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Space-Age

Machining in Your
Home Shop
For less than $5(1960‘s Dollars), you can make a
device that harnesses electric sparks to chip out
holes and cavities in metal
This file was created and is distributed by masterplans/ Plans That
Work. Do not re-sell!

This experimental EDM device did the machining shown at the top of the page. You can
assemble one for less than $5.
Tiny electric sparks are the newest aid to industry's use of the tough, exotic space-
age metals that resist cutting by ordinary machine tools. The benefits extend even to common,
every-day materials because contours too intricate for shaping by standard methods are handled
routinely by this electric wonder.
EDM are the initials by which this h e lp f u l giant is known. The letters stand for "electric-discharge
machining."
The phenomenon of an electric spark blasting a particle off metal has been known in the lab for a
quarter of a century. Rut only in the last decade have American machine-tool manufacturers made
electric-discharge machines commercially available and only within the last few years has EDM
moved into most well-equipped machine shops.

One reason for the slow adoption is money. It takes a well-heeled shop to afford EDM; even an
unfancy u n it costs in the thousands,
But you can put EDM to work in your own home shop for a five-dollar hill and have change left
over. The secret lies in the little experimental machine pictured and described.
We'll call this one the EDm. Tn this case the letters stand for "electric-discharge midget." But take
a look at the photographs and see what this midget does to a piece of aluminum. The cavities and
the through holes were all cut using soft-brass male forms or "tools."
Calling the form a "tool" is more a matter of custom than of description because this tool never
actually contacts the workpiece. It's a jumping-off place for the sparks.
To understand why a spark chips off particles of metal, think of a steel b u lle t fired point blank
at a large object wit h a brittle surface. Assuming that the bullet hasn't the power to pierce, it will
chip the surface, leaving a little crater.
'The sparks act in the same manner. Since there are myriads of them, all the tiny spark
craters merge into continually new surfaces as the cutting progresses. This can form a cavity or
go through to form a hole.
One controlling feature is important in order to maintain the bullet to surface relationship: The
sparks must be made to go in only one direction- toward the workpiece. This is accomplished by mak-
ing the tool negative a n d the workpiece positive.
Theoretically it. would be quite possible to have the sparks occur in air just as lightning does. In
actual practice this would be more difficult and les,s effective because a property of materials
known as the dielectric constant determines the amount of energy each spark can carry. The
dielectric constant of air is approximately I, of kerosene more than twice as great. Further up on
the scale are alcohol at 2.1), and water with an astronomical 80.
Kerosene is the choice. Industry chooses kerosene for the dielectric in its commercial EDM
machines. You may wonder why, because the above figures would seem to make other liquids
more efficient.
The answer is that kerosene is cheap, universally available, not too flammable, and does not
cause rust. In our EDm we are going to tag along with the industry and choose kerosene.
Again theoretically, alcohol could be used and would yield some cutting a d v a n t a g e s . But it is
expensive, its vapor.-, are explosive, and its handling requires caution. On the basis of its high
dielectric constant, water would seem to the perfect medium;. Actually, it is practically worthless for
EDM because the voltage between the tool and the workpiece dissociates it i n t o hydrogen and
oxygen, an explosive pair.

Stripped to its mechanical basics, our


EDm combines a means for securing a
workpiece in a can of kerosene means fur
positioning a tool and then moving it
accurately up and down without
backlash. However, there is nothing
sacred about either the design chosen
here, or the size, and you can use your
own ingenuity as long as you achieve
the hold-down for the submerged
workpiece and the no-backlash vertical
motion of the tool. The pan used was
plastic; it' could be glass or even metal.
Commercial EDMs contain complicated power supplies and even more involved pulsing circuits
to time and control the sparks. We arc "going to accomplish an almost equivalent result in simpler
fashion and at far less cost.
Understanding EDM action. As a tool comes close to work, sparks begin to
chip off tiny particles (A). A cavity forms (B) as toot advances. As cavity
deepens, ar important factor— overcut—comes into play (C). This is a term fo'
the amount hole is larger than tool. Since an electric spark al ways takes
shortest route, cutting takes place in overcut as tool advances (D). Chips are
blasted out
OVEB-CUT

Relative cutting speeds of various metals tint you could use for tools in
EDM work are indicated on this chart. Graphite makes a good, long-lasting
tool.
An experimental machine can be quickly put together by applying the ideas in this ebook.
Through holes can be made with the experimental EDM machine and the
holes will be exactly the shape of the tool cross section. See photo above.
Drilling center hole first (sketch) gives closer cuts.

