ ﺃﻳﺔ ﺣﺎﻝ ﺍﺷﺘﻘﺖ ﻟﻚ‪ ،‬ﻛﻴﻒ ﺣﺎﻟﻚ؟‬

‫ﻫﻮ ﻳﻘﺼﺪ ﻛﻴﻒ ﺣﺎﻝ ﺿﻤﲑﻙ ﺍﻟﺬﻱ ﺧﻠﻖ ﻋﺒﺜﺎ؟‬

‫ﺍﻧﺎ ﺑﺨﲑ‪ ،‬ﺷﻜﺮﺍ ﺗﻌﻠﻤﲔ ﻻ ﺃﺯﺍﻝ ﺃﺣﺎﻭﻝ ﺃﻥ ﺃﺗﺄﻗﻠﻢ‬

‫ﻛﺎﺫﺏ ﻟﻌﲔ‪ ،‬ﻻ ﺗﺰﺍﻝ ﲣﻔﻲ ﻋﻨﻬﺎ ﺃ ﹼﻧﻚ ﺗﺘﺄ ﹼﱂ‬

‫ﺍﺻﻤﺖ ‪ ،‬ﺍﺻﻤﺖ ‪...‬ﺻﻮﺗﻚ ﻳﻐﺮﻳﻨﻲ ﺃﻛﺜﺮ ﻟﻜﺮﻫﻬﺎ ﻭﻻ ﺃﺭﻳﺪ‬

‫ﺃﺣﺴﻨﺖ ﻓﻌﻼ‪ ..‬ﺃﲣﻔﻲ ﺍﳊﻘﻴﻘﺔ ﻋﻦ ﻧﻔﺴﻚ ‪...‬ﻳﺎ ﻟﻚ ﻣﻦ ﻓﺄﺭ ﺑﻠﻴﺪ‬

‫~ ‪~ 79‬‬
 ‫ﺃﻧﺖ ﻓﻘﻂ ﻻ ﺗﻌﻠﻢ‪ ،‬ﻫﻲ ﻣﻼﻙ ﰲ ﻋﻴﻨﻲ‬

‫ﻭﻫﻞ ﻳﺴﻤﺢ ﺍﳌﻼﺋﻜﺔ ﺃﻥ ﺗﺸﻦ ﺣﺮﺑﺎ ﺩﺍﺧﻠﻚ؟ ﻫﻴﺎ ﺃﺧﱪﲏ‬

‫ﺣﺒﻴﺒﻬﺎ ﺃﻧﺎ ﻓﻘﻂ‪ ..‬ﺗﻮ ﹼﻗﻒ ﺃﻏﺎﺭ !!‪ ،‬ﻳﺎ ﻟﻴﺘﻬﻢ ﻣﺎ ﺧﻠﻘﻮﺍ‬

‫ﺗﻐﺎﺭ !! ﺍﲤﺰﺡ؟ ﺍﺳﻤﻌﺘﻢ ﻳﺎ ﻧﺎﺱ ! ‪..‬ﻫﻮ ﻳﻐﺎﺭ ﻳﺎ ﻧﺎﺱ ﻓﻠﺘﺼ ﹼﻔﻘﻮﺍ‬

‫ﻳﺎ ﻋﺎﱂ ﻫﺬﺍ ﺍﻟﻔﺘﻰ ﻳﻐﺎﺭ ‪...‬ﻳﺎ ﻟﻚ ﻣﻦ ﺟﺒﺎﻥ ﺧﺎﺋﻦ‬

‫ﻭﰲ ﺧﺎﺩﻡ ‪...‬‬

‫ﳎﺮﺩ ﹼ‬ ‫ﻣﻌﻚ ﹼ‬
‫ﺣﻘﻚ ‪..‬ﺭﺑﲈ ﱂ ﺃﻛﻦ ﳍﺎ ‪..‬ﺃﻛﺜﺮ ﻣﻦ ﹼ‬
‫ﻫﻞ ﺗﺮﺍﻫﺎ !؟‬

‫ﺃﺟﻞ ﻻ ﺗﺰﺍﻝ ﺃﻣﺎﻣﻚ ﺃﳞﺎ ﺍﳌﺠﻨﻮﻥ‬

‫ﺍﺫﻥ ﺃﻧﺎ ﺃﻋﻤﻰ ﺍﻵﻥ ‪...‬ﻻ ﺃﺭﺍﻫﺎ‬

‫ﺍﻋﺘﻘﺪ ﺃﻥ ﻫﺬﺍ ﻣﺎ ﻛﻨﺘﻢ ﺗﺮﺟﻮﻥ‬

‫ﺃﺟﻞ‬

‫ﻭﺩﻉ ﻫﺬﺍ ﺍﳉﺴﺪ ﻛ ﹼﻠﻪ ﱄ‪..‬‬

‫ﻓﻠﺘﺬﻫﺐ ﺍﻵﻥ ﻟﻮﻛﺮﻙ ﹾ‬

‫ﻭﻛﺮﻱ! ﺃﻧﺖ ﺳﱰﺣﻞ ﺃﻭ ﻷﻏﺮﺯﻥ ﻓﻴﻚ ﻓﻀﺎﺋﻊ ﻋﺎﳌﻲ‬

‫ﺗ ﹰﺒﺎ ﻟﻚ ﻣﻦ ﺃﻧﺖ؟ ﺃﻧﺖ ﺣﴩﺓ ﻣﻨﻲ‬

‫~ ‪~ 80‬‬
 ‫ﳎﺮﺩ ﺻﻮﺕ ﰲ ﺭﺃﳼ ﺍﻟ ﹼﻠﻌﲔ‬
‫ﺃﻧﺖ ﹼ‬
‫ﺃﺗﺪﺭﻱ ﻣﺎﺫﺍ؟ ﺗ ﹰﺒﺎ ﹴ‬
‫ﳊﺐ ﱂ ﻳﺪﻣﻨﻲ ﺷﺒﻘﺎ ﻓﻘﺘﻠﺘﻪ‬

‫ﻟﻦ ﺃﻏﻔﺮ ﻟﻜﻢ ﲨﻴﻌﺎ‪...‬ﻛ ﹼﻠﻜﻢ ﺍﻵﻥ ﻣﻨﴘ‬

‫ﻏﲑ ﻟﻜﻨﺘﻲ‬
‫ﺟﺪﺭﺍﲏ ﻓﻠﺘﺴﻘﻄﻲ ﺍﻵﻥ ﺃﻧﺖ ﻣﻬﱰﺋﺔ ﲤﺎﻣﺎ ﻛﻘﻠﺐ ﹼ‬
‫ﺳﺄﺑﻨﻲ ﺟﺪﺭﺍﻧﺎ ﺃﻗﻮ￯‪ ...‬ﻭﺃﻧﺎ ﺍﻟﻮﺣﻴﺪ ﺍﻟﺬﻱ ﺳﺄﺳﻜﻦ ﺟﻨﺘﻲ ‪..‬‬

‫~ ‪~ 81‬‬
 ‫ﺍﻇﻑﺧﺍﻡ ‪2‬‬

‫ﺑﲔ ﻋﴩﺍﺕ ﺍﻟﻜﻠﲈﺕ ﺃﺗﺮﺍﻣﻰ‪ ،‬ﺃﻧﺎ ﻭ ﺃﻧﺎ ﺑﻴﻨﻨﺎ ﺃﻧﺎﻱ ‪..‬‬

‫ﺃﺷﻴﺎﺀ ﺷﺨﺼﻴﺔ ﻻ ﺗﻌﻨﻴﻜﻢ ﺣﻘﺎ‬

‫ﻣﺎ ﳜﺮﺝ ﻣﻦ ﻓﻤﻲ ﺍﻵﻥ ﺃﻛﺘﺒﻪ ﻓﻘﻂ ﻷﺿﺤﻚ ﻻﺣﻘﺎ‬

‫ﱰﻫﺎﺕ ﺗﺆﳌﻨﻲ‪ ..‬ﻻ ﺇﻃﻼﻗﺎ‬

‫ﻻ ﺗﻈﻨﹼﻮﺍ ﺃﻥ ﻫﺬﻩ ﺍﻟ ﹼ‬
‫ﺃﻧﺎ ﻓﻘﻂ ﺃﻣﴤ ﻭﻗﺘﻲ ﺑﲔ ﺃﻧﺎ ﻭﺃﻧﺎ ﰲ ﺍﻟﻼﻣﻜﺎﻥ ﻧﻜﻮﻥ ﻓﻴﻪ ﻃﺒﺎﻗﺎ‬

‫ﺍﺭﻓﻌﻮﺍ ﺍﻟﺴﺘﺎﺭ ﺍﻟ ﹼﻠﻌﲔ ﳎﺪﹼ ﺩﺍ ﺗﻈﻨﹼﻮﻥ ﺃﻧﻨﻲ ﺍﻧﺘﻬﻴﺖ‬

‫ﻻ ﺃﻧﺎ ﻓﻘﻂ ﻣﻮﺳﻴﻘﻲ ﺃﻳﻀﺎ ﻭﻋﻦ ﺇﻳﺬﺍﺋﻜﻢ ﺑﻜﻠﲈﰐ ﺍﻟﺘﻬﻴﺖ‬

‫ﻭﻟﻜﻦ ﺍﻷﻣﺮ ﻣﺆﱂ‪ ..‬ﺍﺻﻤﺖ ﺩﻋﻨﻲ ﺃﲢﺪﹼ ﺙ ﺃﻧﺎ‬

‫ﺃﻧﺖ ﺗﻜﺬﺏ ﹼ‬
‫ﻛﻞ ﳾﺀ ﻫﺪﻡ‪ ،‬ﻗﻠﺖ ﺍﺻﻤﺖ ﻻ ﺃﺯﺍﻝ ﻫﻨﺎ ﻋﻠﻴﻚ‬

‫ﺍﻟ ﹼﻠﻌﻨﺔ‬

‫ﻻ ﲣﱪﻫﻢ ﻋﻨﻚ‪ ،‬ﺍﳊﺮﻳﻖ ﰲ ﻋﻴﻨﺎﻙ ﻟﻌﻨﺔ ﺳﺘﺰﻭﻝ‬

‫~ ‪~ 82‬‬
‫ﺍﻋﻠﻢ ﻟﻜﻨﻲ ﺃﺩﻣﻨﻚ ﺃﻛﺜﺮ ‪ ..‬ﻻ ﻋﻠﻴﻚ ﻫﺬﻩ ﻃﺮﻳﻖ ﺻﻌﻮﺩ ﺑﻼ ﻧﺰﻭﻝ‬

‫ﻛﻴﻒ ﺳﺄﻫﺮﺏ ﻣﻨﻚ؟‬

‫ﺇﱃ ﺃﻳﻦ ﺳﱰﻛﺾ ﺇﻟﻴﻬﺎ ﺍﻵﻥ؟؟‬

‫ﻻ ﻓﻘﻂ‪ ،‬ﻻ ﺃﻋﻠﻢ ‪ ..‬ﺭ ﹼﺑﲈ‬

‫ﺃﺧﱪﺗﻚ ﻣﻜﺎﻧﻚ ﻣﻌﻲ ﰲ ﺍﻟ ﹼﻼﻣﻜﺎﻥ‬

‫ﻛﻞ ﺍﻟﺒﴩ‪ ،‬ﺇ ﹼﻻ ﺃﻧﺖ‬

‫ﻫﻲ ﻻ ﺗﺮﻳﺪﻙ‪ ،‬ﺗﺮﻳﺪ ﹼ‬

‫ﺃﻋﻠﻢ‪ ،‬ﻭﻟﻜﻦ‪..‬‬

‫ﻣﺎ ﻣﻦ ﻟﻜﻦ ﻫﻨﺎ ﺃﻧﺖ ﺃﻋﻤﻰ ﻣﻐﺮﻡ ﺃﻧﺎ ﻗﺪ ﺻﺪﹼ ﻗﺖ‬

‫ﻟﻦ ﺗﺮ￯ ﺍﻟﺒﴩ ﳎﺪﹼ ﺩﺍ ﺃﻧﺖ ﱄ ﺍﻵﻥ‬

‫ﻫﻪ ﻏﺮﻳﺐ ﻫﺬﺍ ﻣﺎ ﻗﺎﻟﺘﻪ ﻫﻲ ﺃﻳﻀﺎ‬

‫ﻻ ﺗﻘﻠﻖ ﺁﺫﻭﻙ ﺑﲈ ﻓﻴﻪ ﺍﻟﻜﻔﺎﻳﺔ ﺃﻇﻬﺮ ﻭﺑﺎﻥ ﻋﻠﻴﻚ ﺍﻷﻣﺎﻥ‬

‫ﻫﻪ ﻏﻤﻴﻀﺔ؟ ﺳﺄﻋﻴﺶ ﻓﻴﻚ ﻭﻟﻜﻨﹼﻚ ﺗﻌﻠﻢ ﺃﲏ ﺳﺄﻣﻮﺕ ﻏﻴﻀﺎ‬

‫ﻗﻢ ﻭﺍﺑﺘﺴﻢ‪ ،‬ﻫﻴﺎ ﻓﻠﱰﻋﺒﻬﻢ ﺃﺳﻜﻦ ﺍﻟﻨﺸﻮﺓ ﺃﻧﺖ ﻓﻴﻬﻢ‬

‫ﻣﺪﺧﻦ ﻣﺴﺎﱂ ﻻ ﻳﺆﺫﻱ ﹼﺇﻻ ﻧﻔﺴﻪ‬

‫ﻟﻜﻨﹼﻲ‪ ،‬ﻟﺴﺖ ﻫﻜﺬﺍ ﺃﻧﺎ ﹼ‬

‫~ ‪~ 83‬‬
 ‫ﺇﻣﺎ ﺍﻥ ﺃﺅﺫﻳﻚ ﺃﻧﺖ‪ ،‬ﺃﻭ ﺃﻥ ﺗﻌﻠﻦ ﻓﻮﺭﺍ ﺑﺄﻥ ﺗﻨﻔﻴﻬﻢ‬

‫ﺧﺮﺍﺏ ﻳﺎ ﷲ‪ ،‬ﻣﺎ ﺍﻟﺬﻱ ﳛﺪﺙ ﺃﻧﺎ ﻟﺴﺖ ﺍﻟﺸﺨﺺ ﻧﻔﺴﻪ‬

‫ﻳﺎ ﺳﻴﺠﺎﺭﺓ‪ ،‬ﺍﻓﺘﻜﻲ ﰊ ﻗﺮﻳﺒﺎ ﻟﻘﺪ ﺃﺣﺮﻗﺖ ﻛﻞ ﻗﺒﻴﻠﺘﻚ‬

‫ﻭﺭﺑﲈ ﻋﺎﺋﻠﺘﻚ ﻭﺍﻷﺳﻮﺃ ﺃ ﹼﲏ ﻣﺘﺄﻛﺪ ﺃﲏ ﺃﺣﺮﻗﺖ ﺣﺒﻴﺒﺘﻚ‬

‫ﻫﻴﺎ ﻓﻠﺘﻔﻌﲇ ﺷﻴﺌﺎ ﻣﺎ ﻻ ﺗﻜﻮﲏ ﺟﺒﺎﻧﺔ ﺍﻧﺘﻘﻤﻲ ﻣﻨﹼﻲ‬

‫ﺑ ﹼﺜﻲ ﺟﺮﺍﺛﻴﻤﻚ ﻫﺎﰐ ﴎﻃﺎﻧﻚ ﺍﻟﻠﻌﲔ ﺃﺭﺟﻮﻙ ﺍﻗﺘﻠﻴﻨﻲ‬

‫ﺗﻨ ﹼﻔﴘ ﰲ ﺯﻛﺎﻡ ﻓﻌﺠﺰ ﺧﻠﻔﻪ ﺭﻛﺎﻡ ﻭﺷﻠﻞ ﻛﺮﳼ‬

‫ﺍﻓﺘﻜﻲ ﰊ ﺑﻜﺎﺀ ﻓﻐﺮﺯ ﺑﻌﺪﻩ ﻧﻜﺎﺩ ﻭﺑ ﹼﻠﻞ ﻣﻨﴘ‬

‫ﻛﻮﲏ ﱄ ﺭﻛﺎﻡ ﻭﻣﺮﺝ ﻗﱪﻩ ﺃﺗﺎﻩ ﻣﻮﺕ ﺭﻭﻣﺎﻧﴘ‬

‫ﻛﻮﲏ ﺃﻱ ﳾﺀ ﻳﺆﱂ ﻣﻠﻠﺖ ﺃﻥ ﺃﻛﻮﻥ ﻭﺍ ﹴﻉ ﻭﻳﺮﻭﻧﻨﻲ ﺳ ﹼﻜﲑﺍ ﻣﺪﻣﻨﺎ‬

‫ﻟﻠﺨﻤﺮ ﺍﻟﻔﺮﻧﴘ‬

‫~ ‪~ 84‬‬
 ‫ﺍﻇﻑﺧﺍﻡ ‪3‬‬

‫ﺗﺄﻣﻼ ﻟﻶﻳﺔ‬
‫"ﻭﻧﹶﺤﻦ ﹶﺃ ﹾﻗﺮﺏ ﺇﹺ ﹶﻟﻴ ﹺﻪ ﹺﻣﻦ ﺣﺒ ﹺﻞ ﺍ ﹾﻟﻮ ﹺﺭ ﹺ‬
‫ﻳﺪ"‬ ‫ﹶ ﹾ ﹸ ﹶ ﹸ ﹾ ﹾ ﹶﹾ ﹶ‬

‫ﺍﻟﺮﺏ ﻻ ﻳﺮﺍﻧﺎ ﻣﻦ ﺍﻟﺴﲈﺀ‬

‫ﺍﻟﺮﺏ ﻳﺮﺍﻧﺎ ﻣﻦ ﺩﺍﺧﻠﻨﺎ‬

‫ﺍﻟﺮﺏ ﻳﺸﻬﺪ ﺍﳌﻌﺎﺭﻙ ﺍﻟﻨﻔﺴﻴﺔ‬

‫ﺇﺫﺍ ﹼ‬
‫ﻻ ﺃﻛﺘﺐ ﻟﻜﻢ ﻭ ﻻ ﻋﻨﻜﻢ ﻓﺎﻏﺮﺑﻮﺍ ﻳﺎ ﻣﻦ ﺗﻌﺠﺰﻛﻢ ﻛﻠﲈﰐ‬

‫ﺍﺿﺤﻜﻮﺍ ﺍﻟﻴﻮﻡ ﻭ ﺗﺬﻛﺮﻭﺍ ﺻﻮﰐ ﺑﻌﺪ ﻟﻴﻠﺘﲔ ﻣﻦ ﻭﻓﺎﰐ‬

‫ﺍﳊﺐ ﺍﻻﺳﺘﻔﺰﺍﺯﻳﺔ‬
‫ﺿﻮﺿﺎﺀ ﺍﻟﺒﴩ ﺧﺮﺍﻓﺎﺕ ﹼ‬

‫ﺑﲔ ﺥ ﺍﳋﻤﺮ ﻭ ﺳﲔ ﺍﻟﺴﻜﺮﺍﻥ ﺩﺍﺧﲇ ﺍﻗﻴﻢ ﺣﻔﻼﺕ ﺟﻨﺎﺋﺰﻳﺔ‬

‫ﺃﳞﺎ ﺍﻟﺮﺏ ‪ ..‬ﻏﻔﺮﺍﻧﻚ ﺇﲏ ﻛﻨﺖ ﻣﻦ ﺍﻟﻈﺎﳌﲔ ﻭﻻ ﺃﺯﺍﻝ‬

‫ﻻ ﺗﺒﻜﻲ ﻳﺎ ﺻﻐﲑﻱ ﻣﺎ ﻣﻦ ﺇﻳﲈﻥ ﺩﺍﻡ ﻭﻣﺎﺯﺍﻝ‬

‫~ ‪~ 85‬‬
 ‫ﻭﻟﻜﻨﻲ ﺭﺃﻳﺘﻬﻢ‪ ..‬ﻣﻨﻌﻮﲏ ﺃﻥ ﺃﺳﺄﻝ ﻓﻴﲈ ﻻ ﻳﻌﻠﻤﻮﻥ‬

‫ﻗﺎﻟﻮ ﺃﻥ ﺍﳊﺐ ﻟﻌﻨﺔ ﻭﺃﻥ ﺍﻟﻌﺸﺎﻕ ﻛﻠﻬﻢ ﻣﻠﻌﻮﻧﻮﻥ‬

‫ﻳﺎ ﻣﺎ ﺃﺧﱪﳞﻢ ﺃﲏ ﺃﺣﺮﻕ ﺫﺍﰐ ﻛﻞ ﻟﻴﻠﺔ ﳎﺒﻮﺭﺍ‬

‫ﻓﺨﻮﺭ ﺃﻧﺖ ﺑﺮﺍﺋﺤﺘﻚ ﺍﳌﺤﱰﻗﺔ ﻭﺗﺪﻋﻲ ﺍﻹﺣﱰﺍﻕ ﺑـﺨﻮﺭﺍ‬

‫ﻳﺎ ﺍﷲ ﺍﻟﺒﴩ ﻻ ﺗﻔﻬﻤﻨﻲ ﺃﻧﺎ ﻧﻔﴘ ﻻ ﺃﻋﻠﻤﻬﺎ ﺩﻣﺎﺭ‬

‫ﻓﻀﻮﻟﻚ ﻳﺎ ﺻﻐﲑﻱ ﺃﺗﺮﻓﺾ ﻗﻴﻮﺩ ﺍﻟﻌﺎﱂ ﻳﺎ ﻟﻪ ﻣﻦ ﻋﺎﺭ‬

‫ﺃﻧﺎ ﺍﳊﺮ ‪ ..‬ﺗﺒﺎ ﻟﻘﻮﺍﻧﻴﻨﻚ ﻗﻴﻮﺩﻙ ﻻ ﻣﻨﻄﻖ ﻓﻴﻬﺎ ﳌﺎ ﳜﻀﻌﻮﻥ‬

‫ﺻﻮﺍﺏ‬
‫ﹲ‬ ‫ﺍﻧﺖ ﺷﲔ ﻭ ﺗﺎﺀ ﺗﻌﺎﻧﻖ ﺍﳊﺮ ﺃﻧﺖ ﺍﳋﻄﺄ ﻧﻔﺴﻚ ﻭﻫﻢ‬

‫ﻳﺮﻛﻌﻮﻥ‬

‫ﻫﻪ ﺃﻧﺎ ﺍﳊﴩﺓ ﺍﻵﻥ؟ ﺑﺤﻖ ﺍﻟﺴﲈﺀ ﺍﻟﺴﺎﺑﻌﺔ ﻳﺎ ﺭﺏ ﺃﳖﻲ ﻫﺬﺍ ﺍﻟﻌﺎﱂ‬

‫ﻣﺎ ﻳﺮﲪﻮﻥ ﺭﺿﻴﻊ‬

‫ﺃﺭﺃﻳﺖ ﻳﺎ ﺻﻐﲑ ﺃﺧﱪﺗﻚ ﺃ ﹼﻧﻚ ﺃﺿﻌﻒ ﻣﻦ ﺃﻥ ﺗﻜﻮﻥ ﻗﺎﺋﺪﺍ ﻟﻠﻘﻄﻴﻊ‬

‫ﳊﻈﺔ ﺍﻋﱰﺍﻑ‪ ..‬ﺃﳘﻠﺘﻬﺎ ﻳﺎ ﺭﺏ ﻭﺃﺫﻳﺘﻬﺎ ﻓﺎﻏﻔﺮ ﱄ ﻭﻗﻞ ﺫﻧﺒﺎ ﻣﺎ ﻟﺒﺚ‬

‫ﺃﻳﻐﻔﺮ ﻟﻚ ﺩﻣﻌﺔ ﺍﻻﻭﱃ ﺃﻡ ﺿﻴﺎﻉ ﺍﻟﺜﺎﻧﻴﺔ ﺃﻭ ﺫﻧﺐ ﺍﻧﺘﺤﺎﺭ ﺍﻟﺜﺎﻟﺜﺔ‬

‫~ ‪~ 86‬‬
 ‫ﺃﻧﺎ ﻟﺴﺖ ﺷﺨﺼﺎ ﺳﻴﺌﺎ‪ ،‬ﻫﺬﺍ ﻣﺎ ﺃﻗﺼﺪﻩ ﺃﳞﺎ ﺍﻟﻠﻌﲔ ﺍﳌﺠﻨﻮﻥ‬

‫ﻋﲆ ﻫﺬﻩ ﺍﻷﺭﺽ ﺇﻣﺎ ﺃﻥ ﺗﻜﻮﻥ ﺍﻷﺳﻮﺃ ﻭﺃﻣﺎ ﺃﻥ ﻻ ﺗﻜﻮﻥ‬

‫ﺍﻋﱰﺍﻑ ﺃﺧﺮ‪ ..‬ﺃﺫﻳﺘﻬﻢ ﺑﺸﻜﻞ ﻣﺎ‪ ..‬ﺗﻮ ﹼﻗﻒ ﻟﻘﺪ ﺍﺳﺘﺤﻘﻮﺍ ﺩﻋﻬﻢ‬

‫ﻳﺸﺘﻜﻮﻥ‬

‫ﻷﻗﻌﺪﻥ ﰲ ﻏﺮﻓﺘﻲ ﺍﻟﻠﻴﻠﺔ‪ ..‬ﻭﺩﻋﻬﻢ ﻛﻠﻬﻢ ﻳﺸﺘﺎﻗﻮﻥ‬

‫ﺗﻌﺎﻃﻰ ﺣﺒﻮﺑﻚ ﻭﺍﺻﻤﺖ ﺧﻄﺮ ﻋﻠﻴﻚ ﺇﻥ ﺗﻌﻤﻖ ﻫﺬﺍ ﺍﻟﻌﻘﻞ ﺃﻛﺜﺮ‬

‫ﺇﺫﺍ ﻫﺬﺍ ﻛﻞ ﳾﺀ‪ ،‬ﺳﺄﺧﺪﹼ ﺭﻩ؟ ﻭﺃﺩﻋﻚ ﺃﻧﺖ ﺃﳞﺎ ﺍﻟﻠﻌﲔ ﻣﻨﻲ ﺗﺴﺨﺮ‬

‫ﻳﺎ ﺍﷲ ﺗﻌﻠﻢ ﺃﲏ ﻣﺼﻴﺐ ‪ ..‬ﺃﻧﺖ ﺗﻌﻠﻢ ﻣﺎ ﺍﺭﻳﺪ ‪،‬ﺃﺭﻳﺘﻨﻲ ﰲ ﺻﻼﺓ ﻛﻞ‬

‫ﳾﺀ ﲢﻘﻖ‬

‫ﻋﻘﻠﻚ ﺍﻟﺬﻱ ﱂ ﺗﺮﴇ ﺍﻥ ﲣﻨﻪ ﺧﺎﻧﻚ ﳜﻴﻞ ﻟﻚ ﺍﺷﻴﺎﺀ ﻛﺎﻥ ﻋﻠﻴﻚ‬

‫ﺍﻥ ﺗﻨﻈﺮ ﻟﻠﻮﺍﻗﻊ ﻭ ﺗﺘﺤﻘﻖ‬

‫ﺃﺗﻘﺼﺪ ﺃﻥ ﻻ ﳾﺀ ﺳﻴﺤﺪﺙ‪ ..‬ﻣﺎ ﻣﻦ ﺍﺷﻴﺎﺀ ﺳﲈﻭﻳﺔ ﻫﻨﺎ؟‬

‫ﺗﻠﻚ ﺍﻟﺒﺴﻴﻜﻮﻓﻠﺴﻔﺔ ﺍﻟﻠﻌﻴﻨﺔ ﻫﻲ ﻛﻞ ﳾﺀ ﺇﻣﺎ ﺃﻥ ﺗﺘﻼﺷﻰ ﻭﺇﻣﺎ ﺃﻥ‬

‫ﺗﻜﻮﻥ ﻣﻨﺎ‬

‫~ ‪~ 87‬‬
‫ﺇﺫﺍ ﻫﺎﺗﻮﺍ ﺍﻟﺘﻔﺎﻫﺔ ﻟﻮﺛﻮﺍ ﻋﻘﲇ ﻓﻠﻴﻐﺰﻭﲏ ﴎﻃﺎﻥ ﺟﻬﻠﻜﻢ ﺍﻟﺸﺎﰲ‬

‫ﺍﳌﺠﺪ ﻟﻠﻜﺒﺖ ﺍﻷﺳﻤﻰ ﻭﺗﺒﺎ ﱄ ﻻﻋﱰﺍﻓﺎﰐ‬

‫ﺁﺧﺮ ﺳﺆﺍﻝ ﰲ ﻭﺻﻴﺘﻲ‬

‫ﻣﻦ ﻗﺎﻝ‪ ،‬ﺃﻥ ﻓﻘﻂ ﺿﺤﺎﻳﺎ‪ ،‬ﺍﻹﺣﺒﺎﻁ ﳍﻢ ﻧﺼﻴﺐ ﻣﻦ ﺍﻻﻧﻔﺼﺎﻡ‬

‫ﻣﻦ ﻗﺎﻝ ﺍﲏ ﺍﻥ ﺍﻧﻔﺼﻤﺖ ﻻ ﺃﺑﺘﺴﻢ‪..‬؟‬

‫ﻭﺇﻥ ﺍﳊﺐ ﻻ ﻳﻨﻔﺼﻢ‪..‬‬

‫ﻭﺍﻟﺮﺏ ﱂ ﻳﻘﻞ ‪..‬‬

‫ﺃﻧﺎ ﱂ ﺃﻗﻞ ﹼ‬
‫ﺍﺫﺍ ﻣﻦ ﻗﺎﻝ‪ ..‬؟‬

‫ﺳﻼﻣﺎ ﻋﻠﻴﻚ ﻳﺎ ﺳﺒﺐ ﺍﻧﻔﺼﺎﻣﻲ‪ ،‬ﺳﻼﻡ ﻧﻮﻭﻱ ﺁﻣﻦ‬

‫ﺃﻧﺎ ﻭﺃﻧﺎ ﻧﺪﻋﻮﻙ ﳊﻔﻞ ﺟﺜﲈﻥ ﺯﻓﺎﻓﻨﺎ ﺣﻴﺚ ﻧﻔﺘﻌﻞ ﺍﳉﺮﺍﺋﻢ‬

‫ﺃﻧﺎ ﺃﺩﻋﻮﻙ ﻟﺼﻼﺓ ﰲ ﻛﻨﻴﺴﺔ ﻣﺴﻠﻤﺔ ﻣﺴﺎﺀﺍ ‪..‬‬

‫ﻭﻫﻮ ﻳﺄﰐ ﻟﻨﺎ ﺑﺈﻣﺎﻡ ﻣﺴﻴﺤﻲ ﻳﺘﻠﻮ ﻋﻠﻴﻨﺎ ﻗﺮﺁﻧﺎ‬

‫"ﺍﻧﺎ ﺃﻏﱰﺏ ﰲ ﴍﻭﻗﻚ ﻭﺃﻧﺎ ﻳﴩﻗﻨﻲ ﰲ ﻏﺮﻭﺑﻚ"‬

‫~ ‪~ 88‬‬
 ‫ﻧﻠﺘﻘﻲ ﺛﻢ ﻻ ﻧﻠﺘﻘﻲ ﺛﻢ ﺧﺎﺗﻢ ﻧﺴﺤﺒﻪ ﻣﻦ ﻗﻨﺒﻠﺔ ﳏﻜﻤﺔ ‪..‬‬

‫ﻳﻮﻡ ﺯﻭﺍﺝ ﻣﻄﻠﻖ‪ ،‬ﻧﺘﻠﻮ ﻋﻬﻮﺩﻩ ﰲ ﰲ ﺟﻠﺴﺔ ﺻﻠﺢ ﰲ ﳏﻜﻤﺔ ‪..‬‬

‫ﺃﻧﺎ ﺃﺩﻋﻮﻙ‪ ،‬ﻟﻠﻐﺮﻕ ﰲ ﺍﻟﺒﺤﺮ ﺍﳍﺎﺩﺉ ﰲ ﺣﲔ ﲥﻴﺞ ﺃﻣﻮﺍﺟﻲ‬

‫ﻟﻨﺸﻮﺓ ﻧﺘﺤﺎﻳﻞ ﻓﻴﻬﺎ ﻋﲆ ﺍﳌﺒﺎﺩﺉ ﻟﱪﻫﺔ ﻳﻜﻮﻥ ﻛﻞ ﻣﻨﹼﺎ ﻟﻶﺧﺮ ﻭﺍﳾ‬

‫ﹶ‬

‫ﻓﻠﻨﺴﺘﻴﻘﻆ ﻟﺴﺒﺎﺕ ﻳﺪﹸ ﻭﻡ ﻗﺮﻧﺎ ﰲ ﻟﻴﻠﺔ ﺷﻤﺴﻴﺔ‬

‫ﻓﻠﻨﻨﻔﺼﻢ ﺃﻧﺎ ﻭﺃﻧﺖ ﻭﻟﻨﺪﻉ ﹼﺗﺮﻫﺎﺕ ﺍﳌﻨﻄﻖ ﻣﻨﺴﻴﺔ‬

‫ﺳﺄﻣﺎﺭﺳﻚ ﴎﺍ ﻭﺃﺗﻨﺎﺳﻰ ﻭﺟﻮﺩﻙ ﻭﻛﺄﻥ ﺍﻟﻨﹼﺤﻦ ﻣﺎ ﺩﺍﻡ‬

‫ﺍﻧﺘﻬﻴﺖ ﻳﺎ ﺳﺎﺩﺓ‪ ،‬ﹼ‬

‫ﻓﺒﻜﻞ ﻗﻮﺓ ﺃﺗﻴﺖ ﺗﺒﺎ ﻟﻜﻢ ﻭﺍﻵﻥ ﻓﻠﺘﻘﻮﻣﻮﺍ‬

‫ﺑﺎﻹﻋﺪﺍﻡ‬

‫~ ‪~ 89‬‬
 ‫ﺍﻇﻑﺧﺍﻡ ‪4‬‬

‫ﻫﺎ ﺃﻧﺖ ﲡﻌﻠﲔ ﻣﻨﻲ ﺃﻛﱪ ﻛﺎﺗﺐ ﺇﻃﻼﻗﺎ‬

‫ﺷﻜﺮﺍ ﻭﺗ ﹼﺒﺎ ﻟﻚ‬

‫ﺗﺮﻭﻗﻚ ﺍﳋﻮﺍﺗﻴﻢ ﺍﳉﻤﻴﻠﺔ ﺁﻩ ﻟﻄﺎﳌﺎ ﺭﻏﺒﺘﻲ ﺑﻮﺍﺣﺪﺓ؟‬

‫ﺇﻟﻴﻚ ﻣﻨﻲ ﺃﺣﺴﻦ ﺧﺎﲤﺔ ﻋﺰﻳﺰﰐ ﻣﻦ ﺃﺭﻗﻰ ﺯﺍﻭﻳﺔ ﰲ ﺍﻟﻘﺎﻋﺔ‬

‫ﺻﻮﺭﺓ ﱄ ﺃﻗﻒ ﻣﺒﺘﺴﲈ ﺃﻋﲆ ﺍﻟﺪﹼ ﺭﺝ ﻭﺃﻋﻼﻩ ﺃﻭﺳﻂ ﺃﺻﺎﺑﻌﻲ‬

‫ﺗﺴﺘﺤﻘﲔ ﹼ‬
‫ﻛﻞ ﺩﻣﻌﺔ ﺑﺠﺪﺍﺭﺓ ﻓﺎﻟﺘﺒ ﹼﺘﻞ ﺍﻟﻮﺳﺎﺩﺓ‬ ‫ﹼ‬ ‫ﻓﻠﺘﺒﻜﻲ ﺍﻵﻥ‪..‬‬

‫ﹰ‬
‫ﻓﺴﺤﻘﺎ ﻟﻪ ﻳﺎ ﺳﺎﺩﺓ‬ ‫ﻟﺴﺖ ﳐﻄﺌﺎ‪،‬ﱂ ﺃﻛﻦ ﻳﻮﻡ ﻭﻣﻦ ﱂ ﻳﺮﻗﻪ ﺃﻣﺮﻱ‬

‫ﻣﺸﻮﻫﻮﻥ ﺃﻧﺎ ﻫﻨﺎ‬

‫ﻓﻠﺘﺘﺸﺎﺭﻛﻮﺍ ﻣﻌﻬﺎ ﺧﺎﲤﺘﻬﺎ‪ ،‬ﺃﺷﻔﻘﻮﺍ ﻋﻠﻴﻬﺎ ﻳﺎ ﹼ‬

‫ﻭﺣﺪﻱ‬

‫ﻟﻦ ﺃﺳﻘﻂ‪ ،‬ﻟﻦ ﺃﻣﻴﻞ‪ ،‬ﻓﺎﺭﺣﻞ ﺃﳞﺎ ﺍﻟﻌﺎﱂ ﻛ ﹼﻠﻜﻢ ﻣﺮﺽ ﻣﻌﺪﻱ‬

‫~ ‪~ 90‬‬
 ‫ﺍﻟﺴﻘﺎﺀ ﺍﱄ ﺍﳌﺠﺪ ﺍﱄ ﻓﻸﺻﺒﺢ ﺍﻟﺸﺨﺺ ﺍﻷﻛﺜﺮ ﴍﺍ ﺑﻴﻨﻜﻢ‬
‫ﹼ‬
‫ﻣﺸﺎﻋﺮﻛﻢ ﻭﺃﻣﻮﺍﻟﻜﻢ ﺣ ﹼﺒﻜﻢ ﻭﲨﺎﻟﻜﻢ ﺃﺑﻌﺜﺮﻫﻢ ﺑﻔﻨﹼﻲ ﻭﳛﻜﻢ‬

