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Artistry
Cast in Stone
Sculptor Richard Erdman has had a passion
for stone since boyhood, and there’s no sign
he’ll tire of the medium any time soon.
CLOCKWISE FROM
ABOVE: Passage
(1985), Italian traver-
AS A CHILD IN
tine, 190"H × 300"W DORSET, VERMONT,
× 100"D; Spira (2014), THE ARTIST WOULD
Italian Bardiglio
OFTEN SNEAK INTO THE
NEARBY UNDERGROUND
marble, 100"H × 75"W
× 62"D; Momenta
(2009), bronze, 26"H MARBLE CAVERNS. “IT
× 20"W × 20"D. BELOW: WAS A MAGICAL PLACE
WHERE I WAS STANDING
Serenade (2018)
Carrara marble; 98”H
× 60”W × 37”D. FACING IN THE MARBLE, AS
PAGE: The artist with OPPOSED TO ON IT,”
Form Reclining (2016),
bronze, 70"H × 80"W
HE REMEMBERS.
× 54"D.
of apprentice and promptly dropped out of graduate for his abstract, flowing, almost gravity-defying
school. “I had my epiphany in Carrara,” says Erdman. sculptures, many of which have been commissioned
“It was there that I knew what I was going to do for by corporations, museums, and private patrons
the rest of my life.” in fifty-two countries. His sculptures have been
Some four decades—and more than 1,000 sculp- included in more than 160 solo and group exhibitions
tures—later, Erdman has become famous worldwide and are part of collections ranging from Boston’s
Museum of Fine Arts to the Rockefeller
Collection in New York to the Minneapo-
lis Institute of Art.
One of his most famous pieces, the
massive twenty-five-by-sixteen-foot
Passage, was commissioned by the
Donald Kendall Sculpture Gardens
at the PepsiCo world headquarters in
Purchase, New York, and still holds the
record for the world’s largest sculpture
carved from a single block (450 tons) of
travertine. It stands at the entrance of
the garden, which also includes works
by such notables as Auguste Rodin,
Henry Moore, Alberto Giacometti, and
Alexander Calder.
Flipping through his 2016 monograph,