Professional Documents
Culture Documents
Tiffany Tseng
Ms. Matthews
English 12 Honors
7 April 2014
masterpiece that consists of 24 tales told on a spring pilgrimage to the shrine of Saint Thomas in
Canterbury. The story itself is “rich, colorful, and concrete,” yet it “is tightly controlled by the
poet for purposes of maximum suggestivity, irony, and insight into events and characters”
(Hanning). This description especially evident through the lines describing the host of the story
in the General Prologue, located in the beginning of the Canterbury Tales. The General Prologue
introduces “the pilgrims, 29 ‘sondry folk’ gathered at the Tabard Inn in Southwark,” and the host
The host of Tabard Inn, also known as the host of the Canterbury Tales, is a man named
Harry Bailly. “Since he does not tell a story, Bailly has received relatively little critical attention,
and is most frequently discussed secondarily in the context of his encounters with other pilgrims
in the links between tales” (Lambdin). Despite the fact that little is known about him, Bailly
plays an important and unique role in the Canterbury Tales. He is the only traveler who journeys
with no intention of going on a pilgrimage and whom no tale is intended (Lambdin). In addition,
he introduces the 24 pilgrim tales by acting as the frame story, saying that “each one of you shall
help to make things slip / By telling two stories on the outward trip” (811-812). As a character of
the story, Bailly serves at the narrator who establishes unity among the tales; as the "governor,"
Bailly controls the transitions from one tale to the next (Lambdin). Although it may seem to be a
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society,” showing Chaucer’s distaste towards the monarchy of the Middle Ages.
Not only does Bailly hold a unique position in the story due to his actions, but also due to
the personality and descriptions Chaucer assigned to him. The narrator describes Bailly using the
phrases, “striking man,” “fit to be a marshal in a hall,” “eyes were bright,” “girth a little wide,”
“no finer burgess,” “bold in speech, “wise and full of tact,” “no manly attribute he lacked,” and
—Harry Bailly appears to represent a strong and vibrant incarnation of masculinity” (Pugh).
Despite the masculine descriptions of Bailly, the story does not explain how his manliness aids in
his narrative position, suggesting that his masculinity might be ironically connected to his self
destruction. On the other hand, Bailly says, “of good morality and general pleasure / He shall be
given a supper, paid by all” (818-819). His “aesthetic principle of combining morality and
pleasure is typical for the Middle Ages” (Eckhardt). He also talks in a comic, biting and frivolous
way with the pilgrims, hinting at the fact that Chaucer might be mocking men from the Middle
Ages.
Chaucer uses Bailly not only to comment on the medieval monarchy and men from
Middle Ages, but also to add the satirical aspect into the story. He “holds the traditional satiric
position of the stock character deus, who 'gives the appearance of controlling the dialogue’ and
‘is characterized by the intent to give the figures in the central confrontation exactly what they
think they want’” (Eckhardt). Despite being an unimportant character in the Canterbury Tales
based on the fact that he does not tell a story, Harry Bailly is used many times to add to
Works Cited
Eckhardt, Caroline D., and Derek Pearsall. "Chaucer's General Prologue to the 'Canterbury
Tales':
Hanning, Robert W. "Canterbury Tales." Encyclopedia Americana. Grolier Online, 2014. Web. 6
Apr. 2014.
Lambdin, Laura C., and Robert T. Lambdin. Chaucer's pilgrims: An historical guide to the
Pugh, Tison. "Queering Harry Bailly: Gendered Carnival, Social Ideologies, and Masculinity
Zesmer, David M. "Canterbury Tales, The." Grolier Multimedia Encyclopedia. Grolier Online,