‫ﻓﻠﱰﺣﻞ ﻳﺎ ﻋﺎﱂ‪ ،‬ﻻ ﺍﳊﺐ ﺳﻘﺎﲏ ﻣﺎ ﺃﺭﺩﺕ ﻭﻻ ﺍﳌﻘﺖ ﺍﻟﻈﺎﱂ ﺳﺪﹼ ﺍ‬

‫ﺍﻟﻠﻌﻨﺔ ﻋﲆ ﺍﻷﻣﲑﺓ ﺁﻩ ﻳﺎ ﺍﻧﻔﺼﺎﻣﻲ ﺃﻧﺖ ﺃﲨﻞ ﳾﺀ ﰲ ﺍﻟﻌﺎﱂ ﻭﺃﻧﺎ‬

‫ﻛﻨﺖ ﻟﻚ ﺳﺪﹼ ﺍ‬

‫ﻛﻼﻧﺎ ﻧﻜﺮﻩ ﺍﻵﻥ ﻛﻼﻧﺎ ﻻ ﻧﻌﱰﻑ ﺑﻮﺟﻮﺩﻙ ﺇﻃﻼﻗﺎ‬

‫ﺫﺭﺓ ﰲ ﻋﺎﳌﻲ ﺃﺣﻘﺮ ﻣﻦ ﺃﻥ ﺗﻜﻮﻥ ﺃﺳﲈﺅﻧﺎ ﰲ ﺍﻟﻠﻐﺔ ﻃﺒﺎﻗﺎ‬

‫ﺃﻧﺖ ﹼ‬
‫ﺳﺄﺯﻭﺭ ﻗﱪﻙ ﺍﻟﻴﻮﻡ ﺑﻌﺪ ﺃﻥ ﺃﻗﺘﻠﻚ ﺃﻧﺎ‬

‫ﳞﺘﻤﻮﻥ ﺑﲈ ﻫﺪﻡ ﺍﳌﺘﻤﺮﺩ ﻭﺑﲈ ﺑﻨﺎ‬

‫ﺳﺄﺛﻤﻞ ﻭﺃﻫﲔ ﻛﻞ ﺍﻟﻘﻮﻡ ﻭﺃﺩﻋﻬﻢ ﹼ‬
‫ﺍﻟﻜﺮﺓ ﻛﻞ ﻳﻮﻡ ﻭﺍﻋﺘﺎﺩﻱ ﺣﺮﻗﻲ‬
‫ﺍﺑﻜﻲ ﻳﺎ ﺳﲈﺀ ﺃﻋﻴﺪﻱ ﹼ‬
‫ﺃﻟﻴﺲ ﺍﳌﻮﺕ ﻟﻌﻨﺔ ﺣﻖ؟ ﺇﺫﺍ ﻓﻤﻦ ﺣﻘﻲ ﺃﻥ ﺃﺭﻓﺾ ﹼ‬
‫ﺣﻘﻲ‬

‫ﺭﻣﺖ ﺧﺎﲤﻚ ﺃﺭﺃﻳﺘﻬﺎ؟ ﻳﺎ ﻣﺼﺪﺭ ﺍﻟﺒﺆﺱ ﺃﻧﺖ ﺧﺎﲤﻲ ﺃﲨﻞ ﳾﺀ‬

‫ﻓﻴﻚ‬

‫~ ‪~ 91‬‬
‫ﺃﻳﻦ ﲨﺎﳍﺎ ﺍﻵﻥ ﻻ ﺑﻞ ﺩﻋﻨﺎ ﻧﺴﺄﳍﺎ ﺃﻳﻦ ﺫﺍﻙ ﺍﳉﺴﺪ ﺃﻳﻦ ﺗﻔﺎﺻﻴﻠﻪ‬

‫ﻓﻴﻢ ﺳﻴﻔﻴﺪ‬
‫ﺍﻟﻴﺎﺋﺴﺔ ﹶ‬
‫ﺗ ﹰﺒﺎ ﻟﻚ ﺃﻳﻦ ﻛﻨﺖ ﱂ ﹶ ﱂ ﹾ ﲣﱪﲏ ﺑﻮﺟﻮﺩﻙ ﻗﺒﻼ ﺃﳞﺎ ﺍﻟ ﹼﻠﻌﲔ‬

‫ﺃﲨﻞ ﳾﺀ ﺣﺪﺙ ﻣﻌﻬﺎ ﺍﳖﺎ ﻋﺮﻓﺘﻨﺎ ﻓﻠﻴﻜﻦ ﺍﷲ ﺍﻵﻥ ﳍﺎ ﻣﻌﲔ‬

‫ﻓﻠﺘﺸﻜﺮﻭﻫﺎ ﻳﺎ ﺳﺎﺩﺓ ﻫﻲ ﺳﺒﺐ ﻫﺬﻩ ﺍﻟﻔﺠﻮﺓ ﻛﻠﻬﺎ ﺭﺃﺳﺎ ﻋﲆ ﻋﻘﺐ‬

‫ﺃﻭ ﺑﺎﻷﺣﺮ￯ ﻓﻠﺘﺸﻜﺮﻭﻧﺎ ﻧﺤﻦ ﻣﻦ ﺃﻋﻄﻴﻨﺎﻛﻢ ﻓﺮﺻﺔ ﻟﺪﺧﻮﻝ ﻫﺬﺍ‬

‫ﺍﻟﻌﻘﻞ‬

‫ﺃﺗﺬﻛﺮ ﺃﳖﺎ ﻗﺎﻟﺖ ﺃﳖﺎ ﻻ ﺗﺮﻳﺪ ﻓﻨﻨﹰﺎ‪ ،‬ﺃﻋﺘﻘﺪ ﺃﳖﺎ ﻛﺎﻧﺖ ﺗﻌﻠﻢ ﺃ ﹼﻧﻨﺎ ﻻ‬

‫ﻧﺤﺒﻬﺎ ﺃﺻﻼ‬

‫ﻫﻪ ﺗ ﹼﺒﺎ ﻟﻠﺤﻤﻘﺎﺀ ﱂ ﲡﺪ ﺍﻟﺘﻌﺎﻣﻞ ﻣﻌﻨﺎ‪ .‬ﻻ ﻋﻠﻴﻚ ﻗﺪ ﺃﺿﺎﻓﺖ ﰲ‬

‫ﻛﺘﺎﺑﻨﺎ ﻓﺼﻼ‬

‫ﺃﻻ ﺯﺍﻟﻮﺍ ﻳﺼﺪﻗﻮﻥ ﰲ ﺍﳊﺐ ﺣﻘﺎ‪ ..‬ﺣﻼﻻ ﺃﻡ ﺣﺮﺍﻣﺎ ﻛﺎﻥ ﺍﻟﻠﻌﻨﺔﱂ‬

‫ﻳﺒﺘﺴﻢ ﻟﻨﺎ‬

‫~ ‪~ 92‬‬
‫ﻫﻪ ﺃﻋﺘﻘﺪ ﺃﻧﻪ ﻣﺜﻠﻨﺎ ﻗﺪ ﻓﺘﻜﺖ ﺍﳊﻴﺎﺓ ﺑﺄﺳﻨﺎﻧﻪ ﻭﺷﻌﺮ ﺑﺎﳋﺠﻞ ﻣﻦ ﺃﻥ‬

‫ﻳﺒﺘﺴﻢ ﻟﻨﺎ‬

‫ﻋﲆ ﺍﻷﻗﻞ ﻧﺤﻦ ﻧﺒﺘﺴﻢ ﻫﻪ ﺃﻧﺖ ﺗﻘﺼﺪ ﺃﻧﻨﺎ ﻧﻔﺼﻢ ﻫﻪ ﺑﻞ ﺃﻗﺼﺪ ﺃﻧﻨﺎ‬

‫ﺣﺸﻴﺶ‬

‫ﻫﻪ ﺗﺒﺎ ﻣﺎ ﺍﻟﺬﻱ ﺗﺘﺤﺪﹼ ﺙ ﻋﻨﻪ ‪ ..‬ﻻ ﺃﻋﻠﻢ ﻫﻲ ﺗﺮﻳﺪﻧﺎ ﺃﻥ ﻧﻌﻮﺩ ﻣﺎ‬

‫ﺭﺃﻳﻚ ﻗﻮﳍﺎ ﻣﺎ ﻧﺠﻴﺶ‬

‫ﻳﻼ ﻣﺎ ﺃﲨﻞ ﺃﻥ ﺃﺟﺪ ﺻﺪﻳﻘﺎ ﻣﺜﻠﻚ‬

‫‪..‬ﺃﻧﺖ ﺗﻌﻠﻢ ﺃﲏ ﺍﻟﻮﺣﻴﺪ ﺍﻟﺬﻱ ﻟﻦ ﻳﻐﺎﺩﺭﻙ‬

‫ﻫﻪ ﺃﺻﻼ ﻻ ﳐﺮﺝ ﻟﻚ ﺳﺘﺒﻘﻰ ﻫﻨﺎ ‪ ..‬ﺍﻫﻠﻚ‬

‫ﻫﻪ ﺍﳞﺎ ﺍﻟﻠﻌﲔ ﻻ ﺗﻘﻊ ﰲ ﺍﳊﺐ ﻭﺃﻋﺪﻙ ﺃﲏ ﻟﻦ ﺍﻏﺎﺩﺭﻙ‬

‫ﻭﻗﻌﺖ ﰲ ﺣ ﹼﺒﻨﺎ ﻭﺍﻧﺘﻬﻰ ﺍﻷﻣﺮ‪ ..‬ﻫﻪ ﻫﺬﺍ ﻳﺒﺪﻭ ﻣﻨﺤﺮﻓﺎ ﺍﳞﺎ ﺍﳌﺜ ﹼﻠﺚ‬

‫ﺃﺿﺤﻜﻚ ﻣﺎﺯﺍﻝ ﺍﻟﺒﴩ ﳜﺸﻮﻥ ﺳﻜﺎﻥ ﺍﻟﻌﺎﱂ ﺍﻵﺧﺮ ﻭﻻ ﻳﻌﻠﻤﻮﻥ‬

‫ﺃﻧﻪ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻌﺎﳌﻨﺎ ﺳﻴﺒﺪﻭ ﻛﻤﺨﻨﺚ‬

‫ﺃﺗﺬﻛﺮ ﺣﲔ ﺃﺧﱪﺗﻚ ﺃﳖﺎ ﻣﻼﻙ ﰲ ﻋﻴﻨﻲ ﺃﻏﻤﺘﻨﻲ؟‬

‫~ ‪~ 93‬‬
 ‫ﺃﺟﻞ ﺃﺫﻛﺮ‪ ،‬ﺍﻟﻠﻌﻨﺔ ﺍﺳﺘﻌﻤﻠﺖ ﺟﺴﺪﻫﺎ ﺟﻴﺪﺍ ﻭﻛﻞ ﻣﺎ ﻗﻠﺘﻪ ﻓﻘﻂ‬

‫ﻷﳖﺎ ﺃﻏﺮﺗﻨﻲ‬

‫ﻫﻪ ﺃﲪﻖ‪ ،‬ﻫﺬﺍ ﻣﺎ ﻧﺴﻤﻴﻪ ﺑﺎﻟﻨﻬﺎﻳﺎﺕ ﺍﻟﺴﻌﻴﺪﺓ ﺍﺳﺘﻠﻘﺎﺀ ﰲ ﻟﻮﺣﺔ‬

‫ﻭﺳﻂ ﺑﺤﺮ ﻫﺎﺋﺞ‬

‫ﻻ ﲣﱪﻫﻢ ﺳﻴﺤﺴﺪﻭﻧﻨﺎ ﻋﲆ ﺍﻟﻐﺮﻕ‪ ،‬ﺩﻋﻚ ﻣﻨﻬﻢ ﺧﺬ ﺑﻌﺾ ﻣﻦ‬

‫ﻫﺬﻩ ﺍﳊﺸﺎﺋﺶ‬

‫ﻫﻴﺎ ﻓﻠﻨﺠﻌﻠﻬﻢ ﻳﺬﺭﻓﻮﻥ ﺍﺷﺘﻘﺖ ﻟﺪﻣﻮﻋﻬﻢ‬

‫ﻓﻠﻨﺘﻤﺮﺩ ﻋﲆ ﻳﻨﺒﻮﻋﻬﻢ‬
‫ﹼ‬ ‫ﺃﺧﺸﻰ ﺃﻥ ﺗﻐﺮﻕ ﺍﻟﻜﺮﺓ ﺍﻷﺭﺿﻴﺔ‪ ،‬ﻻﺑﺄﺱ‬

‫ﻗ ﹼﺒﻠﺘﻨﻲ ﻳﺎ ﺳﺎﺩﺓ ﻫﻲ ﺑﺎﺩﺭﺓ ﻓﺄﺑﺎﺩﺕ‪ ،‬ﺍﳌﺠﺎﻧﲔ ﺩﺍﺧﲇ ﺃﳍﺒﺘﻬﻢ ﺛﻢ‬

‫ﻏﺎﺑﺖ‬

‫ﺍﻟﻌﺎﱂ ﻳﺘﻔﻬﻢ ﺃﻥ ﺃﻃﺒﺎﺀ ﺍﻟﻨﻔﺲ ﻳﻌﺠﺰﻭﻥ ﻋﲆ ﻣﻌﺎﳉﺔ ﺯﻛﺎﻣﻬﻢ ﻓﻜﻴﻒ‬

‫ﺑﺒﺼﻴﻼﺕ ﻋﻘﲇ ﺍﻟﺘﻲ ﺫﺍﺑﺖ ‪..‬‬

‫ﺃﻧﺎ‬

‫ﻧﺼﻒ‬

‫~ ‪~ 94‬‬
 ‫ﰲ ﺍﻟﻠﻴﻞ‬

‫ﺻﺎﻣﺖ‬

‫ﺃﺗﻜﻠﻢ‬

‫ﻣﻌﻲ‬

‫ﻟﻴﺘﻚ‬

‫ﻋﺪﰐ‬

‫ﻳﺎ‬

‫ﻧﺼﻔﻲ‬

‫ﻭﺍﲨﻌﻲ ﺃﻭﱃ ﺣﺮﻭﻑ ﻛﻠﲈﰐ ﻭﺍﻋﻠﻤﻲ ﺍﲏ ﺭﻣﺎﺩ ﺍﻵﻥ‬

‫ﻭﺑﺎﳌﻨﺎﺳﺒﺔ ﻳﺎ ﺳﺎﺩﺓ‪ ،‬ﻭﻛﺎﻟﻌﺎﺩﺓ ﺑﻜﻞ ﻗﻮﺓ ﺃﺗﻴﺖ ﺗﺒﺎ ﻟﻜﻢ ﻭﺍﻵﻥ‬

‫ﻓﻠﺘﻘﻮﻣﻮﺍ ﺑﺎﻹﻋﺪﺍﻡ‬

‫~ ‪~ 95‬‬
 ‫ﺸﺔــــــــــــــــــــــﻌﺓ‬

‫ﺍﻟﺬﺭﺓ ﺍﻟﻜﺮﺑﻮﻧﻴﺔ ﺗﺮﻓﺾ ﺍﻻﺣﱰﺍﻕ ‪..‬‬

‫ﺍﻟﻌﺎﱂ ﻳﺘﺴﺎﻗﻂ‪ ..‬ﹼ‬
‫ﺍﻟﻔﻴﺰﻳﺎﺀ‪ ،‬ﻛﻠﻬﺎ ﻓﻘﺪﺕ ﻣﻨﻄﻘﻬﺎ‪ ..‬ﻻ ﻣﻌﻨﻰ ﻟﻠﻮﺟﻮﺩ ﻟﺒﴩﻱ ﺍﻵﻥ‪..‬‬

‫ﻓﻠﻨﻌﺶ ﻛﻜﻮﺍﻛﺐ‪ ،‬ﺍﻟﺜﻘﺐ ﺍﻷﺳﻮﺩ ﺳﻴﺒﺘﻠﻊ ﺍﻟﺸﻤﺲ‪..‬‬

‫ﺃﺑﴩ‪ ،‬ﺍﻟﺴﲈﺀ ﺗﺒﻜﻲ‬

‫ﻻ ﺗﻐﺮﻕ‬

‫ﻣﻨﺘﺼﻒ ﻟﻴﻞ ﺃﻭ ﻣﻨﺘﺼﻒ ﳖﺎﺭ ﺍﻷﻣﺮ ﻳﺒﺪﻭ ﺳﻴﺎﻥ ﻫﻨﺎ‬

‫ﻛﻞ ﻣﻦ ﺍﻟﺸﻤﺲ ﻭﺍﻟﻘﻤﺮ ﻇﺎﻫﺮﺍﻥ ﺍﻟﺴﲈﺀ ﺍﻧﻔﺼﻤﺖ‪ ،‬ﺃﻛﻤﲇ ﻳﺎ ﻭﺟﻊ‬

‫ﻗﻠﺒﻲ ﺃﻳﻦ ﻛﻨﹼﺎ‬

‫ﻣﻦ ﺃﻧﺖ؟ ﻣﻼﻙ ﺑﺮﺃﺳﲔ؟ ﺷﻴﻄﺎﻥ ﻣﻼﺋﻜﻲ؟ ﺍﺣﺬﺭ ﺍﳊﺐ ﻣﺼﺤﺔ‬

‫ﻋﻘﻠﻴﺔ‬

‫~ ‪~ 96‬‬
 ‫ﺃﻧﺖ ﺗﺮﻭﻗﻚ ﺍﳌﻮﺳﻴﻘﻰ ﻭﻫﻲ ﻳﺮﻭﻗﻬﺎ ﺍﳌﻮﺳﻴﻘﺎﺭ ﺫﻭ ﺍﻵﻻﺕ‬

‫ﺍﳌﻮﺳﻴﻘﻴﺔ‬

‫"ﺃﻧﺖ ﲢﺐ ﺍﻟﻠﻌﺒﺔ ﻫﻲ ﲢﺐ ﺍﻟﻼﻋﺒﲔ"‬

‫ﺗﻠﻚ ﺍﻟﺸﻴﻄﺎﻥ ﺃﻗﺮﺏ ﻣﻦ ﺃﻥ ﺗﻜﻮﻥ ﺇﺩﻣﺎﻥ ﻟﻌﲔ ‪..‬‬

‫ﺍﳉﻴﻢ ﺟﺴﺪ ﺍﻟﻮﺍﻭ ﻭﺭﺩﺓ ﻭﺍﻟﻔﺎﺀ ﻓﺮﺍﻍ ﻭ ﻛﺎﻑ ﻛﻔﺮﻙ‬

‫ﺃﺑﺪﻳﺔ‬

‫ﺟﻴﻢ ﺍﺧﺮ￯ ﳉﺮﺃﺗﻚ ﰲ ﻣﻴﻢ ﺍﳌﻨﴘ ﻭ ﺍﻟﻒ ﺍﻻﻧﺎ ﰲ ﺩﺍﻝ ﺩﻳﻦ ﻣﺒﻠﻴﻪ‬

‫ﺟﻮﻓﻚ ﲨﺎﺩ ﻻ ﺗﻨﺎﺩﻱ ﺃﻣﻚ ﻭﺳﻂ ﺍﳌﻌﺮﻛﺔ ﻣﻬﲈ ﺍﺣﱰﻗﺖ ﺟﺮﻭﺣﻚ‬

‫ﺃﻧﺖ ﻻ ﲤﻮﺕ ‪ ،‬ﺇﻻ ﺇﻥ ﻣﺎﺕ ﺟﺴﺪﻙ ﻗﺒﻞ ﺭﻭﺣﻚ‪..‬‬

‫ﺃﻟﻒ ﺍﻻﱂ ﻧﻮﻥ ﺍﻟﻨﻮﺑﺔ ﻓﺎﺀ ﺍﻟﻔﻮﺑﻴﺎ ﻭﺻﺎﺩ ﺍﻟﺼﺪﻣﺔ‬

‫ﺃﻟﻒ ﺃﺧﺮ￯ ﻷﻧﺖ ﻭﻣﻴﻢ ﺍﳌﻮﺕ‬

‫ﳎﺮﺩ ﺻﺪ￯ ﺻﻮﺕ‬

‫ﺍﻻﻧﻔﺼﺎﻡ ﻳﺎ ﻋﺰﻳﺰﰐ ﺃﻛﱪ ﻣﻦ ﹼ‬
‫ﻗﺮﺑﻚ ﻛﺮﻳﺴﲈﺱ ﻳﺎ ﺑﺎﺭﺩﺓ‪ ،‬ﺃﻧﺖ ﻣﺼﺪﺭ ﺍﻟﺜﻠﺞ ﰲ ﻫﺬﺍ ﺍﻟﻌﺎﱂ‬

‫‪ 1998‬ﻋﺎﻣﺎ ﻗﻠﺒﻲ ﻻ ﺃﺷﻌﺮ ﺑﺠﺴﺪﻱ ﻭﺳﻴﺴﺘﻐﺮﻕ ﺗﺬﻭﻳﺐ‬

‫~ ‪~ 97‬‬
 ‫ﺍﻟﺮﺏ ﺻﻮﺗﺎ ﲨﻴﻼ‪،‬‬
‫ﳌﺎ ﻳﻌﻄﻴﻚ ﹼ‬
‫ﻭﺍﺻﻤﺘﻮﺍ ﺃﻧﺘﻢ ﺃﻧﺎ ﻻ ﺃﻧﺎﻗﺶ ﺃﺣﺪﺍ ﰲ ﺧﻠﻘﻪ‬

‫ﺇﻻ ﺍﻻﻧﻔﺼﺎﻡ ﺍﻟﺬﻱ ﺃﻭﺟﺪﺗﻪ ﻭﺩﺍﻡ ﻃﻮﻳﻼ‬

‫ﳌﺎ ﺗﺒﺪﻳﻦ ﻣﻼﺋﻜﻴﺔ ﺟﺪﺍ ﺳﻮﺍﺩ ﺭﺋﺘﻲ ﻳﻐﺎﺭ ﻣﻦ ﺳﻮﺍﺩ ﻗﻠﺒﻚ ﺟﻌﻠﻨﻲ‬

‫ﻛﻮﻣﺔ ﺑﴩ ﻧﺼﻔﻲ ﻗﺎﺑﻴﻞ ﻭﺍﻵﺧﺮ ﻫﺎﺑﻴﻞ‬

‫ﻣﻠﺤﻤﺘﻚ؟ ﲢﺪﺙ ﰲ ﺧﻼﻳﺎﻱ ‪ ..‬ﺃﻳﻦ ﺍﻟﺪﹼ ﻣﺎﺀ ﺍﻟﻠﻌﻴﻨﺔ؟ ﳌﺎ ﺗﺬﺭﻓﲔ‬

‫ﺍﻟﺴﻜﺮﺍﻥ ﺃﻣﻴﻞ؟‬
‫ﺍﳌﻠﺢ ﺃﻧﺖ ﻭﺃﻧﺎ ﹼ‬
‫ﺗﺒﺖ ﻟﻚ ﻳﺎ ﺭﺏ ﺧ ﹼﻠﺼﻨﻲ ﻣﻨﻬﺎ ﺃﺗﻮﺳﻞ ﻭﺃﺳﺄﻟﻚ ﺑﺎﺳﺘﺤﻴﺎﺀ‬

