International Art of The World's Most Indicators of Artistic Phenomena - Selected Works of The Venice Biennale National Pavilion AR Collection

5/14/2019 International Art of the World's Most Indicators of Artistic Phenomena: Selected Works of the Venice Biennale National
National Pavilion AR …
Collection | Small collection | Yishu | bookstore | space | food
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Show The most indicative artistic phenomenon in the countries of

2019.05.11
international contemporary art: the selection of the National
Pavilion of the Venice Biennale
Text | ARTouch Editorial Department
“ The National Pavilions have been the most direct sampling of the art performances of
the country, dealing with the complex political geography, history and ethnicity of the
country, and the gender gap in the artist is shrinking. The collection of the ARTouch
editorial department also featured a selection of 10 national pavilions in the Giardini
and Arsenale exhibition halls.
”
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5/14/2019 International Art of the World's Most Indicators of Artistic Phenomena: Selected Works of the Venice Biennale National Pavilion AR …
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A glance at the Venice Biennale Green Garden (Giardini). (provided by the Venice Biennale)
The Bi Biennale di Venezia, the contemporary art world, reopened on May 8th. The
BOOKSTORE 》
National Pavilions have been the most direct sampling of the art performances of
the country. With the support of certain funds, the national contemporary art
SPONSORED
performance will be fully elaborated. This year, the National Pavilion will deal with
the complicated political geography, history and ethnicity of various countries, and
the gender gap of the artists is also narrowing, including the French Pavilion. .
Laure Prouvost, Cathy of the British Pavilion. Cathy Wilkes, Natascha Sadr
Haghighian of the German Pavilion and the representative of the Austrian Pavilion
are Renath, 76. Renate Bertlmann, Taiwan’s Zheng Shuli is also a case of female
artists. The collection of the ARTouch editorial department also featured a
selection of 10 national pavilions in the Giardini and Arsenale exhibition halls.
French Pavilion: Lor. Laure Prouvost
The most popular French pavilion in the Green Garden Castle National Pavilion, exhibiting artist Lor.
Laure Prouvost. (Photography / Lin Yixiu)
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French pavilion exhibition site. (Photography / Lin Yixiu)
The French pavilion exhibited the artist Lor. Laure Prouvost is the most popular
national pavilion in the Green Park Castle National Pavilion. During the preview
period, almost every time period is crowded, which is quite curious about the scene
inside the French pavilion. Puluo, who won the Turner Prize, is good at combining
ancient monsters and painting strokes, and creating surreal scenes. When I enter
the French Pavilion, I first see the excavation site that echoes the previous
excavation works. It is a scene similar to the time-lapse and fantasy arrangement of
marine life and garbage. From cigarette butts, discarded plastics, old mobile
phones and octopus, the core of the exhibition is the image of her fast cut and
Montage technique, which surpasses the heavy weight of the National Pavilion.
Historical and political narratives show the fluidity of human nature with rich
texture.
UK Pavilion: Cathy. Cathy Wilkes
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Cathy in the UK Pavilion. Works by Cathy Wilkes. (This publication room)
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Cathy in the UK Pavilion. The work of Cathy Wilkes is related to the rituals and stages of daily life. (This
publication room)
Kay on behalf of the British Pavilion. Cathy Wilkes, connected to the simplicity of
the National Pavilion, creates a series of scenes with floor sculptures, paintings and
prints. Wilkes's work has a unique and highly personalized sculptural installation
that is related to the rituals and stages of everyday life. Wilkes's device links
mediocrity in everyday life with larger prototypes such as birth, marriage, parenting
and death. She tries a variety of media and materials, and easily triggers internal
memories and dealing with the sense of loss of humanity, early retro-style fantasy,
and deep thinking about the nature of sensibility and the meaning of life and
death.
Austria Pavilion: Reinert. Porterman (Renate Bertlmann)
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Austrian artist Reinert. The exhibition site of Renate Bertlmann. (This publication room)
The Austrian pavilion exhibited artist Renate. The work of Renate Bertlmann. (This publication room)
Austrian artist Reinert born in 1943. Renate Bertlmann, this time on behalf of
Austria. This year, 76 years old, she began to explore the issue of sexual and
pornographic performance during the feminine germination in the 1970s. She
opposed the female eroticism in the eyes of men and developed a new aesthetic
that represented the female body. She uses collages, paintings, photographs,
performances, and objects to think about the contradictions between women and
men at the level of sex and desire, challenging gender stereotypes with a sense of
humor, and setting a preconceived role. Since 1975, she has developed a series of
works using latex nipples and inflatable condoms to connect the penis to women.
Since the 1980s, her work has been erotic, and her entire artistic career has
continued. The pursuit of gender relations.
Australia Pavilion: Angelica. Angelica Mesiti
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Angelica. Angelica Mesiti's three-channel video installation at the Australian Pavilion featured a variety
of performers and musicians. (This publication room)
Angelica, representing the Australian Pavilion. Angelica Mesiti, who has always
been known for her large-scale video productions and complex musical structures,
and the use of film language and performance to explore individual and collective
connections, tries to solve the complex problems that humans experience in her
works. . The three-channel video installation premiered by the artist at the
Australian Pavilion, with a hollow ring-shaped blanket for the viewers to sit around,
and filmed a variety of performers and musicians in the solemn hall of the ancient
Senate. Mesetti's work attempts to create the level of discussion of these abstract
problems through her human communication and the nature of society and
politics, which is often in her well-arranged video works, often through novel and
non-verbal forms.
Canada Pavilion: Isuma Collective

