Professional Documents
Culture Documents
Transfeminism
Something Else, Somewhere Else
K A R I N E E S P I N E I R A a n d M A R I E - H É L È N E / SA M B O U R C I E R
Abstract The aim of this article is to trace genealogies of transfeminism in France and in Spain. It
examines the relationship of transfeminism alongside third-wave and second-wave feminist political
objectives, the struggle against transpathologization, and the resistance to the binary sex/gender
system. It also addresses the politics of translating queer in the European context, showing how
transfeminism is a critique of Anglo white queer theory and its capacity for disembodiment. The
postporn movement—a distinctive feature of Spanish transfeminism—is offered as a productive use
of the body as a means to resist biopower through creative counterproduction and space occupation.
The authors argue that transfeminism is about not only resignification but also rematerialization and
is a way of getting away from English as an imperialistic language and a reaction against the
theoretical excesses of US first-wave white queer theory.
Keywords postporn, transpathologization, queer, translation, sex dualism, biopolitics, Outrans,
Le Zoo
T ransfeminism started in France in the late 1990s and formally went public
when the trans collective Outrans published a statement, “Transfeminismes,”
first in 2009 and again in revised form in 2012 (Outrans 2009, 2012, 2013).
Transfeminism first entered public discourse in Spain at about the same time, in
the context of a state conference on feminism in Cordoba in 2000. This article
discusses the recent, interrelated development of transfeminist politics and per-
spectives in these two countries.
Outrans
As stated in the Outrans declaration, “transfeminism is a major opportunity to
build a politics of resistance and alliance, because we consider domination to be a
multilayered system that produces cross-oppressions, including transphobia. Our
analysis is a feminist one, drawing from third-wave feminism, queer feminism,
and postidentity feminism” (Outrans 2012). Within this coalitional politics of
resistance, we see two fights that are specific to trans people: the battle against the
medical and psychiatric control of trans lives, and resistance to the totalizing and
compulsory system of two exclusive binary genders. Regarding the first struggle,
against transpathologization, Outrans aligns itself with Stop Trans Pathologiza-
tion (STP), an emancipationist group that seeks to abolish the various diagnostic
classifications of trans people, whether in the Diagnostic and Statistical Manual of
Mental Disorders of the American Psychiatric Association or in the World Health
Organization’s (WHO) International Classification of Diseases.1 STP is a broad
coalitional movement that has managed to unite three hundred collectives on five
continents, and it has contributed in a major way to thinking transfeminism in
Spain. Regarding the latter struggle, in favor of gender proliferation, Outrans
embraces the growing tendency to deploy such self-defining terms of identifica-
tion as FtX, Ft*, FtU, trans’, trans*, transsexual, trans woman, trans men, trans boy,
trans variant, or gender fluid—to name but a few of those documented by recent
research (Espineira 2012; Giami, Beaubatie, and Le Bail 2010).2 We consider this
position to emerge from a feminist critique of the sex/gender system that, on the
one hand, interrogates the power relationship between men and women and, on
the other hand, supports the production of new gender formations that reject and
move beyond compulsory heteronormativity and its enabling gender norms
(Rubin 1975, 1984). We are answering Patrick Califia’s (2003: 221) call to “trash the
clinic and burn down the beauty parlor” and liberate ourselves from the appa-
ratuses that manufacture standardized femininities and masculinities.
economic crisis, and the subsequent programs of austerity and debt restructuring
imposed on Spain by European and international institutions after the collapse
of the financial markets. Transfeminism’s political horizon is not abolitionist;
rather, it is counterproductive: a material proliferation of new femininities and
masculinities, of “abnormal” and monstrous bodies inserted into biopolitics,
which overflow the fictional but foundational dualism at the heart of capitalist
modernity —so-called “sexual difference.” Transfeminism is not an abstract cri-
tique of this theoretical dualism. Rather, it traffics in actually existing nonbinary
lives, bodies, identities, and genders on a collective social level. Collective “arti-
vism,” especially a performance-oriented politics of representation and enspa-
cement, plays a crucial role in transfeminism precisely because it makes visible the
lie of sexual dualism. Postporn performance activism in particular has become a
distinctive feature of European transfeminism —countering the neoliberal rep-
rivatization of the sexual sphere by publicly exposing the many ways in which the
logic of binary sexual difference routinely fails.
Neoliberal politics, whether it emanates from the state or from private
corporations, produces neoliberal subjectivities in part by reconfiguring the rela-
tionship between private and public, sexual and social. It demands the death of
embodied subjects that defy this segregation of life into incommensurably separate
spheres—of physical bodies that might otherwise produce new social formations
and subcultures and, therefore, new bodies politic. Trans and queer urban space-
making practices can counter the neoliberal spatial politics of zoning laws, social
segregation, and gentrification. Many transfeminist collectives such as Quimera
Rosa (2003), Post-op, ORGIA, and Ideadestroyingmuros11 2005, as well as indi-
vidual artists such as Diana Pornoterrorista, work against the spatial logic of neo-
liberalism that manifests in most cities worldwide today. In 2010, many of these
artists staged a collective performance in Barcelona called “Oh-Kaña” (Post-op
et al. 2010), a tribute to José Pérez Ocaña, who used to walk naked in the streets of
Madrid to protest Francisco Franco’s dictatorship. Through this performance they
brought prosthetized, gender-fucked, and cyborg bodies; queer bodies in fetish and
leather gear—that is to say, monstrous antineoliberal embodied subjectivities
produced in queer sex subcultures—into such public spaces as Las Ramblas and La
Boqueria.