‫ﺃﻥ ﺗﻄﻠﻖ ﴎﺍﺡ ﺭﺍﺀ ﺍﻟﺮﻣﺎﺩ ﻭﻭﺍﻭ ﺍﻟﻮﻗﺖ ﻭﺣﺎﺀ ﺍﳊﻴﺎﺓ‬

‫ﺭﻭﺡ‬

‫ﻭﻳﻦ ﻧﺮﻭﺡ؟‬

‫ﻻ ﺇﺟﺎﺑﺎﺕ ﻫﻨﺎ‬

‫ﺳﺘﻘﺮﺭ ﺑﺴﻬﻮﻟﺔ ﻭﲣﺘﻔﻲ ﺍﻷﺻﻮﺍﺕ ﺑﺪﻭﻥ ﺇﻫﺎﻧﺔ‬

‫ﹼ‬ ‫ﺣﻴﻨﲈ ﺗﻜﻮﻥ ﻣﻨﺘﴚ‬

‫ﻭﺗﺮ￯ ﺣﻮﻝ ﹼ‬
‫ﻛﻞ ﺷﺨﺺ ﻋﻤﻴﻖ ﻫﺎﻟﺔ ‪..‬‬

‫~ ‪~ 98‬‬
 ‫ﳌﹼﺎ ﺍﺭﻓﺾ ﻫﺬﻩ ﺍﻟﺪﹼ ﻏﺪﻏﺔ ﺍﳋﻔﻴﻔﺔ ﰲ ﺩﻣﺎﻏﻲ ﺗﻄﻌﻤﻨﻲ‬

‫ﻛﻴﻒ ﻻ ﺗﺮﻭﻗﻨﻲ ﻫﺬﻩ ﺍﳌﺎﺋﺔ ﺍﺑﺮﺓ ﻏﺮﺯﺗﺎﻫﺎ ﺗﻄﻌﻨﻨﻲ‬

‫ﺍﻻﻣﺮ ﺃﲨﻞ ﻣﻦ ﺃﻥ ﻳﻮﺻﻒ ﺍﻟﻨﺸﻮﺓ ﻣﺴﺎﳌﺔ‬

‫ﺍﻟﺴﻼﻡ ﻋﻠﻴﻜﻢ ﻭﻟﻴﺲ ﻛﻞ ﺳﻼ ﺍﻣﻨﺎ‬

‫ﺗﺘﺤﺮﻙ ﻋﻴﻨﺎﻱ ﻭﺃﺻﺎﺑﻌﻲ ﺗﻜﺘﺐ ﻧﻮﺣﺎ‬ ‫ﻭﻳﺼﻴﺒﻨﻲ ﹼ‬

‫ﺍﻟﺸﻠﻞ ﹼ‬
‫ﺍﻟﺼﻌﺒﺔ ﰲ ﻛﺘﺎﺑﺘﻬﺎ ﻋﲆ ﻫﺬﻩ‬
‫ﺍﻟﻮﻗﺖ ﻳﺰﺩﺍﺩ ﺑﻄﺌﺎ ﻭﺃﻛﺮﻩ ﺍﳊﺮﻭﻑ ﹼ‬

‫ﺍﻟﻠﻮﺣﺔ‬

‫ﺍﻟﻜﻞ ﺑﺨﲑ ﻭﺍﻟﺴﲈﺀ ﺑﺨﲑ‬

‫ﻓﻠﻨﻤﺖ ﺍﻟﻠﻴﻠﺔ ﻭﻟﻨﺴﺘﻴﻘﺾ ﻏﺪﺍ‬

‫ﺍﻟﻠﻴﻞ ﺳ ﹼﻔﺎﺡ ﺍﻟﻌﺸﺎﻕ‬

‫ﺍﻟﺸﻔﺎﺀ ﻟﻨﺎ ﻳﺎ ﺳﺎﺩﺓ‬

‫ﺍﳌﺤﺐ‬

‫ﻣﺒﺘﲆ‬

‫ﻓﲈﺫﺍ ﻋﻦ ﺍﳌﺪﻣﻦ ﺣﺒﺎ؟‬

‫~ ‪~ 99‬‬
 ‫ﺎﺱﺎﺳﻡﻂﻆﻐ ﺲﺊﺍﺭﺍﺕﻎ؟‬

‫ﺍﺫﺍ ﻫﺬﺍ ﺃﻣﻠﻚ ﺍﻷﺧﲑ ﺳﺘﺴﺘﻌﻤﻠﲔ ﻋﺒﺎﺭﺍﰐ؟‬

‫ﻟﻦ ﻳﻜﺬﺏ ﺍﻟﻴﻮﻡ ﺳﻴﺨﱪﻛﻢ ﺑﺤﻘﻴﻘﺔ ﻣﺎ ﺟﺮ￯‪،‬‬

‫ﻟﻘﺪ ﻣﺎﺕ ﻓﻴﻪ ﺷﺨﺼﻪ ﻣﺎﺕ ﻓﻴﻪ ﻛﻞ ﺷﻌﻮﺭ ﴎ￯‬

‫ﺍﺿﻄﺮ ﻹﻳﺬﺍﺋﻬﺎ ﻳﺎ ﻧﺎﺱ ﺃﺭﻏﻢ ﻋﲆ ﺗﻠﻚ ﺍﳊﻴﺎﺓ ﺍﻟﻘﺬﺭﺓ‬

‫ﹼ‬
‫ﴏﺥ ﻭﻗﺎﻝ ﻻ ﻣﻜﺎﻥ ﻟﻚ ﻋﻨﺪﻱ ﺍﺭﺣﲇ ﻭﻛﻮﲏ ﺣﺬﺭﺓ‬

‫ﻗﺪ ﺃﻻﺣﻘﻚ ﻓﺎﻏﺘﺼﺐ ﺃﻧﻮﺛﺘﻚ ﻻ ﺗﻨﺘﻤﲔ ﺃﻧﺖ ﻟﻌﺎﳌﻲ‬

‫ﺍﻧﺘﻢ ﺍﻟﻈﺎﻫﺮﻳﺎﺕ ﻛﻞ ﻣﺎ ﺗﻔ ﹼﻜﺮﻭﻥ ﺑﻪ ﻛﻢ ﺳﺘﺠﻨﻲ ﻣﻌﺎﳌﻲ‬

‫ﻫﻲ ﱂ ﺗﻜﻦ ﻫﻜﺬﺍ ﺳﺄﻟﺘﻪ ﰲ ﻟﻴﻠﺔ ﺇﻥ ﺍﺣﺘﺎﺝ ‪ 20‬ﻋﺎﻣﺎ ﺃﺧﺮ￯‬

‫ﻧﺎﺩﺗﻪ ﺑﺎﺳﻢ ﺍﷲ ﻓﻘﺎﻣﺖ ﺻﻼﺗﺎ ﺗﺪﻋﻮ ﺍﷲ ﺍﻥ ﳛﻤﻞ ﳘﻮﻣﻪ ﳍﺎ‬

‫ﺍﻟﻜﱪ￯ ﻭﺍﻟﺼﻐﺮ￯‬

‫ﺍﺿﻄﺮ ﻟﻘﺘﻠﻬﺎ ﻟﺘﺤﻈﻰ ﺑﺬﻛﺮﻳﺎﺕ ﺃﲨﻞ‬

‫ﹼ‬ ‫ﺍﺿﻄﺮ ‪..‬‬
‫ﹼ‬ ‫ﻭﻟﻜﻨﹼﻪ‬

‫~ ‪~ 100‬‬
 ‫ﺗﺒﺎ ﱄ ﻻ ﺃﻣﻠﻚ ﻣﺎ ﺃﻃﻌﻤﻚ ﱂ ﳚﺪﺭ ﰊ ﳌﺴﻚ ﻛﻢ ﺃﺧﺠﻞ‬

‫ﺃﻛﺮﻩ ﺍﻷﻃﺒﺎﺀ ﻻ ﻳﻨﻔﺼﻤﻮﻥ ﻭﺍﺿﺤﻮﻥ ﺟﺪﺍ ﻟﻠﻤﻸ ﺍﻟﻠﻌﻨﺔ‬

‫ﻛﻨﺎ ﻧﺤﻦ ﻓﻘﻂ ﻭﺫﺍﻙ ﺍﻟﻨﹼﺤﻦ ﱂ ﻳﻜﺘﻔﻲ ﺇﻻ ﺑﻄﺒﻴﺐ ﻣﻌﻨﺎ‬

‫ﻻ ﺗﺮﻏﻤﻴﻨﻲ ﻋﲆ ﺍﻟﺘﺬ ﹼﻛﺮ ﻟﺴﺖ ﻣﻌﺘﺎﺩﺍ ﻋﲆ ﺍﳌﺸﺎﻋﺮ ﺟﻮﰲ ﺍﺯﺭﻕ‬

‫ﺗﺸﺎﺭﻛﻨﺎ ﺍﻷﻓﺮﺷﺔ ﻭﻟﻜﻨﻨﺎ ﱂ ﻧﺘﺸﺎﺭﻙ ﻭﺍﻗﻊ ﺃﻥ ﺭﻭﺡ ﺃﺣﺪﻧﺎ ﺳﺘﺰﻫﻖ‬

‫ﺍﻟﻈﺎﻫﺮ ﺃﻧﻪ ﺃﻧﺖ ﻭﺍﻟﻮﺍﻗﻊ ﺃﻧﻪ ﺃﻧﺎ ‪ ..‬ﻭﳌﺎ ﺑﻴﻨﻨﺎ ﺍﻻﻋﺪﺍﻡ‬

‫ﺃﻏﻠﻘﻮﺍ ﺃﻓﻮﺍﻫﻜﻢ ﺃﻧﺘﻢ ﺣﻘﺎ ﻻ ﺗﺮﻳﺪﻭﻥ ﺃﻥ ﺃﺧﱪﻛﻢ ﺃﻥ ﺑﴩﺍ ﻣﺎ ﺩﺍﻡ‬

‫ﻓﻠﻴﺘﺸﻮﻩ ﺍﳉﻤﻴﻊ‬
‫ﹼ‬ ‫ﺳﻨﻤﻮﺕ ﻛ ﹼﻠﻨﺎ ﻓﻠﺘﺤﱰﻕ ﺟﺜﺚ ﺍﻟﻌﺎﱂ ﺃﻣﺎﻡ ﺃﻋﻴﻨﻜﻢ‬

‫ﻓﻠﻨﺼﺐ ﺑﺄﻣﺮﺍﺽ ﻓﻄﺮﻳﺔ ﻭﺇﻥ ﱂ ﺗﺴﺘﻄﻴﻌﻮﺍ ﺍﻟﻌﻴﺶ ﻫﻜﺬﺍ ﻓﺎﻧﺎ‬

‫ﳎﻨﻮﻥ ﺍﺳﺘﻄﻴﻊ‬

‫" ﺗﺒﺎ ﻷﻃﺒﺎﺀ ﺍﻟﻨﻔﺲ ﺟﻌﻠﻮﺍ ﺍﻷﻣﺮ ﺃﺳﻮﺃ‬

‫ﺇﺭﺣﲇ ﻳﺎ ﺃﻧﺖ ﺇﱃ ﻫﻮ ﺍﳌﻨﺘﻤﻲ ﺍﱃ ﻫﻢ ﺃﻧﺎ ﺃﻋﻤﻰ ﻻ ﺃﺳﻤﻊ "‬

‫ﺃﻧﺖ ﻻ ﺗﻔﻬﻤﲔ ﺑﻌﺪ ﺃﲏ ﻟﺴﺖ ﻣﺜﻠﻬﻢ‬

‫ﺍﻟﺘﻌﺎﻳﺶ ﻣﻌﻲ ﺃﺻﻌﺐ ﳑﺎ ﺗﻈﻨﲔ‪ ،‬ﺃﻭﺍﻓﻘﻚ ﺍﻟﻘﻮﻝ ﰲ ﺃ ﹼﻧﻨﺎ ﻟﺴﻨﺎ ﻫﻢ‬

‫~ ‪~ 101‬‬
‫ﻓﻨﺤﻦ ﺃﺳﻮﺃ ﻣﻌﺎﺭﻛﻬﻢ ﻛ ﹼﻠﻬﺎ ﺗﺒﺪﻭ ﺟﺰﺀ ﻣﻦ ﺻﻐﲑ ﻣﺒﺎﺭﺍﰐ‬

‫ﻓﲈﺫﺍ ﻋﻨﻚ ﺍﺫﺍ ﻫﺬﺍ ﺃﻣﻠﻚ ﺍﻷﺧﲑ ﺳﺘﺴﺘﻌﻤﻠﲔ ﻋﺒﺎﺭﺍﰐ؟‬

‫~ ‪~ 102‬‬
 ‫" ﺣﺘﻰ ﺍﻟﺴﲈﺀ ﺍﻧﻔﺼﻤﺖ‬
‫ﺟﺰﺀ ﹺ‬
‫ﻟﻚ ﻭ ﺟﺰﺀ ﱄ‬

‫ﻭ ﻛﻼﻧﺎ ﷲ ﻭ ﺇﻧﺎ ﺇﻟﻴﻪ ﺭﺍﺟﻌﻮﻥ"‬

‫~ ‪~ 103‬‬
 ‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﻟﺚ‪:‬‬
‫ﺃﺭﺑﻌﺔ ﻣﺮ ﹼﺑﻌﺎﺕ ﰲ ﺭﺑﻊ ﺟﺴﺪ‬

‫ﺍﻟﺮﺑﻴﻊ ﺣﻞ‪ ،‬ﻭﴍﻳﺎﳖﺎ ﻗﺎﻝ ﻛﻠﻤﺘﻪ‪..‬‬

‫ﻓﻠﻢ ﱂ ﺗﺸﺎﺭﻛﻴﻨﻲ ﺍﳌﻮﺕ ﻳﺎ ﺻﻐﲑﰐ؟ ‪..‬‬ ‫ﹺ‬

‫ﺷﺎﺭﻛﺘﻨﻲ ﺍﻷﻓﺮﺷﺔ ﹶ‬

‫~ ‪~ 104‬‬
 ‫ﺝﻈﺍﺯﺓ ﺖﻑﻀ ﺍﻝﺞﺸﺍﻑ‬

‫ﺍ ﹼﺗﺼﻞ ﺑﻮﺍﻟﺪﻫﺎ ﻃﺎﻟﺒﺎ ﻣﻨﻪ ﻣﻮﻋﺪﺍ‬

‫ﻋﻦ ﻣﺎﺫﺍ ﺳﻴﺘﺤﺪﺙ؟ ﻫﻮ ﻻ ﻳﻌﻠﻢ ﻓﻘﻂ ﻳﺮﻳﺪ ﺍﻻﻋﺘﺬﺍﺭ ﻷﺟﻞ‬

‫ﺍﻧﺤﺮﺍﻑ ﺍﻟﻘﺪﺭ ﺭ ﹼﺑﲈ‬

‫ﻋﺼﲑﺍ ﻭﺿﻌﻪ ﺍﻟﻨﺎﺩﻝ ﻓﻮﻕ ﺍﻟﻄﺎﻭﻟﺔ ﻭﺭﺣﻞ‬

‫ﹰ‬ ‫ﺍﻟﺘﻘﻴﺎ ﰲ ﻣﻘﻬﻰ ﻃﻠﺒﺎ‬

‫ﻋﻤﻲ ﺻﱪﺕ ﻋﻠﻴﻬﺎ ﺣﺘﻰ ﺗﻌﺒﺖ‬

‫ﺑﺎﴍ ﻗﺎﺋﻼ‪ :‬ﻳﺎ ﹼ‬
‫ﻟﺴﺖ ﺃﺭ￯ ﻟﻨﻔﴘ ﻗﺪﺭﺓ ﻋﲆ ﺍﻟﺘﺤﻤﻞ ﺃﻛﺜﺮ ﻟﻘﺪ ﻋﺎﺗﺒﺖ ﻭﻋﺎﺗﺒﺖ‪..‬‬

‫ﳛﻤﻞ ﻧﻔﺴﺎ ﻣﺎﻻ ﻃﺎﻗﺔ ﻋﻠﻴﻬﺎ ﺑﻪ ﻳﺎ ﻋﻤﻲ ‪..‬‬

‫ﺇﻥ ﺍﷲ ﻻ ﹼ‬
‫ﻭﺍﺑﻨﺘﻚ ﻓﻮﻕ ﻗﺪﺭﰐ‪ ..‬ﺗﻠﻚ ﺍﻟﻔﺘﺎﺓ ﺃﺭﺍﻗﺖ ﻛﻞ ﺩﻣﻲ‬

‫ﻋﲈﻩ‪ ..‬ﺃﻋﺘﺬﺭ ﻟﻦ ﺃﺧﱪﻙ ﻋﻦ ﻣﺎ ﻓﻌﻠﺖ ﺃﻭ ﻣﻊ ﻣﻦ ﻓﺄﺭﺟﻮﻙ ﻻ‪،‬‬

‫ﹼ‬
‫ﺗﺴﺄﻝ‬

‫~ ‪~ 105‬‬
 ‫ﻟﻦ ﺃﺟﺮﺃ ﻋﲆ ﺟﻌﻠﻚ ﺗﻜﺮﻩ ﺍﺑﻨﺘﻚ ﻣﺜﻠﲈ ﺃﻧﺎ ﺃﻓﻌﻞ‬

‫ﻋﲈﻩ ﻻ ﺃﺷﻜﹼ ﻚ ﰲ ﺗﺮﺑﻴﺘﻚ ﻓﺄﻧﺖ ﻭﺍ ﹴﻉ‪ ،‬ﻭ ﺗﻌﻠﻢ‬

‫ﹼ‬
‫ﻋﻤﻲ‪ ..‬ﺃﺍﺳﺄﺕ ﺍﻟﻈﻦ ﲠﺎ‪ ،‬ﻇﻨﻨﺘﻬﺎ ﺟﻨﺔ ﻭﺃﻧﺎ ﺑﻠﻬﻴﺐ ﺟﻬﻨﻢ‬
‫ﻭﻟﻜﻨﹼﻲ ﻳﺎ ﹼ‬

‫ﺃﻧﻌﻢ‬

‫ﻛﲇ ﻭ ﺇﻥ ﺍﺣﺘﺎﺟﺘﻨﻲ ﻛﺎﻣﻼ ﻣﺎ ﹼ‬

‫ﺗﺄﺧﺮﺕ ﰲ‬ ‫ﻋﲈﻩ‪ ،‬ﺗﻘﺎﺳﻤﺖ ﻣﻌﻬﺎ ﹼ‬
‫ﹼ‬

‫ﲪﻠﻬﺎ‬

‫ﱂ ﲢﺘﺞ ﻟﻐﲑﻱ ﻭ ﺇﻥ ﺍﺣﺘﺎﺟﺖ ﻓﻐﲑﻱ ﺍﻵﺧﺮ‬

‫ﳛﻤﻠﻬﺎ‬

‫ﻣﺎ ﱄ ﺃﻧﺎ ﺇﻻ ﺳﻤﻌﺔ ﻭ ﺭﺃﺱ ﻣﺎﻝ ﻣﻦ "ﺩﻋﺎﻭﻱ ﺍﻟﻮﺍﻟﺪﻳﻦ"‬

‫ﻋﻤﻲ‪ ،‬ﺳﺄﻛﻤﻞ ﻣﻌﻬﺎ ﻧﺼﻒ‬

‫ﱂ ﺃﺑﺸﻊ ﻣﻌﻬﺎ ﺣﺮﺍﻣﺎ ﺩﻧﻴﻮﻳﺎ‪ ..‬ﺃﺧﱪﺗﻚ ﹼ‬
‫ﺍﻟﺪﻳﻦ‬

‫ﻋﲈﻩ‪ ،‬ﻓﺎﻋﺬﺭﲏ ﺍﻟﻴﻮﻡ ﳐﻤﻮﺭ ﺑﺪﻭﻥ ﲬﺮﺓ‬

‫ﺍﻧﺘﻬﻴﺖ ﹼ‬
‫ﺃﺧﱪﻙ ﺍﲏ ﺭﺟﻞ‪ ..‬ﻳﺒﻜﻲ ﺍﻵﻥ ﻭ ﺍﺧﱪﻙ ﺍﻧﻪ ﻟﻦ ﻳﺒﻜﻲ ﻣﺮﺓ ﺃﺧﺮ￯‬

‫‪...‬‬

‫~ ‪~ 106‬‬
 ‫ﺧ ﹼﻴﻢ ﺻﻤﺖ ﻭﺻﻮﺕ ﺷﻬﻴﻖ ﺭﺟﻞ ﻳﺒﻜﻲ ‪..‬‬

‫ﻧﻌﻢ ﺍﻟﺮﺟﺎﻝ ﻳﺒﻜﻮﻥ ﻋﺰﻳﺰﰐ ‪..‬‬

‫ﻭ ﻟﻜﻦ ﻻ ﺃﺣﺪ ﺳﲑﺍﻫﻢ‬

‫ﻳﺒﻜﻮﻥ‪ ،‬ﰲ ﺃﻣﺎﻛﻦ ﻓﺎﺭﻏﺔ ‪ ..‬ﻛﺪﺍﺧﻠﻬﻢ ﺭﺑﲈ‬

‫ﺑﻌﺪ ﺷﻬﻘﺔ ﺷﺎﲠﺖ ﺷﻬﻘﺔ ﻣﺎ ﻗﺒﻞ ﺍﳌﻮﺕ‬

‫ﻗﺼﺔ ﻓﺸﲇ ﻫﻲ ﻳﺎ ﺳﻴﺪﻱ"‬

‫ﺑﺎﴍ ﻗﺎﺋﻼ‪ :‬ﹼ‬

‫ﺁﺳﻒ‪ ..‬ﺃﻣﻲ‪ ،‬ﺗﻠﻚ ﺍﻟﻜﻴﻠﻮﻣﱰﺍﺕ ﺍﻟﺘﻲ ﺗﻔﺼﻞ ﺑﺎﺑﻨﺎ ﻭ ﺑﺎﲠﻢ ﻛﺎﻧﺖ‬

‫ﻋﺒﺜﺎ‬

‫ﻋﲈﻩ ﺃﺳﻔﺎ‬
‫ﺑﻞ ﺣﻘﺎ ﱂ ﻳﻜﻦ ﻣﻦ ﺩﺍﻉ ﳊﺪﻭﺛﻬﺎ‪ ،‬ﺃﺗﻌﺒﺘﻚ ﺃﻣﻲ ﺃﺳﻔﺎ ﻳﺎ ﹼ‬
‫“ﺍﺳﻤﺤﲇ ﻋﻤﻲ ﻭﺍﷲ ﲤﻨﻴﺖ ﻧﻜﻮﻥ ﻧﺴﻴﺒﻚ ”‬