Since the 1990s, the Isuma Collective has been shooting people and stories from the Inuit region in the
form of video narratives. (This publication room) 0
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The Canada Pavilion is exhibited by the Isuma Collective on behalf of the National Pavilion, and the
picture shows the exhibition site. (This publication room)
The Canada Pavilion is exhibited by the Isuma Collective on behalf of the National
Pavilion, which is an Inuit, one of the Native Americans, located around the Arctic
Circle, including Greenland, and the Nunavut region of Canada. Northwest, Yukon,
Quebec and other places. Members of the Isuma art group include video directors,
photographers, editors, etc. This group has been shooting people and stories from
the Inuit region in the image narrative since the 1990s. They even set up an
imaging platform "ISUMA TV" to try to use it as a democratic platform for several
Aboriginal cultures around the world. This year, the Canada Pavilion is represented
by the Isuma art group and also symbolizes Canadian Aboriginal artists. In the past,
through resistance, history writing, The establishment of the Aboriginal local

council and the protection of language can gradually have a position and a voice in
the national nature of Canada.
Chile Pavilion: Boluspa. Voluspa Jarpa
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Chilean library title: The Emancipating Opera. (© Chile Pavilion and artist)
Chilean Pavilion: The Subaltern Portrait Gallery. (This publication room)

Chile Pavilion: The Hegemony Museum. (© Chile Pavilion and artist)
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The Chilean pavilion, featuring the theme of "Altered Views", presents the female
artist Boluspa. A wonderful solo exhibition by Voluspa Jarpa, one of the curators of
the next Berlin Biennale, Agustin. Perez. Planned by Agustín Pérez Rubio, it
presents a complete and highly sought-after exhibition. Through doubts about
Eurocentrism, the artist confronts racism, modernism, patriarchal supremacy,
economic interests and dominance as a form of colonialism, and pursues and
questions the hegemonic status of European history from the 17th to the 20th
centuries. The works involve a wide range of topics. Through the exhibition as a
narrative, the three sub-topics: The Hegemony Museum, The Subaltern Portrait
Gallery and The Emancipating Opera Constructed cultural space/model.
Japan Pavilion: "The Eggs of the Universe" (Cosmo-Eggs)
The exhibition hall of the Japan Pavilion "Cosmo-Eggs". (© Japan Pavilion, Photo by ArchiBlMing)
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Taro Yasuno's work "COMPOSITION FOR COSMO-EGGS "Singing Bird Generator" (partial). (© Japan
Pavilion, Photo by ArchiBlMing)
The Japan Pavilion exhibits the work of Motoyuki Shitamichi, "Tsunami Boulder", 2015-. (© Japan
Pavilion and artist)
This year's Japan Pavilion surrounds the Anthropocene main axis, which affects the
concept of ecology and geological systems. From the Japanese society facing
natural disasters, the theme of Cosmo-Eggs is rooted in the world. The
mythological theme of each place can reflect the "egg" and "stone" of the image of
the circle, in order to symbolize the cycle and repetition. Curated by curator
Hiroyuki Hattori, the artist gathered Motoyuki Shitamichi, composer Taro Yasuno,
anthropologist Toshiaki Ishikura, and architects to write Fuminori Cross-
disciplinary workers such as Nousaku) have jointly organized an experimental
platform to explore how humans and non-humans coexist with ecology. The
Japanese pavilion also deliberately published the exhibition catalogue in the form
of research data, and detailed and meticulously combed the work thinking path of
five people.
India Pavilion: "Our Time is a Care for the Future" (Our Time for a Future Caring)
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The India Pavilion "Our Time for a Future Caring" exhibition appeared. (This publication room)
Indian pavilion exhibition site. (This publication room)
Eight years after the last participation in the National Pavilion, the Indian Pavilion
has opened its own history through introspection. The exhibition was cut in from
the 150th anniversary of the Mahatma Gandhi in India. The seven artists'
installations, paintings, images and sculptures were used to test the sensitive issues
of past history and morality. In this way, look back at its philosophical thinking and
the relationship with today's complex and confused contemporary society. The
exhibition titled "Our Time for a Future Caring", through the form of difference, in
the context of Gandhi as the main axis, the discussion of truth, forgiveness and
non-violence.
Singapore Pavilion: Song-Ming Ang
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"Recorder Rewrite" 2019. (© the artist)
The Singapore Pavilion "Music For Everyone: Variations on a Theme" exhibition site. (© the artist, photo
by Olivia Kwok)
The ninth time at the Singapore Pavilion at the National Pavilion, the artist Song-
Ming Ang collaborated with curator Michelle Ho to "Music For Everyone:

Variations" On a Theme), the concept of climbing is from the 1970s to the 1980s.
The Ministry of Culture of Singapore encourages people to appreciate music,

develop Western music education and cultivate national identity, and then
organize a series of music concerts. The artist who specializes in music and
multimedia creation responds to the hidden constraints between the state and the
individual and the national-driven historical vision, based on the country's past
policies.
Russia: "Lc. 15: 11-32" Collection | Small collection | Yishu | bookstore | space | food
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The exhibition "Lc. 15: 11-32" presented by the Russian Pavilion. (This publication room)
The exhibition "Lc. 15: 11-32" presented by the Russian Pavilion. (This publication room)
The Russian Pavilion in the Greenland Castle District is hosted by Mikhail, Director
of The State Hermitage Museum. Planned by Mikhail Piotrovsky, this is the
agency's first responsibility for the National Pavilion. Presented by the film director
Alexander. Alexander Sokurov and artist Alexander. The exhibition "Lc. 15: 11-32"
by Alexander Shishkin-Hokusai. Sugunov’s fables from the New Testament Luke

and the Rembrandt Harmensz van Rijn’s “Return of the Prodigal Son” An artist
studio surrounded by a passive world. Walking down the spiral staircase in the
pavilion, there is a space mechanism conceived by the artist Xi Shijin-Bai Zhai
based on the Peacock Clock, which is also the collection of the Winter Palace. The
two-story Russian pavilion displays a dark and intense visual image.

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The 58th Venice Biennale - May you live in an interesting era

Exhibition period |2019.05.11-11.24
Location|Green Park Castle, Armory Exhibition Area
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5/14/2019 International Art of the World's Most Indicators of Artistic Phenomena: Selected Works of the Venice Biennale National

Collection | Small collection | Yishu | bookstore | space | food

Show The most indicative artistic phenomenon in the countries of

Collection | Small collection | Yishu | bookstore | space | food

selection of 10 national pavilions in the Giardini and Arsenale exhibition halls.

French Pavilion: Lor. Laure Prouvost

Collection | Small collection | Yishu | bookstore | space | food

French pavilion exhibition site. (Photography / Lin Yixiu)

UK Pavilion: Cathy. Cathy Wilkes

Collection | Small collection | Yishu | bookstore | space | food

Austria Pavilion: Reinert. Porterman (Renate Bertlmann)

Collection | Small collection | Yishu | bookstore | space | food

Australia Pavilion: Angelica. Angelica Mesiti

Collection | Small collection | Yishu | bookstore | space | food

Canada Pavilion: Isuma Collective

Collection | Small collection | Yishu | bookstore | space | food

through resistance, history writing, The establishment of the Aboriginal local

Chile Pavilion: Boluspa. Voluspa Jarpa

Collection | Small collection | Yishu | bookstore | space | food

Chilean Pavilion: The Subaltern Portrait Gallery. (This publication room)

Collection | Small collection | Yishu | bookstore | space | food

Japan Pavilion: "The Eggs of the Universe" (Cosmo-Eggs)

Collection | Small collection | Yishu | bookstore | space | food

Collection | Small collection | Yishu | bookstore | space | food

Indian pavilion exhibition site. (This publication room)

Singapore Pavilion: Song-Ming Ang

Collection | Small collection | Yishu | bookstore | space | food

"Recorder Rewrite" 2019. (© the artist)

Ming Ang collaborated with curator Michelle Ho to "Music For Everyone:

The Ministry of Culture of Singapore encourages people to appreciate music,

by Alexander Shishkin-Hokusai. Sugunov’s fables from the New Testament Luke

two-story Russian pavilion displays a dark and intense visual image.

Author / ARTouch Editor ( 4791 works )

The 58th Venice Biennale - May you live in an interesting era

Favorite Article Facebook Share Line Share WeChat Share

Collection | Small collection | Yishu | bookstore | space | food

EXHIBITION Show - 2019/5/9 ISSUE Topic - 2019/5/11

VIEW Vision - 2017/8/1

The vain land gold. Thiel Solo

Collection | Small collection | Yishu | bookstore | space | food

VIEW Vision - 2019/5/8 EXHIBITION Show - 2019/5/11

EXHIBITION Show - 2019/5/13

The contemporary body of the

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