Transfeminist bodies stand today with the freaks, the crips, and the naked
queers. They share the common project of reclaiming bodies that matter precisely
because they are “unproductive” bodies capable of becoming bodies of pleasure
dedicated to nonreproductive forms of sex, microsocial bodies that can reclaim and
reconfigure space; they offer resistance to a neoliberal subjugation that aims to put
bodies to work in worse conditions than ever before. Disruptive practices of
embodiment have been lived by sexual minorities since at least the 1970s. Postporn
practices today draw upon this resource produced by gay, lesbian, and queer BDSM
cultures of the past. The passivity, anal objectification, cutting, and fist fucking that
were practiced in dungeons and clubs by lesbian SM groups in the 1980s (such as
Samois in San Francisco, and the Lesbian Sex Mafia in New York City) are now
openly performed in the streets of Spanish cities by postporn transfeminist activists
who know how to concretize and reenact their sexual and economic situations, and
thereby to analyze the naturalizing and depoliticizing mechanisms at work in them.
“Queer” lately has been the target of harsh criticisms for its multiple per-
ceived failures: internal racism, false promises of intersectionality, class privilege,
the still burning issue of feminism. Chicana feminist Gloria Anzàldua has been
given a postmortem footnote in the US academy as the person who first appro-
priated and subverted the pejorative term queer (Alarcon 1990), but in Europe,
queer of color feminism is routinely excluded by the queer academic jet-setters who
keep asking for obscene conference fees in the middle of one of the worst economic
crises we have ever faced.12 Transfeminism in Europe, whether in Le Zoo in Paris in
the 1990s or in Bologna or Barcelona today, has thus come to play the vital role of
advancing a critique of queer theory and politics—a critique necessitated first
by the transnationalization of “queer” along the progressivist trajectory of US
modernity and, second, by the refusal within Europe to adopt the anti-identitarian
stance required by first-wave US queer theory.
Is this queer corpse worth reanimating, or should we let it die? In Animacies,
the linguist Mel Y. Chen (2012) suggests that if such a thing as queer liveliness still
exists, it is to be found in queer’s verbal and adjectival forms rather than its deadly
nominal one. Feminism is a noun without a verb form, but trans is grammati-
cally polymorphous. Trans is not about resignification; rather, it is about rema-
terialization. It can be a noun as well as a prefix that attaches to and dynamizes
other words, providing new directions for them, bringing both feminism and
queerness into new assemblages (reagencements). Trans works as well in French,
Spanish, Italian, and many other languages as it does in English. What are we to
make of the mobility of this little unit of grammar, its ability to animate, to cross, to
“quare” (Johnson and Henderson 2005)? To quote Chen:
Marie-Hélène/Sam Bourcier, queer activist and theorist, teaches at the University of Lille 3 in
France. He is the author of the Queer Zones trilogy—Queer Zones: Politique des identités sexuelles
et des savoirs (2001), Queer Zones 2: Sexpolitiques (2005), and Queer Zones 3: Identités, cultures,
politiques (2011)—and Comprendre le féminisme (2012). All his books and articles are available
on academia.edu.
Karine Espineira is a research fellow at the University of Nice-Sophia Antipolis and University
of Paris 8, where she studies gender models and the representations of trans people in the
media. She is the author of Transidentités: Ordre et panique de genre (2015), Médiacultures:
La transidentité en télévision (2015), and La transidentité (2008).
Notes
1. Stop Trans Pathologization: “A campaign for the depathologization of trans identities.
The main goals of the Campaign are the removal of the categories of ‘gender dysphoria’/
‘gender identity disorders’ from the diagnosis manuals (DSM of the American Psy-
chiatric Association and ICD of the World Health Organization), as well as the fight for
trans health rights.” See Stop Trans Pathologization 2012.
2. See also the survey for the report on transphobia conducted by Arnaud Alessandrin and
Karine Espineira in 2014 (Alessandrin and Espineira 2015).
3. It should be underlined that Delphy’s definition of intersectionality does not include
trans people and that she accuses them of ruining the feminist project to abolish gender.
4. See also Rogue 2012.
5. See also Espineira et al. 1998. At the time, we thought of many Zoo members (gays,
lesbians, bis, queers, etc.) as virtual trans identities, which, later on, proved to be true.
6. The term Spanish is not used in a nationalistic sense here. A lot of transfeminists living in
Spain are Italian.
7. Regarding Smaschieramenti, see Smaschieramenti 2010, and regarding the call for a
“transfeminist block” in the demonstration against austerity in Rome on October 15, 2011,
see Smaschieramenti 2011. See also the collective A/matrix based in Rome, who identified
as transfeminist, write, “A/matrix è unprogetto post, trans, pop, cyber,neo, ultra, meta,
iper femminista. Anche se non sembra, siamo piuttosto concrete: è la discriminan-te
fondamentale per non imploderee/o faregomitolo” (A/matrix is a post, trans, pop, cyber,
neo, ultra, meta, hyper feminist. We are more concrete than we look: being concrete is
crucial for not imploding or becoming a tangle[Sconvegno 2008]). Many thanks to
Alessia Acquistapace for the resources and the translation.
8. See, for instance, Lawrence La Fountain-Stoke’s (2009) play on words “Queericans.”
9. In Latin America, queer has also been translated as “cuir” in order to break with Anglo
imperialism.
10. On the crucial part of workshops, see Bourcier 2013.
11. See “Capitalism Is a Shit” and “Pornocapitalismo” in Ideadestroymuros 2005.
12. See, for example, the infamous conference on sexual nationalism in Amsterdam in 2011
(Stelder 2011).
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