‫ﻭ ﺗﻜﻮﻥ ﺑﺎﺑﺎ ﺍﻟﺰﺍﻭﺝ ﻭ ﻭﻳﻦ ﻣﺎﺻﺒﺘﺶ ﺑﺎﺑﺎ ﻧﺘﺎ ﱄ ﻧﺼﻴﺒﻚ‬

‫‪...‬‬
‫ﻭﺳﻂ ﺧﻄﺎﺏ ﺍﻋﺘﺬﺍﺭﻩ‪ ،‬ﺍﻟﺬﻱ ﺃﻇﻬﺮ ﻭﺣﺸﻴﺔ ﺻﻐﲑﺗﻪ ﻟﻮﺍﻟﺪﻫﺎ‬

‫ﺷﺎﺡ ﻧﻈﺮﻩ ﻫﻮ‬

‫~ ‪~ 107‬‬
 ‫ﺷﺎﺏ ﺑﺴﻴﺠﺎﺭﺓ‪ ..‬ﻭﻫﻲ‬

‫ﺍﺳﺘﻐﺮﺏ ﻭﺍﻟﺪﻫﺎ‪ ..‬ﰲ ﺗﻔﺎﺻﻴﻞ ﻭﺟﻬﻲ‬

‫ﺭﻫﻴﺒﺔ‪..‬؟ ﻭﺩﻣﻌﺔ ﻫﺎﺭﺑﺔ ﻣﻦ ﺳﺠﻦ ﺍﻟﻌﲔ؟‬

‫ﺃﺟﻞ‪ ،‬ﲤﺎﻣﺎ ﻛﻄﻔﻞ ﴎﻗﺖ ﻣﻨﻪ ﻣﻼﺑﺲ ﻋﻴﺪﻩ ﺍﻟﻮﺣﻴﺪﺓ‬

‫ﺇﻟﺘﻔﺖ ﻭﺍﻟﺪﻫﺎ‪ ..‬ﻟﻴﺠﺪﻫﺎ ﺑﺮﻓﻘﺔ‬

‫ﻓﻀﻞ ﺃﻥ ﻻ ﻳﻄﻠﺐ ﻳﺪﻫﺎ‬

‫ﺁﺧﺮ ﻣﺜﲇ ﹼ‬

‫ﺁﺧﺮ ﻣﺜﲇ‪ ..‬ﻟﺪﻳﻪ ﻣﻼﺑﺲ ﻋﻴﺪ ﻛﺜﲑﺓ‬

‫ﻭﻗﻒ ﻭﺍﻟﺪﻫﺎ ﳏﺎﻭﻻ‪ ..‬ﺍﻻﲡﺎﻩ ﻧﺤﻮﻫﺎ‬

‫ﻋﻤﻲ"‬
‫ﻓﺄﻣﺴﻜﺘﻪ ﺃﻧﺎ "ﻣﺎﳾ ﻗﺪﹼ ﺍﻡ ﺍﻟﻨﺎﺱ ﻳﺎ ﹼ‬
‫‪...‬‬

‫ﺍﺭﻓﻊ ﺭﺃﺳﻚ ﻳﺎ ﻋﻢ ﻣﺰﺍﳍﺎ "ﺑﻨ ﹼﻴﺘﻚ"‬

‫ﺍﺳﺘﻤﺮﺕ ﺟﻨﺎﺯﺓ ﺣﻔﻞ ﺍﻟﺰﻓﺎﻑ‬

‫ﹼ‬
‫ﻭ ﻟﻜﻦ ﲤﺖ ﺩﻋﻮﺓ ﻭﺍﻟﺪﻫﺎ ﺍﻳﻀﺎ‬

‫ﺃﺧﺬﻧﺎ ﺗﺎﻛﴘ‪ ..‬ﻭ ﺍﻓﱰﻗﻨﺎ‬

‫~ ‪~ 108‬‬
 ‫ﻋﺎﺩ ﻭﺍﻟﺪﻫﺎ ﻟﻠﻤﻨﺰﻝ ﻭﺟﺪﻫﺎ ‪..‬‬

‫ﻓﺄﺷﺒﻌﻬﺎ ﴐﺑﺎ ‪..‬‬

‫ﴏﺥ‪ ...‬ﻛﺜﲑﺍ ‪..‬‬

‫ﻭ ﻛﺄﻧﻪ ﻳﻨﺘﻘﻢ ﱄ ‪..‬‬

‫ﻭﻛﺄﻧﻨﻲ ﺃﻧﺎ ﺍﺑﻨﻪ ﻭﻫﻲ ‪ " ..‬ﻋﺎﻫﺮﺓ"‬

‫ﺃﺧﻄﺄ ﺑﻔﻌﻠﺘﻪ ﺗﻠﻚ ﻣﺎ ﻛﺎﻥ ﳚﺪﺭ ﺑﻪ ﻓﻌﻞ ﻫﺬﺍ ‪...‬‬

‫ﺃﻏﻠﻖ ﻏﺮﻓﺘﻬﺎ ﻭﺭﺍﺡ‪ ..‬ﻳﻄﻠﻖ ﴎﺍﺡ ﺩﻣﻮﻋﻪ ﻣﻦ ﺳﺠﻦ ﺍﻟﻌﻴﻮﻥ ‪..‬‬

‫ﺍﻟﺮﺟﺎﻝ ﺗﺒﻜﻲ ﻳﺎ ﻋﺰﻳﺰﰐ ‪..‬‬

‫ﺃﺭﺃﻳﺖ‪ ..‬؟‬

‫ﳊﻈﺎﺕ ﻗﻠﻴﻠﺔ ﻭﺳﻤﻊ ﴏﺍﺧﺎ ﻣﻦ ﺍﻟﻐﺮﻓﺔ ‪..‬‬

‫ﺭﺍﺡ ﻭﺍﻟﺪﻫﺎ ﺭﺍﻛﻀﺎ‪ ..‬ﻣﺎ ﺍﻟﺬﻱ ﳛﺪﺙ؟‬

‫ﺍﻟﻮﺍﻟﺪﺓ‪ :‬ﺍﺑﻨﺘﻚ !!‬

‫ﺍﻟﻮﺍﻟﺪ‪ :‬ﻣﺎ ﲠﺎ؟ !‬

‫ﺍﻟﻮﺍﻟﺪﺓ‪ :‬ﺍﺻﺎﺑﺖ ﴍﺍﻳﻴﻨﻬﺎ ﺑﴚﺀ‪ ،‬ﺣﺎﺩ‪ ..‬ﻟﻠﻤﺴﺘﺸﻔﻰ ﹼﻳﻼ !!‬

‫~ ‪~ 109‬‬
‫ﺍﳌﻜﺎﻥ‪ :‬ﺍﳌﺴﺘﺸﻔﻰ ‪ /‬ﻗﺎﻋﺔ ﺍﻻﺳﺘﻌﺠﺎﻻﺕ ‪ /‬ﻏﺮﻓﺔ ﺍﻹﻧﻌﺎﺵ ‪..‬‬

‫ﺍﻟﺰﻣﺎﻥ ‪00:01 :‬‬

‫ﺍﻟﻄﺒﻴﺐ‪ :‬ﺃﻭﻗﻔﻨﺎ ﺍﻟﻨﺰﻳﻒ ﻭﻟﻜﻨﹼﻨﺎ ﺳﻨﻔﻘﺪ ﺍﻟﻔﺘﺎﺓ‪ ..‬ﻧﺤﺘﺎﺝ ﻣﺘﱪﻋﺎ ‪..‬‬

‫ﻗﻠﺐ ﺁﺧﺮ ‪..‬‬

‫ﺃﺗﻮﺳﻞ ﻟﻜﻢ ﺍﻧﻘﺬﻭﻫﺎ ‪..‬‬

‫ﺍﻟﻮﺍﻟﺪ‪ :‬ﺧﺬﻭ ﻗﻠﺒﻲ‪ ..‬ﹼ‬
‫ﺍﻟﻄﺒﻴﺐ‪ :‬ﻋﺬﺭﺍ ﺳﻴﺪﻱ ﺳﻨﺤﺘﺎﺝ ﻗﻠﺒﺎ‪ ..‬ﺷﺎﺑﺎ!؟‬

‫"ﻗﻠﺒﻬﺎ ﻣﺎ ﺭﺿﺎ ﻳﺒﻘﺎ ﻓﺼﺪﺭﻫﺎ "‬

‫…‬
‫ﺑﻤﻦ ﺳﻴﺘﺼﻞ ﺍﻟﻮﺍﻟﺪ؟‬

‫ﺑﻪ ‪ ...‬ﺃﺟﻞ‪ ..‬ﻟﻘﺪ ﻓﻌﻠﻬﺎ‬

‫ﺃﻳﻘﻈﻪ ﻣﻦ ﺍﻟﻨﻮﻡ‬

‫ﺭﻛﺾ ﻧﺎﺣﻴﺔ ﺍﳌﺴﺘﺸﻔﻰ‬

‫ﺩﺧﻞ‪ ..‬ﻭ ﺍﺳﺘﻠﻘﻰ ﻣﺒﺎﴍﺓ‪ ..‬ﻟﻴﻬﺪﻱ ﺣﻴﺎﺗﻪ ﺍﻵﻥ ﳍﺎ‬

‫ﺍﻟﻄﺒﻴﺐ‪ :‬ﺳﻨﺴﺘﺒﺪﻝ ﻗﻠﻮﺑﻜﲈ‬

‫~ ‪~ 110‬‬
 ‫ﻫﻮ‪ :‬ﻫﻪ ‪ ،‬ﻻ ﳞﻢ‬

‫ﲤ ﹼﺖ ﺍﻟﻌﻤﻠﻴﺔ‪ ..‬ﺑﻨﺠﺎﺡ‬

‫ﺑﻌﺪ ﺛﻼﺛﺔ ﺃﻳﺎﻡ‪..‬‬

‫ﺍﺳﺘﻴﻘﻆ ﻫﻮ‪ ...‬ﺍﻟﻘﻰ ﻧﻈﺮﺓ ﻋﻠﻴﻬﺎ‬

‫ﻭﺧﺮﺝ ‪..‬‬

‫ﻳﻮﻣﺎﻥ ﺑﻌﺪﻫﺎ‬

‫ﺍﺳﺘﻴﻘﻈﺖ ﻫﻲ‬

‫ﺍﳌﻤﺮﺿﺔ ﺗﺴﻤﻊ ﴏﺍﺧﺎ‪ ...‬ﻭ ﺗﺮﻛﺾ ﻧﺤﻮ ﺍﻟﻐﺮﻓﺔ‬

‫ﺍﳌﻤﺮﺿﺔ‪ :‬ﻣﺎ ﺑﻚ ‪..‬؟‬

‫ﹼ‬
‫ﻫﻲ‪ :‬ﺁﻩ ﻣﺎ ﻫﺬﺍ ‪..‬‬

‫ﻣﺎ ﺍﻟﺬﻱ ﳛﺪﺙ‪ ..‬ﺃﺧﺮﺟﻮﺍ ﻫﺬﺍ ﺍﻟﻘﻠﺐ ﻣﻦ ﺟﺴﺪﻱ‬

‫"ﻓﻴﻪ ﺑﺰﺍﻑ ﳏﺒﺔ ﻧﻘﻴﺔ ﻣﺎ ﲪﻠﺘﻮ"‬

‫ﺍﳌﻤﺮﺿﺔ ﺗﺴﺘﺪﻋﻲ ﺍﻟﻄﺒﻴﺐ‪ ..‬ﳜﺪﺭﻭﳖﺎ‬

‫ﻳﺸﺨﺼﻮﻥ ﺣﺎﻟﺘﻬﺎ‪ ..‬ﻟﻴﺆ ﹼﻛﺪﻭﺍ ﻟﻮﺍﻟﺪﻫﺎ ﺃﳖﺎ‬

‫~ ‪~ 111‬‬
‫ﺟﻨﹼﺖ‪ ..‬ﺃﺻﻴﺒﺖ ﺑﻤﺮﺽ ﻋﻘﲇ ‪ ..‬ﱂ ﲢﺘﻤﻞ ﻗﺪﺭ ﺍﳊﺐ ﺍﻟﺬﻱ ﻛﺎﻥ‬

‫ﳛﻤﻠﻪ ﻗﻠﺒﻪ ﻫﻮ‪ ..‬ﳍﺎ‬

‫ﺟﻦ ﺟﻨﻮﳖﺎ ﺣﺒﺎ‬

‫ﹼ‬

‫ﲤﺎﻣﺎ ﻛﲈ ﻛﺎﻥ‪ ،‬ﻫﻮ ﳎﻨﻮﻧﺎ ﲠﺎ‬

‫ﻭﺍﺻﻞ ﻫﻮ ﻳﻮﻣﻴﺎﺗﻪ‪ ..‬ﻭﱂ ﳞﺘﻢ‪ ..‬ﺃﻭ ﻳﺘﺬﻛﺮﻫﺎ ﳎﺪﹼ ﺩﺍ ‪..‬‬

‫ﺣﺘﻰ ﺑﻌﺪ ﺃﻥ ﺃﺧﱪﻭﻩ ﺃﳖﺎ ﺟﻨﹼﺖ‪ ..‬ﻭ ﺍﺳﻤﻪ ﻻ ﻳﻔﺎﺭﻕ ﺑﺼﻴﻼﺕ‬

‫ﻋﻘﻠﻬﺎ ﺍﳌﺘﻠﻒ ﻛﻠﻴﺎ‬

‫ﻭﻟﻜﻦ ﱂ ﳞﺘﻢ ‪ ..‬ﻳﻜﺘﻔﻲ ﺑﺎﻻﺑﺘﺴﺎﻡ‪ ..‬ﻭﻣﻀﺎﺟﻌﺔ ﺃﺟﺴﺎﺩ ﺃﺧﺮ￯‬

‫ﻭﲢﻄﻴﻢ ﻗﻠﻮﺏ ﺍﻟﻌﺎﻫﺮﺍﺕ‬

‫ﳘﻢ‪ ..‬ﻣﺆﺳﻒ ﺁﻩ؟‬

‫ﻻ ﻋﻠﻴﻜﻢ ‪..‬‬

‫ﻟﻘﺪ ﺃﺧﺬ ﻗﻠﺒﻬﺎ‪ ..‬ﺃﺗﺬﻛﺮﻭﻥ؟‬

‫~ ‪~ 112‬‬
 ‫ﺃﺣﺒﻚ ﻟﻴﻼ‪ ،‬ﻭﺃﻣﻘﺘﻚ ﳖﺎﺭﺍ‬

‫ﺍﻧﻔﺼﺎﻣﻲ ﻳﺰﺩﺍﺩ ﺳﻮﺀﺍ‬

‫ﺍﻗﺘﻠﻮﲏ‪ ،‬ﺍﻧﺎ ﺃﺣﺘﺎﺝ ﺑﻌﺾ ﺍﻟﺮﺍﺣﺔ ‪.‬‬

‫~ ‪~ 113‬‬
 ‫ﺸﻈﻯ ﺍﻝﻑﻈﺍﻥ‬

‫ﺃﺗﺬﻛﺮﻭﻧﻨﻲ؟‬

‫ﺃﺗﺬﻛﺮﻭﻥ ﻣﻦ ﻛﻨﺖ ﺃﻧﺎ ﻗﺒﻞ ﺃﻥ ﺃﻧﻀﻢ ﱄ ﻭﺃﺻﺒﺢ ﺍﻟﻴﻮﻡ ﺃﻧﺎ‬

‫ﺍﻟﺮﺏ ‪ ..‬ﺃﲪﺪﻩ ﺑﲈ‬

‫ﺍﳌﺮﺍﺕ ﺍﻟﺘﻲ ‪ ..‬ﺍﺧﺘﻠﻴﺖ ﻓﻴﻬﺎ ﻣﻊ ﹼ‬
‫ﺃﺗﺬﻛﺮﻭﻥ ﻋﺪﺩ ﹼ‬
‫ﻭﻫﺐ ﻣﻦ ﺁﻻﻡ ؟‬

‫ﻫﻞ ﺣﻘﺎ ﺗﺬﻛﺮﻭﻥ ﻛﻢ ﺣﻠﲈ ﻣﻨﻌﻨﻲ ﻣﻦ ﺍﻟﻨﻮﻡ ‪ ..‬ﺍﻷﺣﻼﻡ ﺍﳊﻘﻴﻘﻴﺔ‬

‫ﺟﺮﺍﺋﻢ ﰲ ﺣﻖ ﺍﻟﻌﻴﻮﻥ "ﺃﻛﱪ ﳐﺎﻭﻑ ﺍﻟﻨﻌﺎﺱ" ﺻﺪﻳﻘﻲ‬

‫ﺃﺗﺬﻛﺮﻭﻥ ﻛﻢ ﻳﻮﻣﺎ ﺣﺎﻭﻟﺘﻢ ﺍﻟﻔﺘﻚ ﺑﻔﻨﹼﻲ؟‬

‫ﻻ ﻃﺒﻌﺎ ﻻ ﺗﺬﻛﺮﻭﻥ ﺃﻧﺘﻢ ﻣﺮﴇ ﺍﻟﺰﻫﺎﻳﻤﺮ ﺣﻴﻨﲈ ﻳﺘﻌﻠﻖ ﺍﻷﻣﺮ ﰊ‬

‫ﻭﻋﺮﻓﺘﻜﻢ‬
‫ﺳﺄﺫﻛﺮﻛﻢ ‪ ..‬ﺃﻧﺎ ﺍﻟﺬﻱ ﻗﺎﻡ ﺑﺪﻋﻮﺗﻜﻢ ﳊﻔﻠﺔ ﻫﺎﻟﻮﻳﻦ ﹼ‬
‫ﺑﻌﺠﺰﻛﻢ ﺃﻣﺎﻣﻲ‬

‫~ ‪~ 114‬‬
 ‫ﺍﻷﻣﺮ ﺑﺘﻠﻚ ﺍﻟﺒﺴﺎﻃﺔ‪ ،‬ﺟﻨﻮﲏ ﺃﻛﱪ ﻣﻦ ﻋﻘﻮﻟﻜﻢ‬

‫ﻌﻤﻘﺎ ﻛﺜﲑﺍ ﺃﻧﺎ ﻏﺮﺍﺏ ﻻ ﲣﻴﻔﻨﻲ ﺗﻠﻚ ﺍﻟﺪﻣﻴﺔ ﰲ‬

‫ﻻ ﻳﺴﺘﺪﻋﻲ ﺍﻷﻣﺮ ﺗ ﹼ‬

‫ﺣﻘﻮﻟﻜﻢ‬

‫ﻣﺎﺫﻱ ﺟﻌﻠﻜﻢ ﺗﻌﺘﻘﺪﻭﻥ ﺃﻧﻜﻢ ﺍﻟﻴﻮﻡ ﺃﻗﻮ￯‬

‫ﻻ ﺑﻠﺒﻠﺘﻜﻢ ﻭﻻ ﺛﺮﺛﺮﺓ ﺗﻌﻠﻴﻘﺎﺗﻜﻢ ﺳﺘﺰﻳﺪﻙ ﺗﻘﻮ￯‬

‫ﺗﺄ ﹼﻣﻠﻮﲏ ‪ ..‬ﺍﻟﻔﻦ ﻟﻴﺲ ﻗﺎﺭﺏ ﻧﺠﺎﺓ‬

‫ﻻ ﳐﺮﺝ ﻣﻦ ﻫﺬﻩ ﺍﻻﺭﺽ ﺍﻟﻠﻌﻴﻨﺔ‬

‫ﺃﻧﺎ ﻓﻘﻂ ﺑﴩﻱ ﻣﺜﻠﻜﻢ ﻛﺎﻓﺌﻪ ﺍﻟﺮﺏ ﺑﺒﻌﺾ ﺍﻟﻨﺠﺎﺡ‬

‫ﻓﻼ ﺗﺮﻣﻘﻮﲏ ﺑﻨﻈﺮﺓ ﻣﻦ ﺣﺠﺰ ﺗﺬﻛﺮﺓ ﻋﲆ ﺍﻟﺴﻔﻴﻨﺔ‬

‫ﻣﺎﺫﺍ ﺍﻵﻥ ﻣﻮﻫﺒﺘﻲ ﺃﺻﺒﺤﺖ ﺧﻄﻴﺌﺔ ﻭﺩﻋﺎﺭﺓ ﻣﺒﺎﺣﺔ‬

‫ﻛﻔﺎﻛﻢ ﺗﻄﺒﻴﻘﺎ ﻟﻠﻤﻘﻮﻟﺔ ﺃﻧﻨﺎ ﻗﺎﻓﻠﺔ ﻧﺴﲑ ﻭﺃﻧﺘﻢ ﺗﺒﺪﻋﻮﻥ ﻧﺒﺎﺣﺎ‬

‫ﺟﻮﻟﺔ ﺃﺧﺮ￯ ﻳﺎ ﺳﺎﻗﻲ‬

‫ﻫﺬﻩ ﺍﳊﺎﻧﺔ ﺍﻟﺪﻧﻴﻮﻳﺔ ﺃﺳﻮﺃ ﻣﻦ ﺻﻘﻴﻊ ﺟﻬﻨﻢ ﺍﺣﱰﺍﻗﻲ‬

‫ﺃﺗﺮﻳﺪﻭﻥ ﺃﻥ ﺗﻠﻘﻮﺍ ﻧﻈﺮﺓ ﻋﲆ ﺃﻭﺭﺍﻗﻲ؟‬

‫~ ‪~ 115‬‬
 ‫ﻷﻛﺘﺒﻬﻢ ﺍﻟﻠﻴﻠﺔ ﻧﻜﺤﺖ ﺭﺃﳼ ﺑﺪﻭﻥ ﻭﺍﻗﻲ‬

‫ﺧﺬﻭ ﺃﻓﻜﺎﺭﻱ ﺗﺴ ﹼﻠﻄﻮﺍ ﻋﲆ ﺇﺑﺪﺍﻋﻲ ﻫﻴﺎ ﺃﻛﻤﻠﻮﺍ ﺃﻧﺘﻢ ﺍﻟﻌﺮﺽ‬

‫ﻷﻗﺴﻢ ﺃﲏ ﻣﻦ ﺍﳌﺼﻔﻘﲔ ﺇﻥ ﺻﻤﺪﺗﻢ ﹴ‬
‫ﺛﻮﺍﻥ ﺃﻣﺎﻡ ﺃﻗﻮ￯ ﺍﻧﻔﺼﺎﻡ ﻋﲆ‬

‫ﻭﺟﻪ ﺍﻷﺭﺽ‬

‫ﺃﺭﺃﻳﺘﻤﻮﲏ ﻣﻠﻄﺨﺎ ﺑﺪﻣﻲ‪ ،‬ﻻ ﺑﻞ ﻛﻞ ﻣﺎ ﺭﺃﻳﺘﻤﻮﻩ ﻧﺪﺑﺎﺕ‬

‫ﺃﺧﺎﻃﺘﻬﺎ ﻋﺠﻮﺯ ﺗﺒﻴﻊ ﺍﻟﻮﺭﻭﺩ ﰲ ﻣﻜﺎﻥ ﺍﻋﺘﺪﺕ ﺍﻟﺬﻫﺎﺏ ﻟﻪ ﺣﻴﻨﲈ ﱂ‬

‫ﺃﺟﺪ ﻣﺒﺎﺕ‬

‫ﱂ ﻳﻜﻦ ﺍﻷﻣﺮ ﺳﻬﻼ ﻭ ﻟﻜﻨﻲ ﻓﻌﻠﺘﻪ ﻻ ﺃﺯﺍﻝ ﺃﻓﻌﻠﻪ ﻭ ﺗﺒﺎ ﻛﻢ ﺃﺑﺮﻉ ﻓﻴﻪ‬

‫ﺣﺎﻥ ﺍﻟﻮﻗﺖ ﻟﺘﺼﻤﺘﻮﺍ ‪ ..‬ﻭﺻﺪﹼ ﻗﻮﲏ ﺃﻧﺎ ﻻ ﺃﻃﻠﺐ ﺍﻵﻥ‬

‫ﻟﺴﺖ ﻗﺎﺋﺪ ﺟﻴﺶ ﻭﻻ ﻭﺯﻳﺮﺍ ﺑﻞ ﺃﻧﺎ ﺃﺳﻮﺃ ﰲ ﻣﺪﻳﻨﺘﻲ ﻳﻠﻘﺒﻮﻧﻨﻲ‬

‫ﺍﻟﻔﻨﺎﻥ‬

‫ﻓﻠﺘﺘﻘ ﹼﺒﻞ ﺍﻷﻣﺮ ﻟﻴﺲ ﺻﺪ￯ ﺻﻮﰐ ﻭﺣﺪﻩ ﻣﻦ ﻳﻌﺒﺚ ﺑﺄﻋﺼﺎﺑﻚ‬

‫ﺃﻧﺎ ﹼ‬
‫ﻛﲇ ﺩﺍﺧﻠﻚ ﻋﻘﻠﻚ ﺑﲔ ﻳﺪﺍﻱ ﻭﻓﻨﻲ ﻳﻔﻨﻴﻚ ﻓﻼ ﺗﺴﺄﻟﻨﻲ ﻋﲈ‬

‫ﺃﺻﺎﺑﻚ‬

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 ‫ﺗﻮﻗﻒ ﻋﻦ ﺍﻟﻘﺮﺍﺀﺓ ﻛﻠﲈﰐ ﺍﻟﻠﻌﻴﻨﺔ ﺃﻧﺖ ﺗﺰﺩﺍﺩ ﺿﻌﻔﺎ ﺳﺘﻨﻔﺠﺮ‬

‫ﴍﺍﻳﻴﻨﻚ ﺗﺒﺎ‬

‫ﻛﻦ ﱄ‬
‫ﺃﺗﺸﻌﺮ ﰊ؟ ‪ ..‬ﺃﻛﻮﻥ ﺩﺍﺧﻠﻚ ﺛﻘﺒﺎ ﺃﺳﻮﺩ ﻣﻦ ﺷﺪﹼ ﺓ ﺧﻮﻓﻚ ﺃ ﹼ‬

‫ﺣﺒﺎ‬

‫ﳌﺎ ﺗﺪﻋﻨﻲ ﺃﺩﺧﻠﻚ‪ ،‬ﻣﺎ ﺍﻟﺬﻱ ﺳﻴﺨﺮﺟﻨﻲ ﺍﻵﻥ ﺃﳞﺎ ﺍﻷﲪﻖ‬

‫ﺃﻧﺖ ﺗﺪﻣﻨﻨﻲ‪ ،‬ﺃﻧﺎ ﳐﺪﹼ ﺭﻙ ﺃﳞﺎ ﺍﳌﺪﻣﻦ ﺍﻟﺴﻜﹼ ﲑ ﺍﻷﺧﺮﻕ‬

‫ﺍﻫﺪﺉ ﺍﻵﻥ ﺻﻮﺕ ﻧﺒﻀﺎﺗﻚ ﻳﴚ ﺑﺄﻧﻚ ﺍﻧﺘﻬﻴﺖ ﺍﻫﺪﺉ ﻫﺬﻩ ﻟﻴﺴﺖ‬

‫ﺣﺮﺑﺎ ﺻﺪﻳﻘﻲ‬

‫ﺍﻟﻐﺮﻳﺐ ﰲ ﺍﻷﻣﺮ ﺃﻥ ﺍﻟﻨﻘﻄﺔ ﺍﳊﻤﺮﺍﺀ ﺑﲔ ﻋﻴﻨﻴﻚ ﻭﻛﻞ ﻣﺎ ﺃﺳﻤﻌﻪ‬

‫ﺗﻮﺳﻞ ﻣﻮﺳﻴﻘﻲ‬

‫ﻧﺼﺒﺖ ﻧﻔﺴﻚ ﺇﻟﻪ ﳍﻢ ﺑﺎﻟﻄﺒﻊ ﺃﻧﺖ ﺇﻟﻪ ﰲ ﺍﻟﻌﺒﻮﺩﻳﺔ ‪ ..‬ﺳﻤﻌﺘﻪ ﻫﻜﺬﺍ‬

‫ﹼ‬

‫ﺻﺎﺡ‬

‫ﺍﳌﺘﻤﺮﺩ ﻓﻨﺎﻥ ﻳﺎ ﺻﺎﺡ‬

‫ﹼ‬ ‫ﺍﺳﱰﺧﻲ ﺍﻵﻥ ﻭﺗﺬ ﹼﻛﺮ ﺃﻧﻨﻲ ﺃﻗﺮﺏ ﳑﺎ ﺗﺘﻮ ﹼﻗﻊ‬

‫~ ‪~ 117‬‬
 ‫ﻗﺘﻠﻨﺎ ﺍﳌﻼﺋﻜﺔ ﻛﻠﻬﻢ‬

‫ﻭﻛﻜﻞ ﺑﻨﻚ ﻓﻴﻪ ﺍﻟﺜﲈﺋﻦ‬

‫ﺟﻮﺍﻫﺮ ‪ ..‬ﻛﺮﻳﺴﺘﺎﻝ‬

‫ﻣﻼﺋﻜﺔ ﺃﺟﻨﺤﺔ‬

‫ﺑﺮﺍﺀﺓ‬

‫ﻋﻴﻮﻥ ﻛﺒﲑﺓ‬

‫ﴎﻗﺖ ﺍﻟﺒﻨﻮﻙ‬

‫ﹸ‬
‫ﻭﺷﻞ ﻣﻼﻛﻤﻬﻢ‬

‫"ﻟﻘﺪ ﺍﳖﻴﺘﻬﻢ ﺣﻴﺎﺓ ﺍﳌﻼﺋﻜﺔ ﻳﺎ ﻣﺸﻮﻫﲔ"‬

‫ﻧﺤﺮﺗﻢ ﻃﺒﻴﺒﺎ ﺃﻭ ﺭﺑﲈ ﻃﺒﻴﺒﺔ ﻛﺎﻧﺎ ﺳﻴﻨﻘﺬﺍﻥ ﺣﻴﺎﺓ ﺷﺨﺺ ﻣﺎ‬

‫ﻧﺤﺮﺗﻢ ﺃﺳﺘﺎﺫﺍ ﺭ ﹼﺑﲈ ﻛﺎﻥ ﺳﻴﻐﲑ ﺍﳉﻴﻞ ﻛ ﹼﻠﻪ ﻧﺤﺮﲤﻮﻩ ﺃﻧﺘﻢ ﺩﻣﺎ‬

‫ﻣﺎﺫﺍ ﻟﻮ ﻧﺤﺮﺗﻢ ﻣﻜﺘﺸﻔﺔ ﺩﻭﺍﺀ ﻟﻠﴪﻃﺎﻥ ﻳﺎ ﲪﻘﻰ‬

‫ﻭﺍﻷﺳﻮﺃ ﺃ ﹼﻧﻜﻢ ﻧﺤﺮﺗﻢ ﺇﺑﻨﺎ ﻭﺇﺑﻨﺔ ﻟﻜﻢ ﺃﻧﺘﻢ ﺍﻟﺸﻴﻜﺎﺕ ﻭﻷﻣﻬﺎﲥﻢ‬

‫ﳾﺀ ﺣﺮﻗﺔ‬

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 ‫ﻗﺘﻠﺘﻢ ﺍﻟﻌﺎﱂ ﺃﻧﺘﻢ‪ ،‬ﻗﺪ ﻣﺎﺕ ﺍﳉﻤﻴﻊ ﻳﺎ ﺟﺮﺫﺍﻥ ﺍﳌﺎﻝ‬

‫ﺍﻟﻜﻮﻥ ﻛ ﹼﻠﻪ ﻳﺒﻜﻲ ﻣﻌﻚ ﻳﺎ ﺃﻣﻲ‪ ،‬ﺃﺧﱪﻙ ﴎﺍ ﺣﺘﻰ ﻣﻠﻚ ﺍﳌﻮﺕ‬

‫ﻳﺒﻜﻲ ﻣﻌﻚ ﻛﲈﻥ‬

‫ﻟﺘﺸﻨﻘﻦ ﺍﻟﻴﻮﻡ ﺑﻄﻮﻕ ﻃﺎﻑ ﻓﻮﻕ ﺭﺅﻭﺱ‬

‫ﹼ‬ ‫ﺃﻳﻦ ﻋﺬﺭﻛﻢ ﺑﺤﻖ ﺍﳉﻨﺔ‪،‬‬

‫ﺍﳌﻼﺋﻜﺔ ﺃﻣﺲ‬

‫ﹼ‬
‫ﺑﺤﻘﻜﻢ ﺃﺧﱪﻭﲏ ﻛﻴﻒ ﺗﺮﻳﺪﻭﻧﻨﻲ ﺃﻥ ﺃﺧﺸﻰ ﺳ ﹼﻜﺎﻥ ﺍﻟﻌﺎﱂ ﺍﻵﺧﺮ‬

‫ﻭﻗﺪ ﻋﺎﴍﺕ ﺷﺨﺼﻴﺎ ﺑﻨﻲ ﺍﻹﻧﺲ‬

‫ﻛﻢ ﺑﺪﺍ ﺍﻷﻣﺮ ﺳﻬﻼ ﰲ ﺍﻟﺒﺪﺍﻳﺔ ﻟﻜﻢ‬

‫ﺣﻴﻮﺍﻧﺎﺕ ﺃﻧﺘﻢ ﺭﻏﺒﺘﻢ ﰲ ﺍﻏﺘﺼﺎﺏ ﺍﳌﻼﺋﻜﺔ ﻋﺎﺭ‬

‫ﻛﻠﻴﺔ ﺃﻡ ﻋﲔ ﺃﻡ ﻗﻠﺐ ﻓﻘﻂ ﳌﻠﺊ ﺧﺰﺍﺋﻨﻜﻢ‬

‫ﻛﻨﻴﺔ ﻭﺇﺳﻢ ﻭﺧﲑ ﺍﺳﺘﻨﺰﻓﻮﺍ ﺑﺎﺳﻢ ﺍﻟﺪﻋﺎﺭﺓ‬

‫ﺍﻟﺼﻐﲑ ﻻ ﻳﺰﺍﻝ ﻳﺒﻜﻲ ﰲ ﺍﳉﻨﺔ ﻣﻦ‬

‫ﻻ ﲣﱪﻭﺍ ﺃﻣﻲ ﺃﻧﻪ ﺣﺎﻥ ﺩﻭﺭﻱ‪ ،‬ﹼ‬

‫ﻫﻮﻝ ﺍﳌﺸﺎﻫﺪ‬

‫~ ‪~ 119‬‬
‫ﺃﺧﱪﺗﻚ ﺻﻐﲑﻱ‪ ،‬ﻻ ﺗﺼﻎ ﳍﻢ ‪ ..‬ﻋﻔﻦ ﺟﺜﺜﻬﻢ ﺣﺮﻣﻬﻢ ﻣﻦ ﻧﺒﺾ‬

‫ﺍﳌﺸﺎﻋﺮ‬

‫ﺍﻱ ﻋﻴﺪ ﺍﻵﻥ ‪،‬ﻭ ﺃﻱ ﺩﻳﻦ ‪ ..‬ﺇﺷﱰﻳﺖ ﻟﺒﺎﺱ ﻟﻠﻤﻼﻙ ﺍﻟﺬﻱ ﳚﺎﻭﺭﲏ‬

‫ﻟﻨﻤﴘ ﻛﻠﻨﺎ "ﻣﻌﻴﺪﻳﻦ"‬

‫ﻗﻴﻞ ﱄ ﺻﺒﺎﺣﺎ ﺃﻥ ﺍﻟﻮﺣﻮﺵ ﺍﻟﺒﴩﻳﺔ ﲪﻠﺘﻪ ﻣﻦ ﺍﻟﺒﺎﺏ ﻷﺧﺬﻩ ﰲ‬

‫ﺟﻮﻟﺔ ﺧﺎﺭﺝ ﺍﳌﺪﻳﻨﺔ ﻓﻜﻢ ﺩﻓﻌﻮﺍ ﻟﻚ ﺃﳞﺎ ﺍﻟﻠﻌﲔ‬

‫ﻛﻢ ﺩﻓﻌﻮﺍ ﻟﻚ ﺃﳞﺎ ﺍﻟﻠﻌﲔ ﻻ ﺗﻘﻨﻌﻨﻲ ﺃﳖﺎ ﻛﺎﻧﺖ ﻏﻠﻄﺔ‬

‫ﻛﻢ ﺩﻓﻌﻮﺍ ﻟﻚ ﺃﻟﻴﺲ ﺍﻟﺒﴩ ﻃﻴﻨﺎ ﻳﺎﺑﺴﺎ ﺃﱂ ﺗﻔ ﹼﻜﺮ ﺃﻥ ﺃﻣﻪ ﻣﻦ ﻛﺜﺮﺓ‬

‫ﺍﻟﺒﻠﻞ ﲤﴘ ﺧﺪﻭﺩﻫﺎ "ﻏﺮﻗﺔ " ﻭﺣﻞ‬

‫ﻭﻻ ﻳﺰﺍﻝ ﺍﻟﻄﻔﻞ ﻳﺒﻜﻲ ﻫﻨﺎﻙ ﻣﻦ ﻫﻮﻝ ﻣﺎ ﺭﺁﻩ ﻳﺎ ﻧﺎﺱ‬

‫ﺃﲣ ﹼﻴﻠﻨﻲ ﻣﻜﺎﻧﻪ ﺿﻌﻴﻔﺎ ﳏﺎﻃﺎ ﺑﺎﻟﻮﺣﻮﺵ ﻓﺎﻛﺘﺐ ﻟﻠﺤﻜﻮﻣﺔ ﺃﻧﻪ ﺗ ﹼﺒﺎ‬

‫ﻟﻜﻢ ﻭﻟﻠﲈﻝ ﻭﻟﻸﳌﺎﺱ‬

‫ﺃﺧﺘﻚ ﻛﺎﻧﺖ ﻫﻨﺎ ﺃﺧﻮﻙ ﻧﻈﺮ ﻣﻦ ﻋﻴﻨﺎﻩ ﺳﻴﺪﰐ‬

‫ﻭﺍﻟﺮﺟﻞ ﺩﺍﺧﻠﻪ ﻭﺣﺪﻩ ﻣﻦ ﺣﺎﻭﻝ ﻣﻨﻌﻬﻢ ﺁﻧﺬﺍﻙ‬

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 ‫ﻳﻮﻡ ﻧﺰﻋﻮﺍ ﻋﻦ ﺍﳌﻼﻙ ﺭﻳﺸﻪ ﻓﺄﺻﺒﺢ ﺍﳌﻼﻙ ﻋﺎﺭﻳﺎ ﻳﺎ ﺣﴪﰐ‬

‫ﻭﻟﻜﻦ ﺍﷲ ﺳﻴﻨﺘﻘﻢ ﳑﻦ‬

‫ﹼ‬ ‫ﻻ ﺗﺒﻜﻲ ﻳﺎ ﺻﻐﲑﻱ ﺃﻋﻠﻢ ﺃﳖﻢ ﺟﺒﻨﺎﺀ ﻫﻨﺎ‬

‫ﺃﺫﺍﻙ‬

‫ﻭﺁﻩ ﻳﺎ ﺃﻣﺎﻩ ﻟﻮ ﺭﺃﺗﻨﻲ ﺟﻨﻴﻨﺎ ﳎﺪﹼ ﺩﺍ ﻓﻼ ﺗﱰﻛﻲ ﺍﻟﺒﴩ ﺗﻠﻤﺴﻨﻲ‬

‫ﻓﻬﻨﺎﻙ ﰲ ﺍﳋﺎﺭﺝ ﻋﺎﺋﻠﺔ ﺃﻭﺳﺦ ﻣﻨﺎ ﻭﺍﻟﺒﴩ ﻷﺟﻞ ﺍﳌﺎﻝ ﺳﺘﻨﺒﺬﲏ‬

‫ﺳﻴﺄﺧﺬﻭﻥ ﻗﻠﺐ ﺍﺑﻨﻚ ﻟﻴﻨﺒﺾ ﰲ ﺟﺴﺪ ﺁﺧﺮ ﻭﻟﻦ ﻳﺴﺘﺄﺫﻧﻮﺍ ﻣﺎﻣﺎ‬

‫ﻓﺄﻣﺜﺎﻟﻨﺎ ﺟﻌﻠﻮﺍ ﺟﺜﺜﻨﺎ ﺃﻣﺎ ﳍﻢ ﻭﺃﻣﺎ ﰲ ﺍﻟﻘﲈﻣﺔ‬

‫ﺣﺘﻰ ﺍﻟﻔﺘﻰ ﺑﺪﺍﺧﲇ ﳜﺎﻑ ﺍﻵﻥ ‪ ..‬ﺳﺤﻘﺎ ‪ ..‬ﺃﺗﻘﺘﻠﻮﻥ ﺍﻟﱪﺍﺀﺓ‬

‫ﻭﻣﺎﺫﺍ ﻋﻦ ﺍﻟﻘﺎﴈ‪ ،‬ﻫﻮ ﺃﻳﻀﺎ ﺩﻓﻌﻮﺍ ﻟﻪ ﻟﻴﺼﺪﺭ ﺣﻜﲈ ﻋﺎﺩﻻ ﺑﺎﻟﱪﺍﺀﺓ‬

‫ﺍﻟ ﹼﻠﻴﻠﺔ ﺍﳌﺎﺿﻴﺔ ﺭﺃﻳﺖ ﳎﻤﻮﻋﺔ ﺃﻃﻔﺎﻝ ﺗﺮﻣﻲ ﺣﺠﺮﺍ ﻋﲆ ﺷﺨﺺ‬

‫ﻋﺎﻛﺲ ﺑﻨﺖ ﺍﳊﻮﻣﺔ "ﺍﳊﺎﺭﺓ"‬

‫ﻓﺄﺻﺒﺤﺖ ﻓﻮﺭﺍ ﻃﻔﻼ ﻭﻋﺎﴍﲥﻢ‪ ،‬ﻣﺎﺩﺍﻡ ﺍﻷﻃﻔﺎﻝ ﺭﺟﺎﻻ ﻭﺍﻟﺮﺟﺎﻝ‬

‫ﺃﻃﻔﺎﻝ ﺇﻥ ﺗﻌﻠﻖ ﺍﻷﻣﺮ ﺑﺎﳊﺮﻣﺔ‬

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 ‫ﻄﺱﺍﺖﺋ ﺇﺣﻋﺍﺭﻏﺋ ﻝﻂﺼﻡﺭ‬

‫ﻳﺘﺪﺍﻭﻝ ﻛﻞ ﻣﻦ ﺍﻟﻘﻤﺮ ﻭﺍﻟﺸﻤﺲ ﺳﻄﺤﺎ ﻭﺍﺣﺪﺍ‬

‫ﻭ ﻟﻜﻦ ﺍﻟﺒﴩ ﺍﻋﺘﺎﺩﺕ ﻋﲆ ﻧﴬﺍﺕ ﺳﻮﺩﺍﺀ ﺗﺒﻌﺪ ﻋﻨﻬﺎ ﺿﻮﺀ‬

‫ﺍﻟﺸﻤﺲ ﻟﺸﺪﹼ ﺓ ﺳﻄﻮﻋﻬﺎ‬

‫ﰲ ﺣﲔ ﺃﻥ ﺍﻟﻘﻤﺮ ﺃﻧﻴﻖ ﻻ ﻳﺘﺄﻣﻠﻪ ﺇﻻ ﺍﻟﺴﺎﻫﺮﻭﻥ‬

‫ﻓﻬﻞ ﻣﺎ ﺯﻟﺖ ﺗﺮﻳﺪ ﺃﻥ ﺗﻜﻮﻥ ﺷﻤﺴﺎ ﺻﺪﻳﻘﻲ؟‬

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 ‫ﺝﺛ ﺃﻍﻈﻯ ﺣﺚﺹ ﻎﺸ ﺍﻝﺳﺍﻝﻃ‬
‫ّ‬

‫ﺟﺪﻱ ﻛﺎﻥ ﺃﻏﻨﻰ ﺭﺟﻞ‪ ..‬ﰲ ﺍﻟﻌﺎﱂ‬

‫ﻣﺼﻄﻔﻰ ﻣﻮﻟﻮﺩﻱ‬

‫ﱂ ﺃﻟﺘﻘﻲ ﺑﻤﺜﻠﻪ ‪ ..‬ﰲ ﺳﺎﺋﺮ ﺍﻟﺒﴩ‬

‫ﺣﻔﻴﺪﻙ‪ ،‬ﻳﺴﺘﻌﻤﻞ ﻣﲑﺍﺛﻚ ﺑﺎﻟﺸﻜﻞ ﺍﻟﺼﺤﻴﺢ ﻳﺎ ﺟﺪﹼ ﻱ‪ ،‬ﺃﻧﺎ ﻻ ﺃﺑﺬﺭ‬

‫ﺻﺎﺡ ﺟﺪﹼ ﻱ ﻳﻮﻣﺎ ﻣﺎ ﻳﺎ ﺑﻨﻲ ﺍﺭ ﹺﻡ ﺍﻟﻘﻄﻌﺔ ﺍﻟﻨﻘﺪﻳﺔ ﻋﲆ ﺍﻷﺭﺽ‬

‫ﻗﻠﺖ ﱂ ﹶ ﻳﺎ ﺟﺪﹼ ﻱ ﺃﻟﻴﺲ ﺍﳌﺒﺬﺭﻳﻦ ﻣﻦ ﺇﺧﻮﺍﻥ ﺍﻟﺸﻴﺎﻃﲔ‬

‫ﻗﺎﻝ ﺍﺭ ﹺﻡ ﻻ ﺗﺴﺄﻝ ﻓﺮﻣﻴﺘﻬﺎ ﻣ ﹼﺘﺨﺬﺍ ﻛﻼﻡ ﺟﺪﹼ ﻱ ﻛﻔﺮﺽ‬

‫ﻣﴩﺩﺍ ﳛﻤﻠﻬﺎ ﻭﻳﻤﺴﺢ ﻣﻦ ﻋﻠﻴﻬﺎ ﺍﻟﻄﲔ‬

‫ﻣﺸﻴﻨﺎ ﻓﺎﺳﺘﺪﺭﺕ ﻭﺭﺃﻳﺖ ﹼ‬
‫ﻗﻠﺖ ﱂ ﹶ ﻳﺎ ﺟﺪﻱ‪ ،‬ﺃﻧﺮﻣﻲ ﺍﻟﻘﻄﻌﺔ ﻋﻮﺽ ﺃﻥ ﻧﻌﻄﻴﻬﺎ ﻟﻪ ﰲ ﻳﺪﻩ‬

‫ﻓﻴﺸﻜﺮﻧﺎ‬

‫ﻗﺎﻝ ﺃﺗﺮﻳﺪ ﻣﻨﻪ ﻫﻮ ﺍﳊﺴﻨﺔ ﺃﻡ ﻣﻦ ﺍﷲ ﺍﻟﺬﻱ ﺳﻴﺬﻛﺮﻧﺎ‬

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‫ﻗﻠﺖ ﺻﺪﻗﺖ ﻳﺎ ﺟﺪﹼ ﻱ ﻭﻟﻜﻨﻬﺎ ﺁﺧﺮ ﻗﻄﻌﺔ ﰲ ﺟﻴﺒﻲ ﺃﻻ ﺗﻌﺘﻘﺪ ﺃﲏ‬

‫ﻛﻨﺖ ﺳﺄﺣﺘﺎﺟﻬﺎ ﻻﺣﻘﺎ‬

‫ﻗﺎﻝ ﻫﻮ ﺍﺣﺘﺎﺝ ﻓﻮﺟﺪﻙ‪ ،‬ﰲ ﺣﺎﺟﺘﻚ ﺳﺘﺠﺪ ﻭﻣﻦ ﲡﺪﻩ ﺳﻴﺤﺘﺎﺝ‬

‫ﻭﺍﺟﺪﻩ ﺍﻩ ﻳﺎ ﺟﺪﹼ ﻱ ﻛﻢ ﻛﻨﺖ ﺻﺎﺩﻗﺎ‬

‫ﺟﺪﹼ ﻱ ﺃﻏﻨﻰ ﺃﻏﻨﻴﺎﺀ ﺍﻟﻌﺎﱂ‪ ،‬ﺁﻩ ﻟﻮ ﺃﺧﱪﻛﻢ ﻋﲆ ﺛﻮﺭﺗﻪ ﺗﻠﻚ ﻛﺄﻥ‬

‫ﺍﻟﺮﺏ ﻭﻫﺒﻪ ﻧﺼﻒ ﺧﺰﻳﻨﺘﻪ ﻛﺎﻥ ﻛﺎﺭﺛﺔ‬

‫ﻭﻟﻜﻨﻬﺎ ﱂ ﺗﻈﻬﺮ ﻟﻠﺠﻤﻴﻊ ﻛﺎﻥ ﳛﺮﺹ ﻋﲆ ﺃﻥ ﻻ ﻳﺮﳞﺎ ﺇﻻ ﱄ‪ ،‬ﺃﻋﺘﻘﺪ‬

‫ﺃﻧﻪ ﺍﺧﺘﺎﺭﲏ ﻷﻛﻮﻥ ﻭﺭﻳﺜﻪ‬

‫ﺃﻧﺎ ﺍﻟﻴﻮﻡ ﻏﻨﻲ‪ ،‬ﻏﻨﻲ ﺟﺪﺍ ‪ ..‬ﻭﻳﺒﺪﻭﺍ ﺍﻟﻌﺎﱂ ﺃﲨﻞ ﺃﺣﻴﺎﻧﺎ ﲠﺬﺍ ﺍﻟﺜﺮﺍﺀ‬

‫ﺃﻧﺖ ﻻ ﺗﺮﺍﲏ ﺍﻵﻥ ﻭﻟﻜﻦ ﺻﺪﹼ ﻗﻨﻲ ﺇﻥ ﻓﺘﺤﺖ ﺧﺰﻳﻨﺘﻲ ﻓﺤﺘﻰ‬

‫ﺍﻧﻔﺼﺎﻣﻲ ﺳﱰﺍﻩ‬

‫ﳍﺬﺍ ﺃﺗﺮ ﹼﺩﺩ ﻛﻠﲈ ﺳﺄﻟﻮﲏ ﻋﻦ ﻋﻤﺮﻱ‪ ،‬ﻋﻤﺮﻱ ﻛﻌﻤﺮ ﺟﺪﻱ ﻭﺃﻛﺜﺮ‬

‫ﺑﻘﻠﻴﻞ ﺃﳞﺎ ﺍﳌﻨﺎﺩﻱ‬

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‫ﹼﰲ ﺻﻔﺎﺕ ﺣﺘﻰ ﺟﺪﻱ ﱂ ﺃﺭﺍﻩ ﲠﺎ ﻛﺴﻦ ﻣﻜﺴﻮﺭ ﻣﺜﻼ ﻭﺷﻌﺮ ﺃﺑﻴﺾ‬

