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Summary/Overview:
● Tuning exercise around Circle of Fourths
● Rhythmic exercise over Drum Genius
● Introduce blues form
Duration: 10-12 minutes
Materials and Visual Aids:
● Speakers, aux, and converter
● Drum Genius
Detailed Process:
● Tuning exercise on Circle of Fourths
○ Write on board together (?)/ say it together
○ Drum genius on, percussionists on vibes/mallets
○ What is an ostinato?
■ What ostinato would sound good over this?
○ Start at C, go around the circle in 4ths ( Bb, Eb, Ab, Db, Gb, B, E, A, D, G, C, F)
○ Repeat but on roots and fifths
● Call and response on Bb over Drum Genius
○ Facilitator plays four-beat phrase, immediate response
○ Around the circle, adding notes every few people (Bb, Eb, F)
● I IV V I (roots, then add fifths)
Wound Forward:
● I IV I I
IV IV I I
V IV I I
● Roots, fifths
● Teach scales
○ Bb Major/Bb dominant
○ Eb Lydian/Eb Major
○ F dominant
Wound Back:
● “Feel free to return to this at any point”
● Provide transpositions
● Provide handouts
● Color-coding
● Hand signs
Assessment:
● Playing correct notes when specified
● Accurately replicating rhythms
● Improvising with chord tones
Standards Addressed:
● HIAD.9 The student will improvise a melody to a I-IV-V(V7)-I chord progression.
HIAD.10 The student will arrange or compose accompanying harmonies and/or counter
melodies to a given melody.
HIAD.13 The student will demonstrate, describe, and analyze ensemble skills at an
advanced level, including
○ balancing and blending instrumental timbres;
○ making adjustments to facilitate correct intonation;
○ matching dynamic levels and playing style;
○ responding to advanced conducting patterns and gestures;
○ demonstrating conducting patterns and gestures; and
○ maintaining a steady beat at various tempos and performing tempo changes in the
music literature being studied.
● HIAD.16 The student will create and perform rhythmic and melodic examples to a
I-IV-V(V7)-I chord progression, using call-and-response and improvisation.