Modern silicon rectifier that'll pass at least two amperes and make
experimental EDM machine useful is Size of cap screw, costs less than a
dollar(again this was 1960‘s dollars, we purchased the one above on eBay for
less than $10).

You feed the tool. In all honesty, there is one point on which our EDm must bow to its superiors:
The commercial EDM feeds the tool continuously and automatically until the culling is completed. It
does this with electronic sensing circuits that control servo mechanisms. In our EDm the tool
feeding w i l l be done by your hands.
The tool must always be negative and the workpiece positive. This implies direct current. Since
house wiring is alternating current a rectifier is needed. This rectifier must pass at least a couple of
amperes in order to make our machine useful. Once this would have meant a clumsy problem, but
the modern silicon rectifier with this current rating is little larger than a cap screw and costs under
a dollar.
In the electrical circuit the lamp bulbs control operation. Bulb A limits the maximum current the
unit will draw from the house mains and keeps it within the rating of the rectifier. (The rule is ap-
proximately 100 watts per rectifier ampere; our EDm has a two-ampere rectifier, and so lamp A can
never exceed 200 watts.)
Lamp B controls the pulse rate and is found by experiment for each cutting job. In our EDm it can
be anything from 200 watts down; the smaller wattages make finer cuts and are slower.
Tine capacitors are of the electrolytic type and should have u working voltage rating of at
least 150 volts to be adequate. Higher voltage ratings cost more but are added insurance for
longevity. The capacitors chosen here are 200 mfd. and these provide a respectable cutting
rate. You might want to glamorize your EDm by adding several capacitors of different capacitances
selectable by a switch for fine tuning to each job. (The important thing about booking up rectifiers and
electrolytics is to be meticulous about observing correct polarity.)
The first, capacitor acts as a reservoir to hold a supply of "juice" constantly in readiness. The
second capacitor determines the pulsing of the sparks because it charges slowly through the lamp
bulb and then hurls this charge at the work-piece in the form of a spark.
One caution: The metal parts of our EDm are "hot." Place it on a pad of newspapers when in use
and don't, bring it in contact with water pipes, radiators, or damp garage and collar floors. The
only part you touch d u r i n g operation is the handle on the insulated screw.
No switch is provided. This is an on-purpose omission because the plug should be pulled
during a ll setup a n d preliminary adjustments. Incidentally the wiring is- a sort of "fail safe"
because any short circuit in capacitors, work, or rectifier will simply light the lamps and won't bother
the house fuses or breakers.
And now to get down to the business of cutting metal. Before the first shakedown cruise, check
and make sure that the tool is really negative. Do this by putting a workpiece in place and holding
it down with the cross rods that also make the electrical connection. Bring the tool down close to the
work but not touching. Fill the pan with plain water. Insert a 200-watt bulb at A and a 100-watt bulb at
B. Put in the plug. Bubbles should form at the tool only.
If this checks out. pull the plug, discharge the capacitors by gently running the tool down to
touch the work, and dump the water. Fill the pan with kerosene. Replace the plug and you are on
your way to the magic experience of electric-discharge machining.
Cu t t in g is controlled by starting with [he tool touching the work; this will light both bulbs. Back
the tool off slightly; the bulbs will dim and the cutting will commence with a continuous crackling
sound. The louder this noise the coarser the cut. A little practice will enable you to keep feeding
the tool down to maintain a gentle p u rrin g that means a fine, close cut.
The kerosene will become dark from the millions of particles knocked off the workpiece. At the
end of the job it can be placed in a jar to settle, the clear liquid decanted and re-used.
(Commercial EDM's have pumps and filters to take care of this.)
One-half (urn of the feed screw runs the tool down 1 / 3 2 inch. Depth of cut can therefore be
monitored by counting the number of h a l f turns after the tool starts cutting. The workpiece should
be blocked up off the bottom oi' the pan when making through holes so the tool can make a clean
pass.
The beauty of EDM is that the tools can be made from relatively soft, easily machined material.
For the range, check over the accompanying chart. In industry, the preferred choice is graphite.
Your EDm lets you make dies, molds,
odd-shaped holes...
Dies and molds in all kinds of shapes are a factor in your shop work with
the little EDM machine. Photo top shows how a stamping was made from a
bit of sheet metal, using a drill press to exert pressure. Second frame shows
an EDM machine making a mold for a badge. This method is also used in
making coins.

Original circuit diagram


Schematics of a version using a bridge rectifier and capacitors salvaged from a computer’s power supply.
See other files for more details.

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