‫ﻳﻤﻴﻞ ﺭﻣﺎﺩﻱ‬

‫ﰲ ﺃﻭﻝ ﻗﺮﻥ ﺃﻣﻀﻴﺘﻪ ﰲ ﺍﳊﻴﺎﺓ‪ ،‬ﺃﻧﺎ ﺑﻴﺪﻱ ﺃﻣﺴﻜﺖ ﺑﻘﺎﻳﺎ ﺟﺜﲈﲏ‬

‫ﻭﻧﺜﺮﺕ ﺭﻣﺎﺩﻱ‬

‫ﻧﻈﺮﺕ ﺍﻟﻌﺎﱂ ﺑﻄﺮﻳﻘﺔ ﳐﺘﻠﻔﺔ ﺑﻌﺾ ﺍﻟﴚﺀ‪،‬ﱂ ﻳﻌﺪ ﻳﻌﻜﺮ ﻣﺰﺍﺟﻲ‬

‫ﳾﺀ ﺣﺘﻰ ﳌﺎ ﻗﻴﻞ ﱄ ﺃﻥ ﺣ ﹼﺒﻚ ﻻ ﻳﻜﻔﻲ ﻷﻧﻪ ﻏﲑ ﻣﺎﺩﻱ‬

‫ﺟﺪﻱ ﻏﻨﻲ ﺍﳊﻜﻤﺔ‪ ،‬ﺃﻭﺭﺛﻨﻲ ﺇﻳﺎﻫﺎ ﻣﻨﺬ ﻓﱰﺓ ﻃﻮﻳﻠﺔ ﺟﺪﺍ‬

‫ﺍﻵﻥ ﺃﺭﻳﺪ ﺃﻥ ﺃﻭﺭﺛﻪ ﺃﻧﺎ ﺑﻌﻀﻬﺎ ﻳﺎ ﻟﻴﺘﻨﺎ ﻧﻠﺘﻘﻲ ﳎﺪﺩﺍ‬

‫ﻟﻜﻦ ﺟﺪﹼ ﻱ ﺭﺣﻞ‪ ،‬ﻗﻴﻞ ﺁﻧﺬﺍﻙ ﺃﻧﻪ ﻭﺟﺪ ﻣﻜﺎﻧﺎ ﻣﻊ ﺍﻟﻌﻈﲈﺀ ﻓﻮﻕ‬

‫ﺍﻟﺴﲈﺀ ﺍﻟﺴﺎﺑﻌﺔ‬

‫ﺟﺪﹼ ﻱ ﻛﺎﻥ ﻛﺎﺗﺒﺎ‪ ،‬ﺃﺗﻔﻬﻤﻮﻥ ﻋﻦ ﺃﻱ ﺛﺮﻭﺓ ﺃﲢﺪﹼ ﺙ ﺍﻵﻥ‪ ،‬ﻭﺃﻛﺘﺐ‬

‫ﺑﺪﻭﻥ ﺧﻮﻑ ﻷﻧﻨﻲ ﺃﻋﻠﻢ ﺃﻧﻪ ﺳﻴﻜﻮﻥ ﻟﻪ ﺳﺎﻣﻌﺎ‬

‫ﻮﺭﻛ ﹾﹸﻢ ﹶﻳ ﹾﻮ ﹶﻡ ﺍ ﹾﻟ ﹺﻘ ﹶﻴﺎ ﹶﻣ ﹺﺔ {‬ ‫ﹺ‬ ‫}ﻛ ﱡﹸﻞ ﹶﻧ ﹾﻔ ﹴ ﹺ‬

‫ﺲ ﹶﺫﺁﺋ ﹶﻘ ﹸﺔ ﺍﳌﹾﹶ ﹾﻮﺕ ﹶﻭﺇﹺﻧ ﹶﱠﲈ ﺗ ﹶﹸﻮ ﱠﻓ ﹾﻮ ﹶﻥ ﹸﺃ ﹸﺟ ﹶ‬
‫ﺁﻝ ﻋﻤﺮﺍﻥ‪ 185‬ﺍﻵﻳﺔ‬

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 ‫ﻼ ﺧﲑ ﹰﺍ ﻣﻦ ﺃﻫﻠﻪ‪ ،‬ﻭﺃﺩﺧﻠﻪ‬
‫ﺍﻟﻠﻬﻢ ﺃﺑﺪﻟﻪ ﺩﺍﺭ ﹰﺍ ﺧﲑ ﹰﺍ ﻣﻦ ﺩﺍﺭﻩ‪ ،‬ﻭﺃﻫ ﹰ‬
‫ﹼ‬
‫ﺍﻟﻠﻬﻢ ﻋﺎﻣﻠﻪ ﺑﲈ‬
‫ﹼ‬ ‫ﺍﳉﻨﹼﺔ‪ ،‬ﻭﺃﻋﺬﻩ ﻣﻦ ﻋﺬﺍﺏ ﺍﻟﻘﱪ‪ ،‬ﻭﻣﻦ ﻋﺬﺍﺏ ﺍﻟﻨﹼﺎﺭ‪.‬‬

‫ﺍﻟﻠﻬﻢ ﺍﺟﺰﻩ ﻋﻦ ﺍﻹﺣﺴﺎﻥ‬

‫ﹼ‬ ‫ﺃﻧﺖ ﺃﻫﻠﻪ‪ ،‬ﻭﻻ ﺗﻌﺎﻣﻠﻪ ﺑﲈ ﻫﻮ ﺃﻫﻠﻪ‪.‬‬

‫ﺍﻟﻠﻬﻢ ﺇﻥ ﻛﺎﻥ ﳏﺴﻨ ﹰﺎ ﻓﺰﺩ‬

‫ﹼ‬ ‫ﺇﺣﺴﺎﻧ ﹰﺎ‪ ،‬ﻭﻋﻦ ﺍﻹﺳﺎﺀﺓ ﻋﻔﻮ ﹰﺍ ﻭﻏﻔﺮﺍﻧ ﹰﺎ‪.‬‬

‫ﻣﻦ ﺣﺴﻨﺎﺗﻪ‪ ،‬ﻭﺇﻥ ﻛﺎﻥ ﻣﺴﻴﺌ ﹰﺎ ﻓﺘﺠﺎﻭﺯ ﻋﻦ ﺳ ﹼﻴﺌﺎﺗﻪ‪.‬‬

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 ‫ﻏﺍ ﺣﻡﺟ ﺃﻇﺌ‬

‫ﺍﻣﻀﻴﺖ ﻟﻴﻠﺔ ﺃﺭﺍﻗﺐ ﺃﻧﺜﻰ ﺗﺘﺄﱂ ﺑﺴﺒﺒﻲ‬

‫ﻓﺄﺷﻔﻘﺖ ﻋﻠﻴﻬﻦ ﲨﻴﻌﺎ‪ ،‬ﻭﺑﺎﴍﺕ ﺍﻻﺣﱰﺍﻡ‪ ،‬ﻟﺘﻠﻚ ﺍﻟﻌﻈﻤﺔ‬

‫ﺃﻣﺘﺄﻛﺪﻭﻥ ﺃﲏ ﺃﺧﱪﺗﻜﻢ ﻛﻞ ﳾﺀ ﻳﺎ ﺳﺎﺩﺓ‬

‫ﻻ ﺗﺘﺄﻛﺪﻭﺍ ﻓﺄﻧﺎ ﱂ ﺍﺧﱪﻛﻢ ﻋﻤﻦ ﻛﺎﻧﺖ ﺣﻘﺎ ﺳﺒﺒﻲ ﰲ ﺗﺒﻠﻴﻞ‬

‫ﺍﻟﻮﺳﺎﺩﺓ‬

‫ﻫﻲ ﺗﻌﻠﻢ ﺃ ﹼﲏ ﺃﺿﻌﻒ ﳐﻠﻮﻕ ﺇﻥ ﺗﻌ ﹼﻠﻖ ﺍﻷﻣﺮ ﲠﺎ ﺍﻋﺠﺰ‬

‫ﻭﺟﻨﻮﲏ ﺑﺪﻭﳖﺎ ﻣﺮﺣﻠﺔ ﻳﻘﻴﻨﻴﺔ ﺍﳊﺪﻭﺙ‪ ،‬ﰲ ﺣﻀﻮﺭﻫﺎ ﻧﺴﻴﺖ ﻛﻴﻒ‬

‫ﺃﻋﺒﺲ‬

‫ﻳﺎ ﻣﺎ ﻳﺎ ﻣﻠﻜﺘﻬﻦ ﺍﻧﺖ ﻛﻴﻒ ﻳﻌﺘﺬﺭ ﺻﻐﲑﻙ ﻣﻨﻚ ﺍﺧﱪﻳﻨﻲ‬

‫ﺃﱂ ﺃﺗﺴﺒﺐ ﹺ‬
‫ﻟﻚ ﺑﻜﺜﲑ ﻣﻦ ﺍﻷﻳﺎﻡ ﺍﻟﺴﻴﺌﺔ ﳌﺎ ﱂ ﺗﱰﻛﻴﻨﻲ‬

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 ‫ﻳﺎ ﻣﺎ ﺣﴬﰐ ﺍﻧﻔﺼﺎﻣﺎﰐ ﻛﻠﻬﺎ ﻭﻳﻮﻡ ﳏﺎﻛﻤﺘﻲ ﹺ‬
‫ﻛﻨﺖ ﰲ ﺍﻟﺼﻒ‬

‫ﺍﻻﻭﻝ‬

‫ﱂ ﲢﻤﻠﻴﻨﻲ ﻭﺣﺪﻱ ﺑﻞ ﲪﻠﺘﻲ ﻣﻌﻲ ﺗﻔﺎﻋﻼﰐ ﺑﻜﻤﻬﺎ ﻭﺗﻘ ﹼﺒﻠﺖ ﹼﰲ ﻛﻞ‬

‫ﺗﺒﺨﺮ ﺃﻭ ﲢﻮﻝ‬

‫ﺣﺘﻰ ﻓﺰﻳﺎﺋﻴﺎ ﺃﺣﺒﻚ ﺍﻣﻲ‬

‫ﻣﺮﺓ ﺃﻧﺎ‬
‫ﻭﻷﻭﻝ ﹼ‬
‫ﺍﻟﻴﻮﻡ ﺃﻣﻲ‪ ،‬ﲢﺖ ﺃﻗﺪﺍﻡ ﺟﻼﻟﺘﻚ‪ ،‬ﺃﻃﻠﺐ ﺍﻟﻌﻔﻮ ﹼ‬

‫ﻣﺒﺘﺴﻢ‬

‫ﺃﻳﺘﻬﺎ ﺍﳌﻠﻜﺔ‪ ،‬ﺃﻱ ﺑﴩ ﻛﻨﺖ ﺳﺄﻛﻮﻥ ﻟﻮ ﱂ ﺃﺭ￯ ﻧﻔﴘ ﰲ ﻋﻴﻨﻚ‬

‫ﺃﺭﺗﺴﻢ‬

‫ﻣﺎﺫﺍ ﺍﻓﻌﻞ ﺍﻵﻥ‪ ،‬ﺃﺭﺍﻗﺒﻚ ﻣﺮﻳﻀﺔ ﺿﺤﻴﺔ ﺳﻨﲔ ﻓﺪﻳﺘﻬﺎ ﻷﺟﲇ‪،‬‬

‫ﺃ ﹼﻣﺎﻩ ﻗﺎﳍﺎ ﺍﻟﻜﺜﲑﻭﻥ ﻭﻟﻜﻨﹼﻲ ﺳﺄﻓﻌﻠﻬﺎ‪ ،‬ﺳﺄﺣﺮﺹ‪ ،‬ﺃﻥ ﻗﺒﻞ ﺍﺟﻠﻚ‬

‫ﻳﺄﰐ‪ ،‬ﺍﺟﲇ‬

‫ﺻﺤﺘﻲ ﺩﻭﺍﺀ ﻟﻮﺿﻌﺘﻬﺎ ﻋﻨﺪ ﺭﺃﺳﻚ ﺗﻨﺎﻭﻟﻴﻬﺎ ﻟﺘﺸﻔﻲ‪،‬‬

‫ﻭﻟﻮ ﻛﺎﻧﺖ ﹼ‬

‫ﻭﻷﻣﺖ ﰲ ﺳﺒﻴﻞ ﺍﻣﻲ‬

‫~ ‪~ 128‬‬
‫ﻳﺎ ﻣﻼﻛﺎ‪ ،‬ﻻ ﻳﺘﻜﺮﺭ ﺣﺘﻰ ﻋﻨﺪ ﺍﻟﺮﺏ‪ ..‬ﻳﺎ ﻣﻼﻛﺎ ﻟﻮ ﱂ ﺍﻗﺮﺃ ﺇﺛﻤﻪ‬

‫ﻟﻌﺸﺖ ﺣﻴﺎﰐ ﻛﻠﻬﺎ ﻛﺄﻣﻲ‬

‫ﺃﺗﺒﻜﲔ ﺃﻧﺖ‪ ،‬ﻻ ﺑﻞ ﺗﻮﻗﻔﻲ ﺗﺒﺎ ﻟﻠﺮﺟﺎﻝ ﻭﺍﻟﺮﺟﻮﻟﺔ ‪ ،‬ﺳﺄﺑﻜﻲ ﺃﻧﺎ‬

‫ﻣﻜﺎﻧﻚ‪..‬‬

‫ﻭﺳﺄﺣﺮﺹ ﺃﻣﻲ‪ ،‬ﺃﻥ ﺍﻗﻄﻊ ﻟﺴﺎﲏ ﺇﻥ ﻛﺎﻥ ﻋﺬﺭﻩ ﻏﻀﺒﺎ ﻭﺃﻫﺎﻧﻚ‬

‫ﺣﻖ ﱄ‪ ،‬ﻭﻻ ﻋﺬﺭ‪ ،‬ﻭ ﺟﺜﲈﲏ ﺃﻭﱃ ﺑﻪ‪ ،‬ﺍﻷﺳﻮﺩ‬

‫ﻓﻼ ﹼ‬

‫ﺭ ﹼﺑﺎﻩ ﺍﺷﻔﻴﻬﺎ ﺣﺒﻬﺎ ﺍﻟﻮﺣﻴﺪ ﺍﻟﺬﻱ ﺍﺻﺪﻕ ﻓﻴﻪ‪ ،‬ﻓﻼ ﲤﻨﻌﻪ ﻣﻦ ﺍﻥ‬

‫ﻳﺴﻮﺩ‬

‫ﺃﻣﺎﻩ ﻋﻈﻤﻲ ﻋﻈﻤﻚ ﻭﺩﻣﻮﻋﻚ ﺩﻡ ﻣﻨﻲ ﻭﺍﻋﻄﻴﻚ ﻛﲇ ﻓﻘﻂ ﻻ‬

‫ﺗﺮﺣﲇ ﻗﺒﲇ‪..‬‬

‫ﺃﺧﺸﻰ ﺍﳉﻨﻮﻥ ﺍﳊﻘﻴﻘﻲ‪ ،‬ﺳﺄﻗﺪﹼ ﻡ ﻟﻚ ﻋﺮﺿﺎ ﺃﻣﻲ ﻛﲈ ﺍﻋﺘﺪﻧﺎ ﺃﻥ‬

‫ﻧﻔﻌﻞ ﺑﻘﺎﺋﻚ ﻣﻘﺎﺑﻞ ﻗﻠﺒﻲ ‪...‬‬

‫ﻻ ﺗﺒﻜﻲ ﻣﺎﻣﺎ‪ ،‬ﺳﺘﺸﻔﲔ ﻗﺮﻳﺒﺎ‪ ،‬ﻭﻟﻦ ﻳﺆﳌﻨﺎ ﳾﺀ ﺑﻌﺪ ﻫﺬﺍ‪..‬‬

‫~ ‪~ 129‬‬
‫ﺳﻨﺴﱰﻕ ﺍﻟﺴﻤﻊ ﰲ ﻣﻨﺘﺼﻒ ﺍﻟﻴﻞ‪ ،‬ﻟﺼﻮﺕ ﺍﻟﴫﺍﺻﲑ ﻭﺳﺄﺗﻐﺎﺑﻰ‬
‫ﻣﺮﺓ ﻓﻘﻂ ﻷﺫﻛﺮ ﺍﺳﻤﻚ " ﺍﻣﻲ ﻣﺎ ﻫﺬﺍ ؟‬
‫ﻛﻜﻞ ﹼ‬
‫ﺍﻓﻌﲇ ﻛﻞ ﳾﺀ ﺃﻣﻲ‪ ،‬ﻟﻜﻦ ﻻ ﺗﺮﺣﲇ‪ ..‬ﻻ ﺗﱰﻛﻴﻨﻲ ﻣﻊ ﻫﺆﻻﺀ‬
‫ﺳﻴﻤﺮ ﺍﳌﺴﺎﺀ‬
‫ﹼ‬ ‫ﺍﻟﻐﺮﺑﺎﺀ ﻛﻴﻒ‬
‫ﺃﺗﺬﻛﺮﻳﻦ ﺃﻣﻲ‪ ،‬ﻣﻦ ﺍﻟﻮﺣﻴﺪ ﺍﻟﺬﻱ ﻗﺎﻝ ﺍﲏ ﺳﺄﻓﻌﻠﻬﺎ‪ ،‬ﺣﻴﻨﲈ ﺳﻘﻄﺖ‬
‫ﺍﺭﺿﺎ ﻭﺩﻫﺴﺘﻨﻲ ﻛﻮﻡ ﺭﺟﺎﻝ ﻭ ﻧﺴﺎﺀ‬
‫ﻣﺎﻟﻴﺶ ﻏﲑﻙ‪ ،‬ﺃﺧﱪﳞﻢ‪ ..‬ﺃﻥ ﺍﻧﻔﺼﺎﻣﻲ‪ ،‬ﻳﺸﻔﻰ‪ ،‬ﰲ ﻋﺘﺒﺔ ﻏﺮﻓﺘﻚ‬
‫ﺃﻣﻨﺎ‪..،‬‬
‫ﰲ ﺍﻵﺧﺮﺓ ﺃﻣﻲ ﺍﻟﻔﺮﺩﻭﺱ ﲢﺖ ﻗﺪﻣﻴﻚ ﻭﰲ ﺍﻟﺪﹼ ﻧﻴﺎ ﺃﻧﺖ ﺍﳉﻨﺔ‬
‫ﺃﻟﻒ ﺃﻣﻞ ﻭﺃﻣﻦ ﻣﻴﻢ ﻣﻴﺜﺎﻕ ﴍﻳﻒ ﻭﻳﺎﺀ ﻳﻤﻨﺎﻙ ﺃﻣﻲ ﻻ ﻳﻨﺒﺾ‬
‫ﺃﻳﴪﻱ‪ ،‬ﺍﻥ ﻏﺎﺑﺖ‪..‬‬
‫ﻋﺎﻧﻘﻮﺍ ﺍﳌﻠﻜﺔ ﻳﺎ ﻗﻮﻡ‪ ..‬ﻭﻟﺘﻠﻘﻮﺍ ﺍﻟﻌﺎﱂ ﰲ ﻛ ﹼﻔﺔ ﻭﺍﻷﻡ ﰲ ﻛﻔﺔ ﻭﺇﻥ‬
‫ﺛﻘﻠﺖ ﺍﳌﻮﺍﺯﻳﻦ ﻓﺨﲑ ﻗﺪ ﺍﺻﺎﺑﻚ‬

‫ﻭ ﻳﻤﴤ ﻋﺎﻡ‬
‫ﻭ ﻳﻤﴤ ﻋﺎﻡ ﻋﲆ ﺃﺧﺮﺓ ﻣﺮﺓ ﺭﺃﻳﺖ ﻓﻴﻬﺎ ﻭﺟﻬﻲ ﰲ ﺍﳌﺮﺁﺓ‬

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 ‫ﻭ ﻳﻤﴤ ﻋﺎﻡ ﻋﲆ ﺁﺧﺮ ﺭﻛﻌﺔ ﺧﺸﻌﺖ ﻓﻴﻬﺎ ﺣﻘﺎ ﺑﺪﻭﻥ ﺃﻥ ﺭﺁﻙ‬
‫ﻭ ﻳﻤﴤ ﻋﺎﻡ ﻋﲇ ﺍﻧﺎ ﺃﺳﲑ ﻣﻘﻴﺪ ﺑﺬﻛﺮﻳﺎﺕ ﺍﻟﻜﻞ ﻣﻜﺎﻥ‪..‬‬
‫ﺃﻛﺎﻥ ﳚﺐ ﺃﻥ ﻧﺮﻗﺺ ﰲ ﻛﻞ ﳏﻄﺔ ﻭﻋﲆ ﻛﻞ ﺳﻄﻮﺡ ﺍﳌﻨﺎﺯﻝ ﺗﺒﺎ‬
‫ﺍﳌﺪﻳﻨﺔ ﺃﺻﺒﺤﺖ ﺍﻵﻥ ﺭﻛﺎﻡ‬
‫ﺃﻛﺎﻥ ﳚﺐ ﺃﻧﺜﺮ ﺭﻣﺎﺩ ﺻﺤﺘﻲ ﺣﻘﺎ‬
‫ﺃﺭﺍﲏ ﻫﺰﻳﻼ ‪ ..‬ﺃﻫﺰﻝ ﻣﻦ ﻓﺎﻗﺪ ﻋﻘﻞ ﰲ ﻣﺼﺤﺔ ﺳﺤﻘﺎ‬
‫ﲢﺮﻛﻲ‬
‫ﺃﻛﺎﻥ ﳚﺐ ﺣﻘﺎ ﺍﻥ ﺗﻐﲑﻱ ﺍﻷﺛﺎﺙ ﺑﺪﺍﺧﲇ ‪ .‬ﺃﻛﺎﻥ ﳚﺐ ﺍﻥ ﹼ‬
‫ﻗﺎﺭﻭﺭﺓ ﺍﳋﻤﺮ ﻭ ﺍﻟﻜﺄﺱ‬
‫ﺣﺘﻰ ﺃﻧﻨﻲ ﺣﺎﻭﻟﺖ ‪ ..‬ﺍﺣﻜﻤﺖ ﺇﻏﻼﻕ ﺍﻻﺑﻮﺍﺏ ﻭ ﺍﻟﻨﻮﺍﻓﺬ ﻭ ﻟﻜﻦ‬
‫ﻃﺒﻌﺎ ﺍﳌﺠﻨﻮﻧﺔ ﺍﺳﺘﻌﻤﻠﺖ ﻛﻞ ﻣﻄﺮﻗﺔ ﻭﻛﻞ ﻓﺄﺱ‬
‫ﻭ ﻳﻤﴤ ﻋﺎﻡ‪ ..‬ﻋﺎﻡ ﱂ ﺃﺣﺘﻔﻞ ‪ ..‬ﻋﺎﻡ ﱂ ﺃﻣﺎﺭﺱ ﻟﻐﺔ ﺍﻟﻌﻴﻮﻥ‬
‫ﺧﺸﻴﺔ ﺍﻟﻮﺷﺎﻳﺔ‪ ..‬ﺃﻡ ﺍﻧﻨﻲ ﻓﻘﻂ ﺃﺑﺎﻟﻎ ﰲ ﺍﻟﻮﻗﺎﻳﺔ ﻣﻦ ﺃﻥ ﻳﻜﺘﺸﻒ‬
‫ﻟﻠﻤﺘﻤﺮﺩ ﻋﺪﺓ ﻋﻴﻮﺏ‬
‫ﹼ‬ ‫ﺍﳉﻤﻴﻊ ﺍﻥ ﺍﺳﻤﻬﺎ ﺧﻠﻖ‬
‫ﺃﺟﺮ ﺟﻨﺎﺣﻲ ﻭﺃﻣﴚ‪ ،‬ﺇﱃ ﺃﻳﻦ‪ ،‬ﺇﱃ ﻓﻠﺴﻄﲔ‪ ..‬ﻣﺎﺫﺍ ﺍﻵﻥ ﺳﺘﺘﺤﺮﺭ‬
‫ﺍﻟﻘﺪﺱ؟‬
‫ﳏﺮﺭﰐ ﻭﻗﻌﺖ ﰲ ﺣﺐ ﻓﻠﺴﻄﻴﻨﻴﺔ ﻳﻮﻡ ﺍﻣﺲ‬
‫ﻻ ﺑﻞ ﻫﻨﺎﻙ ﹼ‬

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 ‫ﺍﳌﺘﻤﺮﺩ ﻳﻔﺘﻘﺪﻫﺎ ﻳﺎ ﺑﴩ‬
‫ﹼ‬ ‫ﺍﳌﺘﻤﺮﺩ ﻳﻔﻘﺪ ﺑﺮﺍﻋﺘﻪ‪ ،‬ﻻ ﺑﻞ‬
‫ﹼ‬
‫ﺃﺗﺮﻳﺪﻭﻥ ﺍﳌﺰﻳﺪ ﺍﻻﻣﺮ ﺳﻬﻞ ﻓﻘﻂ ﻗﻮﻣﻮﺍ ﺑﺎﻟﺪﻋﺎﺀ ﻋﲇ ﺍﻥ ﻻ ﻇﻼﻣﺎ‬
‫ﺍﻧﺪﺛﺮ‬
‫ﺳﻨﺘﺤﺪﺙ ﻋﻦ ﺍﻻﺟﺴﺎﺩ ﺣﻴﻨﲈ ﻧﻠﺘﻘﻲ‬
‫ﻣﴣ ﻋﺎﻡ ﻛﺎﻣﻞ ﻓﻠﻨﺪﻉ ﺍﻷﺭﻭﺍﺡ ﺗﺜﺮﺛﺮ ﺍﻵﻥ ﻓﻠﻴﺠﻦ ﺍﺭﻗﻲ‬
‫ﺍﻟﺴﲈﺀ ﺃﺧﱪﻭﲏ ﻋﻦ ﺍﻟﺴﲈﺀ ﻣﺎ ﻟﻮﳖﺎ ﺍﻵﻥ ﻫﻞ ﺗﺸﺒﻪ ﺍﻱ ﻟﻮﻥ ﻧﻘﻲ‬
‫ﺃﺧﺸﻰ ﺍﻥ ﺃﻧﻈﺮ ﻷﻋﲆ ﻭﺃﺭ￯ ﺍﻟﺜﻘﺐ ﺍﻷﺳﻮﺩ ﰲ ﻋﻴﻨﺎﻙ ﻓﻴﻔﺴﺪ‬
‫ﺭﻭﻧﻘﻲ‬
‫ﻫﻼ ﺗﻌﻤﻘﻨﺎ ﰲ ﺍﳌﺴﺘﺤﻴﻞ‬
‫ﻣﴣ ﻋﺎﻡ ﻭ ﻻ ﺍﺯﺍﻝ ﺍﻛﺘﺐ‪ ،‬ﺗﺒﺎ ﻳﺎ ﺍﻧﻔﺼﺎﻣﻲ ﻣﺘﻰ ﺳﻨﺘﻮﻗﻒ ؟‬

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 ‫ﺿﺋ ﻎﺸ ﺩﻄﺍﻍ‬

‫ﻣﺎ ﺑﻪ ﺍﻟﺼﻐﲑ ﻻ ﻳﺘﺄﻗﻠﻢ ؟‬

‫ﺍﻟﻮﺣﺪﺓ ﻧﻘﺎﺀ ﳍﺬﺍ ﺳﺘﺸﻌﺮ ﺑﺎﻟﺘﻠﻮﺙ ﰲ ﻋﻘﻠﻚ ﻛﻠﲈ ﺧﺮﺟﺖ‬

‫ﹲﺍﺗﻠﻒ ﺍﻟﻌﻘﻞ‪ ،‬ﺳﻼﻡ ﻋﲆ ﺍﳌﺎﺭﺓ‬

‫ﺃﻧﺎ ﺍﻧﺘﻈﺮﻙ ‪..‬‬

‫ﺍﳊﺎﻓﺔ ﺃﺳﻮﺃ ﻣﻜﺎﻥ ﻟﻠﻮﻗﻮﻑ‪ ،‬ﺍﳉﻠﻮﺱ ﺁﻣﻦ‬

‫ﺗﺘﻌﻤﻖ ﻗﺪ ﻳﻐﺎﺭ ﺟﺮﺣﻚ‪ ،‬ﻓﻴﺼﺒﺢ ﺃﻋﻤﻖ ﻣﻨﻚ ‪ ..‬ﻛ ﹼﻠﻚ‬

‫ﻻ ﹼ‬

‫~ ‪~ 133‬‬
 ‫ﺍ�ﺑﻂﺑﺍﺕ ﺾﺍﺸﺭﺓ‬

‫ﺳﺄﺟﻠﺲ ﰲ ﳎﺎﻟﺴﻜﻢ ﺍﻟﻠﻴﻠﺔ‬

‫ﻓﻠﺘﺠﻬﺰﻭﺍ ﺳﺠﺎﺋﺮﻛﻢ ﺍﳌﻬﺪﹼ ﺋﺔ ‪..‬‬

‫ﹼ‬ ‫ﺳﺄﺭﻭﻱ ﻟﻜﻢ ﻗﺼﺔ‪،‬‬

‫ﻭﻟﻨﺸ ﹼﻜﻞ ﺩﺍﺋﺮﺓ ﻣﺮﺑﻌﺔ ﻭﻟﻨﺘﺠﻨﹼﺐ ﺍﳌﺜﻠﺚ‪ ،‬ﻓﺤﺘﻰ ﻃﺮﻳﻘﺔ ﺟﻠﻮﺳﻨﺎ ﻗﺪ‬

‫ﺗﻐﻀﺐ ﺍﻟﺒﻌﺾ‬

‫ﻻﺑﺄﺱ ﺃﻥ ﻧﻨﺘﴚ ﻭﻧﺴﺘﻨﺸﻖ ﺍﻷﻋﺸﺎﺏ‪ ،‬ﻟﻜﻦ ﻻ ﻟﻴﺲ ﰲ ﳎﺎﻟﺲ‬

‫ﻣﺜﻠﺜﺔ‬

‫ﻓﻠﻨﺘﺤﺪﹼ ﺙ ﻋﻦ ﺍﳌﻨﻄﻖ ﺍﻟﺪﻳﻨﻲ ﻟﻜﻦ ﻻ ﻟﻴﺲ ﻋﲆ ﻋﺪﻡ ﺍﻧﻄﺒﺎﻗﻪ ﻋﲆ‬

‫ﺣﻜﻮﻣﺘﻬﻢ ﺍﳌﺨﻨﺜﺔ‬

‫ﺩﻋﻮﻧﺎ ﻧﺘﺤﺪﺙ ﰲ ﳾﺀ ﺁﺧﺮ ﺇﺫﺍ‬

‫ﻫﺎ ﻧﺤﻦ ﻧﻄﻠﺐ ﺳﻼﻣﺎ ﻓﻘﻂ‪ ،‬ﺍﻟﺴﻼﻡ ﻋﻠﻴﻜﻢ ﻫﻞ ﻣﻦ ﳐﺪﺭ؟‬

‫ﱂ ﻳﻜﻦ ﻳﺒﻜﻲ ﺣﲔ ﻣﺎﺕ‪ ،‬ﺭﺃﻳﺘﻪ ﺍﳌﺘﻤﺮﺩ ﺣﲔ ﺍﺳﺘﺸﻬﺪ ﻛﺎﻥ ﻳﻜﱪ ‪..‬‬

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 ‫ﻌﺠﻐﺼﺎﺍﻥ ﻎﺸ ﻇﻑﺟ ﺍﻝﻌﺻﺌ‬

‫ﻫﺎ ﻗﺪ ﺃﺻﺎﺑﺖ ﴍﻳﺎﳖﺎ ﻭﻛﺘﺎﰊ ﺍﻟﻠﻌﲔ ﻫﻮ ﻣﻦ ﻗﺘﻠﻬﺎ ‪..‬‬

‫ﻛﻞ ﺫﻧﺒﻬﺎ ﺃﳖﺎ ﺧﻠﻘﺖ ﺍﻧﻔﺼﺎﻣﻲ ﻓﲈ ﺫﻧﺐ ﺍﻟﻮﺣﻴﺪﺓ ﺍﻟﺘﻲ ﺗﻠﻢ‬

‫ﺍﻧﻔﺼﺎﱄ ؟‬

‫~ ‪~ 135‬‬
 ‫ﺣﺭﻏﺍﻥ‬

‫ﻧﺒﺘﲆ ﻭ ﻧﺨﻀﻊ ﻟﻘﻮﺓ ﻻ ﺗﻔﺴﲑ ﳍﺎ ﻏﲑ ﺃﻥ ﺍﷲ ﳛﺒﻨﺎ ‪..‬‬

‫ﺍﻟﻌﺠﺰ ﻟﻌﻨﺔ‪ ،‬ﺍﻟﻌﺠﺰ ﻣﻌﻨﺎ‪ ،‬ﻟﻠﻌﺠﺰ ﻣﻌﻨﻰ ‪...‬‬

‫ﲤﻨﹼﻴﺖ ﺃﻥ ﺃﻛﻮﻥ ﺃﻧﺎ ﺻﺎﺣﺐ ﺍﻟﴩﻳﺎﻥ ﺍﳌﺸﻘﻮﻕ ﺑﺤﺎﺩ‬

‫ﲤﻨﻴﺖ ﺃﻧﻨﻲ ﺍﻧﺎ ﻛﻨﺖ ﺳﺒﺐ ﺍﻧﻔﺼﺎﻣﻚ ﻭﺃﻧﺎ ﻣﻦ ﻋ ﹼﻄﻠﺖ ﺗﻠﻚ‬

‫ﺍﳊﻮﺍﺱ‬

‫ﺃﻣﺎﲏ ﺇﻻ ﻧﻴﺰﻙ‪ ،‬ﻳﺮﻣﻰ ﰲ ﻻ ﻣﻜﺎﻥ ﰲ ﺍﻟﻔﻀﺎﺀ‬

‫ﻭﻣﺎ ﹶ‬
‫ﻳﺮﻣﻰ ﺑﺤﺠﺔ ﻋﺪﻡ ﺍﻻﻧﺘﲈﺀ ﺑﺤﺠﺔ ﺍﻧﻪ ﻋﺪﻝ ﻭﻗﻀﺎﺀ‬

‫ﺧﻄﺌﻲ ﺃﲏ ﺃﺣﺒﺒﺘﻚ ﺃﻛﺜﺮ ﻣﻦ ﺍﻟﺮﺏ ﻓﺄﺧﺬﻙ ﻣﻨﻲ ﺩﺭﺳﺎ ﰲ ﺍﳍﻼﻙ‬

‫ﻳﺎ ﺍﷲ‪ ،‬ﻳﺎ ﺭﲪﺎﻥ ﺍﻏﻔﺮ ﳍﺎ ﻫﻨﺎﻙ‬

‫ﺃﺣﻄﻬﺎ ﰲ ﺍﳉﻨﺔ ﺑﻜﻞ ﻣﻼﻙ‬

‫ﻭﺃﻧﺴﻬﺎ ﹼﰲ ﻋﺴﻰ ﺃﻥ ﺗﻐﻔﺮ ﱄ ﻳﻮﻡ ﺍﻟﻘﺎﻙ ‪..‬‬

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 ‫ﺍﳉﻨﺔ ﻛﻨﺖ‪ ،‬ﹶﻓــﻴﺎ ﺃﻧﺎ ﻳﺎ ﻗﺎﺗﻠﺔ ﺍﳉﻨﺔ ﻣﺎﺫﺍ ﺩﻫﺎﻙ‬

‫ﺃﺷﻬﺮﺓ ﺃﺭﺩﺕ؟ ﺃﻡ ﻭﺭﻗﺎ ﻣﻨﺬ ﻃﻔﻮﻟﺘﻲ ﺁﺫﺍﻙ‬

‫ﺃﺳﺘﻠﻘﻲ ﻓﻮﻕ ﺍﻟﻘﻤﺮ‪ ،‬ﻭﺍﻟﻘﻤﺮ ﻫﻲ ﻋﺎﻧﻘﺘﻨﻲ ﺃﺃﺑﻜﻲ ﺍﻵﻥ‬

‫ﻓﻠﲈ ﺭﻏﺒﺘﻲ ﰲ ﺃﻥ ﺗﺼﺒﺤﻲ ﻧﺠﻤﺔ ﻭﺍﻟﻘﻤﺮ ﲡﺴﺪ ﹺ‬
‫ﻟﻚ ﻛﺈﻧﺴﺎﻥ‬ ‫ﹼ‬
‫ﺃﻋ ﹸﻠﻖ ﺑﻪ ﺑﲔ ﺍﻟﻮﻗﺖ‬ ‫ﹲ‬
‫ﺟﻨﻮﻥ ﺃﺭﻳﺪ ﹾ‬ ‫ﺍﳌﺎﴈ ﺃﻭﺿﺢ‪ ،‬ﻓﻠﻨﻌﺪ‪ ،‬ﻳﺎ ﺍﷲ‬

‫ﻭﺍﻟﺰﻣﺎﻥ‬

‫ﺑﲔ ﺍﳌﺎﴈ ﻭﺍﻵﻥ‪ ،‬ﺑﲔ ﻫﻲ ﻭﺃﻧﺎ ﻗﺒﻞ ﺇﺍﻥ ﻓﺎﺕ ﺍﻷﻭﻥ‬

‫ﻳﺎ ﷲ ﺍﻟﺮﻋﺸﺔ ﲢﺖ ﺍﳌﻄﺮ ﻣﺎ ﺷﺎﲠﺘﻬﺎ ﺭﻋﺸﺔ‬

‫ﻣﺎﺫﺍ ﺍﻵﻥ ﺃﻟﻦ ﻧﺮﻗﺺ ﻳﺎ ﺻﻐﲑﰐ ﺇﻻ ﺑﻌﺪ ﺃﻥ ﺗﻘﻮﻝ ﺃﻣﻲ ﺃﺩﺧﻠﻮﻩ‬

‫ﻧﻌﺸﻪ؟‬

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 ‫ﺍﻓﻄﻈﻐﺞﻏﺍ‬

‫ﻗﻠﺘﻢ ﺃﻥ ﺍﻟﻨﺴﻴﺎﻥ ﻧﻌﻤﺔ‪ ،‬ﺃﺣﻴﺎﻧﺎ ﻭﺳﺄﻗﻮﻝ ﺃﻥ ﺍﻟﻨﺴﻴﺎﻥ ﻓﺮﺩﻭﺱ ﺩﺍﺋﲈ‬

‫ﺳﺄﻧﺴﻰ‪ ..‬ﺳﺄﻧﺴﻰ ﺃﻳﺎﻡ ﲨﻴﻠﺔ ﺃﻋﻄﻴﺘﻨﻲ ﺇﻳﺎﻫﺎ ﺃﻧﺖ ﻣﻘﺎﺑﻞ ﻗﺮﻥ ﺑﺸﻊ‬

‫ﺳﺄﻧﺴﻰ ﺳﻬﺮﺓ ﻓﺨﻤﺔ ﺃﻣﻀﻴﻨﺎﻫﺎ ﻣﻌﺎ ﺻﺪﻳﻘﻲ ﻷﻧﻨﻲ ﻛﻨﺖ ﺃﻧﺎ‬

‫ﻭﺟﺜﺘﻲ ﻓﻘﻂ ﺣﲔ ﺍﺧﺘﻔﻰ ﺍﻟﻮﺑﺎﺀ ﻭﺍﻧﺸﻊ‬

‫ﻓﻠﺘﻨﺒﺬﻭﲏ ﻧﺴﻴﺘﻜﻢ ﺍﺻﻼ ﻛﻠﻜﻢ‪ ،‬ﻭﺗﺪﺭﻭﻥ ﻣﺎﺫﺍ؟ "ﻏﲑ ﺃﻧﺎ ﻧﺒﻘﻰ‬

‫ﺷﺎﻋﻞ"‬

‫ﺧﻠﻒ ﺍﻟﻜﻮﺍﻟﻴﺲ ﺃﻭ ﻓﻮﻕ ﺍﳋﺸﺒﺔ ﰲ ﻛﻨﻴﺴﺔ ﺃﻭ ﰲ ﺳﻄﺢ ﻣﻨﺰﱄ‬

‫ﺳﺄﺑﻘﻰ ﺫﺍﻙ ﺍﻟﻔﻨﺎﻥ ﺍﻟﺬﻱ ﺃﲠﺮ ﺍﳉﻤﻴﻊ ﰲ ﺗﺮﲨﺔ ﺍﳌﺸﺎﻋﺮ‬

‫ﻻ ﺗﻌﺎﻧﻘﻨﻲ ﺍﻟﻴﻮﻡ‪ ،‬ﻭﺃﻧﺖ ﱂ ﺗﺼﺎﻓﺤﻨﻲ ﺍﻣﺲ‬

‫~ ‪~ 138‬‬
 ‫ﺗﺸﺠﻌﻮﻧﻪ ﺍﺧﺘﻠﻔﺖ ﻓﺮﻗﻜﻢ ﻳﺎ ﻣﺮﴇ ﲢﺘﺎﺟﻮﻥ ﺑﺸﺪﺓ‬
‫ﺃﻱ ﻧﻔﺎﻕ ﹼ‬

‫ﻟﻔﺤﺺ‬

‫ﻗﺎﻝ ﺃﺣﺪﻫﻢ ﻳﻮﻡ ﻛﻠﲈﺗﻚ ﻣﺰﻋﺠﺔ‪ ،‬ﺍﺩﺧﻞ ﺍﳌﺮﺣﺎﺽ ﻭﺍﻛﺘﺐ ﻫﻨﺎﻙ‬

‫ﻟﻌ ﹼﻠﻨﺎ ﻻ ﻧﺴﻤﻌﻚ‬

‫ﺩﺧﻠﺖ ﺍﳌﺮﺣﺎﺽ ﻭﻛﺘﺒﺖ ﻓﺨﺮﺟﺖ ﺃﻣﺎﻡ ﲨﻬﻮﺭ ﻳﺼ ﹼﻔﻖ ﱄ‪ ،‬ﺍﻟﻠﻌﻨﺔ‬

‫ﲡﺮﺃﺗﻢ ﺃﻥ ﺗﻌﻮﺩﻭﺍ ﺍﻟﻴﻮﻡ ﻭﺗﻘﻮﻟﻮﺍ ﻧﺤﻦ ﻣﻦ ﻛﻨﺎ ﻧﺼﻨﻌﻚ‬

‫ﻛﻴﻒ ﹼ‬
‫ﺃﻧﺎ ﻟﻦ ﹸﺍﻧﺴﻰ‪ ،‬ﺑﻞ ﺃﻧﺎ ﺳﺄﻧﺴﻰ‪ ،‬ﺍﳌﻨﺴﻴﻮﻥ ﺍﻧﺘﻢ ﻗﻨﺪﻳﻞ ﺑﺎﺭﺩ ﻳﻨﺘﻈﺮ ﻣﻨﻲ‬

‫ﺍﻟﴩﺍﺭﺓ‬
‫ﺗﻠﻚ ﹼ‬

‫ﻳﺎ ﻭﺟﻮﻩ ﺍﻟﺒﺄﺱ ﺃﻧﺘﻢ‪ ،‬ﺍﻟﺒﺎﺭﺣﺔ ﺃﻃﻔﺄﺗﻢ ﻣﺼﺒﺎﺣﻲ ﻭﺍﻟﻴﻮﻡ ﺗﻄﻔﺌﻮﻥ‬

‫ﺍﳌﺘﻤﺮﺩ ﺣﻴﺚ ﺍﻧﻪ ﺃﺻﺒﺢ ﻣﻨﺎﺭﺓ‬

‫ﹼ‬ ‫ﻋﻴﻮﻧﻜﻢ ﻟﻜﻲ ﻻ ﳜﺴﻒ ﺑﺒﴫﻛﻢ‬

‫ﻛﺘﺒﺖ ﰲ ﻣﺮﺣﺎﺽ ﻋﻤﻮﻣﻲ‪ ،‬ﻭﺭﺍﺋﺤﺔ ﺟ ﹼﺜﺘﻲ ﺍﳌﺘﻌﻔﻨﺔ ﻗﺎﻟﻮ ﺍﳖﺎ ﺍﺳﻮﺃ‬

‫ﻣﻦ ﺭﺍﺋﺤﺔ ﺑﻴﺖ ﺍﳋﻼﺀ‬

‫ﻳﺎ ﺣﻘﲑﻭﻥ‪ ،‬ﻓﻀﻼﺕ ﺣﺮﻭﰲ ﺍﻟﻴﻮﻡ ﺗﻠﻌﻘﻮﳖﺎ ﻓﺄﻱ ﻓﻠﺴﻔﺔ ﻫﺬﻩ‪،‬‬

‫ﺃﻣﺴﻴﺘﻢ ﻣﻌﺠﺒﲔ ﳌﻦ ﻟﻘﺒﺘﻤﻮﻩ ﺑﺎﳋﺮﺍﺀ‬

‫~ ‪~ 139‬‬
 ‫ﻧﺴﻴﺘﻜﻢ ﺣﻘﺎ‪ ،‬ﻧﺴﻴﺘﻚ ﺳﻴﺪﻱ ﻣﺪﻳﺮ ﺇﺩﺍﺭﺓ ﻗﻠﺖ ﺃﻧﻪ ﺇﺩﺍﺭﻳﺎ ﻣﺎ‬

‫ﺃﻣﻜﻨﻨﻲ ﺃﻥ ﺃﻛﻮﻥ ﻓﻨﺎﻥ‬

‫ﻭﻧﺴﻴﺘﻚ ﻳﺎ ﺳﻜﺮﺗﲑﺓ‪ ،‬ﺣﻴﻨﲈ ﻃﻠﺒﺖ ﻣﻨﻚ ﺃﻥ ﺗﻌﻄﻲ ﻧﺴﺨﺔ ﻣﻦ‬

‫ﻛﺘﺎﰊ ﳌﺪﻳﺮﻙ ﻭﻓﻮﺭ ﺧﺮﻭﺟﻲ ﻭﺟﺪﺕ ﺃﻓﻜﺎﺭﻱ ﺗﱰﺍﻣﻰ ﰲ ﺍﻟﻔﻨﺎﺀ‬

‫ﺍﻟﺮﺏ ﻭﺣﺪﻩ ﻣﻦ ﺟﺎﻭﺭﲏ ﺣﺘﻰ‬

‫ﺑﺎﷲ ﻋﻠﻴﻜﻢ‪ ،‬ﳌﺎ ﲢﺒﻮﻧﻨﻲ ﺍﻵﻥ؟ ﹼ‬

‫ﺣﻴﻨﲈ ﺗﺮﻛﺘﻪ ﱂ ﻳﱰﻛﻨﻲ‬

‫ﻓﻴﺎ ﺭﺏ ﻟﻚ ﺃﻧﺎ ﻭﻟﻚ ﺍﻟﺒﴩ ﻛ ﹼﻠﻬﻢ ﺍﺑﺪﻟﺘﻬﻢ ﺑﻚ ﻭﲣﻠﻴﺖ ﻋﻨﻲ‬

‫ﻭﻋﻨﻬﻢ ﻓﻠﻚ ﻛﲇ‬

‫ﻣﺎ ﻣﻦ ﺇﻧﺲ ﺃﺳﺘﺜﻨﻴﻪ ﻣﻦ ﺍﻟﻘﺼﺔ ﺇﻥ ﺻﺪﻑ ﺃﻧﻚ ﺑﴩﻱ ﻭﲢﻤﻞ‬

‫ﺟﻴﻨﺎﲥﻢ ﻓﺄﻧﺖ ﺍﳌﻘﺼﻮﺩ‬
‫ﻭﺍﺻﻠﺘﻢ ﳏﺎﻭﻟﺔ ﺍﻟﺘﻤﺮﺩ ﻋﲆ ﺍﳌﺘﻤﺮﺩ ﻭﺍﻟﻴﻮﻡ ﺗﺘﺤﺪﹼ ﺛﻮﻥ ﺑﺄﻗﻮﺍﱄ ﺗﺒﺎ‬
‫ﻟﻜﻢ ﻣﻨﻄﻘﻴﺎ ﻻ ﳚﺐ ﺃﻥ ﻳﺮﻭﻗﻜﻢ ﻛﻼﻡ ﻟﺴﺎﻥ ﻣﻘﺼﻮﺹ‬
‫ﺍﻧﺘﻬﻰ ﺍﻷﻣﺮ ﺃﻧﺎ ﻟﻦ ﺃﺭﻛﻊ ﻷﻱ ﻗﺎﻧﻮﻥ‬
‫ﻋﲇ ﺃﻏﻼﻟﻜﻢ ﻭﺳﺄﻗﻨﻌﻜﻢ ﺑﺄﻧﻪ ﻻ ﳚﺐ ﺃﻥ ﺃﻛﻮﻥ ﻣﻐﻠﻮﻝ‬
‫ﺿﻌﻮﺍ ﹼ‬

‫~ ‪~ 140‬‬
 ‫ﺃﻧﺎ ﺍﻟﻘﻮﺓ ﺍﻟﻜﺎﻣﻨﺔ ﺩﺍﺧﻠﻜﻢ‪ ،‬ﺃﻧﺎ ﻣﱰﺟﻢ ﻣﺸﺎﻋﺮﻛﻢ ﺍﻟﻠﻌﻴﻨﺔ‬
‫ﻳﺎ ﺃﻣﺔ ﺗﺎﻫﺖ ﻣﻨﺬ ﺯﻣﻦ‪ ،‬ﺃﻧﺎ ﻭﺍﻧﻔﺼﺎﻣﻲ ﻫﻨﺎ ﺍﻟﻴﻮﻡ ﻷﻭﻝ ﻣﺮﺓ‬
‫ﹺ‬
‫ﻭﺍﻣﺎﻣﻚ ﺧﻴﺎﺭﺍﻥ ﻓﻘﻂ ﺇﻣﺎ ﺍﻹﻋﺪﺍﻡ ﻭﺇﻣﺎ ﺍﻥ ﺗﺘﺒﻌﻴﻨﺎ‬
‫ﺍﻟﺮﺏ ﻻ ﻳﺮﻳﺪ ﺍﻟﻀﻌﻔﺎﺀ‪ ..‬ﻭﺍﻟﻀﻌﻔﺎﺀ ﻻ ﻳﺮﻳﺪﻭﻥ ﺍﻟﺮﺏ‬
‫ﻻ ﺗﺜﻘﻮﻥ ﺑﻘﻠﻮﺑﻜﻢ؟ ﺇﺫﺍ ﺃﻧﺎ ﺍﺟﺪﺭ‪ ،‬ﻷ ﹼﲏ ﻣﺘﺄﻛﺪﺍ‪ ،‬ﺃﲏ ﺑﻜﻠﻤﺔ ﻗﺪ ﺃﻏﲑ‬
‫ﻣﺎ ﳛﺪﺙ ﰲ ﺳﺎﺣﺔ ﺍﳊﺮﺏ‬
‫ﺍﷲ ﳛ ﹼﺒﻨﻲ‪ ...‬ﺇﺫﺍ ﳌﺎ ﺃﻫﺪﺍﲏ ﳎﺮﺓ ﳛﻤﻠﻬﺎ ﻛﺘﻔﺎﻱ ﺍﻋﻠﻢ ﺍﲏ ﺍﺑﺪﻭﺍ ﻛﻜﻞ‬
‫ﺍﻟﻜﻮﺍﻛﺐ‬
‫ﻭﺣﺘﻰ ﻣﻦ ﱂ ﳜﺸﻨﻲ ﻓﻘﺪ ﺧﴚ ﺍﻟﺮﺏ‪ ،‬ﺑﺎﷲ ﻋﻠﻴﻜﻢ ﺣﺘﻰ ﺍﻧﺎ‬
‫ﺍﺳﺘﻐﺮﺏ ﻣﻦ ﻫﺬﻩ ﺍﻟﻜﻠﲈﺕ ﻛﻴﻒ ﻋﺴﺎﻫﺎ ﲣﺮﺝ ﻣﺮﺗﺒﺔ ﻣﻮﺯﻭﻧﺔ ﰲ‬
‫ﺷﻜﻞ ﻣﻮﺍﻛﺐ‬
‫ﻧﺴﻴﺘﻜﻢ‪ ،‬ﻭﺍﷲ ﺍﻧﺴﺎﲏ‪،‬‬
‫ﺍﺣﱰﻣﻮﲏ ﻓﻬﺬﺍ ﻣﻮﻗﻒ ﺍﻧﺴﺎﲏ‬
‫ﻣﺘﻤﺮﺩ ﺍﻧﺎ ﻣﻦ ﺍﺻﻐﺮ ﺍﺻﺎﺑﻌﻲ ﺣﺘﻰ ﺍﺻﻐﺮ ﺧﻠﻴﺔ ﰲ ﻋﻘﲇ‬
‫ﹼ‬
‫ﻣﺘﻤﺮﺩ ﺍﻧﺎ ﲤﺮﺩ ﻗﻠﺒﻲ ﻗﺒﻞ ﺍﻥ ﻳﺘﻤﺮﺩ ﻟﺴﺎﲏ‬

‫~ ‪~ 141‬‬
 ‫ﻄﺳﻈﺛﻏﺢ ﺍﺠﻃ‬

‫ﻣﺎ ﺍﺳﻤﻚ ؟‬

‫" ﻣﻌﻨﺪﻳﺶ ﺍﺳﻢ "‬

‫ﻗﻠﺖ ﺍﺧﱪﲏ ﻣﺎ ﺍﺳﻤﻚ‬

‫ﺫﺍﻙ ﺇﺳﻤﻲ "ﻣﻌﻨﺪﻳﺶ ﺍﺳﻢ"‬

‫ﺃﻧﺎ ﺣﺒﻴﺒﻜﻢ ﻫﻼ ﺗﺘﺄﻛﺪﻭﻥ ﻣﻦ ﻫﺬﺍ ﺍﻟﺬﻱ ﻳﴫﺥ ﺩﺍﺧﲇ ؟‬

‫ﺩﺧﻠﺘﻢ ﻳﺎ ﺳﺎﺩﺓ ؟ ﺍﻧﺎ ﺣﺒﻴﺒﻜﻢ ﻫﻼ ﺗﺘﺄﻛﺪﻭﻥ ﻣﻦ ﳞﻤﺲ ﺧﺎﺭﺟﻲ ؟‬

‫ﺍﻟﻘﻮﺍﻧﲔ ﺑﺴﻴﻄﺔ‬

‫ﻻ ﺗﻨﺎﺩﲏ ﻻ ﺍﺳﻢ ﱄ ﰲ ﻫﺬﻩ ﺍﳋﺮﻳﻄﺔ‬

‫ﻻ ﺗﻔﺮﻃﻮﺍ ﻣﻨﻲ ﻗﺪ ﺍﺭﺣﻞ ﰲ ﺍﻱ ﳊﻀﻪ ﻓﻬﻞ ﻣﻦ ﻭﺭﻳﺚ ﺟﺪﻳﺮ‬

‫ﺍﳌﻮﺕ ﺳﻤﻌﺖ ﲠﺎ ﻳﻮﻡ ﻭﻟﺪﺕ ﳘﺴﺖ ﻷﻣﻲ‪ :‬ﺃﻣﺎﻩ ﺑﺪﺃﺕ ﺃﺧﺎﻑ‬

‫ﻫﺬﺍ ﺍﻟﻌﺎﱂ ﺍﳉﺪﻳﺪ‬

‫~ ‪~ 142‬‬
 ‫ﻣﻌﻨﺪﻳﺶ ﺍﺳﻢ ﺍﳌﺘﻤﺮﺩ ﻳﺮﻭﻗﻨﻲ ﻛﺎﻥ ﻳﻤﻜﻦ ﺍﻥ ﻳﻜﻮﻥ ﱄ ﺍﺳﲈ‬

‫ﻗﺮﺭﺕ ﺑﻜﻞ ﺑﺴﺎﻃﺔ ﺍﲏ ﻻ ﺍﺳﺘﺤﻖ ﺍﻟﻔﻦ ﺍﻻﺳﻤﻰ‬

‫ﻭﻟﻜﻦ ﺍﳌﻤﺮﺿﺔ ﹼ‬
‫ﻛﺎﻥ ﻳﻤﻜﻦ ﺃﻥ ﻻ ﻳﻜﻮﻥ ﻛﻴﺎﲏ ﰲ ﺍﻟﻜﻮﻥ ﻛﻜﻮﻛﺐ ﻛﻠﻪ ﻛﺮﻳﻪ‬

‫ﻛﺎﻥ ﻳﻤﻜﻦ ﺃﻥ ﺃﻛﻮﻥ ﺃﻛﱪ ﻣﻦ ﻛﺮﺓ ﺗﺪﻣﺮﻫﺎ ﺍﺑﺴﻂ ﺍﻷﺷﻴﺎﺀ ﻣﺜﻼ‬

‫ﻛﺎﻟﺮﻳﺢ‬

‫ﻣﻌﻨﺪﻳﺶ ﺍﺳﻢ ﱂ ﺃﺭﻏﺐ ﺑﺮﻓﺎﰐ ﻳﻮﻣﺎ ﻭﺍﻵﻥ ﺃﺭﻳﺪ ﺃﻥ ﺃﺣﺮﻕ ﺟﺜﲈﲏ‬

‫ﺍﻟﻔﺠﻮﺓ ﲨﻴﻞ ﺟﺰﺍﺋﻬﺎ ﺃﻓﺮﻏﺖ ﱄ ﺟﻮﰲ ﺃﻋﺘﻘﺪ ﳏﺘﺎﺝ ﳉﻮﻑ ﺛﺎﲏ‬

‫ﱪﺭ ﳌﻤﺮﺿﺔ ﺩﻓﻌﻮﺍ ﳍﺎ ﻣﻠﻴﻮﻥ ﻭﻧﺼﻒ ﻭﺃﻧﺎ‬

‫ﻛﻤ ﹼ‬
‫ﻭﻟﺪﺕ ﻋﺎﺭﻳﺎ ﻭﻛﺎﻥ ﳚﺐ ﺃﻥ ﺃﺭﺗﺪﻱ ﺷﻴﺌﺎ ﻣﺎ ﺍﻟﻠﻌﻨﺔ‬

‫ﻳﺪﻱ ﺍﻟﺒﻴﻀﺎﺀ ﺳﺘﻤﺴﻚ ﻣﺎﻟﻚ ﺍﻷﺳﻮﺩ ﻟﺘﻘﻮﻡ ﻓﻦ ﺭﻣﺎﺩﻱ؟‬

‫ﻣﻬﻼ ﳊﻈﺔ‪ ،‬ﺃﲢﺎﻭﻟﻮﻥ ﺍﻟﻘﻮﻝ ﺃﻥ ﺍﻷﻟﻮﺍﻥ ﺃﺻﺒﺤﺖ ﺷﻴﺌﺎ ﻣﺎﺩﻱ؟‬

‫~ ‪~ 143‬‬
 ‫ﻄﺍ ﺻﺊﻀ ﺲﺍ�ﺿﻃ‬

‫ﻫﺎ ﻗﺪ ﺧﺮﺟﺖ ﺍﻟﻌﺎﱂ ﺍﻟﻴﻮﻡ ﻻ ﻳﺒﺪﻭ ﻛﺄﻣﺲ ﺗﻐﲑ ‪ ..‬ﺇﻧﻨﻲ ﺍﺳﺘﻐﻨﻲ‬

‫ﻋﻦ ﻋﻴﻨﺎﻱ ﺣﻴﺚ ﺍﺿﻌﻬﲈ ﻋﲆ ﻟﻮﺣﺔ ﻣﻔﺎﺗﻴﺢ ﻫﺎﺗﻔﻲ ﻭ ﺍﻣﴚ ﺃﺫﲏ‬

‫ﻫﻲ ﺍﻟﴚﺀ ﺍﻟﻮﺣﻴﺪ ﺍﻟﺬﻱ ﻳﺴﺎﻋﺪﲏ ﰲ ﲡﻨﺐ ﺍﻟﺴﻴﺎﺭﺍﺕ ﺍﳌﺎﺭﺓ ﻣﻦ‬

‫ﻫﻨﺎ ‪ ..‬ﺍﻋﺘﺪﺕ ﺃﻥ ﺃﺻﺎﺏ ﺑﺄﻧﻔﻠﻮﻧﺰﺍ ﻛﻞ ﻳﻮﻡ ﻟﻜﻦ ﻫﺬﻩ ﺍﳌﺮﺓ ﻛﺄﻧﻨﻲ‬

‫ﺍﻧﺎ ﻣﻦ ﺍﺻﺒﺘﻬﺎ ﺇﳖﻢ ﻳﻨﻈﺮﻭﻥ ﱄ ﰲ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﺑﺎﻟﺬﺍﺕ ‪ ..‬ﺑﺤﻖ‬

‫ﺍﻟﺴﲈﺀ ﻣﺎ ﺍﻟﺬﻱ ﳚﺮﻱ‬

‫ﺭﺑﲈ ﺍﻟﺴﺒﺐ ﻫﻮ ﻣﻼﺑﴘ ﺍﻟﺸﺘﻮﻳﺔ ﰲ ﻫﺬﺍ ﺍﳊﺮ‬

‫ﺃﺧﱪﺗﻜﻢ ﺃﻧﺎ ﻣﺮﻳﺾ ﻋﲆ ﺍﻟﺪﻭﺍﻡ ﺍﳌﻼﺑﺲ ﺍﻟﺸﺘﻮﻳﺔ ﺗﺴﺎﻋﺪﲏ ﻋﲆ‬

‫ﺍﻟﺒﻘﺎﺀ ﺩﺍﻓﺌﺎ‬

‫ﻻ ﺃﺷﻌﺮ ﺃﻧﻨﻲ ﺍﻣﴚ ﺍﻧﺎ ﺍﻃﻮﻑ ‪ ،‬ﻳﺎ ﻟﻠﺤﲈﻗﺔ ﺍﻧﺎ ﺃﻃﲑ ﺍﻵﻥ ﻳﺎ ﻟﻪ ﻣﻦ‬

‫ﺣﻠﻢ ﲨﻴﻞ ‪ ..‬ﺃﻩ ﱂ ﺃﺷﱰﻱ ﻭﻻﻋﺔ ﺑﻌﺪ ‪ ..‬ﺳﺄﻋﻮﺩ ﺇﱃ ﺍﻟﺪ ﹼﻛﺎﻥ ‪..‬‬

‫~ ‪~ 144‬‬
 ‫ﺣﺴﻨﺎ ﺗﻢ‪ ،‬ﻣﺎﺫﺍ ﺍﻵﻥ ﺃﺷﻌﺮ ﺃﻥ ﻃﻔﻴﻠﻴﺎﺕ ﺗﻠﺘﻬﻢ ﻋﻴﻨﺎﻱ ﺃﺷﻌﺮ‬

‫ﺑﺎﻟﺘﻠﻮﺙ ﺗﻠﻚ ﺍﳉﺮﺍﺛﻴﻢ ﺍﳌﻮﻧﻮ ﲪﻘﺎﺀ‪ ،‬ﲢﺎﻭﻝ ﺍﻻﻟﺘﺼﺎﻕ ﰊ ﺍﻟﺸﻤﺲ‬

‫ﲢﺮﻕ ﻭﺟﻬﻲ ﺍﻟﻠﻌﲔ ﺁﺥ ‪..‬‬

‫ﺍﻷﺳﻮﺩ ﻻ ﻳﻠﻴﻖ ﰊ‪ ،‬ﺍﻷﺳﻮﺩ ﳚﺬﺏ ﺣﺮﺍﺭﺓ ﺍﻟﺸﻤﺲ‪ ..‬ﺳﺤﻘﺎ‬

‫ﹼﺗﺮﻫﺎﺕ ﺣﻘﺎ‪ ..‬ﺧﺰﻋﺒﻼﺕ ﺃﺻﻞ ﺍﳌﻨﺰﻝ‪ ،‬ﺃﺣﺪﹼ ﻕ ﰲ ﺑﺎﺑﻨﺎ ﺍﳊﺪﻳﺪﻱ‬

‫ﺛﻢ ﺍﻟﻠﻌﻨﺔ‬

‫ﺳﺄﺿﻄ ﹼﺮ ﻷﺩﻕ ﺍﻵﻥ؟‬

‫ﺁﺥ ﻫﺬﺍ ﻣﺘﻌﺐ‬

‫ﺗﺬﻣﺮ‪ ،‬ﺗﺬﻣﺮ‪ ،‬ﺗﺬ ﹼﻣﺮﺍﺕ ﻭ" ﺗﻔﻨﲔ"‬

‫ﻓﺘﺢ ﺍﻟﺒﺎﺏ‪ ..‬ﺍﻟﺒﴩﻱ ﺍﻷﺻﻐﺮ ﺍﻟﺬﻱ ﻳﺴﻜﻦ ﰲ ﻣﻨﺰﱄ ﺧﺮﺝ‬

‫ﻟﻴﻠﻌﺐ‪ ..‬ﺃﻓﻜﺮ ﰲ ﻗﺘﻠﻪ ﺭﺑﲈ ﺍﺣﺘﻞ ﻣﻜﺎﻧﺎ ﰲ ﺍﳉﻨﺔ‬

‫ﻟﻜﻦ ﺑﺄﻱ ﺣﻖ ﺳﺄﻗﺘﻠﻪ؟‪..‬‬

‫ﺁﻩ‪ ،‬ﺃﺟﻞ ﲣﻠﻴﺺ ﻓﺘﻰ ﻣﻦ ﻋﻨﻔﻮﺍﻥ ﺍﻟﻘﺪﺭ‪ ،‬ﺃﻣﺮ ﺟﻴﺪ ﺃﺣﺴﺪ‬

‫ﺍﻟﻜﺎﺋﻨﺎﺕ ﺍﻟﺘﻲ ﲤﻮﺕ ﺑﺎﻛﺮﺍ ﺗﻌﻴﺶ ﺃﻓﻀﻞ ﳊﻀﻪ ﰲ ﺍﻟﻌﻤﺮ ﺛﻢ‬

‫~ ‪~ 145‬‬
 ‫ﺗﺼﻌﺪ ﻟﻠﺴﲈﺀ ﺁﺥ ﻳﺎ ﻟﻴﺖ ﻟﻮ ﻗﺘﻠﻨﻲ ﺷﺨﺺ ﻣﺎ ﰲ ﻣﺮﺣﻠﺘﻲ‬

‫ﺍﳌﻼﺋﻜﻴﺔ‬

‫ﺃﻃﻠﺖ ﺍﳊﺪﻳﺚ ﻫﻴﺎ ﺇﱃ ﴍﻓﺘﻲ ﺍﻵﻥ‬

‫ﻗﻬﻮﺓ‪ ،‬ﺳﻴﺠﺎﺭﺓ‪ ،‬ﻗﻄﻌﺔ ﻛﻌﻚ‪ ..‬ﻭﺻﻮﺕ ﺍﻟﻮﻻﻋﺔ ﺍﻟﺘﻲ ﺍﺷﱰﻳﺘﻬﺎ‬

‫ﺃﻭﻝ ﻧﻔﺲ ﻣﻦ ﺳﻴﺠﺎﺭﺓ ﻭ ‪ ..‬ﺗﻐﲑ ﺍﻟﻌﺎﱂ‬

‫ﺻﺒﺎﺡ ﺍﳋﲑ‪ ..‬ﺻﺒﺎﺡ ﲨﻴﻞ ﺃﻣﻲ ‪ ..‬ﺍﻫﻼ ﺃﺧﻲ‪ ..‬ﻛﻴﻔﻚ؟ ﻟﺬﻳﺬﺓ‬

‫ﺗﻠﻚ ﺍﻟﻜﻌﻜﺔ‬

‫ﺁﺥ‪ ،‬ﺍﺷﺘﻘﺖ ﻟﻐﻴﺘﺎﺭﻱ ‪ ..‬ﻣﺎ ﻫﺬﺍ‪ ..‬ﺁﻩ ﺻﺒﺎﺡ ﲨﻴﻞ ﺣﻘﺎ‪ ،‬ﺟﺎﺭﰐ ﻗﺪ‬

‫ﺑﺎﴍﺕ ﺍﻟﻌﺰﻑ ﻋﲆ ﺍﻟﻜﲈﻥ ﺃﻳﻀﺎ ﺗﺒﺎ ﻛﻢ ﺍﳊﻴﺎﺓ ﲨﻴﻠﺔ‬

‫~ ‪~ 146‬‬
 ‫ﺍﻟﻔﺼﻞ ﺍﻷﺧ‪:‬‬
‫ﺍﻟﺼﻴﻒ‪ ،‬ﺍﺳﱰﺍﺣﺔ ﻃﻮﻳﻠﺔ ﻟﻠﺸﺘﺎﺋﻴﲔ ‪..‬‬

‫ﻓﻠﻨﺘﻤﺮﺩ ﻋﲆ ﺍﻟﻔﺼﻮﻝ ﺍﻷﺧﺮ￯ ﺣﺎﻥ ﺍﻟﻮﻗﺖ ﻟﻨﺒﺘﺴﻢ ﺣﺘﻰ ﻭﻧﺤﻦ‬

‫ﹼ‬

‫ﻧﻨﻔﺼﻢ‪..‬‬

‫ﻓﻠﻨﺘﺒﻊ ﺍﻟﺸﻤﺲ ﺣﻮﻝ ﺍﻟﻌﺎﱂ‪ ،‬ﺍﻟﻐﺮﻭﺏ ﺃﻭﺷﻚ‪..‬‬

‫~ ‪~ 147‬‬
 ‫ﻏـــــــــــﺟ‬
‫ْ‬ ‫ــــﺍﺭ‬
‫َﺏ ِ‬

‫ﻋﺴﻞ ﹺﰲ ﹺ‬
‫ﺑﺎﺭﻳﺲ‬ ‫ﺍﻣﻀﻴﺎ ﹶﺷﻬﺮ ﹶ‬
‫ﹶ‬

‫ﻼﳘﺎ ﹶﻳﺎﺋﹺﺲ ‪..‬‬

‫ﻭﺍﻵﻥ ﹺﻛ ﹸ‬
‫ﹶ‬ ‫ﻣﴣ‬
‫ﻭﺍﻟﻌﺴﻞ ﹶ‬
‫ﹶ‬ ‫ﺷﻬﺮﺍ‬
‫ﺃﻣﻀﻴﺎ ﹾ‬
‫ﹶ‬
‫ﹺ‬ ‫ﻫﻮ ﻭﻫﻲ ﻛﺎ ﹶﻧﺎ ﺍﳌ ﹺ ﹶ‬
‫ﺳﻤﻰ ﹺﰲ ﹸﻭ ﹸﺟﻮﺩ ﹸﺧﺮﺍ ﹶﻓﺔ ﺍﳊﹸ ﹼ‬
‫ﺐ ﹶﻳﺎ ﹶﺳ ﹶﻼﻡ‬ ‫ﺜﺎﻝ ﺍﻷﹶ ﹶ‬
‫ﻳﺴﺄﻻﻥ‬ ‫ﹺ‬ ‫ﻭﺍﻵﻥ ﹶ‬
‫ﹶ‬ ‫ﺍﺧﺬ ﹶﻫﺎ ﻟ ﹺ ﹶﺒ ﹺ‬
‫ﺎﺭﻳﺲ ﹶﻭﻫﻲ ﹶﺫ ﹾ‬ ‫ﻫﻮ ﹶ‬
‫ﳘﺎ ﺃ ﹶﻣﺎﻣﻲ ﹾ‬
‫ﻛﻼ ﹶ‬ ‫ﻫﺒﺖ ﹶﻣ ﹶﻌﻪ‬

‫ﺑﺎﻟﺮﺏ ﻗﺪ ﺗ ﹶﻠ ﹾﻮ ﹶﻧﺎ ﹸﻋ ﹸﻬﻮ ﹰﺩﺍ‬ ‫ﻣﺘﻤﺮﺩ ﹺ‬

‫ﺍﺧﱪ ﹶﻧﺎ ﹶﻗ ﹶﺴ ﹰﲈ‬ ‫ﹺ‬
‫ﹼ‬ ‫ﻴﻢ ﺃﺧ ﹶﻄﺄ ﹶﻧﺎ ﹶﻳﺎ ﹼ‬
‫ﻓ ﹶ‬
‫ﻔﺎﻅ ﻋﻠ ﹾﻴﻬﺎ ﻭ ﹶﻓﻴﻨﹶﺎ ﹸﻭﻋﻮ ﹰﺩﺍ‬ ‫ﺷﻌﴩ ﹰﺓ ﹺ‬
‫ﻟﻠﺤ ﹾ‬ ‫ﹺ‬
‫ﺐ ﹶ‬‫ﻓﻴﻢ ﺍﺧ ﹶﻄﺄ ﹶﻧﺎ ﺃﻟ ﹾﻴ ﹶﺲ ﺍﳊﹸ ﹼ‬

‫ﻣﻮﺟﻮﺩ‬
‫ﺐ ﹸ‬ ‫ﳊ ﹼ‬
‫ﺻﻐﲑﻱ ﺍ ﹸ‬
‫ﹼ‬ ‫ﺍﺑﺘﺴﲈ ﹶﻳﺎ‬
‫ﹶ‬
‫ﺎﺻﻤﺔ ﻟﺪﻭ ﹴﻟﺔ ﹶﺫ ﹺ‬ ‫ﹺ‬
‫ﺍﺕ ﹸﺣﺪﹸ ﻭﺩ‬ ‫ﹰ ﹾ‬ ‫ﻜﻦ ﱠﺍﻻ ﹶﻋ‬
‫ﻭﺑﺎﺭﻳﺲ ﹶﱂ ﹶﺗ ﹾ‬
‫ﺍﻟﻘﻬﻮ ﹸﺓ ﺍﻟﺼﺒ ﹺ‬ ‫ﺍﻟﻨﹼﺒﹺﻴﺬ‬
‫ﺎﺣ ﹼﻴﺔ‬ ‫ﻛﺬﺍ ﹶ ﹾ ﹶ ﹼ ﹶ‬‫ﺍﺣﺘﺴ ﹶﻴﺎ ﹸﻩ ﻣ ﹰﻌﺎ ﹶ‬
‫ﹶ‬
‫ﹺ‬
‫ﲑﻱ ﹺﰲ ﹶﻣ ﹶ ﹶ‬
‫ﻘﱪﺓ ﺍﻷﺣ ﹼﺒﺎﺀ‪ ،‬ﻓﻠﺘﺤ ﹸﻴﻮﺍ ﻭﻟ ﹸﺘ ﹾﺒ ﹸﻘﻮﺍ ﹸﻗ ﹸﻠﻮ ﹶﺑ ﹶﻜﻢ ﹶﺣ ﹼﻴﺔ‬ ‫ﺃﻧﺘﲈ ﻳﺎ ﹶﺻﻐ ﹼ‬

‫ﺇﺳ ﹺﻤﻲ‬ ‫ﻤﻬﺎ ﹶﻓ ﹶ‬

‫ﻮﻕ ﹾ‬
‫ﺭﺃﻳ ﹸﺘﻨ ﹺﻲ ﻓﹺﻴﻬﺎ ﹶﺃ ﹶﻧﺎ ﹸﻛ ﹸ ﹺ‬
‫ﻨﺖ ﻣﺜﻠ ﹶﻜﲈ ﺃﻛ ﹸﺘﺐ ﺍ ﹾﺳ ﹶ‬ ‫ﹶ‬

‫~ ‪~ 148‬‬
‫ﻫﻮ ﹺﻗ ﹾﺴ ﹺﻤﻲ‬ ‫ﺃﻥ ﻳ ﹸﻜ ﹶ ﹺ‬
‫ﻮﻥ ﻗ ﹾﺴ ﹸﻤ ﹶﻬﺎ ﹼ‬ ‫ﻋﲆ ﹾ ﹶ‬ ‫ﺩﺍﺋﲈ ﹺ‬
‫ﺃﺣﺮﺹ ﹶ‬ ‫ﻭﰲ ﺍﻟ ﹼﺜﺎﻧﻮ ﹼﻳﺔ ﹸ‬
‫ﻛﻨﺖ ﹰ‬
‫ﻛﻢ‬ ‫ﺍﻟﻘ ﹸ ﹺ ﹺ ﹺ‬ ‫ﺐ‪ ،‬ﹶﻓ ﹶﻠﻢ ﹶﻳ ﹾﻜ ﹺﻔﻨﹶﺎ ﹸ‬ ‫ﺯﺭﻧﺎ ﹺ‬
‫ﺑﺎﺭﻳﺲ ﹾ‬
‫ﻮﺕ ﻟﴩﺍﺀ ﹶﺗﺬﺍﻛﺮ‪ ،‬ﺁﻩ ﹾ‬ ‫ﻣﻘ ﹶﱪ ﹶﺓ ﺍﳊﹸ ﹼ‬ ‫ﹾ‬

‫ﹸﺭﻗ ﹸﺘﻬﺎ‬

‫ﻋﺪﺕ ﺃ ﹶﻧﺎ ﹶﻭ ﹶﺗ ﹶﺮ ﹾﻛ ﹸﺖ ﹶﺣﺒﻴﺒﺘﹺﻲ ﹸﻫﻨﹶ ﹶ‬

‫ﺎﻙ‪ ،‬ﺑﹺ ﹸﻌ ﹾﺬ ﹺﺭ ﺍﻟ ﹶﻔ ﹾﻘ ﹺﺮ ﹶﺗ ﹶﺮ ﹾﻛ ﹸﺘ ﹶﻬﺎ‬ ‫ﹸ‬

‫ﺃﻭ ﻫﻞ ﺗﻜﻮﻧﺎﻥ ﻣﺜﲇ‪ ،‬ﻳﺎ ﺻﻐﲑﺍﻱ ﺍﻟﻌﻨﺎﻕ ﺃﻓﻀﻞ ﻗﺒﻠﺔ‬

‫ﺗﺸﺎﺭﻛﺎ ﻧﻔﺲ ﺍﻟﻄﺮﻳﻖ‪ ،‬ﻭﺃﻋﺪﻛﲈ ﺃ ﹼﻧﻜﲈ ﺣﻼﻻ ﺳﺘﺘﺸﺎﺭﻛﺎﻥ ﺍﻟﻘﺒﻠﺔ‬

‫ﺣﺘﻰ ﺍﳌﺘﻤﺮﺩ ﻭﻗﻊ ﰲ ﺍﳊﺐ ﻳﻮﻣﺎ ﻭﻗﺎﻝ ﻟﺰﻭﺟﺔ ﻋﻴﻨﻴﻪ‬

‫ﹼ‬
‫ﺃﻧﻈﺮﻥ ﻟﴚﺀ ﻏﲑ ﻋﻴﻨﺎﻙ‬ ‫ﺃﻧﻪ ﺇﻥ ﺳﻘﻄﺖ ﺛﻴﺎﺑﻚ ﻛﻠﻬﺎ ﻋﻨﻚ ﻓﻼ‬

‫ﻭﺗﺰﻭﺟﻮﺍ ﺍﻟﻠﻴﻠﺔ ﺍﺟﻌﻠﻮﺍ ﺑﺎﺭﻳﺲ ﺗﻘﻊ ﰲ ﺍﳊﺐ‬

‫ﺍﺳﺘﺄﺟﺮﻭﺍ ﻓﺮﻗﺔ ﹼ‬

‫ﳎﺪﹼ ﺩﺍ‬

‫ﲤﺮﺩﺕ ﻋﲆ ﺍﳊﺐ ﻛﺜﲑﺍ ﻓﻘﻂ ﻷﻥ ﲤﺮﺩﻱ ﻋﲆ ﺍﻟﻜﺮﺍﻫﻴﺔ ﻟﻦ ﻳﻜﻔﻴﻪ‬

‫ﹼ‬
‫‪14‬ﻭ‪ 2‬ﳎﻠﺪﺍ‬

‫ﺍﻋﱰﻑ ﳍﺎ ﺑﻨﻲ‪ ،‬ﺃﻟﺴﺖ ﺑﴩﺍ ﺑﺤﻖ ﺍﻟﺴﲈﺀ ﺍﻟﺴﺎﺑﻌﺔ ﻗﻠﻬﺎ‬

‫ﺍﻋﱰﰲ ﻟﻪ ﺑﻨﻴﺘﻲ‪ ،‬ﻓﺄﻧﺖ ﱂ ﺗﺮﻳﻪ ﻳﻘﻮﻡ ﺻﻼﺓ ﻟﻴﻼ ﻭﳞﻤﺲ ﻟﺮﺑﻪ ﺃﺣﺒﻬﺎ‬

‫~ ‪~ 149‬‬
 ‫ﺃﻧﺖ ﱂ ﺗﺮﻫﺎ‪ ،‬ﺗﻌﺎﻧﻖ ﻭﺳﺎﺩﺓ ﻭﲣﱪ ﺻﺪﻳﻘﺎﲥﺎ ﺃ ﹼﻧﻚ ﺃﻓﻀﻞ ﺭﺟﻞ‬

‫ﻭﺃﻧﺖ ﱂ ﺗﺮﻳﻪ ﻛﻴﻒ ﻻ ﻳﺘﺤﺪﹼ ﺙ ﻋﻨﻚ ﺃﻣﺎﻡ ﺃﺣﺪ ﺗﻠﻚ ﻏﲑﺓ ﻳﺎ ﲪﻘﺎﺀ‬

‫ﻭﻟﻴﺴﺖ ﺑﺨﺠﻞ‬

‫ﺁﻩ ﻟﻮ ﺭﺃﻳﺘﻬﺎ ﲣ ﹼﻄﻂ ﻟﻌﻴﺪ ﻣﻴﻼﺩﻙ ﻛﻴﻒ ﺳﺄﻟﺘﻚ ﻋﺎﻣﺎ ﻛﺎﻣﻼ ﻣﺎ ﺍﻟﺬﻱ‬

‫ﻳﺮﻭﻗﻚ‬

‫ﻭﺃﻧﺖ ﻳﺎ ﻟﻴﺘﻚ ﺳﻤﻌﺘﻲ ﺩﺍﺧﻠﻪ ﻳﻘﻮﻝ ﻫﺪﻳﺘﻲ ﺃﻧﺖ ﻭﻟﻜﻦ ﺧﺎﺭﺟﻪ‬

‫ﻳﺰﻳﻒ ﻭﻳﻘﻮﻝ ﺍﺧﺘﺎﺭﻱ ﺑﺬﻭﻗﻚ‬

‫ﺃﺗﺼﺒﺤﺎﻥ ﻣﺜﲇ ﻳﺎ ﺻﻐﲑﺍﻱ؟ ﻋﺠﻮﺯ ﺭﻣﺎﺩﻱ‬

‫ﺯﻭﺟﺘﻜﲈ ﺍﻟﻴﻮﻡ ﻭﺗﺒﺎ ﻟﻜﻞ ﺣﺐ ﺍﲥﻤﻮﻩ ﺑﺄﻧﻪ ﻣﺎﺩﻱ‬

‫ﹶ‬

‫ﻓﻠﺘﻀﻊ ﺍﳋﺎﺗﻢ ﻓﺈﺻﺒﻌﻬﺎ ﻭﻟﺘﻌﺘﻨﻲ ﺑﺰﻭﺟﺘﻚ ﻳﺎ ﺻﺪﻳﻘﻲ‬

‫ﻓﻠﺘﺪﻉ ﻛﻞ ﻣﻌﺎﺭﻓﻚ ﻟﻌﺮﺱ ﻛﻞ ﺯﻣﻴﻞ ﺩﺭﺍﺳﺔ ﻭﻛﻞ ﻻﻋﺐ‬

‫ﹸ‬

‫ﻣﻮﺳﻴﻘﻲ‬

‫ﹸ‬
‫ﺳﺘﻜﻮﻥ‬ ‫ﻓﻠﺘﺠﻌﻞ ﺍﻟﻠﻴﻠﺔ‪ ،‬ﺃﻫﻢ ﻟﻴﻠﺔ ‪ ..‬ﺃﻣﻚ ﻭﺃﻣﻬﺎ ﻭﻫﻲ ﺃﻡ ﻻﺑﻨﺘﻚ‬

‫~ ‪~ 150‬‬
‫ﺃﱂ ﻳﻘﻞ ﳏﻤﺪ ﺻﲆ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ''ﺃﻧﻜﻢ ﺇﻥ ﺃﺣﺒﺒﺘﻢ ﻓﺎﷲ ﺳﻤﺢ‬

‫ﺑﺄﻥ ﺗﻘﻮﻟﻮﺍ؟''‬

‫ﺃﻗﻴﻤﻮﺍ ﻋﺮﺳﺎ‪ ،‬ﻭﻟﺘﺼﺒﺤﻮﺍ ﺍﻧﺘﻢ ﺑﺎﺭﻳﺲ ﻭﺟﻮﺩﻫﺎ‬

‫ﺃﺿﻮﺍﺀ ﺯﻓﺎﻓﻜﻢ ﻧﺠﻮﻣﻬﺎ ‪،‬ﺃﺛﺒﺘﻮﺍ ﺃﻥ ﻟﻠﻘﻠﻮﺏ ﻭﺟﻮﺩﻫﺎ‬

‫~ ‪~ 151‬‬
 ‫ﺥﻡﺭﺓ‬

‫ﻋﺘﻘﺘﻬﺎ ﻛﺨﻤﺮﺓ‬

‫ﻋﺘﻴﻖ ﺃﻧﺎ ﺃﻣﺎﻡ ﺳﺒﺐ ﺍﻧﻔﺼﺎﻣﻲ ﺃﻭ "ﴎﺍﻗﺔ ﺍﻟﻘﻤﺮﺓ"‬

‫ﻋﺘﻘﺘﻬﺎ ﻛﻜﺄﺱ ﻧﺒﻴﺬ‬

‫ﺑﺎﺭﺩﺓ ‪ ..‬ﻓﻴﻬﺎ ﺛﻠﺞ ‪ ..‬ﻟﻦ ﺗﻘﻔﺰ ﺧﺎﺭﺝ ﺍﻟﻜﺄﺱ ‪ ..‬ﺇﻻ ﳊﻠﻘﻲ‬

‫ﺃﻭ ﺭﺑﲈ ﳊﺮﻗﻲ ‪ ..‬ﻭ ﺑﲈ ﺃﻧﻨﻲ ﻋﺘﻘﺘﻬﺎ ﻓﺄﻋﺘﻘﺪ ﺃﻥ ﻫﺬﺍ ﻣﻦ ﺣﻘﻲ‬

‫ﺃﺷﻌﺮﲥﺎ ﺑﻔﻘﺮﻫﺎ ﺣﻴﻨﲈ ﺍﺻﺒﺤﺖ ﺃﺃﻧﺎ ﻋﻤﻠﺔ ﺫﺍﺕ ﺳﻴﺎﺩﺓ‬

‫ﺃﺷﻌﺮﲥﺎ ﺑﻌﻘﻤﻬﺎ ﺣﻴﻨﲈ ﺃﻧﺠﺒﺘﻨﻲ ﳎﺪﺩﺍ ﻳﺎ ﺳﺎﺩﺓ‬

‫ﺃﺷﻌﺮﲥﺎ ﺑﻴﺘﻤﻬﺎ ﺣﻴﻨﲈ ﺗﺒﻨﻴﺖ ﺍﳊﺮﻭﻑ ﻭ ﺃﻟﻘﻴﺖ ﺍﳊﺮﻭﻑ‬

‫ﻟﻠﺤﺮﻭﻑ ﻭ ﻟﻴﺲ ﳍﺎ ﺣﺘﻰ ﺣﻴﻨﲈ ﺗﺸﺎﺭﻛﻨﺎ ﺍﻟﻮﺳﺎﺩﺓ‬

‫ﺃﺷﻌﺮﲥﺎ ﺑﺄﳖﺎ ﺃﺭﻣﻠﺔ‪ ،‬ﻳﻮﻡ ﻗﺘﻠﺖ ﻧﻔﴘ ﺣﻴﻨﲈ ﻛﺎﻧﺎ ﻣﻌﺎ‬

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‫ﺃﺣﺴﺴﺘﻬﺎ ﻛﺄﻧﻨﻲ ﺍﺥ ﺍﳘﻞ‪ ،‬ﺍﺧﺘﻪ ﰲ ﺳﻮﻕ ﺍﻟﺮﺟﺎﻝ ﻓﻀﺎﻋﺖ ﻭ ﱂ‬

‫ﻳﻜﻦ ﻣﺎ ﺷﺪ ﺍﻧﺘﺒﺎﻩ ﺍﳌﺎﺭﺓ ﺩﻣﻌﺎ‬

‫ﺃﺷﻌﺮﲥﺎ ﺍﳖﺎ ﻛﺎﺗﺒﺔ ﺑﺬﺍﻝ ﺗﺴﱰﻕ ﺍﻟﺴﻤﻊ ﻭ ﺗﻨﺘﻈﺮ ﺍﺧﺬ ﻣﻜﺎﻥ ﺗﺎﺀ‬

‫ﻟﺘﺜﲑ ﻓﻀﻴﺤﺔ‬

‫ﻭﺃﺣﺴﺴﺘﻬﺎ ﺍﻧﺎ ﺛﻜﲆ ﳌﺎ ﺍﺳﺘﻠﻘﻴﺖ ﻋﲆ ﺻﺪﺭ ﻗﺼﻴﺪﺓ ﺗﺪﺍﻋﺒﻨﻲ ﻛﻨﺖ‬

‫ﻗﺪ ﻛﺘﺒﺘﻬﺎ ﻭ ﻭﺻﻔﺘﻬﺎ ﺑﺄﳖﺎ ﻓﻀﻴﻌﺔ‬

‫ﺃﺷﻌﺮﲥﺎ ﺑﺎﻟﺴﻜﺮ ﳌﺎ ﺍﺣﺘﺴﻴﺖ ﻗﻠﻴﻼ ﻣﻨﻬﺎ ﻟﻴﻠﺔ ﺟﻨﺎﺯﺓ ﺣﻔﻞ ﺯﻓﺎﻑ‬

‫ﺛﻢ ﺃﺷﻌﺮﲥﺎ ﺃﳖﺎ ﻣﺮﻳﻀﺔ ﻓﺎﻗﺪﺓ ﺍﻟﺼﺤﺔ ﳌﺎ ﹺ‬
‫ﺳﻤﻌﺖ ﻛﻠﲈﰐ ﻓﻤﺬﻳﺎﻉ‬

‫ﺳﻴﺎﺭﺓ ﺇﺳﻌﺎﻑ‬

‫ﺍﺷﻌﺮﲥﺎ ﺑﺎﻟﻜﻔﺮ ﳌﺎ ﻗﺮﺭﺕ ﺍﻥ ﺍﺳﻤﻲ ﺍﺑﻨﺘﻲ ﺍﻳﲈﻥ ﻃﺎﻥ‬

‫ﺛﻢ ﺍﺷﻌﺮﲥﺎ ﺍﳖﺎ ﻣﻼﻙ‪ ،‬ﺑﻌﺪ ﺍﻥ ﺳﻘﻂ ﺭﻳﺸﻬﺎ ﻋﻨﻬﺎ ﺗﺄﻛﺪﺕ ﺃﻧﻪ ﻓﻌﻼ‬

‫ﻛﺎﻥ ﻣﻼﻛﺎ ﺫﺍﻙ ﺷﻴﻄﺎﻥ‬

‫ﺛﻢ ﺍﺷﻌﺮﲥﺎ ﺑﻨﺸﻮﺓ ﺧﺎﺭﺟﺔ ﻋﻦ ﺍﻟﻘﺎﻧﻮﻥ ‪،‬ﳌﺎ ﻟﻔﻔﺖ ﺍﻧﺎ ﺳﻴﺠﺎﺭﺓ‬

‫ﺣﺸﻴﺶ‬

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 ‫ﺛﻢ ﺍﺷﻌﺮﲥﺎ ﺍﻥ ﻋﻠﻴﻬﺎ ﺍﻟﺮﻛﺾ ﺧﻠﻔﻲ ﺣﻴﻨﲈ ﻟﻔﻀﺖ ﻋﺒﺎﺭﺓ ﻗﻮﳍﺎ‬

‫ﻣﺎﻧﺠﻴﺶ‬

‫ﺣﺘﻰ ﻫﻴﺎ ﺷﻌﺮﺕ ﺑﺎﻹﻧﻔﺼﺎﻡ ﳌﺎ ﺍﻟﺘﻘﻰ ﺍﻧﻔﺼﺎﻝ ﻫﻲ ﺳﺒﺒﻪ ﰲ ﻟﻮﺣﺔ‬

‫ﻓﻨﻴﺔ ﻭﺍﺣﺪﺓ‬

‫ﻭ ﺃﺷﻌﱰﻫﺎ ﺍﳖﺎ ﻣﺜﲇ ﺗﺄﺧﺬ ﻗﻴﻠﻮﻟﺔ ﰲ ﺍﻟﺜﻘﺐ ﺍﻻﺳﻮﺩ ﳌﺎ ﺗﺄﻣﻠﺖ‬

‫ﺍﻷﺧﺮﻳﺎﺕ ﻛﻞ ﻋﲆ ﺣﺪ￯‬

‫ﻓﺎﲥﻤﺘﻨﻲ ﺍﻧﻨﻲ ﳎﺮﺓ ﺟﺎﺣﺪﺓ‬

‫ﺣﺎﻭﻟﺖ ﺍﻥ ﻻ ﺍﺷﻌﺮﻫﺎ ﻓﺠﺮﺑﺖ ﺍﺣﺘﺴﺎﺀ ﻧﻮﻉ ﺍﺧﺮ ﱂ ﺍﻋﺘﻘﻪ ﻭ ﱂ ﺍﻛﻦ‬

‫ﻣﺘﺄﻛﺪﺍ ﺍﻥ ﻭﻗﺖ ﺗﺬﻭﻗﻪ ﻗﺪ ﺣﺎﻥ‬

‫ﱂ ﺃﻏﲑﻫﺎ ﻓﻘﻂ ﺑﻞ ﲪﻠﺖ ﺣﻘﺎﺋﺒﻲ ﻓﺨﺮﺟﺖ ﻓﺮﻛﺒﺖ ﺍﻟﺒﺎﺹ ﻓﻘﻂ‬

‫ﻷﻏﲑ ﺗﻠﻚ ﺍﳊﺎﻧﺔ‬

‫ﺳﺤﻘﺎ ﻭﺟﺪﲥﺎ ﻫﻨﺎﻙ ﺗﺸﻌﺮ ﻛﺰﻭﺟﺔ ﺍﻏﱰﺏ ﺯﻭﺟﻬﺎ ﺑﺮﻭﺡ ﻭﻃﻨﻴﺔ ﻭ‬

‫ﺗﺮﻙ ﳍﺎ ﺣﺒﺎ ﻓﺄﺧﺬ ﺣﺮﺑﺎ‬

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‫ﻓﺎﻟﺘﻘﻴﻨﺎ ﳎﺪﺩﺍ ‪،‬ﻭ ﻗﺒﻠﺘﻨﻲ ﻋﻨﺎﻕ ﻋﺎﺋﺪ ﻓﺸﻌﺮﺕ ﻻﻭﻝ ﻣﺮﺓ ﺍﻧﻨﻲ ﺍﻧﺎ ﻭ‬

‫ﻣﻦ ﻋﺘﻘﺘﻬﺎ ﻗﺪ ﺍﺻﺒﺤﻨﺎ ﻛﻬﲑﺑﺎ‬

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 ‫َﻄ ِﺛﻏَﻈـــــــﺋ ﺍ�ََﻘ ِﻊـــــﻎ‬

‫ﹺ‬ ‫ﻼﻫﻲ ‪ ..‬ﹶﺃﺣ ﹰﻘﺎ ﹶﻳ ﹾﺴ ﹶﺘ ﹾﻤﺘﹺ ﹸﻌﻮﻥ ﺑﹺ ﹶ‬

‫ﲈﻝ ﺍﳌﹶ ﹺ‬
‫ﻣﺎﺫﺍ ﹶﻋﻦ ﹸﻋ ﹺ‬
‫ﺘﻠﻚ ﺍﻷﹶ ﹾﻟ ﹶﻌﺎﺏ ﺣ ﹶ‬
‫ﻴﻨﲈ ﹶﻻ‬ ‫ﹶ‬
‫ﹺ ﹺ ﹺ ﹺﹺ‬
‫ﻨﺎﻙ ‪ ،‬ﹶﺃﻡ ﹶﺃ ﱠﳖ ﹾﻢ ﹶﻳﻨﹶﺎ ﹸﻣﻮﻥ ﻣﻦ ﺷﺪﱠ ﺓ ﺇ ﹾﺭ ﹶﻫﺎﻗﻬﻢ ﹸﻣ ﹶﺒ ﹶ ﹶ‬
‫ﺎﴍ ﹰﺓ ؟‬ ‫ﻜﻮﻥ ﹸﻫ ﹶ‬
‫ﹶﻧ ﹸ‬

‫ﺮﺟﻮﻥ ﹺﰲ ﹸﻛ ﹼﻞ ﹶﻣ ﹶﻜﺎﻥ ﹶﻳ ﹸﻄﻮ ﹸﻓﻮﻥ‬

‫ﹶ‬ ‫ﺎﺭ ﹼﻳﺔ ‪،‬ﺍﻟ ﹼﻠ ﹾﻴ ﹶﻠﺔ ﹺﺳ ﹲ‬
‫ﲑﻙ ﹰﻭ ﺍﳌﹸ ﹶﻬ‬ ‫ﺎﺏ ﹶﻧ ﹴ‬
‫ﺃﻟ ﹶﻌ ﹲ‬
‫ﹺ‬ ‫ﹺ‬
‫ﻓﻮﻕ ﺍﻟ ﹶﻌ ﹶﺠ ﹶﻠﺔ ﺍﳌﹸ ﹾﺴﺘﺪ ﹶﻳﺮﺓ ﻭ ﺍﻷﹸ ﹾﻓ ﹸﻌﻮﺍﻧ ﹼﻴﺔ ﹺﰲ ﱠ‬
‫ﺍﻟﺴ ﹶﲈﺀ ﹶﻳ ﹾﻄ ﹸﻔﻮﻥ‬ ‫ﺎﻕ ﹶ‬
‫ﺍﻟ ﹸﻌ ﹼﺸ ﹸ‬

‫ﺎﺕ ﺍﻷﹶﻏﹾ ﻨ ﹺ ﹼﻴﺎﺀ ‪ ،‬ﹶﻻ ﹶﻣ ﹶﺎﻝ‬ ‫ﺇﻻﹼ ﹶﻋ ﹺﺎﻣﻞ ﹺﻣﻦ ﺍﻟﻌﲈﻝ ‪ ،‬ﹶﺗﱪ ﹶﺃ ﹾﺕ ﹺﻣﻨﻪ ﻓﹺ ﹺ‬
‫ﻴﺘﺎﻣﻴﻨﹶ ﹸ‬ ‫ﹸ‬ ‫ﹶﹶ‬ ‫ﹸﹼ‬
‫ﹶﻳ ﹾﻜ ﹺﻔﻴﻪ ﻟ ﹺ ﹶ‬
‫ﺘﺬ ﱡﻭﻕ ﹶﺣﻠﹺﻴﺒﹺ ﹶﻬﺎ‬

‫ﳊﺒﹺــﻴﺒﹺ ﹶﻬﺎ‬‫ﹺ‬ ‫ﹺ‬ ‫ﻗﺪﹼ ﻡ ﹶﺗﺬﻛﹺﺮ ﹶﺗ ﹺ‬

‫ﳊﺒـﹺﻴﺒﺘﻪ ﹶﻭ ﺍﻷﹸﺧ ﹶﺮ￯ ﹶ‬
‫ﲔ ﹶﻭﺍﺣﺪ ﹰﺓ ﹶ‬
‫ﺷﺎﻋﺮﻫﺎ ﺻﺒﺎﺣﺎ ﻭ ﹶﺷ ﹺ‬
‫ﺎﻋ ﹲﺮ ﹶﻋ ﹶﻠ ﹶﻴﻬﺎ ﹶﻟ ﹾﻴ ﹰﻼ ﹸﺳ ﹸﻤ ﱡﻮ ﹸﻩ ﹶﺍ ﹾﻋ ﹶﻼ ﹶﻫﺎ‬ ‫ﹺ‬
‫ﹸ ﹶ ﹰ ﹶ‬

‫ﺍﻟﺸ ﹾﻤ ﹸﺲ ﹶﻓ ﹶﲈ‬
‫ﺍﴍ ﹶﻗ ﹾﺖ ﹼ‬ ‫ﻣﻘ ﹶﺘﻬ ﹶﺎ ﹸﻛ ﹼﻞ ﹶﻟﻴ ﹶﻠﺔ ﹶﻛ ﹶ ﹺ‬
‫ﺎﻥ ﻟ ﹶﻴ ﹾﻘ ﹸﺘ ﹶﻠ ﹶﻬﺎ ﹶﻗ ﹾﺒ ﹶﻞ ﺍﻟ ﹶﻔ ﹾﺠﺮ ﻭ ﹼ‬
‫ﻟﻜﻦ ﹾ ﹶ‬ ‫ﹾ‬ ‫ﹶ‬

‫ﹶﺃ ﹶﺫ ﹶﺍﻫﺎ‬

‫ﻟﺺ ﺍﳊﹶ ﹼﻖ‬ ‫ﻣﺪﻳﺮ ﹶﻙ ﹶﺃ ﹾﺷ ﹶﺘ ﹺﻜﻲ ﻟ ﹸﻪ ﹺﻣ ﹶ‬

‫ﻨﻚ ﹶﻳﺎ ﹼ‬ ‫ﻳﻦ ﹸ‬ ‫ﻧﺎ ﹶﺩ ﹶﺗ ﹸﻪ ﹶﻳﺎ ﹶﻋ ﹺﺎﻣ ﹰ‬
‫ﻼ ﻭﺿﻴ ﹰﻌﺎ ﹶﺃ ﹶ‬

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 ‫ﹺ‬
‫ﻟﺬﻱ ﻓﻌﻠ ﹸﺘ ﹸﻪ ﹶﺧ ﹶﻄ ﹲﺄ ‪ ،‬ﹶﻗﺎ ﹶﻟﺖ ﻷﹶ ﹼﻧﻪ ﹶﻻ ﹶﻳ ﹶﺰ ﹸﺍﻝ ﳛ ﹼﺒﻨﻲ ﹶﺭ ﹶ‬
‫ﻏﻢ ﹼﺍﲏ ﺁﺫﻳﺘ ﹸﻪ‬ ‫ﹶﻗ ﹶﺎﻝ ﹶﻣﺎ ﺍ ﹼ‬
‫ﹺ‬
‫ﺃﻛ ﹶﺜﺮ ﳑ ﹼﺎ ﹾ‬
‫ﺍﺳ ﹶﺘ ﹶﺤ ﹾﻖ ‪..‬‬

‫ﻼ ﹺﻫﻲ ﺑﻌﺪﹶ ﻛﹸ ﹼﻞ ﹶﺣ ﹶ‬ ‫ﺘﻊ ﹸﻋ ﹼﲈ ﹸﻝ ﺃﻟ ﹶﻌ ﹺ‬ ‫ﹺ‬

‫ﻠﻘﺔ‬ ‫ﺎﺏ ﺍﳌﹶ ﹶ‬ ‫ﹶﺃ ﹶﺣ ﹼﻘﺎ ﻳﺴ ﹶﺘﻤ ﹸ‬

‫ﻑ‬ ‫ﻴﻒ ﹸﻳﻤﻜﹺﻦ ﹶﺍﻥ ﹶﻳ ﹶ ﹺ‬

‫ﻌﱰ ﹶ‬ ‫ﹺ‬ ‫ﹺ‬
‫ﺍﻟ ﹶﻜ ﹶﻮﺍﻟﻴﺲ ﹶﻟﻦ ﹶﻳﴚ ﹺ ﹶﲠﺎ ﹶﺃ ﹶﺣﺪﹲ ﺃ ﹶﻣ ﹶ‬
‫ﺎﻡ ﺍﻷﹶ ﹾﻃ ﹶﻔﺎﻝ ‪ ،‬ﹶﻛ ﹶ‬

‫ﺪﻋﺖ ﹺﰲ ﹶﺣ ﹾﺮ ﹺﻗﻪ ؟‬
‫ﺍ ﹶﻣﺎ ﹶﻣ ﹸﻜﻢ ﹼﺍﳖﺎ ﹶﺃ ﹾﺑ ﹶ‬

‫ﻌﲔ ﻭ ﹾﺍﺳ ﹶﺘ ﹾﻤﺘﹺ ﹾﻊ ﹶﺃ ﹾﻧ ﹶﺖ ﺑﹺﺄﻟ ﹶﻌﺎﺑﹺﻪ ‪..‬‬ ‫ﹺ‬ ‫ﹺ‬ ‫ﹺ‬

‫ﻳﺎ ﹶﻋﺎﻣﻞ ﺍﳌﹶ ﹶﻼﻫﻲ ﹶﺃﻏﻠﻖ ﹼ‬
‫ﺍﻟﴪ ﹶﻙ ﺍﻟ ﹼﻠ ﹶ‬

‫ﺎﲠﺎ ﺑﹺ ﹶﻠ ﹶﻌﺎﺑﹺﻪ ‪..‬‬ ‫ﺙ ﻣﻌﻬﲈ ﺍﳖﺎ ﹶ ﹾ ﹺ‬ ‫ﻻ ﹶﹾ‬

‫ﲣﻠﻂ ﹸﻟ ﹶﻌ ﹶ ﹶ‬ ‫ﺎﻫﻢ ﹶﻓﻜﻞ ﹶﻣﺎ ﹶﳛﺪﹸ ﹸ ﹶ ﹶ ﹸ ﹶ ﹼ‬
‫ﲣ ﹶﺸ ﹸ‬
‫ﹺ ﹺ‬ ‫ﻭﺍ ﹶ ﹺ‬
‫ﺮﺡ‬
‫ﻟﻠﻤ ﹾ‬
‫ﺘﺎﺟﺎ ﹶ‬
‫ﻭﺭﻙ ﹶﻳﻮ ﹰﻣﺎ ﹸﳏ ﹰ‬
‫ﺐ ﹶﻳ ﹸﺰ ﹸ‬ ‫ﺳﱰﺡ ﹶﻳﺎ ﹶﺻﺪﻳﻘﻲ ﹶﻋ ﹶﺴﻰ ﹶﻣ ﹶﻼ ﹶﻙ ﺍ ﹸ‬
‫ﳊ ﹼ‬
‫ﻭﳼ ﻭ ﺭﻏﻢ ﺑﺴﺎ ﹶﻃﺔ ﺍﻟ ﹶﻜ ﹶﻠﻤﺔ ﹼﺇﻻ ﹶﺃ ﹼﻧﻨ ﹺﻲ ﻣ ﹺ‬‫ﹺ ﹺ‬
‫ﺘﺄﻛﺪ ﹶﺃ ﹼﻧﻚ‬ ‫ﹸ‬ ‫ﻓﺘﺤ ﹶﻈﻰ ﺑﹺﻴﻮ ﹴﻡ ﻓﺮ ﹶﺩ ﹼ ﹶ ﹶ ﹶ ﹶ ﹶ‬
‫ﺘﺘﺰ ﹶﻭﺝ ﺍﻟ ﹶﻔ ﹶﺮ ﹾﺡ‬
‫ﹶﺳ ﹶ‬

‫ﻮﻗﻊ ﹶﻓ ﹶﻘﻂ ﹶﺃ ﹾﻟ ﹺﻘﻲ ﹶﻧ ﹾﻈ ﹶﺮﺓ‬ ‫ﹺ‬ ‫ﹺ ﹺ‬

‫ﹶﺣ ﹶﻼ ﹸﻟ ﹶﻚ ﹶﺻﺪﻳﻘﻲ ‪ ،‬ﹶﺃ ﹾﻗ ﹶﺮ ﹸﺏ ﳑ ﹼﺎ ﹶﺗ ﹶﺘ ﹸ‬
‫ﺲ ﺍﻟﻮ ﹾﻗ ﹺ‬ ‫ﹺ‬ ‫ﹺ‬
‫ﺖ ﹶﺗ ﹶﺘ ﹶﺄ ﹼﻣ ﹸﻠﻚ "‬ ‫ﺎﻙ ﹶﻋﻦ ﹶﻻﻋ ﹶﺒﺔ ﺍﳋ ﹼﻔﺔ ﹶﻓﺮ ﹼﺑﲈ ﹺﰲ ﹶﻧ ﹾﻔ ﹺ ﹶ‬
‫ﺃﺑﻌﺪ ﹶﻋ ﹾﻴﻨﹶ ﹶ‬

‫ﺍﻟ ﹶﻌ ﹾﺬ ﹶﺭﺓ "‬

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 ‫ﻌﻝ‬
‫ﺍﺠﻁَــــ ْﻈُﺊ ْ‬
‫ْ‬

‫ﻔﻀﺖ ﺍﻷﺟﺴﺎﺩ ‪،‬ﺍﳉﻮ ﹶﲨ ﹲﻴﻞ ﹺﺟﺪﹰ ﺍ ‪ ..‬ﹶﻓ ﹾﻠﻨﹶﺰﺭ ﺍﳌﹶﻠﻬﻰ ﰲ ﹺ‬

‫ﺁﺧﺮ‬ ‫ﺍ ﹾﻧ ﹶﺘ ﹶ‬
‫ﹾ ﹶ‬ ‫ﹾ ﹸ ﹶﱡ‬

‫ﻴﻒ ﻟﻨﹶ ﹾﻠ ﹶﺘ ﹺﻘﻲ ‪..‬‬

‫ﺍﻟﺮ ﹺﺻ ﹺ‬
‫ﱠ‬
‫ﻟﻠﺤ ﹾﻔ ﹶﻠﺔ‬ ‫ﺻﻴﻒ ﻭ ﹶﻗ ﹶﻔ ﹾﺖ‪ ،‬ﺳ ﹶﺄ ﹶﻟ ﹾﺘﻨﹺﻲ ﻏﹶ ﺮﻳﺒ ﹲﺔ ﹶﺃ ﹾﻥ ﺃﻛﹸ ﹶ ﹺ‬
‫ﹺ‬ ‫ﹺ‬
‫ﻮﻥ ﹶﺭﻓ ﹶﻴﻘ ﹶﻬﺎ ﹶ‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﺍﻟﺮ‬
‫ﹶﻋﲆ ﺁﺧﺮ ﱠ‬
‫ﺍﻟ ﹼﻠ ﹾﻴ ﹶﻠﺔ‬

‫ﻮﻥ ﹺﰲ ﺍﻟ ﹶﻐﺮﺍ ﹺﻡ ﺛﻢ ﹸﻳ ﹾﻤ ﹸﻀﻮﻥ‬

‫ﴩ ﹶﻳﻘ ﹸﻌ ﹶ‬ ‫ﹺ‬
‫ﺍﻟﺼﻴﻒ ﻫﻜﹶ ﺬﺍ ؟ ﹶﻳ ﹾﻠ ﹶﺘﻘﻲ ﺍﻟ ﹶﺒ ﹸ‬
‫ﺍﻟﻴﺲ ﱠ‬
‫ﹶ‬

‫ﺍﳌﺴﺎﺀ ﹶﺭﻗ ﹰﺼﺎ ﻭ ﹶﻣ ﹾﻴ ﹶﻼ‬

‫ﹶ‬
‫ﳉ ﹺﻤﻴﻊ ﺍﻷﹶ ﹾﺿﻮﺍﺀ ﺍﻟـ ﹸﻤ ﹶﻠ ﹼﻮ ﹶﻧﺔ‪،‬‬ ‫ﹺ‬
‫ﺎﺳﺎﺕ ﺍ ﹶ‬
‫ﹺ‬
‫ﲪ ﹶﻠﺖ ﺍ ﹾﻧﻌ ﹶﻜ ﹶ‬
‫ﻭﺱ ﺍﻟ ﹾﻜ ﹺﺮﻳﺴ ﹶﺘ ﹺ‬
‫ﺎﻝ ﹶ ﹶ‬ ‫ﹾ‬ ‫ﻛﺆ ﹸ‬
‫ﹸ‬
‫ﹶﺯ ﹾﺧﺮ ﹶﻓ ﹺ‬
‫ﺎﺕ ﹶﲠﹺ ﹼﻴﺔ‬ ‫ﹶ‬
‫ﹺ‬ ‫ﹺ‬
‫ﺎﻡ ‪ ،‬ﹶﻭ ﺍﻟ ﹶﻔ ﹾﺠ ﹸﺮ ﹶﺷﺎﻃ ﹲﺊ ﹶﺑ ﱠﻠ ﹶﻠ ﹶﻨﺎ ﹶﻣ ﹾﻮ ﹸﺟﻪ ﺍ ﹶﻧﺎ ﻭ ﹼ‬
‫ﻫﻲ‬ ‫ﺍﻟ ﹶﻌ ﹶﺎﱂ ﹸ ﻧ ﹶﻴ ﹲ‬
‫ﺰﻳﺰﰐ ﻭ ﺍﻟﺴﻴﺠﺎﺭﺓ ﹺ‬
‫ﺍﻷﺧﲑﺓ ﻓﻠﻨﹾ ﹶﺘ ﹶﻘ ﹶﺎ ﹶﺳ ﹾﻤ ﹶﻬﺎ‬ ‫ﻓﻠﻨﹶﻌ ﹶﺒﺚ ﺑﺎﻟ ﹶﺒ ﹺ‬
‫ﺤﺮ ﹶﻳﺎ ﹶﻋ ﹶ ﹶ ﱢ ﹶ ﹶ‬

‫~ ‪~ 158‬‬
 ‫ﻮﻝ ﺍﳉﺒ ﹺﻞ ﻭ ﻷﴏﺥ ﺑﺎﺳ ﹺ‬
‫ﻤﻚ ﹶﺣ ﱠﺘﻰ ﹶﻳ ﹶ‬ ‫ﻫ ﹼﻴﺎ ﻟ ﹺﻨﹶ ﹾ‬
‫ﻘﻮﻝ‬ ‫ﹾ‬ ‫ﹾ ﹸ‬ ‫ﻒ ﹶﺣ ﹶ ﹶ ﹶ‬
‫ﺘﻠﻒ ﹶﻭ ﹶﻧ ﹾﻠ ﹶﺘ ﹾ‬

‫ﻫﻞ ﺍﳌﹶ ﹺﺪﻳﻨﹶﺔ ﱠ‬

‫ﺃﻥ ﺍﳉﹶ ﹶﺒ ﹶﻞ ﹶﻧ ﹶﻄ ﹶﻖ ﹾ‬
‫ﺍﺳ ﹶﻤ ﹶﻬﺎ‬ ‫ﹶﺃ ﹸ‬

‫ﺍﻟﺸ ﹾﻤ ﹶﺲ ﹺﰲ ﺍﻟ ﹶﺒ ﹾﺤ ﹺﺮ ﻭ ﹶﻭ ﹾﻗ ﹶﺘ ﹶﲈ ﹺﺷ ﹾﺌﻨﹶﺎ ﹸﻧ ﹾ ﹺ‬
‫ﴩ ﹾﻗ ﹶﻬﺎ ﹾ‬
‫ﻧﺤ ﹸﻦ‬ ‫ﻐﺮ ﹺﻕ ﱠ‬
‫ﻓﻠﻨﹸ ﹺ‬

‫ﹶﻣﺎ ﹶﺩ ﹶﺍﻡ ﺍﻷﹶ ﹾﻣ ﹸﺮ ﹶﺳ ﹾﻬ ﹰﻼ ﻛﹶ ﹼﻞ ﹶﻣﺎ ﹶﻋ ﹶﻠﻴﻨﹶﺎ ﻓﹺ ﹾﻌ ﹸﻠ ﹾﻪ ﹶﺍ ﹾﻥ ﹶﻧ ﹾﺮ ﹺﻣ ﹶﺶ ﹶﻣ ﹶﻊ ﹶ‬

‫ﺇﻳﻘﺎ ﹺﻉ ﹸﻛ ﱢﻞ ﹶ ﹾ‬
‫ﳊ ﹾﻦ‬
‫ﺍﻟﱰﻛﻴﺔ ﻳﺎ ﺁﻧﺴﺔ ‪،‬ﻭ ﺇﺳﻄﻨﺒﻮﻟﻴﺔ ﹺ‬
‫ﺍﻧﺖ ﹶﻛ ﹶﲈ ﹾﲏ‬ ‫ﹸ‬ ‫ﹶ‬ ‫ﺍﳌﹸﻮﺳﻴﹺ ﹶﻘﻰ ﹼ ﹼ‬
‫ﺑﻚ ﹶﻛ ﹸﻜ ﹼﲇ ﹶﺃﺻﺒﺤﻮﺍ ﻭ ﹸﺛﻢ ﺍﺻﺒﺤ ﹾﺖ ﹶﺍ ﹺ‬
‫ﻧﺖ ﹸﻛﻞ‬ ‫ﻛﻨﺖ ﻭ ﹺ‬ ‫ﹶﻛﲈ ﹼ‬
‫ﺍﻟﻜﻞ ﹸ‬
‫ﹾ ﹶ ﹸ ﹶ ﱠ ﹾ ﹶ ﹶ‬

‫ﺍﻻﹶ ﹶﻣ ﹺﺎﲏ‬
‫ﺍﻟﺸ ﹺ‬
‫ﺒﺎﻙ ﹸﺫﻭ‬ ‫ﺍﻟﺘﻘﻴﻨﹶﺎ ﹸﳎ ﹶﺪﹼ ﹰﺩﺍ ﹺﻋﻨﹾﺪ ﹼ‬ ‫ﺁﺧﺮ ﺍﻟﺮ ﹺﺻ ﹺ‬
‫ﻴﻒ ﹶﻋ ﹶﺴﺎ ﹶﻧﺎ ﹶ‬ ‫ﻓﻠﻨﺰﺭ ﺍﳌﹶ ﹾﻠﻬﻰ ﹺﰲ ﹺ‬
‫ﹸ‬
‫ﹼ‬ ‫ﹶ‬
‫ﺍﳌﹶﺪﹶ ﹺ‬
‫ﺍﺧ ﹾﻞ‬
‫ﹺ‬ ‫ﺍﻭ ﻟ ﹺﻨﹸ ﹶﻐﲑ ﺍﻷﹶﻣﺮ ﻭ ﻟﻨﹶ ﹾﻠ ﹶﺘ ﹺﻘﻲ ﹶ ﹾﲢ ﹶﺖ ﹸ ﹺ ﹺ‬
‫ﺍﻟﺴ ﹺ‬
‫ﻄﻮﺡ‬ ‫ﴍ ﹶﻓﺘﻚ ﹾﺍﻭ ﹶﻓ ﹾﻠﻨﹶ ﹾﻠ ﹶﺘﻘﻲ ﹾ‬
‫ﻓﻮﻕ ﱠ‬ ‫ﹾ‬ ‫ﹾ ﱢﹾ ﹾﹶ ﹶ‬
‫ﻣ ﹶﺜ ﹰﻼ ﻓﻠﻨﹶ ﹾﺨ ﹶﱰ ﺃﺣﺪﹶ ￯ ﺍﳌﹶﺪﹶ ﹺ‬
‫ﺍﺧ ﹾﻦ‬ ‫ﹾ‬ ‫ﹶ‬
‫ﺤﺪﺙ ﺑﻌﺾ ﺍﻟﻀﻮﺿ ﹺ‬
‫ﺎﺀ ﺍﳊﹶ ﹺﻘ ﹺﻴﻘ ﹼﻴﺔ ﹶﻻ‬ ‫ﻭﺭ ﹶﻣ ﹺﺪ ﹶﻳﻨﺔ ﺍﳌﹶ ﹶ‬
‫ﻼ ﹺﻫﻲ ‪،‬ﻟﻨﹸ‬
‫ﹼ ﹶ‬ ‫ﹶ ﹶ ﹶ‬ ‫ﻳﻼ ﹸﻧﺰ ﹸ‬

‫ﺍﻥ ﹶﻧ ﹾﱰ ﹶﻙ ﹸﻧﺪﹸ ﻭ ﹰﺑﺎ‬

‫ﺄﺱ ﹾ‬
‫ﹶﺑ ﹶ‬

‫~ ‪~ 159‬‬
‫ﺍﻧﺖ ﺍﻻ ﹺﺣﻴﻨﹶ ﹶﲈ‬
‫ﺎﻓﲔ ﹾ‬ ‫ﻼ ﹶ‬
‫ﲣ ﹶ‬ ‫ﻋﺐ ﻓ ﹶ‬ ‫ﻭﺭ ﹶﻣ ﹺﻨﺰﻝ ﱡ‬
‫ﺍﻟﺮ ﹺ‬ ‫ﺛﻢ ﹶﻧ ﹸﺰ ﹸ‬
‫ﹺ‬
‫ﺐ ﺍﻷ ﹾﻓ ﹸﻌ ﹶﻮﺍﻧ ﹼﻴﺔ ﹶ‬
‫ﹶﻧﺮ ﹶﻛ ﹸ‬
‫ﹺ‬ ‫ﺍﺣ ﹺ‬
‫ﻠﺐ ﹶﻭ ﻟﻜﻨﱢﻲ ﹸﺃﺧﻄ ﹾﺄ ﹶﻓ ﹸﺄ ﹸ‬
‫ﺻﻴﺐ ﹶﺩ ﹾﺑﺪﹸ ﻭ ﹰﺑﺎ‬ ‫ﺍﺻﺎ ﹶﺑﺔ ﺍﻟ ﹸﻌ ﹺ‬
‫ﺎﻭ ﹸﻝ ﹶ‬ ‫ﹶ‬

‫ﻮﺟﻮ ﹲﺩ ﹺﰲ ﹾ‬
‫ﺍﺳ ﹶﻄﻨﹾ ﹸﺒﻮﻝ ﹶﻳﺎ ﹶﻋ ﹶﺎﱂ‬ ‫ﺐ ﹶﻣ ﹸ‬ ‫ﺍﻷﻣﺮ ﹶﲨ ﹲﻴﻞ ﺇﹴﻥ ﹶﺗ ﹶﺄ ﹼﻣﻠﻨﹶﺎ ﹸﻩ ﺍ ﹸ‬
‫ﳊ ﹼ‬ ‫ﹸ‬
‫ﻭﻣ ﹺﻪ ﹶﻗﺪﹾ ﹶﺃ ﹾﻋ ﹶﻠ ﹾﻦ‬
‫ﻴﻒ ﹶﻋﻦ ﹸﻗﺪﹸ ﹺ‬
‫ﻓﺎﻟﺼ ﹸ ﹾ‬ ‫ﺐ ﻛ ﱠﻠﻪ ﹾﺍﺳ ﹶﻄﻨﹾ ﹾ‬
‫ﺒﻮﻝ ‪ ،‬ﱠ‬ ‫ﻓﻠﻨﹶﺠ ﹶﻌ ﹾﻞ ﺍﻟ ﹶﻜ ﹾﻮﻛﹶ ﹶ‬

‫~ ‪~ 160‬‬
 ‫ﺍﺝـــﻎ‬
‫ُﺲ ُﻋـــــﻌ ُﺩ َﺯ َﻭ ِ‬

‫ﺖ ﹶﻳﺎ ﹶﺯ ﹾﻭ ﹶﺟﺘﹺﻲ ‪..‬‬

‫ﻭ ﹺﻷﹶ ﱠﻧﻨ ﹺﻲ ﹶﺃ ﹾﻋ ﹶﻠﻢ ﻣﺴﺒ ﹰﻘﺎ ﻣﻦ ﹶﺃ ﹾﻧ ﹺ‬
‫ﹸ ﹸ ﹾ ﹶ ﹶ ﹾ‬ ‫ﹶ‬

‫ﻮﺩﻱ ﹸﻫﻨﹶﺎ ‪ ..‬ﹶﻋ ﹶﺴﻰ ﹶﺃ ﹾﻥ ﹶﺗ ﹾﻘ ﹶﺮﺋﹺ ﹶﻴﻬﺎ ﹶﻳ ﹾﻮ ﹶﻡ ﹶﻻ ﹶﻧ ﹶﺘ ﹶﺰ ﹶﻭ ﹾﺝ ‪..‬‬

‫ﺳ ﹶﺄ ﹾﻛ ﹸﺘﺐ ﹸﻋﻬ ﹺ‬
‫ﹸ ﹸ‬ ‫ﹶ‬
‫ﹺ‬ ‫ﹺ‬ ‫ﹺ ﹺ‬
‫ﴩ ﹶﻗ ﹾﺒ ﹰﻼ ‪..‬‬
‫ﺐ ﹶﺑ ﹶ ﹲ‬ ‫ﹶﺃﻋﺪﹸ ﻙ ﹶﺃ ﹾﻥ ﹸﺃﺣـــــــ ﱠﺒﻚ ﻛ ﹶﹶﲈ ﹶﱂ ﹾ ﹸ ﹶ‬
‫ﳛ ﱠ‬

‫~ ‪~ 161‬‬
 ‫ﺥﺍﺕﻡﺋ ‪:‬‬

‫ﺑﻔﻀﻞ ﺍﷲ ﺳﺒﺤﺎﻧﻪ ﻭ ﺗﻌﺎﱃ ﻭ ﺃﺳﺘﺎﺫﻱ ﺣﻜﻴﻢ ﺑﺪﺭﺍﻥ ﻛﺬﺍ ﺃﻣﻲ ﻗﺮﺓ‬

‫ﻋﻴﻨﻲ ﻟﻴﻨﺪﺓ ﺑﺪﺭﺍﻥ ﺑﺪﻭﻥ ﺗﻔﺎﺩﻱ ﺳﺒﺐ ﺍﻧﻔﺼﺎﻣﻲ ﺗﻢ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ‬

‫ﺑﻌﺪ ﻋﺎﻣﲔ ﻣﻦ ﺍﻟﻌﻤﻞ ﻭ ﻃﺒﻌﺎ ﻻ ﺃﻧﺴﻰ ﺑﻌﺾ ﺍﻷﺳﲈﺀ ﺍﻟﺘﻲ ﻻ‬

‫ﻳﻤﻜﻦ ﺇﻧﻜﺎﺭ ﺻﻨﻴﻌﻬﺎ‪.‬‬

‫ﺯﻛﺮﻳﺎ ﺭﺣﻴﻢ ‪،‬ﺑﻦ ﺑﺮﻳﻜﺔ ﺳﻴﺪ ﺃﲪﺪ ‪،‬ﺃﻳﻤﻦ ﻣﻮﻣﻨﻲ ﻭ ﻃﺒﻌﺎ ﺍﻷﺳﺘﺎﺫﺓ‬

‫ﺳﻤﲑﺓ ﻣﻨﺼﻮﺭﻱ ﺫﺍﺕ ﺍﻟﻔﻀﻞ ﺍﻷﺳﻤﻰ ﻭ ﺍﻟﻜﺜﲑ ﻣﻦ ﺍﻷﺳﲈﺀ ﺍﻟﺘﻲ‬

‫ﺁﻣﻨﺖ ﺑﺎﳌﺘﻤﺮﺩ ﺷﻜﺮﺍ ﻟﻜﻢ ﲨﻴﻌﺎ ﻟﻠﻤﺴﺎﻋﺪﺓ ﰲ ﺇﻋﻄﺎﺀ ﺍﻟﺘﻤﺮﺩ ﻣﻌﻨﻰ‬

‫ﺃﺭﻗﻰ ‪.‬‬

‫~ ‪~ 162‬‬
 ‫ﺍﻝﻑﻋﺭﺱ‬
‫ﺍﻫﺪﺍﺀ ‪03....................................................‬‬
‫ﺍﻟﻔﺼﻞ ﺍﻷﻭﻝ‪ :‬ﺧﺮﻳﻔﻲ ﻛ ﹼﻠﻪ ‪05...............................‬‬
‫ـ ﺭﺍﻗﺼﺔ ﻣﻨﺘﺼﻒ ﺍﻟﻠﻴﻞ ‪07 ..................................‬‬
‫ـ ﻓﺘﺎﺓ ﺍﳌﺠ ﹼﻠﺔ ‪10..............................................‬‬
‫ـ ﻏﺮﺑﺎﺀ ‪12...................................................‬‬
‫ـ ﺟﺴﺪ ‪15...................................................‬‬
‫ـ ﺗﻔﺎﺻﻴﻞ ‪17................................................‬‬
‫ـ ﻗﻴﻠﻮﻟﺔ ‪20..................................................‬‬
‫ـ ﺃﺷﻴﺎﺀ ﲨﻴﻠﺔ ‪22.............................................‬‬
‫ـ ﻧﻮﺑﺔ ﻗﻠﺒﻴﺔ ‪24...............................................‬‬
‫ـ ﻭﻋﻮﺩ ﺑﺮﻳﺌﺔ ‪26..............................................‬‬
‫ـ ﺍﳌﴪﺣﻴﺔ ‪28...............................................‬‬
‫‪-‬ﻋﴩ ﺩﻗﺎﺋﻖ ﻟﻠﺨﻠﻒ ‪30 ....................................‬‬
‫ـ ﺍﻗﻨﻌﺔ ﺍﳊﺰﻥ ‪35.............................................‬‬
‫ـ ﺍﳌﺤﺎﻛﻤﺔ ‪37............................................. 1‬‬
‫ـ ﺍﳌﺤﺎﻛﻤﺔ ‪39............................................. 2‬‬

‫~ ‪~ 163‬‬
‫ـ ﺿﻴﺎﻉ ‪42...................................................‬‬
‫ـ ﺍﳌﺪﻣﻨﺔ ‪44...................................................‬‬
‫ـ ﲤﺮﺩ ‪45.....................................................‬‬
‫ﺣﻲ ‪47............................................‬‬
‫ـ ﺃﻧﺎ ﻣﻴﺖ ﹼ‬
‫ـ ﻭﺗﺮ ﳑﺰﻕ ‪49................................................‬‬
‫ـ ﻟﻮﺣﺔ ﻓﻨﻴﺔ ﻋﺎﺭﻳﺔ ‪51........................................‬‬
‫ـ ﻣﻦ ﺃﻧﺎ ؟ ‪53.................................................‬‬
‫ـ ﺭﺅﻳﺔ ‪55....................................................‬‬
‫ـ ﻋﲆ ﺧﺸﺒﺔ ‪57..............................................‬‬
‫ـ ﻻ ﺃﺣﻔﻞ ‪59................................................‬‬
‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﲏ ‪ :‬ﺍﻟﺴﲈﺀ ﺳﺘﺒﻜﻲ ‪،‬ﻻ ﺗﻐﺮﻕ ‪62..................‬‬
‫ـ ﻣﻄﺮ ﺃﻡ ﻃﺮﻧﺎ ‪63............................................‬‬
‫ـ ﺳﻴﺠﺎﺭﺓ ﺃﻓﻀﻞ ﻣﻦ ﻭﺟﻬﻚ ‪67.............................‬‬
‫ـ ﻓﱪﺍﻳﺮ ‪72...................................................‬‬
‫ـ ﺍﻟﻨﺠﺪﺓ ‪75........................................... 911‬‬
‫ـ ﺍﻧﻔﺼﺎﻡ ‪78............................................... 1‬‬
‫ـ ﺍﻧﻔﺼﺎﻡ ‪82............................................... 2‬‬

‫~ ‪~ 164‬‬
 ‫ـ ﺍﻧﻔﺼﺎﻡ ‪85............................................... 3‬‬
‫ـ ﺍﻧﻔﺼﺎﻡ ‪90............................................... 4‬‬
‫ـ ﻓﺠﻮﺓ ‪96...................................................‬‬
‫ـ ﺳﺘﺴﺘﻌﻤﻠﲔ ﻋﺒﺎﺭﺍﰐ؟ ‪100 ...................................‬‬
‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﻟﺚ ‪ :‬ﴍﻳﺎﳖﺎ ﻗﺎﻝ ﻛﻠﻤﺘﻪ " ﺍﺯﻫﺮ ﺟﺴﺪﻫﺎ " ‪104 ....‬‬
‫ـ ﺟﻨﺎﺯﺓ ﺣﻔﻞ ﺯﻓﺎﻑ ‪105 ......................................‬‬
‫ـ ﻓﻨﻰ ﺍﻟﻔﻨﺎﻥ ‪114.............................................‬‬
‫ـ ﻣﺴﺎﺣﺔ ﺍﺷﻬﺎﺭﻳﺔ ﻟﻠﻘﻤﺮ ‪122 ..................................‬‬
‫ـ ﺟﺪﻱ ﺃﻏﻨﻰ ﺷﺨﺺ ﰲ ﺍﻟﻌﺎﱂ ‪123...........................‬‬
‫ـ ﻳﺎ ﺷﻤﺲ ﺃﻧﺖ ‪127..........................................‬‬
‫ـ ﺣﻜﺔ ﰲ ﺍﻟﺪﻣﺎﻍ ‪133.........................................‬‬
‫ـ ﺍﳌﺜﻠﺜﺎﺕ ﺍﻟﻜﺎﻓﺮﺓ ‪134........................................‬‬
‫ـ ﻣﻮﺳﻴﻘﺘﺎﻥ ﰲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ ‪135..............................‬‬
‫ـ ﴍﻳﺎﻥ ‪136..................................................‬‬
‫ـ ﺍﻷﻣﻴﻨﻴﺰﻳﺎ ‪138................................................‬‬
‫ـ ﻣﻌﻨﺪﻳﺶ ﺍﺳﻢ ‪142..........................................‬‬
‫ـ ﻣﺎ ﻗﺒﻞ ﻋﺎﳌﻜﻢ ‪144..........................................‬‬

‫~ ‪~ 165‬‬
‫ﺍﻟﻔﺼﻞ ﺍﻟﺮﺍﺑﻊ "ﺍﻷﺧﲑ" ‪147............................... :‬‬
‫ـ ﺑﺎﺭﻳﺲ ‪148.................................................‬‬
‫‪-‬ﲬﺮﺓ ‪152....................................................‬‬
‫ـ ﻣﺪﻳﻨﺔ ﺍﳌﻼﻫﻲ ‪156...........................................‬‬
‫ـ ﺍﺳﻄﻨﺒﻮﻝ ‪158...............................................‬‬
‫ـ ﻋﻬﻮﺩ ﺯﻭﺍﺟﻲ ‪161...........................................‬‬
‫ﺧﺎﲤﺔ ‪162....................................................‬‬
‫ﻓﻬﺮﺱ ‪163...................................................‬‬

‫~ ‪~ 166‬‬